David Lawrey & Jaki Middleton's collaborative practice draws
on popular visual culture, art history and cinematic traditions to create works that engage the viewer via optical phenomena, juxtaposition and repetition.
Not exact matches
Dream Daddy: A Dad Dating Simulator (shortened to Dream Daddy) is a
visual novel video game released
on July 20, 2017 for Windows & macOS, and
on September The Dating What Daddy Hates trope as used in
popular culture.
Instead what we got was a film completely reliant
on its
visuals and recognisable properties — using
popular culture references and Easter eggs in place of a coherent story and great characters.
Mirroring the vision of the Ballroom itself, a non-profit cultural space founded
on the belief that art can impact the human spirit positively, OPTIMO brings together nine artists whose work celebrates life, incorporating
visual pleasure, humor, interactivity, color, technology, industrial design, politics, landscape, spirituality, and
popular culture.
Their collaborative, ephemeral, and
visual works reflect
on contemporary
culture through the language of
popular music, consumer
culture and other genres.
Pipilotti Rist's multimedia video works such as, I'm Not The Girl Who Misses Much (1986) «Yoghurt
on Skin, Velvet
on TV (1995) «Sip My Ocean (1996), and Remake of the Weekend (1998), blur the boundaries between
visual art and
popular culture and explore the unfamiliar in the everyday.
Known for their technical experimentation with
popular visual culture, sound, and sculpture, the artists will present a project for Times Square that responds to the history and the spectacle of the site: the ball drop
on New Year's Eve; the sound generated by Max Neuhaus» 1977 sound installation Times Square; and the signs
on corporate billboards.
Fahamu Pecou is a
visual artist and scholar whose works combine observations
on hip - hop, fine art and
popular culture.
Halsband's 1985 iconic portrait of Jean - Michel Basquiat and Andy Warhol no. 143 in boxing gloves became such a staple of
popular culture that its appropriation by contemporary
visual artists and street artists continues thirty years
on.
Kessler turns to contemporary
visual culture, and specifically Apple Inc., to examine the impact of
popular and commercial imagery and products
on society's desires and collective psyche.
Currently a Ph.D. student at Emory University's Institute of Liberal Arts, Pecou is a
visual artist who works to combine observations
on hip - hop, fine art and
popular culture, addressing concerns regarding the contemporary representation of black masculinity.
Throughout his career, he has employed various media to cite and subtly parody the
visual and verbal clichés of American
popular culture — whether in the «Cowboys» series in which he «re - photographed» the mythic cowboy imagery of Marlboro adverts, or the celebrated series of «Nurse» paintings based
on the covers of pulp fiction novels which these nudes can be seen to relate to.
A 21st - century channeling of Andy Warhol's original
visual discourse
on popular American
culture, Longley - Cook's show places drag in the lineage of pop iconography with fresh, thoughtful perspective.
Entang Wiharso (b. 1967, Tegal, Indonesia) studied painting, graduating from the Indonesian Institute of Arts in Yogyakarta in 1994 and is widely regarded for his dramatic
visual language which draws
on popular culture and ancient mythology to create unique images of contemporary life.
Cao's art bridges into
visual arts with the use of
popular culture and shifts through different subcultures and phenomenon to create the surreal landscapes that she is most known for — actors incased in Burberry behaving like dogs reenact a hysteric day in the office, ordinary people dancing to hip - hop
on the street, people dressed in Chinese shopping bags and a stage production incorporating Guangzhou's street youths are just a few examples of using the city's everyday life to analyze and render the current social situation where traditions and new influences are constantly in conflict.