Sentences with phrase «on the appropriation art»

By incorporating the visual vocabularies of next - generation technologies and 1990s consumer culture, Majerus expands on the appropriation art of the 1980s through his pioneering use of digital methods of production, altering the very space of representation itself.

Not exact matches

And we connected our drawings to several concepts we explore in art, such as appropriation; occupation of physical space; art on, off, or outside the walls; and the nature of ephemeral art.

Rauschenberg's appropriation of media imagery was highly influential on the Pop Art movement.

I approached her as part of my ongoing research on different issues of copyright in art, and our conversation was framed by a discussion of joke theft and comedic appropriation.

Of course, appropriation art, Neo-Expressionism, New Image painting, and much else were going on at the same time.

«Guerrilla Girl on the Appropriation of Art.»

The artist got her start by replicating the works of the art stars of the 1960s, long before the craze for appropriation took hold in the art world, on the Internet, and in the culture at large.

«This exhibition is a hostile act towards communities on the front lines fighting tenant harassment, cultural appropriation and erasure,» the Chinatown Art Brigade wrote in an open letter.

• Tony Smith (1912 — 1980), sculptor who bridged AbEx and minimalism (dad of Kiki) Mel Kendrick (b. 1949), formalist process - based sculptor Chris Wilmarth (1943 — 1987), sculptor of steel, bronze, and etched glass Joel Shapiro (b. 1941), minimalist sculptor who flirts with figuration Christopher Wool (b. 1955), Neo-AbExer with a taste for graffiti and repetition Alex Hubbard (b. 1975), rising master of painterly materials and abstract coloration Josh Smith (b. 1976), Factory - like painter of great expressive volume Jacob Kassay (b. 1984), mirrored - painting - wunderkind - turned - sackcloth artist • Andy Warhol (1928 — 1987), Pop maestro and appropriationist world - changer David Robbins (b. 1957), artist and «Concrete Comedy» theorist David LaChapelle (b. 1963), lush photographer of celebrity decadence Ronnie Cutrone (1948 — 2013), Factory personality and East Village cult figure George Condo (b. 1957), Neo-Picassian painter of the grotesque Mark Dagley (b. 1957), Op abstractionist • Richard Serra (b. 1939), grand master of process art and the post-industrial sublime Grégoire Müller (b. 1947), painter of current - event appropriations Philip Glass (b. 1937), «Einstein on the Beach» composer Lawrence Chandler (b. 1951), composer, musician, and sound artist • Sol LeWitt (1928 — 2007), father of conceptual art, multitasking artistic outsourcer Adrian Piper (b. 1948), performance art innovator Mark Williams (b. 1950), monochromatic minimalist painter

His focus on the work of art as an object in its own right paved the way for Minimalism, while his appropriation of familiar everyday imagery was a major influence on Pop Aart as an object in its own right paved the way for Minimalism, while his appropriation of familiar everyday imagery was a major influence on Pop ArtArt.

In The Western Front, we sample Beldner's Counterfeit series, his ongoing meditation on the relationships between art and commerce and between authorship and appropriation.

In this excerpt from Phaidon's Mary Kelly monograph, Kelly speaks to renown art historian and AIDS scholar Douglas Crimp (who curated the first Pictures exhibition that introduced appropriation artists like Sherrie Levine and spearheaded postmodern art theory) on how she sees her work in relation to feminism (s) and why the later conceptual or «theoretical» feminism's turn to the psychoanalytic subject is always political.

READ about Grant's all - over density style, decision to use paint pens, and thoughts on appropriation and failure in a conversation with artist Stacy Lynn Waddell for the Nasher Art Museum at Duke University.

The exhibition moves on to explore practices that are close to Appropriation Art, such as Sturtevant's Duchamp Man Ray Portrait (1966), who reclaims a photographic portrait of Marcel Duchamp realized by Man Ray, substituting both the author and the subject of the photograph with herself.

Others were «Take It or Leave It: Institution, Image, Ideology» at the Hammer Museum (2014), which surveyed the use of appropriation and institutional critique in art from the 1980s; and «Jack Goldstein X 10,000» at Orange County Museum of Art (2012) which was a retrospective on the artist who helped initiate an avant - garde art movement referred to as the «Pictures Generation.&raqart from the 1980s; and «Jack Goldstein X 10,000» at Orange County Museum of Art (2012) which was a retrospective on the artist who helped initiate an avant - garde art movement referred to as the «Pictures Generation.&raqArt (2012) which was a retrospective on the artist who helped initiate an avant - garde art movement referred to as the «Pictures Generation.&raqart movement referred to as the «Pictures Generation.»

The Dallas Museum of Art began a Nazi - era provenance research project in 2000 to conduct provenance research on the Museum's collection of paintings produced in Europe prior to 1945, in accordance with the Guidelines of the American Association of Museums (AAM, now the American Alliance of Museums) Concerning the Unlawful Appropriation of Objects During the Nazi Era.

His books include Modernism Relocated: Towards a Cultural Studies of Visual Modernity (1995), Invisible Colors: A Visual History of Titles (1997), Art After Appropriation: Essays on Art in the 1990s (2001), Vasco Araújo (2007), and Paul McCarthy: Caribbean Pirates (forthcoming, 2015).

On the one hand, those who favor more lenient interpretations of fair use want the opportunity to reassure artists and collectors of the validity of appropriation art once and for all.

Even though his words might seem ironic to some, based on the fact that majority of his work is based on appropriation, it still goes without saying that Richard Price has managed to redefine the concepts of ownership and authorship through his bold and provocative art.

And with his appropriations from America's underbelly, irony trained its sights directly on fine art — the kind that enters a museum.

His books on art include Modernism Relocated: Towards a Cultural Studies of Visual Modernity (Allen & Unwin, 1995), Invisible Colours: A Visual History of Titles (Yale UP, 1997), Art After Appropriation: Essays on Art in the 1990s (Routledge, 2001) and Guillaume Bijl (JRP Ringier, 201art include Modernism Relocated: Towards a Cultural Studies of Visual Modernity (Allen & Unwin, 1995), Invisible Colours: A Visual History of Titles (Yale UP, 1997), Art After Appropriation: Essays on Art in the 1990s (Routledge, 2001) and Guillaume Bijl (JRP Ringier, 201Art After Appropriation: Essays on Art in the 1990s (Routledge, 2001) and Guillaume Bijl (JRP Ringier, 201Art in the 1990s (Routledge, 2001) and Guillaume Bijl (JRP Ringier, 2016).

But the lower court disagreed, alarming many in the art world, who warned that the decision could have a chilling effect on a tradition of artistic appropriation and adaptation that has thrived for decades.

John C. Welchman is Professor of art history at UCSD and author of Modernism Relocated (1995), Invisible Colours: A Visual History of Titles (1997), Art After Appropriation (2001), Guillaume Bijl (2016), and two volumes of collected writings: Past Realization: Essays on Contemporary European Art (2016) and After the Wagnerian Bouillabaisse (201art history at UCSD and author of Modernism Relocated (1995), Invisible Colours: A Visual History of Titles (1997), Art After Appropriation (2001), Guillaume Bijl (2016), and two volumes of collected writings: Past Realization: Essays on Contemporary European Art (2016) and After the Wagnerian Bouillabaisse (201Art After Appropriation (2001), Guillaume Bijl (2016), and two volumes of collected writings: Past Realization: Essays on Contemporary European Art (2016) and After the Wagnerian Bouillabaisse (201Art (2016) and After the Wagnerian Bouillabaisse (2018).

Perhaps because of the incandescence of the YBAs in the 1990s, British art in the 1980s often gets short thrift in terms of column inches in histories of modern and contemporary art, but — as Ikon's new show on the decade should demonstrate — it was a period of free - wheeling experimentation, in which figurative painting made a comeback, the variety of abstract styles increased, installation art grew in ambition and cut - and - paste appropriation prevailed.

As a Democrat from Illinois, Yates served on the Appropriations Committee where he defended and supported the National Endowment for the Arts.

Take It or Leave It: Institution, Image, Ideology is the first large - scale exhibition to focus on the intersection of two vitally important genres of contemporary art: appropriation and institutional critique.

About the Juror: Curator at The Heckscher Museum of Art in Huntington, New York, Lisa Chalif has organized dozens of exhibitions that focus on various aspects of the Museum's permanent collection, as well as loan exhibits on a diverse range of subjects, including experimental photography, environmental art, appropriation, art and the automobile, and occasional solo exhibitions of Long Island artists, including photographer Joseph SzaArt in Huntington, New York, Lisa Chalif has organized dozens of exhibitions that focus on various aspects of the Museum's permanent collection, as well as loan exhibits on a diverse range of subjects, including experimental photography, environmental art, appropriation, art and the automobile, and occasional solo exhibitions of Long Island artists, including photographer Joseph Szaart, appropriation, art and the automobile, and occasional solo exhibitions of Long Island artists, including photographer Joseph Szaart and the automobile, and occasional solo exhibitions of Long Island artists, including photographer Joseph Szabo.

From our friends at MOMUS, today we bring you «It's Not Stealing If It's Art: A Re-Primer On Image Appropriation for the Internet Generation.»

Appropriation reinvented itself, taking into account first Dada and then 1980s appropriation, while politicized art reflected increasingly not just on history, but on art's very place in politics — and the very place of politics in a cultuAppropriation reinvented itself, taking into account first Dada and then 1980s appropriation, while politicized art reflected increasingly not just on history, but on art's very place in politics — and the very place of politics in a cultuappropriation, while politicized art reflected increasingly not just on history, but on art's very place in politics — and the very place of politics in a culture's history.

New realism reflected on the Duchampian idea that art and life should be connected, in a way that makes a certain «appropriation» of reality possible.

Martyrs Even though Rudolph draws deliberately on the legacy of European art, his historical appropriations involve always transformation and re-evaluation processes.

We were fortunate enough to connect with the Lam Center founder and curator Nelson Herrera Ysla, whose exhibition «La Madre de Todas las Artes» (The Mother of All Arts) showcased Cuban artist's perspectives on and appropriation of Cuban architecture.

Now that Cariou v. Prince is settled and Richard Prince (sort of) declared victory in a battle for appropriation of other artist's work, it would be reasonable for him to move on, work on a new project or even (now safely and guilt - free) appropriate someone else's art.

After all, conceptual art has gone through more than enough ironic takes on irony and appropriations of appropriation, with contemporary artists after the «Pictures generation» after late Warhol after Dada.

Created on - site at the Addison's artist - in - residence studio, Liang's installation combines the Blanc de Chine (or Chinese White) porcelain native to Dehua, and jianzhi, the traditional Chinese art of cut paper, in works that examine the movement, appropriation, and transformation of cultural ideas, objects, and peoples.

Placing an emphasis on his use of «appropriation» from his own art, the exhibition is the first major show to present Davis's later works alongside the earlier ones that inspired them.

From Chuck Close to Neo-Expressionism and appropriation art, later artists then turned back on the confronter.

Using different strategies of appropriation they draw on a repertoire of video - game scenarios, a field whose relevance to the development of visual art has yet only been marginally acknowledged.

Much of his work provides artistic affirmation of the Black Is Beautiful movement, enlarging images of black models and performers while also building on Pop Art and»60s psychedelia and presaging 1980s appropriation art, as well as the patterned collage paintings of the British artist Chris OfilArt and»60s psychedelia and presaging 1980s appropriation art, as well as the patterned collage paintings of the British artist Chris Ofilart, as well as the patterned collage paintings of the British artist Chris Ofili.)

Today, too - conceptual art is on the wane, as is detached, slick neo-Geometric painting, and art based solely on appropriation of other art.

Taking on the giants of Abstract Expressionism — Mark Rothko, Willem de Kooning, Robert Motherwell — Bradley de-constructs abstractionism in contemporary practice, building his own language of art historical reference, wry appropriation and past formulas.

David Claerbout's paintings on paper are fundamental to his film practice; Ilse D'Hollander's intimate canvases are sensual explorations of the physical act of painting; Jose Dávila interrogates how the modernist movement has been translated, appropriated, and reinvented; Laurent Grasso's meticulous appropriations of classical paintings integrate impossible phenomena, blurring the line between the historical and contemporary; Rebecca Horn's large - scale gestural paintings evoke her early performance work, their dimensions being determined by the artist's physical reach; Callum Innes» Exposed Paintings are concerned with both making and unmaking the work; Idris Khan utilizes language, melding thousands of lines of stamped text into singular abstract images; Hugo McCloud's work fuses industrial and fine art materials; Sam Moyer combines found textures into a fresh, expanded, artistic palette; and James White's oil paintings reimagine the still life as a chance freeze - frame.

AT A MOMENT when almost everything is collage and montage — with cut - and - paste the most basic operation on computers and image appropriation and object juxtaposition the most common procedures in art — it is a pleasure to reencounter the modernist origins of these devices.

Richard Artschwager's Whitney retrospective is replete with Old Master references, from his Rembrandt - riffing Polish Rider I (1970 - 71) to his multiple takes on Vuillard's domestic scenes to his affectionate appropriations of the building blocks of medieval and Renaissance art.

This kind of appropriation or quoting or borrowing or stealing — call it what you will — has been going on as a conscious strategy in the art world for many years now.

On Appropriation in Art, Zachęta National Gallery of Art, Warsaw, PL

Referencing the rising popularity of appropriation art during the 1980s, Theft is Vision is Bob Nickas» ingenious take on art production over the last few decades.

Rennie Collection is a leading collection of contemporary art that focuses on issues related to identity, social commentary and injustice, appropriation, and the nature of painting and photography.

Monday 12 December 2016 6.30 — 8:30 pm TALK Art director and graphic designer, Peter Saville in conversation with SHOWstudio's Editor and freelance writer, curator and broadcaster Lou Stoppard, on the subject of art and appropriatiArt director and graphic designer, Peter Saville in conversation with SHOWstudio's Editor and freelance writer, curator and broadcaster Lou Stoppard, on the subject of art and appropriatiart and appropriation.

Her repetitions — she was always clear that they were not copies, since they are not precise replicas — prefigured appropriation art and the vast amount of contemporary art that riffs on, tweaks and plays with other art objects.