A shallow depth of field (smaller f - stop number) will only focus
on the objects in the foreground and leave the background blurry and a wider depth of field (larger f - stop number) will produce an image with more of the background in focus.
It means you can use the wide - aperture mode to focus your shots
on objects in the foreground and blur the background of each photo.
The basic purpose of the secondary camera is to focus
on the objects in the foreground and burr out the area behind it.
Not exact matches
I sometimes shuddered imagining the sort of advertisements that would be run
on this theme, if money and time were no
object: «Let's have Oliver Letwin
in the
foreground spouting gangster rap at 120 words per minute, and
in the background we'll have Nicholas Soames and John Redwood break - dancing... yes, perfect!»
Brush Mode helps focus
on objects moving
in the background despite a cluttered
foreground, while Scan Mode provides continuous readings of different
object distances.
When moving normally through the world, the environment behaves like a flat 2D world; However, players have the ability to «shift», allowing them to rotate and zoom their perspective
on the environment like a 3D world, causing
objects in the
foreground and background to change size and position.
The inclusion of the three levels of
foreground, middle ground and extreme background
objects create for the viewer a effect similar to a depth of field composition
in cinematography; allowing the viewer to focus
on both close and distant planes.
Serra said this about his works: ``... if I had to give a brief
on what I thought sculpture needed to be, it was to do away with the
object, to get sculpture off the pedestal and expand the space of the field, to open up the container and to
foreground time and bodily movement
in relation to the intensity of place and context.»
His early work features broad, calm rectangles
in the manner of the American Color Field painters, but Hoyland's distinctive contribution has been to break with the modernist insistence
on a flat surface and to put perspective back into abstract painting: his mature work is characterised by depth and texture,
in which strange
objects float
in the
foreground or middle distance, against an often mysterious background,
in a way that is oddly reminiscent of Miro.
Images of everyday things like eyeglasses and cigarette packs appear larger - than - life, creating cinematic inversions of
foreground and background
in which otherwise unremarkable
objects take
on a looming (and often sharply comical) significance.Info: David Kordansky Gallery, 5130 W. Edgewood Pl., Los Angeles, Duration: 9/9-21 / 10/17, Days & Hours: Tue - Sat 10:00 - 18:00, http://davidkordanskygallery.com
Yet the critical debates around the work of Caro and the New Generation sculptors also levied pressure
on the Greenbergian paradigm by
foregrounding the experiential dimension of viewing encounters, demonstrating how critical and artistic investments
in the Modernist art
object became entangled with new ideas about the individual as well as perception, materiality, narrative, and experience.
The «concave easel» they've built is based
on a scientific phenomenon of doubling that occurs when the eye is distinguishing between
objects in the
foreground and background of any environment.
Another cool feature with the dual - camera setup
on the iPhone 7 Plus is something Apple calls the Depth Effect, where an
object in the
foreground stands out
in sharp focus contrasted to a stylish background blur.