Sentences with phrase «on oil landscape»

For instance, superimposed on an oil landscape of a windblown tree is the elongated and wispy signature «William Wind.»

Not exact matches

His front - page articles on fracking and shale gas and oil introduced readers to the companies, technology, and personalities that changed the global energy landscape.
To tackle environmental engineering, for example, students read about a Native American girl named Tehya who is snapping pictures of landscapes near her tribal home in Washington state when she discovers oil on the surface of the Elwha River.
But evidence shows they may be connected in another way — the physical footprint of oil and gas development on the landscape may not only contribute to global warming, it may also affect an ecosystem's ability to withstand it.
«Peak Path» is an minimalist abstract landscape oil painting on canvas by top selling Chairish artist, Trixie Pitts.
The landscape covering the oceans of oil is inhospitable and the work done on the face of the land is the bleak, strenuous toil of hard men wrestling with the cast iron machinery and implements of their age.
The Drowned Cities by Paolo Bacigalupi Published by Little, Brown; ages 14 & up Paolo Bacigalupi's debut YA novel (and Printz Award winner) Ship Breaker imagined a future America dependent on scavengers for survival after global warming and peak oil have irrevocably altered the landscape.
Pickens has been (but not any more due to strides in technology have altered the energy landscape) outspoken on the issue of peak oil, and advocates alternative and renewable energy sources such as solar and wind.
United States About Blog Dena Tollefson is an American artist whose bold contemporary floral, still life & landscape oil paintings focus on joyful use of color, texture and movement.
United States About Blog Dena Tollefson is an American artist whose bold contemporary floral, still life & landscape oil paintings focus on joyful use of color, texture and movement.
Before there was no real reason to have one in your garage, but with the added emphasis on cross-country racing those trucks and American muscle cars that nobody really wants can now find a home barging across the landscape before drifting vaguely left at the barnyard like a turbocharged oil tanker.
FEATURES: • More than 60 beautiful designed tracks • Get up to 3 stars on each track • Google Play Game Services integrated for leaderboards and achievements • Fully physic enabled bike and physic enabled player for spectacular crashes • Different unique amazing atmospheric locations, from relaxing landscapes to scary forests • Various bikes to unlock including Speed Bike, Chopper, Police Bike, Future Bike, etc. each one with different physics and bike shocks • Amazing obstacles to avoid including see - saw, carnivorous plants, traps, oil barrels, destructible glass, elevators, etc. • Get achievements for special stunts • Race against your ghost • Directly compare to your friends and all other players with the builtin leaderboard • Tilt or button control, whichever you prefer
Working primarily in oil on canvas, my paintings are essentially abstract in form and are emotionally connected to the landscape that surrounds us.
These latter charcoal drawings offer helpful insights seen in relation to the large, brightly colored oil on canvas landscapes from the same period installed uptown.
Throughout his career, from early striped oil paintings that hint at atmospheric landscapes to his celebrated interference paintings that shimmer and alter in the light, depending on their angle of view, Simpson has maintained a boundless curiosity and desire to expand the limits of his chosen medium.
During the second half of the eighteenth century, the practice of using oil paint on paper while working outdoors became popular among landscape artists.
Next comes both a phantasmal oil painting by Ross Bleckner, Untitled from 1991, and an abstract landscape by Joan Mitchell, Sides of a River 1, 1981, which is on loan from the Mary Ryan Gallery in New York.
Adamah by artist Patrick Adams is an orange, purple, and blue contemporary abstract expressionist landscape made with oil paint on panel that measures 36 x 80 and is priced at $ 12,50...
New York, Knoedler & Company, Richard Diebenkorn: Small Format Oil on Canvas; Figures, Still Lifes and Landscapes, November - December 1994, n.p., no. 15 (illustrated in color).
Mainly working with oil - based ink on unprimed boards and with no formal concept in mind, the artist works intuitively to produce obscured figures and landscapes that appear like otherworldly phenomena.
RED EARTH by artist Patrick Adams is a contemporary red and blue abstract / landscape expressionist oil paint on panel that measures 48 x 64 and is priced at $ 8,500.
A large oil on canvass depicting an stylized, almost abstracted to the basic organic forms, landscape.
Patrick Adams LIGHT UNDER PRESSURE Oil on two panels 48.00 X 42.00 in $ 7,000.00 In Two Worlds: the diptych landscapes Art has a very elusive nature.
Meredeth Turshen creates striking oil paintings on paper that can be interpreted as summery landscapes or read as abstract works.
Of particular interest in the exhibition is Childe Hassam's Adam and Eve Walking Out on Montauk in Early Spring (oil on wood panel, 1924), which succinctly reflects the artist's desire to replicate the Greek Classicist ideal translated to painting, and historically is considered one of Hassam's most ambitious landscape works.
A 1925 oil on linen landscape by Allan Freelon covers the second catalog (top image).
In the Upper gallery, «Essential Elements» comprises of a selection of photographs that act as journey through Burtynsky's past projects, Oil, Water, China, Manufactured Landscapes and Quarries, drawing on the core themes that mark his entire oeuvre.
Tags: landscape, monotype, oil painting, painting, Rachel Burgess, susan eley fine art, Victor Honigsfeld Posted in Art Events, Art for Sale, Collecting Art, Exhibition, NYC Comments Off on Susan Eley Fine Art presents In the Meeting of Rock and Sea
Red Earth an oil on canvas abstract landscape that shows the mountains and fields of Peter Rossiters much loved homeland.
The artist is known for her detailed and sensitive oil pastel works on chalkboard, as used for her four large works in The New Four Seasons, but her pictures are what she describes as apparitions, brief moments captured as with her new body of work, where the focus is not the trees or landscape but that moment of a leaf or insect disturbing the surface of the water... full article: http://www.widewalls.ch/myong-hi-kim-the-new-four-seasons-solo-exhibition-art-projects-international-new-york-2015/
Tags: Carolyn Landale, Celia Wilkinson, Claire Burke, Deborah Batt, Emma Rose, Henrietta Stuart, jonny macfarlane, landscape, oil & water, painting, penny macfarlane, Philip Hearsey, wandsworth Posted in Exhibition, London Comments Off on «Environment Absorbed» curated by Jonny MacFarlane at the Oil & Water Gallery (21 / May -14 / Joil & water, painting, penny macfarlane, Philip Hearsey, wandsworth Posted in Exhibition, London Comments Off on «Environment Absorbed» curated by Jonny MacFarlane at the Oil & Water Gallery (21 / May -14 / JOil & Water Gallery (21 / May -14 / Jun)
Richard Diebenkorn (1922 - 1993) Cityscape # 3 signed with the artist's initials and dated «RD 63» (lower left); signed again, alternately titled and dated twice» 11-14-63 R. DIEBENKORN LANDSCAPE # 2 - 1963» (on the reverse) oil on canvas 47 x 50 1/8 in.
An oil on canvas landscape painting by contemporary American realist Willard Dixon.
Harrison, Hales, Langdeau and Winfield families from Saskatchewan Canada, oil on canvas, figurative and landscape painitings
From his signature «blackboard» paintings (which are oil on canvas) to the more representational landscape paintings in this exhibition, Fisher constructs constellations of ideas, thoughts, and images much like the disjointed nature of the unconscious and that of memory.
During a residency at the University of Houston Cynthia Woods Mitchell Center for the Arts, the CLUI established a field station on the banks of the Buffalo Bayou, revealing aspects of the relationship between oil and the landscape in Houston that are often overlooked — even by the city's residents.
Over the course of three class sessions, students will learn the basics of oil painting with palette knives, focusing on landscape and still - life subjects.
His longtime preoccupation with the effect that industrial operations have on the earth is apparent: The large - sale photographs show how various industries currently dominate landscapes around the world, from oil fields to highways, electronics factories to car lots.»
In this exhibition of new works on paper and panel, the artist uses a combination of hand dyed paper, oil, ink and watercolor to create abstract landscapes.
Giorgio Morandi, Still Life (Natura morta), 1956 Oil on canvas; 9 7/8 x 13 7/8 inches September 16 — December 14, 2008 This is a comprehensive survey — the first in this country — of the career of Giorgio Morandi, one of the greatest 20th - century masters of still - life and landscape painting in the tradition of Chardin and Cézanne.
His lusciously gestural oil paintings were very loosely based on figures, landscapes and still life compositions and they helped establish what can now be described as a distinctly American style of modern painting.
Hung alongside, in art - historical order, is Judith Lauand's wood, acrylic and metal wall - sculpture Madeira Gravada e Pintada (1956) and Waldemar Cordeiro's Untitled (1958), a deep red oil - on - canvas plotting a landscape via an arrangement of orange and red triangles and blue squares across the centre.
Printing patterns (using Western oil colors) on top of the landscape traditionally used in Asian paintings (using water - based colors) transforms the masculine initial layer, now seen through a feminine veil.
In another series of «life» inspired works, McDowell used oil stick on board and travelled through Switzerland and Italy to make works in the landscape with his model.
This January 1999 oil on canvas landscape with clouds is by San Francisco painter Jack Freeman (1938 - 2014).
Included were various groups of sketches, watercolours on wood and oil paintings of everything from intimate portraits of family members and scenes of the Red Army engaged in historic battles, to sites along the route of the Long March, which took place in the mid-1930s, and local figures and landscapes in Tibet.
There were two types of painting in his exhibition: the alluring young Chinese women painted in a dark photo - realist style, and appropriations of details from historical Chinese landscape paintings, reinterpreted in oil on canvas in an expressionist style.
Jules de Balincourt's exhibition of twenty new paintings reprised his signature naive - style landscapes and portraits in oil on wood.
Using oil on canvas as her primary medium, Leila's earlier works included classical still life and landscape paintings.
This year's shortlist was a poor platform for Stuckist protests, with Glenn Brown working in oil on canvas with a technique described as «old masterly», and Michael Raedecker's delicate figurative landscapes in paint and embroidery.
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