Sentences with phrase «on stained sheets»

Not exact matches

Made him a stain on his mommy's sheets, instead of a mass - murderer?

He could have wound up as a stain on his mother's sheets, but that didn't happen.

My five - year - old is prone to getting unusual stains on things, and today's surprise was blueberry pancake on her white bed sheet.

If you don't want your kitchen towels to get stained with food colouring you can lay down a few layers of craft paper on your table or a plastic sheet to help protect it.

An antimicrobial treatment helps to prevent stains and odors on the sheets, the advanced sleep technology provides comfort and a restful sleep.

Scattered around her were a flute case, sheet music and a spilled grande cup from Starbucks, the coffee staining her jeans and green Izod shirt and leaving a comma of dark liquid on the marble floor.

actually, I exaggerated a little - sometimes it does leave a trace ring around the stain, but I still can't smell it when I lie on the sheets or the pillow and the pillow case covers any visual.

We were welcome in the lobby with smoke smell and we reach to our room the bed sheet was dirty and there was brown stain on it.

Pros: manager was very nice Cons: Disgusting hotel and smelly rooms with stains on sheets.

Do you fear pre-booking a budget hotel, only to walk into the bedroom and find stains on the sheets and cockroaches in the corner?

Pros: Location Cons: Both rooms were dirty, looked like blood stains on sheets in 1 room, leaking bathroom, air / heat didn't work right in either room.

In this conservation image we see the entire sheet, with remnants of tape along its edges and slight staining caused by exposure to light and the acidic backing board on which the drawing was originally mounted.

HELEN FRANKENTHALER Grey Fireworks screenprint in colors, 2000, on wove paper, signed in pencil, numbered 94/108 (there were also 18 artist's proofs), published by the Lincoln Center / List Poster and Print Program, New York, the full sheet, old hinge remains in places on the reverse, a pale stain at the reverse upper margin edge, otherwise in very good condition S. 26 x 46 1/8 in.

HELEN FRANKENTHALER Plaza Real (H. 139) soft - ground etching and aquatint, 1987, on Rives BFK, signed and dated in pencil, numbered 59/60 (there were also 12 artist's proofs), published by Ediciones Polígrafa, S.A., the full sheet, the palest mat staining, very minor soiling showing only in the margins and on the reverse, otherwise in good condition, framed P. 20 x 26 1/2 in.

HELEN FRANKENTHALER (B. 1928) A Little Zen, from Four Pochoirs (Harrison 29) pochoir and screenprint in colors, 1970, on Arches Imperial Rough, signed and dated in pencil, numbered 9/50 (there were also 7 artist's proofs), published by Abrams Original Editions, New York, the full sheet, the paper slightly toned, soft rippling throughout, a few small stains in places, pale time staining, otherwise in very good condition, framed S. 22 x 30 1/2 in.

On the walls, he re-creates Ruscha's Stains, which was just that: The artist blotting square sheets of paper with household materials like Drano, mustard, red wine and tea.

With the bed, we can see the condoms, the stains on the sheets and all the detritus of love and sex.

Metallic casts of fish are rough with incinerated scales and flesh; objects are wrapped in clay sheets and fired, leaving a slight stain on the inside; copper tiles are weathered in the Scottish rain — Bock's thoughtful attention to place and materials crackles throughout the gallery's two floors.

HELEN FRANKENTHALER (B. 1928) Air Frame, from New York Ten (Harrison 6) screenprint in colors, 1965, on Arches, signed and dated in pencil, numbered 140/200 (there were also 25 lettered hors commerce), published by Tanglewood Press, New York, the full sheet, occasional minor soft scuffing, a few creases and ink losses at the sheet edges, pale mat staining on the reverse, otherwise in good condition, framed S. 22 x 17 in.

On the adjacent wall, Manchas (Stains) a series of oil stain drawings of varied shapes and hues is made by leaving sheets of paper underneath a car, hoping for a coincidental encounter between the paper and used oil leaking from the engine.

Untitled (Lima Trunk), 1991, gelatin silver print on paper on aluminum sheet with scratches, abrasions, stains and varnish, 60x48 in.

HELEN FRANKENTHALER (B. 1928) Cedar Hill (Harrison 121) woodcut in colors, 1983, on handmade Mingei Momo, signed and dated in pencil, numbered 43/75 (there were also 18 artist's proofs), published by Crown Point Press, Oakland, the full sheet, the colors very slightly attenuated, the palest light - staining, otherwise in very good condition, framed S. 20 1/4 x 24 3/4 in.

I apply the stains to canvas with more wet paint as a binder, allow it to dry, remove the plastic sheeting and the painted gesture remains on the canvas, intact, with textural language of ripples and folds from the plastic that vibrate in the glow of raking light.

HELEN FRANKENTHALER (B. 1928) What Red Lines Can Do (Harrison 22 - 26) the complete set of five signed and dated screenprints in colors, 1970, on Arches handmade, each numbered 45/75 (there were also 24 artist's proofs), published by Multiples, Inc., New York, the full sheets, occasional minute foxmarks, pale time staining, otherwise in good condition, each framed, lacking the original Plexiglas box, title page and justification Each S. 38 1/2 x 26 1/8 in.

HELEN FRANKENTHALER Air Frame, from New York Ten (H. 6) screenprint in colors, 1965, on Arches, signed and dated in pencil, numbered 196/200 (there were also 25 lettered hors commerce), published by Tanglewood Press, New York, the full sheet, minor soft scuffing in the lower right corner, a few tiny ink losses at the sheet corners, mat staining on the reverse, otherwise in very good condition, framed S. 22 x 17 in.

HELEN FRANKENTHALER (B. 1928) Pranzo Italiano (Harrison 44) etching and aquatint in colors, 1973, on White Fabriano, signed and dated in pencil, numbered 34/43 (there were also 3 artist's proofs), published by 2RC Edizioni d'Arte, Rome, with full margins, two pale foxmarks in the lower margin, moisture staining at the lower sheet edge (associated pale foxing, primarily visible on the reverse), occasional pale surface soiling in the margins, otherwise in good condition P. 8 1/2 x 7 7/8 in.

AFTER HELEN FRANKENTHALER Heavenly Twins (not in Harrison) offset lithograph in colors, 1959, on wove paper, signed in red crayon, numbered 5/100 (there were also an unknown number of artist's proofs), the full sheet, light - and time staining, the colors slightly attenuated, pale surface soiling, mat staining on the reverse, slight rippling, occasional handling creases, framed S. 28 1/8 x 22 in.

Many of the «sculptures» included often operated with or within more - two dimensional components — I am thinking here of Jon Kessler's Exodus (2016) and Evolution (2017), configurations far more about the transmutation of object into digital image than it is about the materiality of things; Rafa Esparaza's Figure Ground: Beyond the White Field (2017), a weighty and timely installation on labor, colonialization and identity read through adobe bricks; or Raúl de Nieves» beginning & the end neither & the otherwise betwixt & between the end is the beginning & the end (2016), an installation of five ornate, grotesque, and vibrantly hued sculptures set against a backdrop of eighteen colorful acetate sheets made to resemble stained glass windows.