Sentences with phrase «on photographic archives»

Danish artist Mette Juul works primarily in video and photography, focusing on photographic archives and images as narrative structures.

Not exact matches

His work is largely based on collecting, studying and archiving the photographic history of the Arab World.

Appropriated from the Library of Congress» photographic archive, the images depict adolescent textile workers — primarily young women with physically misshapen backs — that Hine photographed to illustrate the damaging effects of textile manufacturing on the spine.

An eponymous new show, opening tomorrow at Boston's Institute of Contemporary Art, represents the first full North American survey of his practice, exploring Raad's focus on investigations into distinctions between fact and fiction, especially in relation to «the veracity of archives and photographic documents in the public realm [and] the role of memory and narrative within discourses of conflict».

Unpublished Manuscript of «Cardé on the Figure: Digressions of a Philogynist» with Photographic Archive

The Archive also manages the loan of analog and digital video cameras as well as other photographic equipment for student use on class projects.

Sugimoto's exhibition Lost Human Genetic Archive will be on view at Tokyo Photographic Art Museum in fall 2016.

A RESTORATION (2016) is a fifteen - minute, two - screen digital video which employs the museums» photographic and graphic archives and will go on show at the Ashmolean 18 March 2016 — 15 May 2016.

Published on the occasion of her 2013 exhibition at Aspen Art Museum, Lorna Simpson: Works on Paper highlights four recent bodies of work on paper that explore the complex relationship between the photographic archive and processes of self - fashioning, including a new group of works being developed during her time as the AAM's 2013 Jane and Marc Nathanson Distinguished Artist in Residence.

Sonnier, a talented draftsman, immersed himself in studies of bone relics of Mastodons and other herd animals in the photographic archives and dioramas at the Museum of Natural History before embarking on the series.

For the past year, Marcy Werner, curatorial assistant at UofL's Photographic Archives, has been hard at work on a database collecting all the fine prints in the extensive collection.

Over time, my production has evolved from black and white photographic portraits and narrative videos to creating hybrid «sites», images and installations employing photographs, videos and film, archives and found materials, projected sounds and reflective surfaces, works focusing on the individual's role in history and in time.

An extensive archive of photographs produced in silver gelatin print, taken since 1999 (and still on going), this series focuses on marginalized rural communities in Western Rajasthan, portrayed through a range of local photographic methods including studio portraits, religious calendar art and Bollywood posters, at times collaborating with subjects, and sometimes not including them at all.

Having recently worked on conserving and restoring Looking for Langston images from his extensive archive, he exhibited of photographic works at Victoria Miro Gallery, London (2017), Jessica Silverman Gallery, San Francisco (2016) and Ron Mandos Gallery, Amsterdam (2016) with a screening of the film in its original 16 mm print at Tate Britain.

The exhibit featuring more than 440 images from the Library of Congress» photographic archives is on view at the Annenberg Space for Photography in Los Angeles from April 21 to September 9 and features two images by SKG aritst Jerome Liebling.

Woodman has worked with curators and archivists to scan and catalogue thousands of photographic images, and Shooting Performance draws on this extraordinary archive.

The Speed is also proud to collaborate with the Photographic Archives at the University of Louisville and the Faulkner Morgan Archive on presenting photographs by John Ashley documenting the LGBTQ community of Lexington, Kentucky.

Based on photographic documentation of spirit mediums, séances and ectoplasm (pseudo-scientific term for spiritual matter) popularized in the 1920s and 1930s, Haunted Documents explores the roots of photography as a doorway to other worlds, recording the ephemeral and the liminal, archiving experiences of spiritual and geographic crossroads.

Meatyard's last project before his death was The Family Album of Lucybelle Crater, a project based on the common snapshot album featuring friends and family all wearing masks.Photographs by Meatyard are in the collections of the Metropolitan Museum of Art and Museum of Modern Art in New York; George Eastman House International Museum of Photography and Film, Rochester, New York; Center for Creative Photography, University of Arizona, Tucson; Massachusetts Institute of Technology, Cambridge; Smithsonian Institution, Washington, D.C.; and University of Louisville Photographic Archives, Kentucky.

Inspired by midcentury photobooks and magazines, as well as the materials in the artist's own archive, 50 Photographs features a tipped - in sleeve with fictitious contact sheets, a checklist and an essay by art historian and curator James Oles on photographic prints and archives, in which he recounts the story behind this publication.

Lorna Simpson: Works on Paper highlights a recent body of work that explores the complex relationship between the photographic archive and processes of self - fashioning.

On his first visit to the Tate archive, Austin Collings unearths a newspaper cutting on Ian Breakwell's evocative photographic.On his first visit to the Tate archive, Austin Collings unearths a newspaper cutting on Ian Breakwell's evocative photographic.on Ian Breakwell's evocative photographic...

Photographic material on display courtesy Leeds Museums & Galleries (Henry Moore Institute Archive).

An exhibition in celebration of the 40th Anniversary of the Eliot Elisofon Photographic Archives Africa ReViewed: The Photographic Legacy of Eliot Elisofon focuses on Elisofon's innovative photography and its impact on portraying the diverse arts and cultures of modern Africa.

Open for browsing during gallery hours, our Bookshop stocks a range of thought provoking photographic, arts and social sciences titles, while our Reading Room provides welcoming space for study and research, with access to an extensive collection of books and reference materials, and a selection of almost 2,000 images from our archive has been digitised and made available for browsing on an iMac.

According to the Baltic in Gateshead, where her work is currently on show, «she draws upon historical film, photographic archives and collections of artefacts to generate fantasy episodes».

Esopus 21 includes artists» projects by Stephen Eichhorn, Penny McCarthy, Thomas Nozkowski and Leslie Wayne; an essay on the design of the 9/11 Memorial by architect Michael Arad; poems by Chantal Bizzini; a new installment of the «Modern Artifacts» series, copresented with the Museum of Modern Art Archives, and featuring documents related to the never - published second issue of Possibilities (edited by Robert Motherwell and Harold Rosenberg); photographer Dennis Stock's images of the 1954 world premiere of Judy Garland's A Star Is Born; an interview with playwright / filmmaker Kenneth Lonergan relating to his childhood fascination with science fiction; pages from the late Austrian artist Otto Meuhl's sketchbook featuring drawings based on Cézanne paintings; and several perspectives on the African art collective Invisible Borders: an essay by Emmanuel Iduma accompanied by a photographic portfolio; and a downloadable audio compilation of music and sounds curated by Emeka Okereke that relates to the collective's 2012 road trip.

The publication is introduced by a set of photographic archive images representing the formal and iconographic sources of the paintings, which are then shown in a chromatic sequence highlighting the artist's deep research on colors, light and space.

The gallery maintains a complete photographic archive on its exhibitions from the time of its inception, available to students and scholars for research, without reservation.

Centred on the mineral pechblende (the German word for a type of uraninite), Kriemann's project traces a history of scientific and photographic processes narrated through the interconnected sites of laboratory, archive, museum and mine.

Appropriation and the Archive: In the early 1960s, Robert Rauschenberg and Andy Warhol began to incorporate photographic images into their paintings, establishing a new mode of visual production that relied not on the then - dominant tradition of gestural abstraction but rather on mechanical processes such as screenprinting.

Her practice, which is based on extensive on - site research and an ever - expanding archive of visual material, primarily deploys photography, video, slide projection and large scale photographic installations of blown up photocopies or silkscreens, as well as the publication of artists books in the form of photographic visual essays.

As well as its superb collection of paintings, sculpture and drawings, The Courtauld has two photographic libraries - the Lord Martin Conway library, embracing architectural drawings, sculpture and illuminated manuscripts; and the Robert Witt library, covering paintings, drawings and engravings, with over 2 million reproductions of works by more than 70,000 artists - and a Book Library, which contains one of the UK's largest archives of works on the history of art.

Regarding the present through a wealth of photographic records from the past, Zaatari co-founded the Beirut - based Arab Image Foundation in 1997, and he has been working on the extensive archive of Hashem el Madani's Studio Shehrazade, in the Lebanese port city of Saida, since 1999.

Over on the BlogTO blog, Sameer Vasta ponders whether the Toronto Archives should also make its photographic collections available on Flickr?