Sentences with phrase «on photography and film»

These images have a wide - ranging subject matter yet are linked by the artists» shared meditation on photography and film as the quintessential media of the archive.

Not exact matches

The George Eastman House film and photography museum will screen the silent film on Oct. 16 in Rochester, NY., following the restoration's world premiere on Oct. 9 at Le Giornate del Cinema Muto, an Italian film festival devoted entirely to silent cinema.

There will be photography, film, design, and other mixed media on view.

We researched and reviewed the best drones for filming and photography to bring you a top ten list of superior models on the market.

Similar to film used in photography, photoresist, also just called resist, is used to lay down the patterns of ever - shrinking lines and features on a chip.

There are no permanent exhibitions, but artists from around the world descend on the gallery to show works, which range from film, photography and paintings to sculpture and sound installations.

Cheshire About Blog Wildlife photography, wildlife filming, wildlife watching and kayaking in the Cheshire countryside and on the North Wales coast.

The film feels like it's been assembled by committee, and news stories about the film's troubled production bear this out: after an initial round of photography during which the ending was being crafted almost on the fly, the film's release was delayed so that a new ending could be written and shot in an attempt to glue together two halves of a story that still don't feel like a whole.

Cooper and his director of photography Masanobu Takayanagi (who also worked on the filmmaker's last two movies) paint a visually striking but harsh and brutal portrait of the scenery here, placing an emphasis on long shots of desolate landscapes and closeups of human anguish in order to create the film's dismal mood.

Commentary 3 — The Picture - Director of Photography Darius Khondji, Prodcution Designer Arthur Max, Editor Richard Francis - Bruce, Richard Dyer and David Fincher talk about the look of the film itself, the color processes used on the print, the locations scouted for the various shots, the detail used in the studio backlot constructions, the style David wanted to achieve and succeeded in doing, the clothing, the grittiness, the absolute black Fincher always wanted in Alien 3 but could achieve until now and more.

Directed by Marcus Nispel; screenplay by Laeta Kalogridis, based on the film by Nils Gaup; director of photography, Daniel Pearl; edited by Jay Friedkin and Glen Scantlebury; edited by Jonathan Elias; production designer, Greg Blair; produced by Mike Medavoy, Arnold Messer and Nispel; released by 20th Century Fox.

That said, I must grudgingly give in to Mamma Mia's inescapable charm and high spirits, something this film capitalizes on in spades, with some truly stunning location photography in Greece to spice up the visuals.

Yes perhaps not a film with a particular story that will suit those cinema - goers who like to know what's going on, although there are those of us who just enjoy the medium, stunning sets and magnificent photography, I'd take this over Avitar anyday!

Weinstein's background in cinematography (he was director of photography on the documentary «Elaine Stritch: Shoot Me» and directed «Flying on One Engine») is evident in the beautiful look of the film.

The film is based on the book by Laura Hillenbrand on Zamperini, the Coen brothers are co-scriptwriters, and Roger Deakins (No Country for Old Men, True Grit) is the director of photography.

Warner's confidence in this ambitious film is not unfounded, as Ron Howard has constructed a film that is not only hugely enjoyable, but big on technical achievement, and while the film may not be banging on voters doors over the coming weeks in the main categories, expect to see nods for the glorious effects, sound and the photography.

According to The Hollywood Reporter, one of the reasons that the budget on «John Carter» went so high is that director Andrew Stanton, used to reworking films while at Pixar, «embarked on extensive and costly reshoots» (something fervently denied by the helmer, who called it «a complete and utter lie,» saying that Disney had let him go for longer reshoots because his principal photography had come in on time and on budget).

Dillon was Director of Photography on the movie which is was filmed in Australia and is directed by Kim Farrant and stars Nicole Kidman, Hugo Weaving and Joseph Fiennes.

After the war, he continued to work as a director of photography and was noted for his exquisite work on the films of John Ford.

Les Misérables certainly looks strikingly different than most of the other Broadway musical - turned films released in recent years, thanks to some picturesque visuals and unusual camera angles conjured up by director of photography Danny Cohen (who received an Oscar nod for his similar work on King's Speech).

(Liman and cinematographer Roman Vasyanov, shooting on Super 16 mm film, took care of principal photography in 14 days, using the western edge of California's Mojave Desert as a stand - in location.)

Extras include six featurettes that cover topics like shooting on location in Louisiana, filming the rooftop battle, on - set photography and more.

Los Angeles, CA, June 4, 2009 — The cast, crew, and producing team behind the feature film Portland are shocked and saddened to learn of the tragic passing of co-star David Carradine on the eve of principal photography.

On the surface is a film that shimmers in sunshine and fun; the photography draws the spectator into the beauty and holiday tranquillity of Pantelleria, and the energy and quality of the performances, particularly Ralph Fiennes» hurricane of exuberance, provide a crowd to gather around the pool with and to be entertained by; a crowd who can seduce and disgust with equal measure.

The Appendices — The Appendices Parts IX and X showcase an immersive multi-part history of the filming of The Hobbit: The Desolation of Smaug, covering pre-production in the various departments of the film in the months leading up to the start of principal photography, training, the work done on set and in the world of its digital effects.

For the supplemental materials, there's an excerpt from the documentary Michelangelo Antonioni: The Eye That Changed Cinema; Blow - Up of «Blow - Up», a new documentary about the film; two interviews with David Hemmings, one on the set of Only When I Larf from 1968, and the other on the TV show City Lights from 1977; 50 Years of Blow - Up: Vanessa Redgrave / Philippe Garner, a 2016 SHOWstudio interview; an interview with actress Jane Birkin from 1989; Antonioni's Hypnotic Vision, featuring two separate pieces about the film: Modernism and Photography; both the teaser and theatrical trailers for the film; and a 68 - page insert booklet containing an essay on the film by David Forgacs, an updated 1966 account of the film's shooting by Stig Björkman, a set of questionnaires that the director distributed to photographers and painters while developing the film, the 1959 Julio Cortázar short story on which the film is loosely based, and restoration details.

The Cinematography Award: U.S. Dramatic was presented to Bradford Young for two films he was Director of Photography on: Ain't Them Bodies Saints, directed by David Lowery, and Mother of George, directed by Andrew Dosunmu.

It's a film that still bears the mark of a young filmmaker looking for his voice (Scott largely based the photography on what Kubrick did in Barry Lyndon), but this tale of two military officers and their decade - long rivalry is thrilling nonetheless.

Extras: Two audio commentaries from 2003, one featuring director Ken Russell and the other screenwriter and producer Larry Kramer; segments from a 2007 interview with Russell for the BAFTA Los Angeles Heritage Archive; «A British Picture: Portrait of an Enfant Terrible,» Russell's 1989 biopic on his own life and career; interview from 1976 with actor Glenda Jackson; interviews with Kramer and actors Alan Bates and Jennie Linden from the set; new interviews with director of photography Billy Williams and editor Michael Bradsell; «Second Best,» a 1972 short film based on a D. H. Lawrence story, produced by and starring Bates; trailer; an essay by scholar Linda Ruth Williams.

According to Deadline, a cast has come together and principle photography has begun on Bong Joon - ho's new Netflix film, titled Okja.

Principal photography for the film commenced just recently, and with Zoolander 2 on deck this year as well, I'm beginning to have high school flashbacks of spilling my popcorn at my multiplex from laughing so hard.

Baker's crew shot the entire 2015 film using three iPhone 5S devices, with additional photography from an anamorphic clip - on lens, an app, and Steadicam Smoothee Mounts.

Formats: DVD, Blu - ray Disc with new 4K digital restorations of the original theatrical version of the film and the 1989 director's cut, both supervised by director of photography Walter Lassally, with uncompressed monaural and stereo soundtracks on the Blu - ray.

Fox Searchlight Pictures and BBC Films have announced that principal photography is done and dusted on upcoming film «The Aftermath», which stars...

The film reunites Freeman with Drew Fellman, who also wrote and produced the 2011 IMAX 3D documentary «Born to Be Wild 3D,» and director David Douglas, who served as director of photography on that film.

Blessed with excellent memories, Stiller and Childress — present for every day of principal photography at Stiller's behest (and sometimes her chagrin)-- recall the shoot in vivid detail, whether it be the order in which scenes were filmed or the mood of the set on a particular day.

PARAMOUNT PICTURES and SKYDANCE Present A SCOTT RUDIN / DNA FILMS Production NATALIE PORTMAN «ANNIHILATION» JENNIFER JASON LEIGH GINA RODRIGUEZ TESSA THOMPSON TUVA NOVOTNY and OSCAR ISAAC Costume Designer SAMMY SHELDON DIFFER Music by BEN SALISBURY and GEOFF BARROW Visual Effects Supervisor ANDREW WHITEHURST Edited by BARNEY PILLING Production Designer MARK DIGBY Director of Photography ROB HARDY BSC Executive Producers DAVID ELLISON DANA GOLDBERG DON GRANGER JO BURN Produced by SCOTT RUDIN, p.g.a. ANDREW MACDONALD, p.g.a. ALLON REICH, p.g.a. ELI BUSH, p.g.a. Based on the Novel by JEFF VANDERMEER Written for the Screen and Directed by ALEX GARLAND SOUNDTRACK ALBUM AVAILABLE ON LAKESHORE RECORDS / INVADA RECORDS AnnihilationMovie.com © 2018 Paramount Pictureon the Novel by JEFF VANDERMEER Written for the Screen and Directed by ALEX GARLAND SOUNDTRACK ALBUM AVAILABLE ON LAKESHORE RECORDS / INVADA RECORDS AnnihilationMovie.com © 2018 Paramount PictureON LAKESHORE RECORDS / INVADA RECORDS AnnihilationMovie.com © 2018 Paramount Pictures.

Made in 1961, the film used trick photography and stunt doubles to create the illusion of two Hayley Mills on the screen at once.

William Sadler, who's played President Ellis in film and on TV, is missing as well, as is the film's director, Shane Black, but it's possible he was busy in principal photography on The Predator at the time.

In the Tyrone Power featurette included on Fox» Son of Fury DVD, Power apparently begged Zanuck to shoot the film in Technicolor, but the black & white photography definitely darkens the tone of the film and steers it away from the more frothy costume romp Alfred Newman's score clearly conveys.

Joining del Toro on the film are long time collaborators costume designer Luis Sequeira (THE STRAIN, MAMA, CARRIE), director of photography Dan Laustsen -(JOHN WICK: CHAPTER TWO, CRIMSON PEAK, MIMIC), visual effects supervisor Dennis Berardi (CRIMSON PEAK, MAMA, FIGHT CLUB) and editor Sidney Wolinsky («The Strain,» «House of Cards,» «The Sopranos»).

Santa Monica, CA — April 8, 2013 — Summit Entertainment, a LIONSGATE ® (NYSE: LGF) company, announced today that principal photography has commenced in Chicago on the highly anticipated feature film adaptation of Divergent, starring Golden Globe nominated Shailene Woodley, Theo James, and Academy Award ® winner Kate Winslet.

The Appendices — A multi-part chronological history of the filming of The Hobbit: An Unexpected Journey, covering pre-production in the various departments of the film in the months leading up to the start of principal photography, the boot camp training for the main cast, the work done on set chronologically through the three shooting blocks and in the world of its digital effects.

Shot on grainy 16 mm film («Drinking Buddies» was shot digitally), the look of the film (lensed by Ben Richardson of «Beast of the Southern Wild» fame) is definitely a step backwards, and it appears as if the filmmakers only used available light, which doesn't make for the most flattering photography.

Accused masturbator and Woody Allen collaborator Louis C.K. has begun principal photography on a film in which he plays a TV writer - producer whose nubile teen daughter establishes an unclear relationship with an older filmmaker known to prey on young women.

The film reunites Eastwood with several of his longtime collaborators, who most recently worked with the director on the worldwide hit «American Sniper»: director of photography Tom Stern and production designer James J. Murakami, who were both Oscar - nominated for their work on «The Changeling»; costume designer Deborah Hopper; and editor Blu Murray.

Imagine the clusterfuck of controversy that would've erupted if Deadline had ran an item announcing, «Accused masturbator and Woody Allen collaborator Louis C.K. has begun principal photography on a film in which he plays a TV writer - producer whose nubile teen daughter establishes an unclear relationship with an older filmmaker known to prey on young women.»

THE SHAPE OF WATER is a magical film, a thought - provoking twist on the monster genre, with beautiful moody photography, fine ensemble acting and brilliant direction

New, restored high - definition digital film transfer, supervised by director Richard Linklater and director of photography Lee Daniel, with 2.0 surround DTS - HD Master Audio soundtrack on the Blu - ray edition

«That would be disingenuous and just plain wrong to say that I was the director of photography on the film,» Anderson recently told Entertainment Weekly.