Sentences with phrase «on photographic art»

An active lecturer on photographic art, Mr. Burtynsky's speaking engagements include the National Gallery of Canada, Ottawa, the Library of Congress in Washington, D.C., George Eastman House in Rochester, NY, The Canadian Center for Architecture in Montreal, the Art Gallery of Ontario, the TED conference, Idea City, and Ryerson University in Toronto.

Not exact matches

She was commissioned by the Louisiana Division of the Arts to produce a photographic essay on a new population.

The other, JR, is a semi-anonymous French street artist known for public art — larger - than - life photographic portraits posted on streets, buildings, and border walls — that gives a voice to the voiceless at the intersection between the personal and the political.

Whereas Bazin never mentions Caravaggio in his essay on «The Ontology of the Photographic Image» (1945), the French critic refers to the baroque style as a proto - cinematic and pictorial term of reference: «The film delivers baroque art from its convulsive catalepsy.»

On top of this, you can tour the Tampa Bay History Center, take a walk in Tampa's romantic parks, explore the Florida Museum of Photographic Arts, and take time to enjoy the great beaches.

It focuses on key sites of photographic enquiry in North America and Germany, and maps how the medium has developed into a vital component of contemporary art.

2008 Photographic Works, Cohan and Leslie, New York, NY Sonata for Executioner and Various Young Women, Contemporary, New York, NY I want a little sugar in my bowl, ASS Gallery, New York, NY Love is a Cannibal, Curated by Becky Smith, Sloan Fine Art, New York, NY The Dulcet Clime of the Bedchamber, Goff + Rosenthal, Berlin, Germany Would you date me on the regular?

Since the mid-1990s, Muniz has been incorporating everyday objects into his photographic process to create witty, bold, and often deceiving images based on photojournalism and art history.

The chronicle of the history of African Americans as photographers and as photographic subjects, based on the book «Reflections in Black» by Deborah Willis, will be shown on Thursday, March 19, at the Wadsworth Atheneum Museum of Art.

Other precursors on display include August Strindberg's photographic emulsions and Eugene Von Bruenchenhein's largely forgotten transition between outsider art and Abstract Expressionism.

By the end of this decade, many artists turned to photography as a vehicle through which to critique photographic representation itself and to subvert an art system premised on the notion of the original.

The exhibition moves on to explore practices that are close to Appropriation Art, such as Sturtevant's Duchamp Man Ray Portrait (1966), who reclaims a photographic portrait of Marcel Duchamp realized by Man Ray, substituting both the author and the subject of the photograph with herself.

An eponymous new show, opening tomorrow at Boston's Institute of Contemporary Art, represents the first full North American survey of his practice, exploring Raad's focus on investigations into distinctions between fact and fiction, especially in relation to «the veracity of archives and photographic documents in the public realm [and] the role of memory and narrative within discourses of conflict».

Many of the portraits she made are on view at the Carnegie Museum of Art, along with street photography, large - scale photographic murals, and videos.

Also on show for the first time in the UK will be two photographic works: GAETA (fifty photographs plus one)(2015) taken in the studio of Cy Twombly and The Line of Fate (2011) of the art historian Leo Steinberg.

Work by Andrew Moore is featured in the photographic survey An Orchestrated Vision: The Theater of Contemporary Photography, on display at the St. Louis Art Museum through May 13, 2012.

, discussing directions in which photographic collections could or should develop, Discussing Provoke, a cross-analysis of the cult Japanese photo magazine, its historical context and its ties to the emergence of performance art in Japan in the 1960s, Photography Beyond the Image, on techniques used to produce photographic works that seek to go beyond the production of an image; Photography & Cinema in Practice, discussing vernacular photography in cinematic production and the role of still photography in the history of art; and The Artist As..., discussing the different roles that artists undertake.

Work from the art gallery's rich permanent collection will also be on display as part of the exhibition including 20th century naked portraits from Stanley Spencer's painting of his second wife Nude, Portrait of Patricia Preece (1935) to John Coplan's photographic Self Portrait Upside Down (1992).

Residents and Visitors: Twentieth - Century Photographs of Louisiana is the eighth collaborative exhibition drawn from the collections of the New Orleans Museum of Art (NOMA) and The Historic New Orleans Collection (THNOC), and the first to be based solely on institutional photographic holdings.

Also included in «Big Spaces and Large Planes» are: the loosely graphic paintings of Cathy Fiorelli who shares studio space with eleven other artists at the Middletown Pendleton Art Center; the perceptive works on femininity of Pattie Byron from West Chester; the Kente Cloth - inspired art quilts by Miami University - educated Linda Kramer; the mixed media of Oxford's Maureen Nimis with her cut paper and photographic work; the small works by Catalog & Slavic Librarian at Miami University, Russian - born Masha Misco; and the jewel - like small photographs of Denver - born Cincinnati resident Brian Luman whose exploration of urban crevices is fueled by his skateboard and cameArt Center; the perceptive works on femininity of Pattie Byron from West Chester; the Kente Cloth - inspired art quilts by Miami University - educated Linda Kramer; the mixed media of Oxford's Maureen Nimis with her cut paper and photographic work; the small works by Catalog & Slavic Librarian at Miami University, Russian - born Masha Misco; and the jewel - like small photographs of Denver - born Cincinnati resident Brian Luman whose exploration of urban crevices is fueled by his skateboard and cameart quilts by Miami University - educated Linda Kramer; the mixed media of Oxford's Maureen Nimis with her cut paper and photographic work; the small works by Catalog & Slavic Librarian at Miami University, Russian - born Masha Misco; and the jewel - like small photographs of Denver - born Cincinnati resident Brian Luman whose exploration of urban crevices is fueled by his skateboard and camera.

Based on documentary and photographic evidence of the time, it reconstructs the spatial, temporal, social, and political contexts in which the works of art were created and exhibited, and the way in which they were interpreted and received by the public of the time.

Artworks from photographer Lissa Rivera's series «Beautiful Boy» are on view in the exhibition «Role Reversal,» alongside works by Christa Blackwood and Jessica Yatrofsky, at the Colorado Photographic Arts Center: The Colorado Photographic Arts Center presents «Role Reversal,» an

London Diary has been on hiatus for the summer, having spent July nominally working on a photographic project in Paris and returning to its spiritual home for an art world August so leaden you could've caught painter's colic just by walking past a gallery.

He created the process of printing photographic images on leaves in 1992 following the receipt of a fellowship from the New York Foundation for the Arts.

The theme for this year is INDIA - Contemporary Photographic and New Media Art focusing on 48 Contemporary Photographic and New Media Artists from India.

sepiaEYE is pleased to have organized a trip to Houston during the FotoFest 2018 Biennial focusing on INDIA: Contemporary Photographic and New Media Art.

John Baldessari, Wrong, 1967, photographic emulsion and acrylic paint on canvas, 149.9 x 114.3 cm, Los Angeles County Museum of Art, Modern and Contemporary Art Council, Young Talent Purchase Award, M. 71.40, © John Baldessari, photo courtesy of Museum Associates / LACMA

Traversing photographic categories of art and advertisement, Ueda has continued to present work on the frontline throughout his career of 40 years.

Beginning in the 1920s, Kertész's work would go on to be shown in numerous exhibitions such as the Brooklyn Museum, New York; Royal Photographic Society of Great Britain, London; International Center for Photography, New York; National Gallery of Art, Washington D.C.; Museum of Modern Art, New York; Art Institute of Chicago; Bibliothèque National, Paris; Hungarian National Gallery, Budapest; Musée National d'Art Moderne du Centre George Pompidou, Paris; The Getty Center, Los Angeles; and the Metropolitan Museum of Art, New York.

This publication brings together three major bodies of work: the photographic and video works produced under the fictional collective name The Atlas Group; various series of seemingly «straight» photography of his native Beirut titled Sweet Talk: Commissions (Beirut); and his most recent project, Scratching on Things I Could Disavow: A History of Art in the Arab World.

As the only one of its kind on the North Fork, we exhibit and sell contemporary fine art photographic works by established and emerging artists.

More recently, a plethora of photographic exhibition catalogues has emerged from museums and artist - run centres like Montréal's Dazibao, which exhibits only photography, and articles on photography have become a regular feature of art magazines such as Parachute and Canadian Aart magazines such as Parachute and Canadian ArtArt.

In this lecture held at the National Gallery of Art on May 21, 2017, in conjunction with the exhibition, artist Mitch Epstein shares how the distress of the New England industrial town of his childhood and the vibrancy of the city of New York, where he's lived for 45 years, have informed his photographic sensibility.

This research is intended to produce a number of gestures, including photographic documentation, a potential film, and display of objects, which will be exhibited, successively, beginning on December 2, 2014 — timed to the kickoff of Art Basel Miami Beach.

Matt Lipps» photographic work consistently flips traditional curatorial, photographic, and art historical traditions on their heads.

A New and Mysterious Art: Ancient Photographic Methods in Contemporary Art is on view at Howard Greenberg Gallery from Sept. 15 until Oct. 29.

FotoFocus is starting it's month - long celebration of the photographic arts here in Cincinnati with a very special Herb Ritts exhibition opening at the Cincinnati Arts Museum on Octobearts here in Cincinnati with a very special Herb Ritts exhibition opening at the Cincinnati Arts Museum on OctobeArts Museum on October 6.

THE ATRIUM GALLERY at HAMPTONS YOGA HEALING ARTS - «SALT: Photographic Works by Steve Devita» has an Opening Reception on Saturday, August 26, 2017 from 5:30 to 7 p.m..

Eyes, cameras, film, developing trays, and the other integral components of the photographic process are the subjects of Anne Collier's art, which turns the act of photography inward on itself, asking provocative questions about why, by whom, and for whom pictures are taken.

«Men act and women appear,» commented art critic John Berger on the conventional photographic dichotomy, «men look at women.

FotoFest's own exhibitions for the 2014 Biennial will focus on Contemporary Arab Photographic Art, including video and multi-media installations.

Sugimoto's exhibition Lost Human Genetic Archive will be on view at Tokyo Photographic Art Museum in fall 2016.

The Biennial will focus on Contemporary Arab Photographic Art, including video and multi-media installations.

On Wednesday, October 5th from 6 - 9PM Studio Sixty Six will hold the opening reception of ERUPT, a group show of new work from recent graduates from the School of the Photographic Arts: Ottawa.

On view concurrently in ICA Miami's second floor galleries during Art Basel Miami Beach, Shannon Ebner: A Public Character offers a comprehensive presentation of over 50 photographs, new sculpture, installation, and video, demonstrating the artist's efforts to build a catalogue of images, and to locate them at the intersection of the poetic, graphic, and photographic.

An essay on photographic portraiture practice is forthcoming in the catalog for Becoming Disfarmer, to be published by The Aldrich Contemporary Art Museum in 2014.

Organized by the University of Michigan Museum of Art, Betye Saar: Extending the Frozen Moment, examines the achievement of Betye Saar by focusing on her work with photography, specifically, her incorporation of photographic fragments as a metaphor for her view of the African American experience and of lives too often obscured in American visual history.

There are endless variations on the theme of the human face in contemporary art — prominent examples include Thomas Schütte's supra - personal sculpted figures, Cindy Sherman's role - playing photographic images, the portraits of Marlene Dumas, Candice Breitz and Tony Oursler, Bruce Nauman's experiments with his own body, Rosemarie Trockel's family portraits, Julian Opie's schematic facial representations and Thomas Ruff's passport - style photographs.

Drawn from the papers of a variety of artists, writers, and arts organizations, the range of subjects, circumstances, and photographic styles on view here reflects the range of historically important cultural figures who lived and worked Downtown.

She has served on the board of AIPAD (association international photographic art dealers) Art Table (women in leadership positions in the visual arts) and Her Justice, which provides legal services for needy womart dealers) Art Table (women in leadership positions in the visual arts) and Her Justice, which provides legal services for needy womArt Table (women in leadership positions in the visual arts) and Her Justice, which provides legal services for needy women.