Sentences with phrase «on nearby objects»

One common problem, for example, is presbyopia, a type of farsightedness in which the ability to focus on nearby objects is gradually diminished as the aging eyes» lenses lose elasticity.

As we get older, the lenses in our eyes become less elastic, and so can't readily be adjusted to focus on nearby objects.

Their attention will likely be more focused on nearby objects, but they should be able to recognize objects or people from across the room.

When the camera is focused on a nearby object, objects in the background will be blurry.

For the most part, it would switch to Macro when attempting to focus on a nearby object and would turn on HDR when shooting a backlit scene.

Because a digital camera's auto - focus feature may focus on a nearby object (a screen or tree branch) and not the intended subject matter, the image you want to photograph comes out blurry.

Not exact matches

What it is: Called the EMIRAI3 xAUTO, the car can assist with driving and parking, detect driver fatigue and recommend a nearby rest stop, and show objects on a screen display that are 10 meters ahead.

Some homeowners in Sherwood Forest, east of the proposed park, had objected to proposed ballfield lights shining into their homes late at night, noise, parking on nearby streets and possible harm to wildlife in the wetland.

Some homeowners in Sherwood Forest, east of the proposed park, had objected to proposed ball field lights shining into their homes late at night, noise, parking on nearby streets and possible harm to wildlife in the wetlands.

Also, be on constant lookout for nearby objects your child might be able to reach from a standing position in the crib: curtains, window blind pulls, pictures, or wall hangings are all possibilities.

He got time on Hubble to observe this strange object, now called Hanny's Voorwerp (which is Dutch for «thing»), and now we think we know what it is: a huge cloud of gas, as big as our own Milky Way, lit up by the nearby spiral!

It could be a «microquasar» — a black hole feeding on gas from a nearby star — but the X-rays typically emitted from such objects are absent.

Nearby objects (a pile of newspapers on the armrest, for example) are untouched.

He adds that the technique will improve measurements of astronomical distances, which build on the distances of nearby objects such as M33 to estimate the distances to other «standard candles» farther away, such as supernovae.

The first, the Panoramic Survey Telescope and Rapid Response System, will rely on a network of four telescopes in Hawaii to hunt for small, fast - moving, nearby objects such as asteroids, comets, and bodies in the Kuiper belt.

Stephen Thorsett of Princeton University in New Jersey has been thinking about the implications for life on Earth should a nearby object in space suddenly emit a powerful burst of gamma rays.

That is, we predicted that when the mosquitoes were exposed to CO2, which is an indicator of a nearby host, they would also spend a lot of time hovering near high - contrast objects, such as a black object on a neutral background.»

When the camera is focused on something in the distance, nearby objects are blurry.

Initial data came from the TRENDS (TaRgetting bENchmark - objects with Doppler Spectroscopy) high - contrast imaging survey that uses adaptive optics and related technologies to target older, faint objects orbiting nearby stars, and precise measurements were made at the W. M. Keck Observatory on the summit of Mauna Kea, Hawaii.

That means making sure she doesn't accidentally hurt herself, either on a nearby sharp object or by falling down the stairs.

Inter-Vehicle Communication Autonomous cars use Differential GPS to know where on the globe they are, pulses of light through LIDAR to map nearby objects, and stereo cameras to «see» the road ahead.

Rear Vision Camera, or Rear View Camera, is a General Motors active safety technology that provides the driver with a view what's behind the vehicle on a display when in the Reverse gear to help avoid crashing into nearby objects while backing up at low speeds.

This available system provides you with an overhead virtual «bird's eye» view of the scene around your vehicle on a center - stack display, and helps you park and avoid crashes with nearby objects during low - speed maneuvering.

A.I. is also impressive, the enemies show a canny awareness of the environment — flanking, creating cover and concentrating fire on nearby explosive objects.

- based on the first two films - New York City is attacked by the nefarious chitauri warriors - civilians are pinned beneath wreckage - Captain America, Hawkeye, and Black Widow have to rescue them by destroying wrecked cars and other debris - these civilians are guarded by chitauri - Captain America can not only walk through flames, but he can now extinguish them with his shield - characters can also team up for special combo attacks - these moves are context - sensitive - stand on a marked area and wait for your teammate (or A.I. buddy) to walk over and press a button - Captain America uses his shield as a platform for Black Widow, and she bounces into the air and sprays bullets down - Thor rings Captain America's shield like a bell, destroying objects and enemies nearby - Captain America can reflect Iron Man's energy attack to destroy airborne chitauri - more than 100 all - new characters in the game - all - new New York City hub

- each vacuum handle is equipped with two main buttons - the top button is for charging your flashlight blast - the bottom is for sucking up ghosts - a special button located apart from the controller lets you throw a stun bomb - starts with a tutorial from Professor E. Gadd - use flashlight blasts to stun ghosts and destroy small enemies - use the vacuum to collect coins / objects nearby and suck in ghosts - on - rails FPS - when you charge your flashlight you can feel the controller's vibrations building up and die out with the flash - when you grab a ghost in your vacuum stream you feel the pull when he switches directions or break free - when you suck up coins, a mechanism inside the controller pounds the inside - game gives you options as to which room you would like to investigate next - sometimes you have to clear certain rooms before moving on

As you walk around the controller will vibrate to indicate a nearby clue, while Phelps will comment on certain objects you discover to let you know that they're not relevent to the investigation.

- as Captain Olimar is making his way home, an asteroid onslaught forces him to land on a nearby planet - Sparklium is the fuel for Olimar's Dolphin III ship - with the ship's fuel depleted, you have to find items on this planet which can be turned into fuel - collect everything from seeds to large scale treasures - you need 30,000 Sparklium to make your way home - you are eventually required to find a lost ship part at the end of the game - levels are more linear and puzzle based, and include specific goals / goodies to collect - move Captain Olimar with the Circle Pad, while all other interactions use the touchscreen - blow your whistle, throw Pikmin and also touch certain objects - worlds are called Sectors, with six areas altogether - find all the treasure and look for new passageways to complete a sector 100 % - passageways can grant you access to secret spots or additional levels highlighted with the letter X - the first world is called Brilliant Garden, which has lush forest environments - Yellow Pikmin can easily reach the upper screen, where you can sometimes collect goodies and pull down vines - there's a level where you use yellow Pikmin as a source to connect two wires - connecting the wires lets you see enemies and platforms that were hidden in the shadows - Winged Pikmin can be flung at high speeds, and they can pick up Olimar and help him descend down into new areas - in a later level, you need to use red Pikmin to stomp out fire and clear the way for you - Rock Pikmin are the strongest ones of the bunch and can break crystals - blue Pikmin can swim and fight well underwater - the maximum amount of Pikmin you can have in a stage is 20 - blow your whistle to call over the correct Pikmin for a task or puzzle - Ravaged Rustworks offers a unique industrial environment where you climb on pipes - Loney Tower has you climbing to the top of a tower without any help of Pikmin, and instead use pipes and Olimar's jetpack - Valley of the Breeze, found in the Leafswirl Lagoon sector, relies complete on Winged Pikmin - Barriers of Flame is in the Sweltering Parchlands sector - here you «lll be forced to improvise with Yellow and Rock Pikmin to get around fire - every world ends with a boss stage - one boss fight puts you up against a Fiery Blowhog, where you use Red Pikmin to pick up / feed bombs to the boss - beating bosses gives you treasures worth 1,000 Sparklium each - supports amiibo in the Splatoon, Super Mario and Animal Crossing lines - amiibo can be scanned in to grant you access to secret spots - these are one room puzzle challenges where you collect a statue - these bonus rooms will also get you 200 Sparklium every time - you are limited by how many amiibo you can summon to each secret spot - one of the treasures you will find is an NES cartridge for Ice Climbers, which carries the name «Revenge Fantasy».

The controls are appropriately mapped to the DualShock 4 controller with the control scheme consisting of pressing X to jump or double tapping X quickly to double jump; pressing O to build LEGO objects or interact with an object or holding O to perform a Spinjitzu attack; pressing triangle to switch from controlling one character to a nearby character or holding triangle to enter the character wheel; pressing square to perform an attack or holding square to perform a ranged attack; pressing R1 or L1 to cycle through to the next or previous character; pressing L2 or R2 to perform a dodge roll; changing the direction of the left analogue stick or alternatively pressing up, down, left or right on the d - pad to move your selected character; changing the direction of the right analogue stick to pan the camera or pressing R3 to centre the camera; pressing the share button takes you to the share feature menu; and pressing the options button to display the pause menu.

The controls are well mapped to the DualShock 4 controller with the control scheme consisting of pressing X to jump; pressing O to interact with an object or to cast a spell from the spell wheel, build, use or activate; pressing triangle to switch from controlling one character to a nearby character, holding triangle to show spell wheel; pressing square to cast magic, holding square to aim; pressing L1 or R1 to cycle through the spell wheel; pressing L2 or R2 to cycle through characters during freeplay mode; changing the direction of the left analogue stick or alternatively pressing up, down, left or right on the d - pad to move your selected character; changing the direction of the right analogue stick to move the camera; pressing the share button takes you to the share feature menu; and pressing the options button to display the pause menu.

But as for the rest, they range from kill all enemies in a given area, jump on an electrical transformer and quickly get to the next one nearby to re-activate it, finding a hidden package based on a picture and taking pictures of different objects and situations.

Players can tap the R1 button to spring off background walls and land on the other side of the screen, or grab nearby objects and hurl them at their opponents.

Meanwhile, Jack Hammer is capable of throwing sticks of dynamite which can bounce off objects and surfaces before exploding on impact with an opposing vehicle or after a certain amount of time, while a sentry turret can be constructed to fire at nearby enemies with a fire rate boost when Jack Hammer remains within the vicinity of the sentry turret; a temporary wall of rocks can be built directly behind Jack Hammer to block incoming enemies, alongside a shockwave ultimate ability which emits a force wave that damages enemies and allows a temporary boost to the weapon damage capabilities of allied vehicles.

The controls are well mapped to the DualShock 4 controller with the control scheme consisting of pressing X to jump or double tapping X quickly twice to roll when playing as an on - foot character or pressing X to flight evade when piloting a ship; pressing O to interact with an object or to use the Force, build, use or activate; pressing triangle to switch from controlling one character to a nearby character; pressing square or R2 to perform an attack, holding square or R2 to aim; pressing L1 or R1 to cycle through characters; pressing L2 to dodge roll when playing as an on - foot character or pressing L2 to boost when piloting a ship; changing the direction of the left analogue stick or alternatively pressing up, down, left or right on the d - pad to move your selected character or ship; changing the direction of the right analogue stick to move the camera; pressing the share button takes you to the share feature menu; and pressing the options button to display the pause menu.

One simple but really neat feature you might've seen introduced in Splinter Cell: Conviction is the way the game displays mission objectives across nearby walls, the floor, or on objects in the environment.

Initiated in the 1990s and spanning four continents, Reality Hacking consists of over 300 interventions to date, including such varied works as RH No. 320 (Snow Monsters)(2015), a constellation of twelve marble snowmen in various stages of melting that occupied the plaza outside of the Flatiron Building in New York City; RH No. 202 (2002 — 2003), a composition performed by the Ensemble for New Music Zurich based on a recording the artist made of a glass shelf filled with crystal objects crashing down a flight of stairs; RH No. 200 (2002), an artificial doughnut - shaped island built at the delta of a river in Switzerland using rocks and earth from the construction of a nearby tunnel; and RH No. 244 (2007), a snowman installed at the southernmost point of the African continent.

Nearby, as an extension of the exhibition, Mathias Poledna addresses an object on view at the Metropolitan Museum of Art, just neighboring Galerie Buchholz.

There's the hand - carved wooden tree - thing - cum - hat - stand surmounted by a wooden model of a crystal, wired up to a heavy - handed Victorian pulpit - like object nearby, which is in turn connected to a number of boxes reminiscent of car batteries, each of which has on it a little jar containing the sawdust collected when Titchner carved the phrases emblazoned on their sides.

A picture caption on Friday with a review of «Creative Africa» at the Philadelphia Museum of Art and an exhibition of work by the Afro - Caribbean conceptualist Nari Ward at the nearby Barnes Foundation misidentified the objects shown on a gallery wall at the Museum of Art.

The way the ball's glow spreads out over the frame, seemingly over the top of nearby objects like the roofline, suggests it is occurring on the image sensor and not in the atmosphere.

After reading up on the nebular hypothesis and figuring in the chaotic nature back then, I'm surprised that apparently no one has ever proposed that a planetary - sized object passed nearby a larger proto - Earth, causing a Moon - sized glob to get pulled off.

Beds of trucks: When objects are not loaded or secured properly on the back of a truck, items can fly off and strike cars and pedestrians in the nearby area.

IN BRIEF: Scientists have been working on soft robots that can squeeze into tight spaces and lift heavy objects without endangering nearby h...

IN BRIEF: Scientists have been working on soft robots that can squeeze into tight spaces and lift heavy objects without endangering nearby humans.

The kit was also improved with better horizontal plotting, 1080p video, and computer vision - based image recognition — meaning ARKit apps can now «see» things like 2D objects, such as posters or art on a wall, then place related objects nearby.

The 1080p video recording does a good job of focusing on objects nearby and further away.

The selective focus is a good feature for you to select the area to focus on, when you are capturing an object placed nearby, and have a far background.