Sentences with phrase «on script»

Simon Pegg brings the funny on script detail in this rollicking second sequel in the latest Trek adventure.

Tarkovsky and his co-writer Andrei Konchalovsky worked on the script for over two years, and this script came to be known as «The Three Andreis».

He spoke to The National Ledger and he told them that Todd Phillips, the writer / director of the first two is currently working on a script.

But while there are some hilarious verbal and visual gags peppered throughout this movie, it all hinges on a script that's painfully obvious and animation that simply isn't inventive enough to hold the attention without a decent story and stronger characters.

«Josh Boone and his writing partner are working on the script.

Notably, it's the first Rocky film without Stallone's name on the script, but he shines instead in his quiet, nuanced supporting turn as the aging fighter.

Numerous attempts have been made to do a sequel, but no one could agree on a script, least of all Robin.

Cooper wants more time to work on the script with screenwriter Josh Singer (Spotlight).

Bodied is based on a script by Toronto rapper Alex Larsen, a.k.a. Kid Twist, and is also based on his life.

Numerous scribes worked on the script including John August, Marianne Wibberley and, most recently, Adam Cozad.

The brothers are working on the script with Christopher Markus and Stephen McFeely.

Rodriguez and Terry Rossio are working on a script...

Sources say that Tarantino is putting the finishing touches on the script and that Brad Pitt, Samuel L. Jackson and Jennifer Lawrence have been approached.

To Iannucci's credit none of the actors in this film are asked to adopt any sort of Russian or even any shared accent which only adds to the air of chaos in the party and likely is what frees up these actors to stay absolutely focused on the script's fast and fierce comic timing.

The film is based on a script that came from the modern Hollywood equivalent of a slush pile.

She noted how she spoke with Cowperthwaite and the war movie's writers while they were working on the script.

I don't know if Kaplan had a chance to work on the script with its two writers, Ken Friedman and Yolande Finch, for he took over a troubled production after Tamra Davis, its original director, was fired.

Imagine if Bret Easton Ellis got his hands on the script for Starry Eyes and injected his own style of commentary into it and you've got The Neon Demon.

On my part, the way I play with actors depends on the script and atmosphere.

It's directed by Craig Gillespie («Mr. Woodcock») and is based on a script by Nancy Oliver («Six Feet Under») that wears its heart on its sleeve by showing its compassion.

With both Vaughn and Scott experienced in creating concept dramedies, and Pursuit of Happiness / Secret Life of Walter Mitty writer Steve Conrad on the script, one would think this film would be a perfect storm of creative humor and genuine sentiment.

Of the many thrills that come from interviewing creative people — variously, unknown, ascendant and at the top of their game — there's also the under - discussed flipside: talking with, 1) vapid young «actors» (line - reciters is more like it) who have neither a sense of film history nor an appreciation for their occupational good fortune and, 2) perfectly genial writers and directors who are nonetheless so relentlessly on script — occasionally reciting entire career - checking passages verbatim from press notes no doubt spit - polished into significance by some friendly faction in the dark wings — that you realize they actually have less summary insight or thoughts about several months or years of their own work than you do after 90 to 120 minutes with it.

The awkward revelation at a restaurant is completely contrived on a script level, but it has a crowd - pleasing payoff.

while Anderson worked on the script.

For a story like this, based on a real - life incident, is your performance based exclusively on the script or do you do outside research about the people and the times?

It seems Kidman has already prepared to adapt to Wong's trademark directing style, which focuses less on the script and more on on - the - spot shooting.

David Leitch, who left John Wick 2 to pursue this project, is directing, based on a script by Kurt Johnstad, who wrote 300 and the upcoming Justice League tie - in film Aquaman.

Perhaps working with on a script written by another writer, or hiring a co-writer, will allow Peddle to unlock his potential as a director.

I'm sure I'll run into him tonight and he'll say, «Why aren't you working on the script?»»

«In my trailer on the set, waiting to go to a gunfight, I finished a book, proofread my graphic novel, worked on a script and skateboarded with my son.

As well as «Silver Linings Playbook» filmmaker Russell, Mike White and Craig Gillespie have all previously been in the running to direct, and have worked on the script, as have other writers including Jane Espenson.

This cast took a chance on this script, and it paid off.

The project is being produced by Chernin Entertainment for Fox Searchlight, and is based on a script from David Gleeson and Stephen Beresford.

The «Pretty Little Liars» actor, at SXSW with the S&M relationship drama «Kelly + Victor,» discusses why his different take on the script won him the role.

Victoria Strouse is on script duty, overseen of course by Nemo godfather and writer - director Andrew Stanton who is also returning to at least supervise the new film.

Chris Weitz was recently brought on to work on the script for Gareth Edwards» standalone Star Wars spinoff, and he's finally opened up a bit about what he's been up to in a galaxy far, far away.

According to The Hollywood Reporter, Sinister's Scott Derrickson and C. Robert Cargill are working on a script that will tackle the 1960s (and late - 1990s) anthology series that plumbed so many Cold War - era fears, and our narcissistic beliefs that aliens are trying to control us, because we're soooo interesting.

And since Forbes» Mark Hughes — who somehow got his hands on the script — is raving about what a strong adaptation this is and how it's «a potential tentpole picture capable of spinning off a whole expanded universe of franchises,» you have to wonder if maybe Warner Bros. didn't want this to look like Machete Kills In Space (which, if you'll recall, is a real movie that's actually happening).

The film's new director, J.J. Abrams, and screenwriter Chris Terrio (Batman v Superman, Justice League) have reportedly been working on a script ever since.

WKW: Well, we're working on the script.

As Lubitzki's lenses move from Fitzgerald's camp, always on the lookout from Pawney Indians with their perfectly aimed arrows, then back to a solitary Glass, we sit in assorted stages of agony wondering why DiCaprio passed on a script starring a bear and instead took on the guise of a wolf — on Wall Street.

Now we're hearing that New Line is giving it one more try, with pre-production gearing up thanks to a new take on the script from Allan Loeb (Wall Street: Money Never Sleeps, 21).

While original Sinister director Scott Derrickson and his co-writer C. Robert Cargill have been hard at work on a script for a sequel to the massively successful 2012 film, it was unsure as to whether or not Derrickson himself would take ahold of the directing duties.

McDonagh devotees can groove on a script that pokes fun at itself within minutes - «Overkill?»

«Ryan [Reynolds] and the guys have been working hard on the script,» Kinberg said.

Lena Dunham gave me notes on the script and then said, «You should really consider Gillian Jacobs to play Sam.»

I didn't work with him on the script.

The story goes that Wilder was keen to riff on a 1935 French comedy about two men who dress in drag in order to escape from the mafia, but no one could get their hands on the script.

«Judy» is based on a script written by «The Crown» scribe Tom Edge and is set to be produced by BAFTA winner David Livingstone - who shot to fame in the LGBT movie «Pride».

The film also marks the second collaboration between Baumbach and friend Wes Anderson, who gets a producing credit here and who gave Baumbach feedback on the script (Baumbach had written «The Life Aquatic,» and the two would collaborate again on the delightful «Fantastic Mr. Fox»).