Sentences with phrase «on new generations of artists»

The gallery's program explores many expressions of contemporary art research, focusing both on new generations of artists and on those already internationally acclaimed.

1951 was also a critical year for constructivism in Brazil, with the first São Paulo Biennale, which asserted its modern foundations in concrete art and concrete poetry, and with the figure of the Swiss artist, Max Bill, who was to exert great influence on this new generation of artists.

This two - parted exhibition will both trace the history of Sol LeWitt's relationship with NMSU, as well as show the extent of his influence on a new generation of artists who use the surface of the wall as their canvas.

This two - parted exhibition will both trace the history of Sol LeWitt's relationship with NMSU, as well as show the extent of his influence on a new generation of artists who use the surface of the... Continue reading «Off the Wall»»

At NMSU Sage curated «Off the Wall», a two - parted exhibition tracing the history of Sol LeWitt's relationship with NMSU, as well as showing the extent of his influence on a new generation of artists who use the surface of the wall as their canvas.

A major influence on a new generation of artists, including Sara VanDerBeek and Liz Deschenes, she taught at Princeton alongside James Welling.

Not exact matches

VALERIAN AND THE CITY OF A THOUSAND PLANETS is the visually spectacular new adventure film from Luc Besson, the legendary director of The Professional, The Fifth Element and Lucy, based on the ground - breaking comic book series which inspired a generation of artists, writers and filmmakerOF A THOUSAND PLANETS is the visually spectacular new adventure film from Luc Besson, the legendary director of The Professional, The Fifth Element and Lucy, based on the ground - breaking comic book series which inspired a generation of artists, writers and filmmakerof The Professional, The Fifth Element and Lucy, based on the ground - breaking comic book series which inspired a generation of artists, writers and filmmakerof artists, writers and filmmakers.

Curated by Dr Nicholas Cullinan, Director of the Gallery, this major new show spanning several generations of artists across all media will open in the summer of 2018, to coincide with what would have been the King of Pop's 60th birthday (on August 29, 2018).

With a frame reflecting the New Museum's approach to its own triennial — whereby it focuses on emerging artists — the show offered a platform upon which to explore a new generation of contemporary practicNew Museum's approach to its own triennial — whereby it focuses on emerging artists — the show offered a platform upon which to explore a new generation of contemporary practicnew generation of contemporary practices.

Lebanese - born artist, academic and poet Etel Adnan produces with her palette knife luminous abstracted landscapes — blocks of bright colour on canvas — that, late in life (Adnan is now nearly 90 years old), have brought her a new generation of devotees.

But due to this great prize artists of different generations have been given the opportunity to spend formative months exploring Italy; and the resources to create a major new commission that situates them on the world stage.

With highly successful art schools in New York and Provincetown, he exerted a lasting impact on an entire generation of American artists of the postwar period.

From the «precursors» who developed Congo's first works on paper when it was still a Belgian colony to the 1970s «popular painters» who worked as sign painters and created comics, and a new generation of artists that emerged in the 2000s, this unique show offers an historic overview of Congo's artistic landscape.

Karen Wilkin, «Greenberg and the Syracuse Artists», The Mirror Eye, Clement Greenberg in Syracuse, catalogue to the exhibition, Greenberg in Syracuse, Then and Now, May / June 2005, Syracuse, NY Suzanne Shane, «Greenberg in Syracuse, Then And Now», The Mirror Eye, Clement Greenberg in Syracuse, catalogue to the exhibition, Greenberg in Syracuse, Then and Now, May / June 2005, Syracuse, NY Clement Greenberg, «Interview with Clement Greenberg», Direct Sculpture; Dialogue in Polymers, catalogue to the exhibition, UMass / Amherst 2006 Robert Morgan, Clement Greenberg, Late Writings, University of Minnesota Press 2003 Donald Kuspit, «A Critic's Collection», Artnet.com, August 3, 2001 Karen Wilkin; Bruce Guenther, Clement Greenberg A Critic's Collection, Princeton University Press 2001 «Recontre avec Darryl Hughto, L'mour de la matiere», Pratique Des Arts, no. 36 Fevrier - Mars 2001 Michael Ennis, «Long on Art», Architectural Digest, May 1996 Dodie Kazanjian, «On Target», Vogue, February 1990 Karen Wilkin, «At the Galleries», Partisan Review, no. 2, 1989 Grace Glueck, «1 + 1 on Madison, Couples Show Adds Up», The New York Times, Feb. 17, 1984 Valentin Tatransky, «The Art of Painting; Jules Olitski, Lawrence Poons, and Darryl Hughto», Arts Magazine, May 1983 Terry Fenton, Darryl Hughto, Recent Paintings, Catalogue to the exhibition, The Edmonton Art Gallery, November 1981 Karen Wilkin, «The New Generation; A Curator's Choice», art magazine, May / June 1981 Ken Carpenter, «New Abstract Art», art magazine, May / June 1981 Stephen Pentak, «Darryl Hughto», Arts Magazine, May 1981 Vivien Raynor, «Darryl Hughto», The New York Times, May 30, 1980 Kenworth Moffett, The New Generation; A Curator's Choice, Rhineburgh Press, NY, 1980 Ken Carpenter, Darryl Hughto, catalogue to the exhibition, Meredith Long Contemporary, NY, 1980 John Russell, «The 20th Century at the Met», The New York Times, August 12, 1979 Suzanne Shane, «Darryl Hughto», 57th Street Review, Feb. 1976 Ken Carpenter, «Third Generation Abstraction: Darryl Hughto», Arts Magazine, Feb. 1975 James Harithas, Notes on Darryl Hughto, Catalogue to the exhibition, Everson Museum, Mar. 19on Art», Architectural Digest, May 1996 Dodie Kazanjian, «On Target», Vogue, February 1990 Karen Wilkin, «At the Galleries», Partisan Review, no. 2, 1989 Grace Glueck, «1 + 1 on Madison, Couples Show Adds Up», The New York Times, Feb. 17, 1984 Valentin Tatransky, «The Art of Painting; Jules Olitski, Lawrence Poons, and Darryl Hughto», Arts Magazine, May 1983 Terry Fenton, Darryl Hughto, Recent Paintings, Catalogue to the exhibition, The Edmonton Art Gallery, November 1981 Karen Wilkin, «The New Generation; A Curator's Choice», art magazine, May / June 1981 Ken Carpenter, «New Abstract Art», art magazine, May / June 1981 Stephen Pentak, «Darryl Hughto», Arts Magazine, May 1981 Vivien Raynor, «Darryl Hughto», The New York Times, May 30, 1980 Kenworth Moffett, The New Generation; A Curator's Choice, Rhineburgh Press, NY, 1980 Ken Carpenter, Darryl Hughto, catalogue to the exhibition, Meredith Long Contemporary, NY, 1980 John Russell, «The 20th Century at the Met», The New York Times, August 12, 1979 Suzanne Shane, «Darryl Hughto», 57th Street Review, Feb. 1976 Ken Carpenter, «Third Generation Abstraction: Darryl Hughto», Arts Magazine, Feb. 1975 James Harithas, Notes on Darryl Hughto, Catalogue to the exhibition, Everson Museum, Mar. 19On Target», Vogue, February 1990 Karen Wilkin, «At the Galleries», Partisan Review, no. 2, 1989 Grace Glueck, «1 + 1 on Madison, Couples Show Adds Up», The New York Times, Feb. 17, 1984 Valentin Tatransky, «The Art of Painting; Jules Olitski, Lawrence Poons, and Darryl Hughto», Arts Magazine, May 1983 Terry Fenton, Darryl Hughto, Recent Paintings, Catalogue to the exhibition, The Edmonton Art Gallery, November 1981 Karen Wilkin, «The New Generation; A Curator's Choice», art magazine, May / June 1981 Ken Carpenter, «New Abstract Art», art magazine, May / June 1981 Stephen Pentak, «Darryl Hughto», Arts Magazine, May 1981 Vivien Raynor, «Darryl Hughto», The New York Times, May 30, 1980 Kenworth Moffett, The New Generation; A Curator's Choice, Rhineburgh Press, NY, 1980 Ken Carpenter, Darryl Hughto, catalogue to the exhibition, Meredith Long Contemporary, NY, 1980 John Russell, «The 20th Century at the Met», The New York Times, August 12, 1979 Suzanne Shane, «Darryl Hughto», 57th Street Review, Feb. 1976 Ken Carpenter, «Third Generation Abstraction: Darryl Hughto», Arts Magazine, Feb. 1975 James Harithas, Notes on Darryl Hughto, Catalogue to the exhibition, Everson Museum, Mar. 19on Madison, Couples Show Adds Up», The New York Times, Feb. 17, 1984 Valentin Tatransky, «The Art of Painting; Jules Olitski, Lawrence Poons, and Darryl Hughto», Arts Magazine, May 1983 Terry Fenton, Darryl Hughto, Recent Paintings, Catalogue to the exhibition, The Edmonton Art Gallery, November 1981 Karen Wilkin, «The New Generation; A Curator's Choice», art magazine, May / June 1981 Ken Carpenter, «New Abstract Art», art magazine, May / June 1981 Stephen Pentak, «Darryl Hughto», Arts Magazine, May 1981 Vivien Raynor, «Darryl Hughto», The New York Times, May 30, 1980 Kenworth Moffett, The New Generation; A Curator's Choice, Rhineburgh Press, NY, 1980 Ken Carpenter, Darryl Hughto, catalogue to the exhibition, Meredith Long Contemporary, NY, 1980 John Russell, «The 20th Century at the Met», The New York Times, August 12, 1979 Suzanne Shane, «Darryl Hughto», 57th Street Review, Feb. 1976 Ken Carpenter, «Third Generation Abstraction: Darryl Hughto», Arts Magazine, Feb. 1975 James Harithas, Notes on Darryl Hughto, Catalogue to the exhibition, Everson Museum, Mar. 19on Darryl Hughto, Catalogue to the exhibition, Everson Museum, Mar. 1973

COVER ART April 7: Work by Chicago - based artist Hebru Brantley appears on cover of «The BreakBeat Poets: New American Poetry in the Age of Hip - Hop,» which the publisher describes as «the first poetry anthology by and for the hip - hop generation.»

She has collaborated with numerous artists of her generation including Mike Kelley, Matt Mullican, Tony Oursler, and James Welling and was a pioneer of the artistic reflection on new and emerging technical advancements such as virtual reality, artificial intelligence, and computer games.

BOOK > Featuring the work of Sam Gilliam on the cover, a new volume, «Four Generations: The Joyner Giuffrida Collection of Abstract Art,» is published documenting the collection established by Pamela Joyner, which spans four generations of artists bridging the 20th and 21st centuries with a focus on abGenerations: The Joyner Giuffrida Collection of Abstract Art,» is published documenting the collection established by Pamela Joyner, which spans four generations of artists bridging the 20th and 21st centuries with a focus on abgenerations of artists bridging the 20th and 21st centuries with a focus on abstract art.

The first U.S. exhibition to focus solely on the new post-Mao generation of Chinese artists offers a look at how China's mega-development has impacted its youth culture and spawned new art trends.

The exhibition centers on L.A. artist Rico Lebrun's (1900 - 1964) significant impact upon a generation of Mexican artists; particularly the Mexico's new generation of muralists, when Lebrun moved to Mexico and taught at the Instituto Allende in San Miguel de Allende.

Featuring paintings, sculptures, works on paper, photographs, site - specific installations and more, in The Beyond, you'll enjoy the renowned artwork of Georgia O'Keeffe while discovering a new generation of American artists working today:

Willamson has been described by Robert Storr, former director of the Museum of Modern Art in New York as «one of the foremost artists of her generation», and her early series A Few South Africans, acquired by the Tate Modern, London last year, is currently on display on Citizens and State.

On the secondary market, the specialist continues, «Diebenkorn doesn't come up at auction as frequently as other artists of his generation,» partly because West Coast artists never received as much critical attention as their New York counterparts.

Fifteen years on, fig - 2 gives this opportunity to a new generation of artists.

The artist and philosopher Adrian Piper's direct and subtly intellectual approach to unpacking the tangled issues of race, gender, identity, and belonging has inspired a generation of socially - conscious artists across all media, although her impact is just now being fully recognized: she was the recipient of the Golden Lion for best artist at this year's Venice Biennale, and MoMA has recently announced plans for, in the words of Robin Pogrebin in the New York Times, «the most comprehensive exhibition to date on the conceptual artist,» set to open in 2018.

The artwork and ideas of Nam June Paik were a major influence on late 20th - century art and continue to inspire a new generation of artists.

Particularly important to the new generations of artists in Russia, V - A-C's focus is on practically supporting and expanding the platform for home - grown talent, challenging artists to experience, engage with and interrogate international cultural practices whilst developing an authentic and autonomous artistic language.

A classically trained artist who studied at age eleven in the Leonardo da Vinci Art School, the same atelier that Isamu Noguchi attended, which was created for New York's working poor in Alphabet City, Carone went on to become a member of the first generation of Abstract Expressionists.

Drawing in Tintoretto's Venice will be the first exhibition since 1956 to explore the drawing practice of this major figure of the Venetian Renaissance and will offer an entirely new perspective on Tintoretto's evolution as a draftsman, his individuality as an artist, and his influence on a generation of painters in northern Italy.

2005 The Last Generation, curated by Max Henry, Apex Art, New York, NY, USA; traveling to Jousse Entreprise, Paris, France Superstars: From Warhol to Madonna, Kunstforum / Kunsthalle Wien, Vienna, Austria The Painted World, P.S. 1 Center for Contemporary Art, Long Island City, New York, USA The Disasters of War: From Goya to Golub, Ezra and Cecile Zilkha Gallery, Wesleyan University, Connecticut, USA Post No Bills, curated by Matthew Higgs, White Columns, New York, USA Helga's Art Collection, Museo Extremeno e Iberoamericano de Arte Contemporaneo, Badajoz, Spain The Art of Aggression: Iraqi Stories and Other Tales, curated by Jean Cruthchfield and Robert Hobbs, Reynolds Gallery, Richmond, Vancouver, Canada 2004 Editions Fawbush: A Selection, Sandra Gehring Gallery, New York, USA Last one on is a soft Jimmy, Paula Cooper Gallery, New York, USA Bill Adams, Wayne Gonzales, Cameron Martin: Paintings, KS Art, New York, NY Word of Mouth, A Selection: Part 1, Dinter Fine Art, New York, USA La Lettre Volée, F.R.A.C. Franche - Comté Musée des Beaux - Arts de Dole, France The Freedom Salon, Deitch Projects, New York, USA Bush League, Roebling Hall, Brooklyn, New York, USA Painting (Wayne Gonzales, Roger Metto, Jason Middlebrook, Cristian Rieloff), Galleri Charlotte Lund, Stockholm, Sweden 2003 Parallax Views: Art and The JFK Assassination (Ant Farm & T.R. Uthco, Wayne Gonzales, Eric M. Jensen), Hallwals Contemporary Arts Center, Buffalo, New York, USA 150 artists make 150 T - Shirts, Daniel Silverstein Gallery, New York, USA Cartoon, Riva Gallery, New York, USA Melvins, Anton Kern Gallery, New York, USA 2002 The Presidential Suite, Nassau County Museum of Art, Roslyn Harbor, New York, USA Gravity Over Time, curated by John Pilson, 1000 Eventi, Milan, Italy From the Observatory, Paula Cooper Gallery, New York, USA Subject Matters, curated by Norman Dubrow, Kravets / Wehby Gallery, New York; Conner Contemporary Art, Washington, USA 2001 How is everything?

Steinkamp is one of the most important video and new media artists of her generation, and she brings a heightened focus on human sensory experience through her phenomenological installations, using light, motion, and sound to dematerialize and activate space, setting her oeuvre apart from that of her peers.

Since the late 1990s, when he first presented the seminal work Fiorucci Made Me Hardcore, Mark Leckey's dynamic and varied output has made a significant impact and continues to be an important influence on the work of a new generation of artists in the UK and internationally.

And, in fact, Schapiro's improvisatory, almost performative work at the lectern shaped a generation of art historians, as well as the artists who would sit in on his lectures at the New School.

Recently, a new generation of artists has built on these breakthroughs — critically engaging the romance of the artist's hand.

Ilaria Marotta's lecture titled «The Italian Identity» aims to focus on a new generation of Italian artists who create works which, even in the variety of their artistic languages and expressions, have focused on some of the key aspects of the Italian history and identity.

The school carries on the legacy of Mrs. Whitney for a new generation of artists and reaches out to the public with a continual schedule of art exhibits and lectures by artists, historians, and art critics.

In 1968, she went to Documenta, an international art show in Germany, and was bowled over by the freshness and originality of the work on display by a new generation of artists seeking to come to terms with their nation's past.

Representatives of the new generation of Norwegian abstract artists in our traveling exhibition NN - A NN - A NN - A - New Norwegian Abstraction is now at Stavanger Kunstmuseum, and Hanne Borchgrevinks Husdikt is on loan at Lillehammer Kunstmusnew generation of Norwegian abstract artists in our traveling exhibition NN - A NN - A NN - A - New Norwegian Abstraction is now at Stavanger Kunstmuseum, and Hanne Borchgrevinks Husdikt is on loan at Lillehammer KunstmusNew Norwegian Abstraction is now at Stavanger Kunstmuseum, and Hanne Borchgrevinks Husdikt is on loan at Lillehammer Kunstmuseum

The Museum of Arts and Design (MAD) has established a new annual award to help celebrate and support the next generation of artists working in the American studio craft movement, the museum announced at the MAD Ball on November 7, 2017.

His revolutionary use of electronics, video, robotics and computers foretold society's complete dependence on digital devices, inspiring a new generation of artists as well as informing pop culture with his installations.

1984 Dreams and Nightmares, Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC Crime and Punishment: Reflections of Violence in Contemporary Art, Triton Museum of Art, Santa Clara, CA American Women Artists: Part II: The Recent Generation, Sidney Janis Gallery, New York, NY About Face, Art Museum of South Texas, Corpus Christi, TX Pratt Invitational Alumni: A Multimedia Presentation of Outstanding Pratt Alumni, Pratt Institute and 469 Broome Street Gallery, New York, NY ID, Bette Stoler Gallery, New York, NY Modern Masks, Whitney Museum of American Art at Philip Morris, New York, NY Sculpture Exhibition, Gallery Moos Ltd., Toronto, Ontario, Canada Drawing: Works on Paper From the Past Five Years by Fifty Artists, Barbara Toll Fine Arts, New York, NY Sculptors» Drawings 1910 - 1980, Selections from the Permanent Collection, Whitney Museum of American Art, New York, NY

The recent explosion of the new Urban art movement, the fresh focus on Graffiti and Street art and graffiti has brought in a new generation of young artists like Jean - Michel Basquiat and Keith Haring, who unfortunately did not live long enough to see the success they became.

We, as the new generation of feminist artists, need to keep being visible, using all the digital tools to make these works available to a wider audience for the next generations to come, and on an international level.

As he elaborates on their similarities and differences in accordance with his rejection of residual European influences in favor of the new application of fabricated objects and industrial products, we realize that his argument is part of his greater advocacy for the works of the artists of his generation (similar to what Clement Greenberg wrote a decade earlier in 1956, in his equally significant essay, «American - Type Painting»), and further deriving from his own artistic output at the time.

The title of Nauman's piece, itself a cropped representation of the artist's arms tied behind his back, plays on a deadpan joke of literal interpretation while referencing the domino effect as new generations of artists (sculptors emerging in the 1960s, in this case) take precedence over their elders (the titular Henry Moore).

In 1977, he was one of the young artists selected by the critic Douglas Crimp for the exhibition «Pictures», at the Artists» Space in New York, which launched the so - called «Pictures Generation», a group of artists whose work focused on mass media artists selected by the critic Douglas Crimp for the exhibition «Pictures», at the Artists» Space in New York, which launched the so - called «Pictures Generation», a group of artists whose work focused on mass media Artists» Space in New York, which launched the so - called «Pictures Generation», a group of artists whose work focused on mass media artists whose work focused on mass media images.

The exhibitions program is mainly focused on a new generation of international artists who have never been exhibited in town or even in Italy before.

Feminism in the art world resulted in a much larger presence for women artists in the 1970s and 1980s, and the «Pictures» generation — those who arrived on the New York City art scene in the late 1970s (many from California Institute of the Arts or Buffalo State College) and experimented radically with using borrowed images — may be the first group of artists associated with a particular movement in which there are as many (or more) high - profile women as there are men.

Influential on other artists after Morris Louis and Kenneth Noland first saw her work in the early 1950s, since 2000 her art has inspired a new generation of younger painters such as Carrie Moyer, Jackie Saccaccio, and Mary Weatherford.

A generation of artists inspired by Moten has seized on the poet and theorist's title as a proposition, breaking apart texts from literary and historical sources to build new forms out of the wreckage.

«Hong Kong Invisible» thus bolsters this new direction for the gallery, on the eve of its 20th anniversary this November — from pioneer specialist of Mainland avant - garde art to also being a springboard for a younger generation of Mainland, Hong Kong and international artists.