Sentences with phrase «on narrative art»

In a college course on narrative art, Van Doren introduced his students (or reintroduced in Wakefield's case) to the New Testament.

Not exact matches

In The Art of Biblical Narrative, Robert Alter suggests a key to characters» inner thoughts and motivations which would be helpful even to the inexperienced reader of Scripture: first, external details (appearance, clothing, gestures); second, «one character's comments on another»; third, «direct speech by the character»; fourth, «inward speech... quoted as interior monologue»; and fifth, «statements by the narrator about the attitudes and intentions of the personages» (pp.116 - 117).
I have long remembered the remark of a notable art critic — though I have forgotten which one — that many modernist paintings could be understood as fragments of classical painting blown up for their own sake, displaying the formal and technical elements by which painting is accomplished but eschewing the narrative depiction within which such patches of paint on canvas would earlier have had their place.
The Narrative: Both stories have been written by Child Psychiatrist Dr Kaylene Henderson and are based on principles from cognitive - behavioural, narrative and artNarrative: Both stories have been written by Child Psychiatrist Dr Kaylene Henderson and are based on principles from cognitive - behavioural, narrative and artnarrative and art therapy.
But as each and every player engages in debates - concerning, among other things, art, the artist's perspective, and male - female dynamics - Guerín focuses as much attention on the slippery boundary between documentary and fiction, in turn engaging with an evolving narrative, increasingly complex character dynamics, and an endlessly vivid emotional journey.
... like the wasteoid who trails off mid-sentence to get lost in the cover art for Animal Collective's Merriweather Post Pavilion, [Nima] Nourizadeh has trouble concentrating on a single organizing narrative mode for his film.
Allan Cameron's Modular Narratives in Contemporary Cinema, the subject of this review, does something similar — for the most part — to Puzzle Films and seems to sit clearly on the side of the debate that understands there is indeed something unique about the complex narratives of contemporary cinema, arguing that these films are different not only from classical Hollywood films but also from the art cinema and experimental films they oftenNarratives in Contemporary Cinema, the subject of this review, does something similar — for the most part — to Puzzle Films and seems to sit clearly on the side of the debate that understands there is indeed something unique about the complex narratives of contemporary cinema, arguing that these films are different not only from classical Hollywood films but also from the art cinema and experimental films they oftennarratives of contemporary cinema, arguing that these films are different not only from classical Hollywood films but also from the art cinema and experimental films they often resemble.
Recent years have seen a new level of black art that's intertwined sociopolitical commentary with high - caliber artistry: from Beyoncé's Lemonade and Kendrick Lamar's DAMN to Atlanta and Queen Sugar, there's been a renewed focus on telling stories that broaden and sharpen the range of black narratives.
Night In The Woods takes on serious themes of life as a college dropout in a small Midwestern town through a refreshingly original narrative, endearing characters, and an art style to match.
A section on the film's marketing illustrates the difficulties Fine Line Features had extracting a unified sales campaign out of the expansive network narrative with a wide variety of promotional art, trailers, and numerous TV spots.
Official Synopsis: Styles of filmmaking have changed greatly from the classical Hollywood system, with its emphasis on narrative and character, to the current digital era of YouTube and installation art, where audiovisual spectacle takes command.
Alain Resnais, the French filmmaker who helped introduce literary modernism to the movies and became an international art - house star with nonlinear narrative films like «Hiroshima Mon Amour» and «Last Year at Marienbad,» died on Saturday in Paris.
I would be cheating my own rules for this annual exercise if I were to crown Howards End as my film of the year - I have in fact seen it many, many times before and loved it for a long time (although never before was I able to enjoy the finesse of its narrative structure, and admire its sumptuous mise - en - scene and art direction - actually delivered on a shoestring budget - on a big screen).
Although its overwhelming logic is hence from video games — «I've never made it this far,» Cage tells his followers at one point, when asked what comes next — Edge of Tomorrow works best as a gleeful riff on the narrative tricks endemic to the cinema, an art defined more by editing than by images.
What of criticism's other functions: proselytizing on behalf of the creatively triumphant but commercially marginal; trawling through cinema's back catalogues in search of unappreciated masterpieces; placing movies within the broader narratives of intellectual history; transforming personal taste into an essayistic art unto itself?
In the latest episode of Observations on Film Art, now streaming on the Criterion Channel on FilmStruck, scholar David Bordwell isolates the recurring motifs in Chungking Express, illustrating how the director uses small details to unite two sections that never intersect on a narrative level.
Since that film is more a series of wild experiences than a strict narrative plot, Matsuya focuses on distinct background events, with art representing Robert Pattinson's character sprinting through it all, much like he does in the film.
In this project, English, social studies, science, and / or art students not only learn a great deal about the topic they write on and illustrate, they also learn about the classic components of good narrative, and why it is unexpectedly challenging to make a publication - worthy picture book.
Lucas also serves on the board of The Film Foundation, the USC School of Cinematic Arts Board of Councilors and will build the Lucas Museum of Narrative Art, emphasizing American illustrative, digital, cinematic and animation art as an avenue for the exploration of the great storytelling history, populist works and artistic innovation of the past 150 yeaArt, emphasizing American illustrative, digital, cinematic and animation art as an avenue for the exploration of the great storytelling history, populist works and artistic innovation of the past 150 yeaart as an avenue for the exploration of the great storytelling history, populist works and artistic innovation of the past 150 years.
We used laptop computers to write running narratives of what was going on in the classroom during language arts.
Through extensive study in the areas of next generation learning, social and emotional learning, wellness, urban planning, Hip - Hop culture, Chicago history, the opportunity gaps that exist among marginalized students, economic mobility, arts education, and the at - risk communities on Chicago's South Side, Art in Motion has a solid research foundation upon which to build an innovative middle and high school that has the potential to change the narrative for many Southside youth.
Further evidence is the recent photo proudly displayed on the UFT website of one of our teachers receiving the UFT's CTE Award with Mr. Urena standing confidently among art and CTE teachers projecting a false narrative of a vibrant and active UFT chapter.
These included: (a) personal narratives about social issues, (b) peer critique, and (c) student reflections on presenting their art to the public.
Whether we are teaching about the theory of evolution, the music of Mozart, or the Holocaust, we can approach these topics through narrative; through logical and numerical analyses; through works of art; through hands - on activities; through group work or a «jigsaw» exercise, where each learner takes on a different part of the exercise.
That doesn't mean that sequential art narratives telling teen - friendly stories didn't exist before American Born Chinese; on the contrary, plenty of graphic novels published before 2006 contain coming - of - age stories ideal for a teen audience.
In tracking the timeline of Arbus» life through her art, Lubow brings to bear on the narrative a deep appreciation for her pictures and an impressive technical grasp of photography.
Her essays and op - eds on publishing, the role of creative writing centers and the importance of the narrative arts have appeared in The Boston Globe, Huffington Post, Cognoscenti, Writer's Digest and TinHouse.
With art that pops right off the page and a narrative that combines action, introspection, and romance in perfect proportion, this graphic novel about Korean American Dixie, who develops a crush on a competitor at a hapkido tournament, will win a huge audience.
, encouraging readers to engage with the art, while the clearly written narrative continues on the facing pages.
This, of course, makes perfect sense for readers looking only for sequential art narratives, as well as for readers looking just for sentences neatly ordered on a clean page.
Le Guin holds court with her trademark clear - sightedness and wit on topics ranging from the realities of aging and the art of narrative to eating breakfast and adopting a new cat.
In this collection 10 years in the making, Sentilles writes an impressionistic narrative of the relationship between violence and art from American slavery to the War on Terror.
A narrative essay format draws on the art of storytelling by first deciding on a fitting theme.
I was into video games, movies and comics, all these different narrative art forms and things that were centered on creativity and somehow music wasn't part of that.
It's rare I find myself deeply intrigued by anything having to do with sportsball, but the retro art style and focus on narrative storytelling is undeniably endearing and well worth sponsoring if you've got a few bucks burning a hole in your knickerbocker's pocket.
A shared world, 3rd person cover based action adventure game, with a focus on art, narrative and environment which includes various game modes and campaigns and cutting - edge, fun and unique online experiences certainly sounds like Destiny.
Bringing on the thrill of being a Master Assassin in 2.5 D, each installment stands alone with a unique setting, art style, story, and Assassin, but are all interwoven by narrative.
If that's the case how come Electronic Arts Activision Ubisoft ie the top publishers that are in the evil Narrative of the media are not being sued on a daily basis?
Today, the Lead Level Designer, the Narrative Designer and the Art Director from Far Cry 2 are all Creative Directors on different projects.
Thus, we are trying to provide them with talks for advanced audience on design, programming, art, but also those often ignored tracks like audio and narrative.
Innovative game art by local artists and designers will be featured in this exhibition, sponsored in part by 4Culture's Tech Specific grant, that provides a behind the scenes look at the creative process, with a special focus on diverse artwork, narratives and indie games.
Whilst there are no words or even any verbal narrative to go on, the pictures shown give a clear indication as to what's going on and are designed in a unique art style that's fitting to the game overall.
Lessons learned and dozens of alterations on the formula of the nearly 50 Warriors games before it come to bear in a loose narrative that ties together disparate worlds and art styles of the mainline Zelda games.
In the video interview above, Studio Art Director Jan - Bart van Beek, Narrative Director John Gonzalez, Lead Concept Artist Roland IJzermans and Lead Writer Ben McCaw talk about the development of the Banuk tribe, and the ways in which Horizon Zero Dawn: The Frozen Wilds builds on the foundations laid in Horizon Zero Dawn.
This studio perfected the art of video game narratives in its The Walking Dead Season 1 title, which went on to win a plethora of awards the year it was released.
The game impressed judges with its interesting art direction and moving story, which features player choices that have a meaningful impact on the narrative.
Through his experience in using emergent technologies in media and technical arts, David went on to teach Creative Technology at Portsmouth University, as well as research narrative in games.
This commitment was on view in exhibitions including John Chamberlain, Dalé Gas (one of the first surveys of Hispanic artists in the U.S.), and a major thematic exhibition, American Narrative / Story Art 1967 - 1977.
India - A New Era of Indian Art, presented at the Essl Museum, Vienna (2009), and at the National Museum of Contemporary Art, Seoul (2009), earlier on presented at the Mori Art Museum, Tokyo, curated by Akiko Miki, Japan (2008), Horn Please, Narratives in Contemporary Indian Art, Kunstmuseum Bern, curated by Bernard Fibicher and Suman Gopinath, Switzerland (2007) etc..
Selected Group Exhibitions 2016 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2015 — «Wish List», Gallery Project, curated by Gloria Pritschet and Rocco DePietro, Toledo, Ohio and Ann Arbor, Michigan 2015 — «Roots», Linda Warren Projects, Chicago, IL 2015 — Noyes Cultural Arts Center, Evanston, IL 2015 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2014 — «National Contemporary Painting», Weatherhead Gallery, University of Saint Francis, Fort Wayne, Indiana 2013 — «31st Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «30th Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «Narrative Fragments», Quidley & Company, Boston, MA 2011 — «Juxtaposed», juried by Alyssa Monks, Six Summit Gallery, Ivoryton, CT 2011 — «Paintworks», Gowanus Ballroom, curated by Kristin Kunc, Courtney Jordan & Hyeseung Marriage - Song, Brooklyn, NY 2011 — «Space Invaders», co-curated by Virginia Rose and John Nickle, Rose Contemporary, Portland, ME 2011 — «Cinematic Bodies», curated by Jamie Adams, Zolla Lieberman Gallery, Chicago, IL 2010 — «Snow», XL Projects, Syracuse University Gallery, Syracuse, NY 2010 — «Women Painting Women», Robert Lange Studios Gallery, Charleston, SC 2010 — «Remnants», Fuse Gallery, New York, NY 2010 — «Highlights» Island Weiss Gallery, New York, NY 2010 — «Conceptually Sound», Medialia Rack and Hamper Gallery, New York, NY 2010 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2010 — «Looks good on Paper», DFN Gallery, New York, NY 2009 — «Water / Bodies», Eden Rock Gallery, St. Barths, F.W.I. 2009 — «Summer Exhibition 2009», curated by Eric Fischl, Matthew Flowers, Anne Strauss, New York Academy of Art, NY, NY 2009 — «Old School», Jack the Pelican, Brooklyn, NY 2009 — Caldwell Snyder, San Francisco, CA 2008 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «City Lights», George Billis Gallery, New York, NY 2008 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2008 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2007 — «Summer Exhibition 2007», curated by Eric Fischl, Jenny Saville, Vincent Desiderio, New York Academy of Art, NY, NY 2007 — «Four Handed Lift: Advocacy, Art, Spirit and Community», Moti Hasson Gallery, New York, NY 2007 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2006 — «Contemporary Imaginings, The Howard A. and Judith Tullman Collection», Mobile Museum of Art, Mobile, Alabama 2006 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2006 — «AAF», shown by DFN Gallery, New York, NY 2006 — «Salon 2006», New York Academy of Art, New York, NY 2006 — «LA Art Fair», shown by Linda Warren Gallery in Chicago, Los Angeles, CA 2005 — «New Works», curated by Eric Fischl, Jane Gallery, St. Barthelemy, F.W.I. 2005 — «A Terrible Beauty: Figurative painting in the 21st Century», Grey McGear Modern, Santa Monica, CA 2005 — «Small Works», Sarah Bain Gallery, Brea, CA 2005 — «Cityscapes», Sarah Bain Gallery, Brea, CA 2005 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2005 — «Go Figure», George Billis Gallery, New York, NY 2004 — «Postcards from the Edge, Visual Aids Benefit», Brent Sikemma Gallery, New York, NY 2004 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2004 — «Points of Muse», Linda Warren Gallery, Chicago, IL 2004 — «Separate Visions», Sarah Bain Gallery, Brea, CA 2004 — «Still Life», Sarah Bain Gallery, Brea, CA 2004 — «27th Small Works Exhibition», New York, NY 2003 — «Space Invaders», curated by Peter Drake, Fish Tank Gallery, New York, NY 2003 — «26th Small Works Exhibition», New York, NY 2002 — «National Arts Club 26th Annual Student Show», National Arts Club, New York, NY
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