Sentences with phrase «on social sculpture»
She works in the liminal region between sculpture and glassmaking to explore the possibility of creating multi-layered messages and metaphors through the use of material, drawing on her doctoral research on the legacy of Joseph Beuys and his ideas on social sculpture.
http://www.contemporaryartsociety.org/ Not exact matches
About Blog A blog that includes Sculpture, Works on Paper, Digital Prints, Wood Sculpture, Photograhy, Contemporary Art, Writing, Political and Social Commentary.
About Blog A blog that includes Sculpture, Works on Paper, Digital Prints, Wood Sculpture, Photograhy, Contemporary Art, Writing, Political and Social Commentary.
The travels of the wireframe Evoques has been documented by Range Rover on local social media sites and blogs accompanied by stunning imagery of the sculptures.
Whether it's posting «works in progress» on social media, updating my blog or website, or crocheting elements for a series of miniature sculptures I'm currently working on... I do something.
Presenting approximately 60 sculptures, paintings and works on paper in dialogue with one another, these shows highlight the varied formal, social and political concerns that informed the significant series — neither of which were actually named «Constellations» by the artists themselves.
For her P.S. 1 project, Molly Larkey presents The Believers, a new series of sculptures that combine abstraction and figuration to comment on political and social ideologies.
2009 The Embassy, Curated by Xerxes Cook and Alex Dellal, 33 Portland Place, London, UK Artists» Art / Artists» Books, Glenn Horowitz Bookseller, East Hampton, NY Elevator to the Gallows, Galerie im Regierungsviertel / Forgotten Bar Project, Berlin, Germany Story without a Name, Curated by Blair Taylor, Peres Projects, Berlin, GermanyPrivate, Con Der Hydt Museum, Wuppertal, Germany The Collectors, Curated by Elmgreen and Dragset, Danish and Nordic Pavillions, 53rd Venice Biennale, Venice, Italy Onedreamrush, Beijing Independent Film Forum, Beijing, China DLA Piper Series: This is Sculpture, Tate Liverpool, Liverpool, UK Mexico: Expected / Unexpected, Tenerife Espacio de Las Artes, Santa Cruz de Tenerif Imagine, There: Three Contemporary Mythologies, A Space Gallery, Toronto, Canada The Porn Identity, Kunsthalle Wien, Wien, Germany The Temptation to Exist: Douglas Gordon, Any Warhol, On Kawara, terence koh, Yvon Lambert Gallery, London, UK KKK: Featuring terence koh, Jeff koons, and Mike Kelley, Mary Boone Gallery, New York, NY A Tribute to Ron Warren, Mary Boone Gallery, New York, NY New York Minute, Macro Future Museum, Rome, Italy Objective Affection, Boffo, Brooklyn, NY Dancing with Rodin, The Brooklyn Museum, Brooklyn, NY Tompkins Square Park Procession, Tompkins Square Park, New York, NY Art History 1642 - 2009, National Arts Club, New York, NY Performa 09, Third Biennial of Visual Art Performace, New York, NY Degeneration / Regeneration, Marina Abramovic Institute, San Fransico, CA Compassion, Curated by AA Bronson, The Institute of Art, Religion and Social Justice, New York, NY Contemporary Artifices and Baroque Difformities, Arcos - Sannio Museum of Contemporary Art, Benevuto, Italy Marina Abramovic Presents..., The Whitworth Art Gallery at the Universtiy of Manchester, UK Get a Rope, Ctrl Gallery, Houston, TX
SELECTED GROUP EXHIBITIONS 2008 for what you are about to receive, Gagosian Gallery c / o Red October, Moscow Oranges and Sardines: Conversations on Abstract Painting with Mark Grotjahn, Wade Guyton, Mary Heilmann, Amy Sillman, Charline von Heyl, and Christopher Wool, curated by Gary Garrels, Hammer Museum, Los Angeles, CA Painting Now and Forever: Part II, Matthew Marks Gallery and Greene Naftali Gallery, New York Not So Subtle Subtitle, curated by Matthew Brannon, Casey Kaplan Gallery, New York That social space between speaking and meaning, by Fia Backstorm, White Columns, New York God is Design, curated by Neville Wakefiled, Galerie Fortes Vilaca, San Paulo A New High in Getting Low, John Connelly Presents, New York Nina In Position, curated by Jeffrey Uslip, Artists Space, New York Sculpture and Concepts of Spacial Illusion: 1967 - 2007, curated by Don Desmett, Western Michigan University, Kalamazoo Records Played Backwards, curated by Daniel Bimbaum, Modern Institute, Glasgow Blasted Allegories: Work from the Ringier Collection, Luzern Zuordnungsprobleme, Galerie Johann Konig, Berlin
In this new body of work consisting of sculptures, works on paper, and video, Ward articulates a dialogue surrounding the idea of support — physical, spiritual, social, and judicial — while introducing contemplation of everyday objects.
From the play - ful to the political, these 23 works explore contemporary sculpture's material and technical dexterity, together with its social role and re ection on the human condition and our environment.
Together with the works on paper is a hand - sewn soft sculpture of two intertwined snakes - a male and a female - decadently dressed, offering a wry statement on the privileged social systems media imagery exploits.
New to the fair was a sector called Survey, bringing gravitas with a deliberately digital - free zone that called on 13 galleries to present tightly curated historical projects — the standout, New York artist Alison Knowles's The Boat Book, 2014, eight 8ft - high, wood - framed movable pages covered with images described by her dealer, James Fuentes, as «seminal social sculpture» that is «read» by crawling through it.
1988 Cultural Geometry, Deste Foundation for Contemporary Art, Athens (curated by Jeffrey Deitch, catalogue) Collection Sonnabend: 25 Years of Selection and Activity, Museo Nacional Centro de Arte Reina Sofía, Madrid; traveled to CAPC Musée d'art contemporain, Bordeaux, France; Art Cologne, Cologne, Germany; Hamburger Bahnhof Museum für Gegenwart, Berlin; Galleria Nazionale d'Arte Moderna, Rome; Museo d'Arte Moderna e Contemporanea, Trento, Italy; Musée Rath, Geneva; Sezon Museum of Art, Tokyo; Miyagi Museum of Art, Sendai, Japan; Fukuyama Museum of Art, Hiroshima, Japan; National Museum of Art, Kyoto, Japan (catalogue) Galerie Lelong, New York A Drawing Show, Cable Gallery, New York Hover Culture, Metro Pictures, New York Art at the End of the Social, The Rooseum, Malmö, Sweden (curated by Collins & Milazzo, catalogue) Australian Biennale, Art Gallery of New South Wales, Sydney, Australia; travelled to National Gallery of Victoria, Melbourne, Australia (catalogue) La Couleur Seule: L'Experience du monochrome, Musée Saint Pierre, Lyon, France (catalogue) Hybrid Neutral, Modes of Abstraction and the Social, I.C.I. Exhibition: University Art Gallery, The University of North Texas, Denton, TX; travelled to J.B. Speed Art Museum, Louisville, KY; Alberta College of Art, Alberta, Canada; The Contemporary Arts Center, Cincinnati, OH; Richard F. Brush Art Gallery, Gainesville, FL; Santa Fe Community College Art Gallery, Gainesville, FL (curated by Collins & Milazzo, catalogue) Works Concepts Processes Situations Information, Galerie Hans Mayer, Düsseldorf, Germany (curated by Robert Nickas) American Art of the Late 80s: The Binational, Museum of Fine Arts and Institute of Contemporary Art, Boston, MA; travelled to Städtische Kunsthalle, Düsseldorf, Germany; Kunsthalle, Bremen, Germany; Württembergischer Kunstverein, Stuttgart, Germany (catalogue) Carnegie International, Carnegie Museum of Art, Pittsburgh, PA (catalogue) New Works, Daniel Weinberg Gallery, Los Angeles A Debate on Abstraction: Systems and Abstraction, The Bertha and Karl Leubsdorf Art Gallery, Hunter College, New York (catalogue) Viewpoints: Postwar Painting and Sculpture from the Guggenheim Museum Collection and Major Loans, Solomon R. Guggenheim Museum, New York Three Decades: The Oliver Hoffman Collection, The Museum of Contemporary Art, Chicago (catalogue)
Opening: «Diana Fonseca Quiñones» at Sean Kelly The first solo show of the Havana - based artist Diana Fonseca Quiñones outside of Cuba, this exhibition features recent paintings, sculptures and video works employing everyday objects and experiences to create poetic narratives that comment on social concerns.
Dan Tague, who has worked in photography, sculpture and installation with tart renderings of political themes, is currently developing a multi-media room - scaled environmental installation based on his memory of ninth grade social studies class.
A keen eye on concepts of high and low informs a body of work that, encompassing sculpture, installation, performance, photography, collage and textiles, is concerned with the construction and manifestation of social and intimate spaces.
Originally staged at the Queens Museum of Art, Reyes's Hammer Project will include a group of sculptures — including Drone Dove and Colloquium — and several paintings on Tyvek that graphically portray political, social, and environmental issues being faced by our world today.
The engagement with postmodern dance gave rise to a significant constant within his sculptural works: The investigation of an inclusion of the viewer which focuses on the temporal perception of sculpture by means of bodily movement through space, and which furthermore directs the view from the institutional space out onto social aspects in the real world.
The bringing to light of a processual artistic activity, such as Morris called for in his theoretical texts Notes on Sculpture, Part 1 - 4 (1966 - 69) and Anti-Form (1968), likewise addresses the social context of production and labor, a perspective which is also to be seen against the background of the institutional criticism of Concept Art as well as the social expectations during the 1970s with regard to art production.
Some recent examples include: Milwaukee Art Museum 2010 where Gates invited a gospel choir into the galleries to sing songs adapted from inscriptions on pots by the famous 19th century slave and potter «Dave Drake»; the Whitney Biennial, 2010 when the Sculpture Court was transformed with an architectural installation functioning as communal gathering space for performances, social engagement, and contemplation.
Damien Hirst wonders if science is the new religion in a body of work on display at The Lightbox (from March) and Grayson Perry's unique brand of social commentary spills from tapestries, prints and sculptures at Turner Contemporary (from May).
Heidrun Holzfeind uses photography, documentary video and sculpture to explore individual and collective narratives that reveal the concept of identity as a social construct dependent on cultural and socio - economical circumstances.
Based on historic music venues, these shrines are sound - sculpture hybrids that capture the visual and social history of jazz in America.
McCabe's social sculpture workshop will take place at Blaffer Art Museum on Tuesday evenings from 5:30 - 8:30 pm, beginning August 28 and ending December 4, 2012.
Printing her images on cotton, Soleimani creates soft, weighted sculptures based on bobo dolls used in psychologist Albert Bandura's 1961 «Bobo Doll Experiment» on observational psychology and social learning theories.
From the perspective of the so - called post-internet generation, his sculptures, films and online projects — often arranged as installations — are concerned with the relationship between real and virtual everyday worlds, that is, with life and experience in the internet age and the effects this has on social reality.
Designed by the artists to include a site - specific sculpture on FLAG Art Foundation's outdoor terrace, overlooking the Hudson River, the show addresses existential issues linked to identity, sexuality, and mortality, as well as an examination of social value systems and the expectations that surround them.
Exploring themes of agency, politics and perspective, and responding to content within the fair itself, this year's Talks program features Claudia Rankine, 2016 MacArthur Fellow and winner of the 2017 Bobbitt National Poetry Prize for her collection Citizen, as well as a panel on art and social commitment chaired by Shuddhabrata Sengupta of Raqs Media Collective and featuring artists Tania Bruguera, Anri Sala and Jeanne van Heeswijk; and a conversation on «complicating the Modern» from Ann Temkin, Marie - Josée and Henry Kravis Chief Curator of Painting and Sculpture at MoMA.
The included works range from painting and sculpture to VR technology and 3D animation, shedding light on the idea of «the virtual» not solely as a computer - generated technology, but as a concept linked to the potential to remap social and political landscapes through a reorientation of the physical and sensorial.
Her practice, which includes paintings, sculptures, poetry, performance, explores the influence on technology and social media on our lives and language.
All his works hint at a critical, analytical consideration of the concept of sculpture and its media: he straddles the boundaries between object and performance, architecture and design, sculpture and photography, artist and public, meaning that his work also provides a broad basis for reflection on social and cultural questions.
Wagner is a celebrated historian of 19th and 20th - century French and British sculpture, and T. J. Clark is renowned for his focus on a new social history of art, concentrating especially on French Impressionism.
Also on view in the Project Room are Simón Vega: Sub-Tropical Social Sculptures and Ron Terada's public art commission Art on the Move, curated by Dominic Molon.
Crist's practice focuses on sculpture - both social and object - based - which touch on subjects of appropriation, practicality, place - making and the assessment of value.
Playful and celebratory, Amalia Pica's sculpture and works on paper — many of which will be shown in the UK for the first time — explore some of the underlying social concerns that relate to our daily experience of life.
Yael Bartana's recent film Inferno is to be screened on 14 and 16 May alongside live performances of Bernstein's Symphony No. 3; Kevin Beasley's performance will study the physicality of sound and take place during the Dallas Museum of Art Friday Late Nights, on 15 May; and Monte Laster's social sculpture Destination, in Five Movements will see its world premiere.
Exploring these themes, this year's Frieze Talks features Claudia Rankine — 2016 MacArthur Fellow and winner of the 2017 Bobbitt National Poetry Prize for her collection Citizen: An American Lyric — discussing her writing and her newly - founded Racial Imaginary Institute; a panel on art and social commitment chaired by Shuddhabrata Sengupta of Raqs Media Collective (curators of the 11th Shanghai Biennial, «Why Not Ask Again») and featuring artists Tania Bruguera, Anri Sala and — ahead of her major project with Philadelphia Museum — Jeanne van Heeswijk; and a conversation on «complicating the Modern» with Ann Temkin, Marie - Jose ́e and Henry Kravis Chief Curator of Painting and Sculpture at MoMA.
This solo exhibition tries to build a relationship with the audience's physical presence, expanding Bul's ideas in a more architectural way as opposed to her previous sculpture series Cyborgs, which focused on the idea of individuality and identity locked within social phenomena.
Chris Thorpe - formerly a research scientist has been involved in projects as diverse as social worlds for 7 — 11 year olds, video archives of Nobel Prizewinners telling their life stories, a James Bond Premier Webcast and putting contemporary sculpture on Trafalgar Square's Fourth Plinth.
The wide variety of materials that constitute the exhibition (including collections of photographs, slide projections, periodicals, recent film and video installations, sculptures, and printed works on paper) create numerous situations within which to consider not only the materiality of images and the technologies that form their reception, but also the conflicted social history that lies under their surfaces and is inextricable from their origins.
For one complete year beginning on May 20, 2014, Gray embarked on the performance, a social sculpture as he refers to it, wearing only clothes belonging to Manzarek, a subtle shift that impacted the routines of Gray's daily life.
The wide - ranging responses enacted throughout Lower Manhattan highlighted in the exhibition include the institutionally - supported erection and eventual removal of Richard Serra's large - scale sculpture Tilted Arc; Keith Haring's radiant subway drawings in the space of everyday transit and their lasting impression on street art culture; and Jenny Holzer's conceptual texts focusing on social and political commentary wheat pasted in heavily populated public spaces, among others.
Exhibitions feature an international roster of emerging and mid-career artists working in a range of media, including painting, photography, sculpture, installation, and performance, who are connected by their focus on political, social, and environmental issues of national and global concern.
EXHIBITIONS / SCREENINGS / READINGS (* solo or two - person) Apparatus for a Utopian Image 2.0, Center and Foundation for Contemporary Arts, Prague, 2018 CV, YYZ Artist's Outlet, Toronto, 2017 * Artist's Rendering (DISTRESSED, RELAXED), AXENÉO7, Quebec, 2017 * You can tell that i'm alive and well because I weep continuously, Knockdown Center, New York, 2017 Apparatus for a Utopian Image, Elizabeth Foundation for the Arts Project Space, New York, 2016 Self - Titled (Materials for a 21st Century Room — or SWAMPED, EXHAUSTED, HESITATING), 8 - 11, Toronto, 2016 * Self - Titled (w / Aryen Hoesktra & Shane Krepakevich), Modern Fuel, Ontario, 2016 Local Tide (curated by PARALLELOGRAMS and Francesca Capone), S1, Portland OR, 2016 Double Visions, Elizabeth Foundation for the Arts Project Space, New York, 2015 From Line to Constellation, Granoff Center, Providence, 2015 Maximum Sideline: Postscript, Proxy, Providence, 2015 Use Values, SPRING / BREAK Art Show, New York, 2015 An Earthquake at the Race Tracks, Museo de la Cuidad, Santiago de Querétaro, Mexico, 2014 Classroom, NY Art Book Fair, PS1, New York, 2014 Almost Everything, Eric Arthur Gallery, Toronto, 2014 Milieu, Skol Centre des Arts Actuel, Montreal, 2013 * More Than Two (Let It Make Itself)[w / Josh Thorpe], The Power Plant, Toronto, 2013 Cultural Fluency, BRIC Rotunda Gallery, Brooklyn, 2013 Sediment, G Gallery, Toronto, 2012 Survive.Resist, CAFKA Biennial, Kitchener - Waterloo, Canada, 2011 On Printed Matter, [w / Josh Thorpe], Printed Matter, New York, 2011 * Around YYZ [w / Josh Thorpe], YYZ Artist's Outlet, Toronto, 2010 - 11 * House Broken, Flux Factory, NY 2010 Reading the Garden [w / Josh Thorpe], Toronto Sculpture Garden, Toronto, 2010 * Titles, Art Metropole, Toronto, 2009 On Convenience [w / Josh Thorpe], Convenience Gallery, Toronto, 2009 * Vehicle [organized by WayUpWayDown curatorial collective], Nuit Blanche, Toronto, 2008 ERI 3: Eyelevel Re-Shelving Initiative, Eyelevel Gallery, Halifax, 2008 AT WORK, Toronto Free Gallery, Toronto, 2007 Rip Current, Eyelevel Gallery, Halifax, 2007 Tales from the Cyclop's Library, Third Space Gallery, Saint John, 2007 Unsurprising Geographies [w / Andrea Williamson], Eyelevel Gallery, Halifax, 2006 Alectric 3, Alectric Audio [online exhibition] 2006 a / s / l, Anna Leonowens Gallery, Halifax, 2006 * RESIDENCIES Interrupt 3, Brown University, Rhode Island 2015 SHIFT, Elizabeth Foundation for the Arts, New York, 2014 - 15 Artist - in - Residence, Workspace, Lower Manhattan Cultural Council, 2013 - 14 Visiting Scholar, NYU Advanced Media Studio, 2013 - 14 The Decapitated Museum, The Banff Centre, 2012 Making Artistic Inquiry Visible, The Banff Centre, 2008 AWARDS Canada Council for the Arts, Research and Creation, 2018 - 19 Banff Centre, Residency Scholarship — The Decapitated Museum, 2012 Foundation for Contemporary Art, Emergency Grant, 2011 Ontario Arts Council, Exhibition Assistance Grant, 2011 Ontario Arts Council, Exhibition Assistance Grant, 2009 University of Toronto, Graduate Fellowship, 2007 - 09 Social Sciences and Humanities Research Council, Canada Graduate Scholarship, 2007 - 08 Banff Centre, Residency Scholarship — Making Artistic Inquiry Visible, 2008 University of Toronto, David Buller Memorial Scholarship, 2007 NSCAD University, Simon Chang and Phyllis Levine Foundation Scholarship, 2006 New Brunswick Arts Board, Arts Scholarship, 2005 WRITING «Panorama of Our,» Plot, Claudia Weber, ed., 2015 «Anodyne: or X of Demarcation,» Rearviews II, Xenia Benivolski & Danielle St - Amour, eds., 2014 «On Printed Matter» Artefact:, C Magazine C122, 2014 «Lana Turner Has Collapsed!
Kissiedu is on the faculty of fine art in the Department of Painting and Sculpture at the College of Art and Social Sciences of the Kwame Nkrumah University of Science and Technology, Kumasi, Ghana.
They may paint with an abstract art style while simultaneously making Minimalist sculpture, shooting hyperrealist videos, and engaging in Expressionistic photography on social media.
Through the presentation of approximately 130 artworks — paintings, sculptures, works on paper and photographs — visitors will see how the representation of the nude has evolved in the context of both artistic expression and shifts in social and political attitudes.
Nicholas Cohn Art Projects is pleased to present Art and Social Activism, a group exhibition featuring an international roster of artists working in a range of media, from painting and sculpture to video and performance, connected by their focus on social issues of national and global coSocial Activism, a group exhibition featuring an international roster of artists working in a range of media, from painting and sculpture to video and performance, connected by their focus on social issues of national and global cosocial issues of national and global concern.
Sarah Lowndes, whose book Social Sculpture charts some of the history of feminist activism in the city, recently chaired a conference at the CCA on the subject.