Sentences with phrase «on nonrepresentational»

Il Lee works serve as primers on nonrepresentational form, active mark making and a conceptual yet hands - on approach to contemporary drawing.

Magnetic Fields aims to change this perspective by focusing on nonrepresentational work by women artists >> more Kemper Museum of Contemporary Art ISBN 9780996272834 US $ 60.00 CAN $ 79.00 TRADE Hbk, 9 x 11 in.

Magnetic Fields aims to change this perspective by focusing on nonrepresentational work by women artists of color, presenting a more complete presentation of American abstraction than has previously been offered.

Not exact matches

If a nonrepresentational artist, on the other hand, was thinking of a tea pot while painting a canvas, you'd never know it.

It had been only three years since he had begun painting again after his long postgraduate hiatus, and he'd initiated his return to the medium with nonrepresentational works: the «Carat» series, 2005, in which crystalline diamond shapes float on black backgrounds like oversize stars in a darkened sky.

The works on view at Mary Boone were all from the 1960s, long after Nay had become a nonrepresentational artist.

Her ambivalent pictorial language can not be deciphered on a linear path, since in her colorful shining paintings, out of nonrepresentational elements, narrative references suddenly emerge.

Each of the artists in this exhibition were chosen because they create nonrepresentational art based on personal narratives that may go unnoticed when viewing the formal elements of the artwork alone.

«Liminal Squared» by Julie Mehretu at the Marian Goodman Gallery In «Liminal Squared,» Julie Mehretu's latest show at the Marian Goodman Gallery on W 57 Street, she presents a small number of huge, nonrepresentational paintings that blur the lines between landscape, architectural drawing, and pure abstraction.

After World War II Baumeister was able to pick up on his earlier success: In the following years he not only championed nonrepresentational painting in Germany but also fuelled artistic exchange within Europe.

Cameron Martin is known for his black - and - white landscape paintings informed by semiotics, but for the last three years the artist has been working on a new body of nonrepresentational paintings and drawings.

A pugnacious art world fugitive who had studied with and then taught under Josef Albers at Yale in the 1950s, yet defiantly rejected his era's vogue for nonrepresentational painting, out in his element he'd be squinting at the fish, the birds and the far - off horizon, spitting tobacco, chewing his mustache, cursing us all — a roll of Tums in his shirt pocket and his eye zeroing - in on the flat, all - over screen of his life's obsession....

The answer, I think, is that Anderson is at heart just as much an abstract painter as he is a figurative one (certain earlier canvases verge on total abstraction, and a suite of domestic interiors, shown at the Studio Museum in Harlem in 2009, are studded with nonrepresentational elements).

It also demonstrated Stella's continuous departure from the nonrepresentational styled art that the artist favored early on in his career.

An early practitioner of nonrepresentational painting, Stella gained early, immediate recognition in 1959 with his series of coolly impersonal black - striped paintings that turned the gestural brushwork and existential angst of Abstract Expressionism on its head.

In 2017 in Krems we could see the exhibition Abstract Painting Now featuring sixty different art positions, and focus on the present - day international state of play of the nonrepresentational easel painting.

In post-World War II America, however, the primacy of abstract art was clearly acknowledged, and by 1961, when Norman Rockwell painted The Connoisseur — his visual treatise on the subject juxtaposing Jackson Pollock's nonrepresentational art with his own illusionistic imagery — Abstract Expressionism had been covered in the popular press for nearly fifteen years.

Art Issues, January 1989, p. 21 Jones, Amelia, «The Contingency of the Nonrepresentational: Liz Larner's Objects,» Visions Art Quarterly, Spring 1989 Kelley, Mike, «Foul Perfection: (Thoughts on Caricature),» Artforum, January 1989, pp. 92 - 99, illus.

On the other hand, Rachel Lachowicz's construction of Plexiglas boxes filled with blue cosmetic powder seemed to create an interesting kind of surrogate for nonrepresentational painting.