Sentences with phrase «on painting in this exhibition»

By the time he worked on the paintings in this exhibition, John Hoyland: Stain Paintings 1964 — 1966 at Pace (September 25 — October 21, 2017), his work had undergone a number of significant and radical changes.

Click on any painting in the exhibition to learn more about the work of art.

CH: You've mentioned the emphasis on painting in this exhibition.

Not exact matches

While maybe not massively groundbreaking, or as visually compelling as those paintings that are famous for being an homage to victims of everyday horrors reported in the media (Goya's The Third of May 1808 springs to mind), the exhibition is in keeping with the museum's focus on the impact of war on the lives of ordinary people, and a welcome accompaniment to the excellent experience on offer at the museum.

* sourced quote: John's comment on his own exhibition of the «Flag, Target and Number» paintings in 1958 Sourced quotes of Jasper Johns (and his artist friend Robert Rauschenberg) are also placed on Wikiquote and the amount of quotes increases there every year.

-- I helped a little girl of 7 years to capitalize and to submit paintings in some exhibitions; — All students have participated as guests on the show for children Tirigong at the local television station in a dedicated to our mothers and to Fairy Spring show; — I organized a small theater bande named Fireflies who have a remarkable success (two awards for interpretation at Come to the theater!

In the Wilderness Arts and Literacy Collaborative pathway, Salvin and team teacher Sherry Bass pushed students to make their exhibitions interactive: After a unit focusing on northern California geology, immigration, and migration, students completed projects integrating painting and poetry with history and geology.

In Gillespie and I, a painting of Ned's called By the Pond hangs in the Exhibition; Harris might have based it on James Guthrie's To Pastures New (image below, leftIn Gillespie and I, a painting of Ned's called By the Pond hangs in the Exhibition; Harris might have based it on James Guthrie's To Pastures New (image below, leftin the Exhibition; Harris might have based it on James Guthrie's To Pastures New (image below, left).

Prof. Berndt's lecture will focus on three aspects: 1) the ir / relevance of traditional Japanese painting for contemporary manga; 2) manga museums compared to recent manga exhibitions in Japanese art museums; and 3) the unilateral interest in manga by contemporary artists such as Murakami Takashi and Aida Makoto.

With more than 100 paintings and photographs from the 1920's to the 40's and four contemporary environmental projects (including one by Maya Lin), this exhibition homes in on the utopian, isolationist, rural face of the Midwest.

A lifelong love painting Haystack Rock en Plein Air (on location and in natural light) can be seen in this exhibition.

He spoke about some of Kusama's work that he owned, including an Infinity Net painting of the kind currently on view in an exhibition at the Judd Foundation in New York through December 2.

He has been kind enough to share with Painters» Table his thoughts on painting and images of his work in advance of a retrospective exhibition, Celebrating Abstraction, which will be on view June 7 - 14, 2012 at the Appledore Festival.

Several museum exhibitions are focusing on his influence in painting, photography, film, performance, and more Read More

It may be sheer coincidence, but exhibitions at the Brooklyn Museum and the Kunsthalle Vienna this autumn both focus on the women artists who were identified with Pop art, while an exhibition at the Jewish Museum in New York tackles a related subject: painting and feminism (with a bit of Jewishness thrown into the mix).

Piri Halasz reviews ten current and recent painting exhibitions in New York including: Jim Dine and Thomas Nozkowski at Pace, Going Into the Dark at The Painting Center, Walt Kuhn: American Modern at DC Moore, Marina Adams: Coming Through Strange at Hionas Gallery, Walter Robinson: Indulgences, Recent Paintings & Works on Paper at Dorian Gray (through March 31), Franz Kline: Coal and Steel at Mishkin Gallery, Baruch College, Christine Hughes and Francine Kornfeld at Art 101, Jean - Michel Basquiat at Gagosian (through April 6), and Thornton Willis: Steps at Elizabeth Harris (through Appainting exhibitions in New York including: Jim Dine and Thomas Nozkowski at Pace, Going Into the Dark at The Painting Center, Walt Kuhn: American Modern at DC Moore, Marina Adams: Coming Through Strange at Hionas Gallery, Walter Robinson: Indulgences, Recent Paintings & Works on Paper at Dorian Gray (through March 31), Franz Kline: Coal and Steel at Mishkin Gallery, Baruch College, Christine Hughes and Francine Kornfeld at Art 101, Jean - Michel Basquiat at Gagosian (through April 6), and Thornton Willis: Steps at Elizabeth Harris (through ApPainting Center, Walt Kuhn: American Modern at DC Moore, Marina Adams: Coming Through Strange at Hionas Gallery, Walter Robinson: Indulgences, Recent Paintings & Works on Paper at Dorian Gray (through March 31), Franz Kline: Coal and Steel at Mishkin Gallery, Baruch College, Christine Hughes and Francine Kornfeld at Art 101, Jean - Michel Basquiat at Gagosian (through April 6), and Thornton Willis: Steps at Elizabeth Harris (through April 13).

As I dug deeper I was struck by the sense of outrage and loss this painting aroused in so many people: The family of Lea Bondi, determined to reclaim the stolen portrait she had failed to recover in her lifetime; the Manhattan District Attorney who sent shock waves through the international art world and enraged many of New York's most prominent cultural organizations when he issued a subpoena and launched a criminal investigation following the surprise resurfacing of Portrait of Wally; the New York art dealer who tipped off a reporter about the painting during the opening of the Schiele exhibition at MoMA; the Senior Special Agent at the Department of Homeland Security who vowed not to retire until the fight was over; the art theft investigator who unearthed the post-war subterfuge and confusion that ultimately landed the painting in the hands of a young, obsessed Schiele collector; the museum official who testified before Congress that the seizure of Portrait of Wally could have a crippling effect on the ability of American museums to borrow works of art; the Assistant United States Attorney who took the case to the eve of trial; and the legendary Schiele collector who bartered for Portrait of Wally in the early 1950s and fought to the end of his life to bring it home to Vienna.

And the «Sources of the Self» section of «Americana,» one of the opening exhibitions, includes documentation of Interior Scroll, the influential 1975 performance in which Schneemann ritualistically stood naked on a table, painted her body with mud, and slowly extracted a paper scroll from her vagina while reading from it.

Joan Waltemath talks with Raphael Rubinstein about the exhibition Reinventing Abstraction: New York Painting in the 1980s, a show he curated at Cheim & Read, New York, on view through August 30, 2013.

To speculate on the psychological implications of Jim Dine's 15 - year obsession with uninhabited bathrooms (11 monumental oil paintings of robes made up the bulk of his recent exhibition at the Pace Gallery in New York), is to ponder on Dine's personal identity.

The success of the exhibitions organised by enthusiastic people from my hospital in May and December 2016, convinced me to advertise my painting on this website.

A new exhibition at the MCA in Chicago aims to put the emphasis back on her painting by placing it in the context of work being made today Read More

Rachael M. Wilson considers the exhibition Reinventing Abstraction at Cheim & Read, New York (through August 30) in the context of curator Raphael Rubinstein's previous curatorial efforts and influential articles on «provisional painting.»

Thus, an exhibition now on view at Lori Bookstein Fine Art in New York that showcases a number of Müller's mature, large - scale paintings is a welcome, if short lived, opportunity to see his monumental Abstract Expressionist allegories.

«On the black - painted walls of «The Malingers,» Nicole Wittenberg's debut solo exhibition in New York, thirteen canvases from the 2010 «Interior» series reiterate images of stagelike rooms.»

[10] Jones notes that Riley investigated Seurat's pointillism by painting from a book illustration of Seurat's Bridge at an expanded scale to work out how his technique made use of complementary colours, and went on to create pointillist landscapes of her own, such as Pink Landscape (1960), [10] painted soon after her Seurat study [13] and portraying the «sun - filled hills of Tuscany» (and shown in the exhibition poster) which Jones writes could readily be taken for a post-impressionist original.

Albert Oehlen began to work on this series in 2009; some interieurs works are currently on view in the exhibition «Albert Oehlen, Malerei (Painting)» at mumok in Vienna until October 20th, 2013.

Julia White, our senior curator for Asian art, is organizing three consecutive exhibitions beginning in July — one focusing on historical Chinese painting, one focusing on historical Japanese art, and another on historical Indian art.

This exhibition, a survey of Truitt's sculpture, painting, and works on paper from 1961 to 2002, traces the career of an artist who developed her work quietly and independently in the former carriage and row houses of this city.

Opening at Mana Contemporary in Jersey City on Saturday, May 10 and continuing to August 1, 2014, the exhibition will present work from Resnick's entire six - decade career, including a rare 1937 portrait; quintessential Abstract Expressionist paintings from the 1940s and»50s; a selection of the large allover paintings of the 1960s through 1980s for which Resnick is best known; and a group of late figurative works.

Over the past year, «Kerry James Marshall: Painting and Other Stuff,» an important survey of his practice and his most substantial exhibition in Europe, was on view in Antwerp, Copenhagen, Barcelona and Madrid (and a coinciding catalog was published).

Hilma af Klint's radical oeuvre was on public display for the first time in 1986 at the exhibition The Spiritual in Art: Abstract Painting 1890 — 1985 in Los Angeles.

In the introduction to her much - needed and admirable exhibition Black Paintings at Haus der Kunst, Munich (2006), Stephanie Rosenthal states that the creation of these paintings «revolve [d] around not being able to see (anything), or focus [ed] on the inwardly directed gaze of the viewer or on the artist's own existential state&raPaintings at Haus der Kunst, Munich (2006), Stephanie Rosenthal states that the creation of these paintings «revolve [d] around not being able to see (anything), or focus [ed] on the inwardly directed gaze of the viewer or on the artist's own existential state&rapaintings «revolve [d] around not being able to see (anything), or focus [ed] on the inwardly directed gaze of the viewer or on the artist's own existential state» (2).

This summer, I made four visits to Roland Reiss» studio to discuss his new Floral Paintings — which will be on public view in his upcoming retrospective at Begovich Gallery, California State University, Fullerton in November and a large exhibition in Los Angeles at Diane Rosenstein Fine Art in December.

In his most recent exhibition Queens of the Undead at the Institute of International Visual Arts — Iniva, in London, Donkor presented four of these highly regarded heroic women: «Queen Njinga Mbandi who led her armies against the Portuguese empire in Angola; Harriet Tubman, the underground - railroad leader who freed 70 people from US slavery in the 1850s; Queen Nanny who led the Maroon guerillas in Jamaica that fought the British in the 1700s; and lastly in what is now Ghana, the 20th - century anti-colonial commander - in - chief, Yaa Asantewaa».1 In the second part of the show, three large - scale earlier paintings were on display in which his primary source of artistic creation were contemporary facts of violent confrontationIn his most recent exhibition Queens of the Undead at the Institute of International Visual Arts — Iniva, in London, Donkor presented four of these highly regarded heroic women: «Queen Njinga Mbandi who led her armies against the Portuguese empire in Angola; Harriet Tubman, the underground - railroad leader who freed 70 people from US slavery in the 1850s; Queen Nanny who led the Maroon guerillas in Jamaica that fought the British in the 1700s; and lastly in what is now Ghana, the 20th - century anti-colonial commander - in - chief, Yaa Asantewaa».1 In the second part of the show, three large - scale earlier paintings were on display in which his primary source of artistic creation were contemporary facts of violent confrontationin London, Donkor presented four of these highly regarded heroic women: «Queen Njinga Mbandi who led her armies against the Portuguese empire in Angola; Harriet Tubman, the underground - railroad leader who freed 70 people from US slavery in the 1850s; Queen Nanny who led the Maroon guerillas in Jamaica that fought the British in the 1700s; and lastly in what is now Ghana, the 20th - century anti-colonial commander - in - chief, Yaa Asantewaa».1 In the second part of the show, three large - scale earlier paintings were on display in which his primary source of artistic creation were contemporary facts of violent confrontationin Angola; Harriet Tubman, the underground - railroad leader who freed 70 people from US slavery in the 1850s; Queen Nanny who led the Maroon guerillas in Jamaica that fought the British in the 1700s; and lastly in what is now Ghana, the 20th - century anti-colonial commander - in - chief, Yaa Asantewaa».1 In the second part of the show, three large - scale earlier paintings were on display in which his primary source of artistic creation were contemporary facts of violent confrontationin the 1850s; Queen Nanny who led the Maroon guerillas in Jamaica that fought the British in the 1700s; and lastly in what is now Ghana, the 20th - century anti-colonial commander - in - chief, Yaa Asantewaa».1 In the second part of the show, three large - scale earlier paintings were on display in which his primary source of artistic creation were contemporary facts of violent confrontationin Jamaica that fought the British in the 1700s; and lastly in what is now Ghana, the 20th - century anti-colonial commander - in - chief, Yaa Asantewaa».1 In the second part of the show, three large - scale earlier paintings were on display in which his primary source of artistic creation were contemporary facts of violent confrontationin the 1700s; and lastly in what is now Ghana, the 20th - century anti-colonial commander - in - chief, Yaa Asantewaa».1 In the second part of the show, three large - scale earlier paintings were on display in which his primary source of artistic creation were contemporary facts of violent confrontationin what is now Ghana, the 20th - century anti-colonial commander - in - chief, Yaa Asantewaa».1 In the second part of the show, three large - scale earlier paintings were on display in which his primary source of artistic creation were contemporary facts of violent confrontationin - chief, Yaa Asantewaa».1 In the second part of the show, three large - scale earlier paintings were on display in which his primary source of artistic creation were contemporary facts of violent confrontationIn the second part of the show, three large - scale earlier paintings were on display in which his primary source of artistic creation were contemporary facts of violent confrontationin which his primary source of artistic creation were contemporary facts of violent confrontations.

A new exhibition on Richard Estes — the first paintings show in the museum's history — greatly emphasizes his process and technical virtuosity.

Highlights of the exhibition include a rare Julia Margaret Cameron photograph made in Sri Lanka towards the end of her life; a self - portrait by Ellsworth Kelly drawn in Paris in 1949; the first collaborative work by Peter Fischli and David Weiss, a set of 10 photographs called the Sausage Series; a new painting on paper by Brice Marden; one of the art brut artist Adolph Wolfli's largest and most important drawings; a portrait of Lucian Freud by Walker Evans; and a mescaline drawing by Henri Michaux.

This exhibition includes approximately 45 paintings on view in Fort Worth, and 45 sculptures and 20 related paintings and drawings on view in Dallas.

Introduced to Yves Klein through Arman, he began to pursue painting in earnest and had his first solo exhibition in 1958 at Galerie Vieil - Olivier on the Côte d'Azur.

The Hamptons» own Lee Krasner demonstrates the expressive possibilities of the first medium in «The Umber Paintings, 1959 — 1962,» while «David Hockney: Works on Paper, 1961 — 2009» provides a close - up view of the world of the beloved British painter, who is currently the subject of a major exhibition at The Met.

Lake and Wells by John Salminen, watercolor on cold - pressed Arches paper; this painting was accepted into the American Watercolor Society Exhibition at the Salmagundi Club in New York

In the 300 + gallery exhibitions that we previewed for this post, we discovered a number of New American Paintings» alumni on view in DecembeIn the 300 + gallery exhibitions that we previewed for this post, we discovered a number of New American Paintings» alumni on view in Decembein December.

In this two - venue exhibition, paintings by renowned contemporary American artist Mark Bradford — who will represent the United States at the 2017 Venice Biennale — will be on view at the DAM, while a presentation of Still's work selected in collaboration with Bradford will be on view here at CSIn this two - venue exhibition, paintings by renowned contemporary American artist Mark Bradford — who will represent the United States at the 2017 Venice Biennale — will be on view at the DAM, while a presentation of Still's work selected in collaboration with Bradford will be on view here at CSin collaboration with Bradford will be on view here at CSM.

Originating at the New Museum in New York last fall, the exhibition features «The Holy Virgin Mary,» Ofili's most recognized and most controversial dung painting from the 1990s, which sold at Christie's London on June 30 for $ 4.5 million, a record for the artist.

This edition was produced to accompany Ramsden's paintings on display in The London Open 2015, the Whitechapel Gallery's triennial open submission exhibition, from 15 July — 6 September 2015.

Hirst's «Kaleidoscope» painting goes on display in exhibition dedicated to Dries van Noten (travelled from Musée des Arts Décoratifs, Paris).

LONDON — Corbett vs. Dempsey is proud to present Limp Voyeur in a Humid Landscape, a solo exhibition of 1960s paintings and works on paper by gallery artist Dominick Di Meo at Thomas Dane Gallery, London.

This exhibition covers a span of over four decades (c. 1929 — 70), including a total of some forty paintings, photographs by the artist, works on paper, and sculptures in order to explore the change and continuity in Still's ideas and pictorial forms.

IN SEQUENCE: PAINTINGS, DRAWINGS AND ANIMATIONS BY SCOTT HUTCHISON Terrace Gallery Solo exhibition On View: July 9 — August 1, 2014

Having walked through the exhibition, we perched on a recessed ledge in the upper gallery in semi-darkness, surrounded by paintings glowing and haloed under spot lights.