The artist usually relied
on symbolic imagery to get the message across to the viewers, utilizing this type of communicating through carefully established motifs much rather than standard representation.
Not exact matches
Recurring
imagery that surrounds these moments is perhaps
symbolic: Georges frequently closes windows; he deals with a pigeon trapped in the apartment; and paintings
on the wall depict increasingly bleak landscapes with fewer people.
With Lifeforce, Hooper parodies the sexual panic that informs the classic vampire tale, which is often famously preoccupied with the fear that giving in to what truly turns you
on could upset your carefully governed symbiosis with the rest of society — a subtext that Hooper immediately elevates to text with a series of opening moments that follow Tom's crew as they enter a collection of alien chambers that must surely constitute some of the most vaginally
symbolic imagery in all of American cinema.
Filmed in aqueous greens and blues, its period design dripping with kitschy nostalgia and retro - futurism, «The Shape of Water» takes its cues from Golden Age Hollywood, including musicals, Bible epics and 1950s creature features, as well as the sleekly optimistic advertising
imagery of the early 1960s: Elisa's best friend and next - door neighbor, Giles (Richard Jenkins), is a commercial artist working
on a campaign for Jell - O, the shaky
symbolic repository for the time period's most uncertain hopes and anxieties.
The intricate decoration of the items
on view includes religious
imagery as well as people, animals, birds, insects, plants, and landscapes that tell stories or have
symbolic meaning.
Britain focused
on the dynamic and paradoxical
imagery of American pop culture as powerful, manipulative
symbolic devices that were affecting whole patterns of life, while simultaneously improving the prosperity of a society.
Chiefly recognized for his grand - scale meticulously blurred chalk drawings of referential and
symbolic cultural motifs, the Wall Street Journal reports
on Gary Simmons «s new presentations of boxing
imagery in Miami and New York, as well as his participation in Prospect New Orleans.
In Griffa's observations, metaphorical and
symbolic imagery exist as an overlay functioning
on top of the canvas, superimposed rather than prevailing as integral to the material itself.
Primes of nations as attachment figures, including
imagery that personify nations as
symbolic caregivers, can be employed to investigate several avenues, including the effect
on the acculturation orientations of both heritage and mainstream samples, endorsement of multicultural ideology, and patriotic and nationalistic attitudes.