Sentences with phrase «on the artistic practice of»

Aganetha Dyck: The Power of the Small (2016) by Julian Jason Haladyn is the first major publication on the artistic practice of this important Canadian artist.

27/11 Reading Machines: DISTRIBUTION: L'hombre Invisible - Against Officialism Archive exhibition based on the artistic practice of poet, visual artist and small press publisher Henrik Have and Edition After Hand, Piscine 27/11-19 / 12, vernissage 27/11 16:00 - 20:00

Henzel Studio's ethos is based on the artistic practice of Calle Henzel, founder and creative director.

Not exact matches

LOS ANGELES — Insisting that the legal, centuries - long practice of slavery in America could never have limited his personal or artistic ambitions, Kanye West stated Wednesday that if he had been born into captivity, he would have simply escaped the plantation on his motorcycle «the first chance [he] got.»

Volume XVII, Number 1 (Download) The Task of the College of Teachers: Part 2 — Roberto Trostli «Spirit is Never without Matter, Matter Never without Spirit» — Liz Beaven The Artistic Meeting: Creating Space for Spirit — Holly Koteen - Soule Contemplative Practice and Intuition in a Collegial Context — Martyn Rawson Contemplative Work in the College Meeting — Elan Leibner Work of the Research Fellows Review of The Social Animal by David Brooks — Dorit Winter Report on the Online Waldorf Library — Marianne Alsop

The children participate in music, drama and a variety of other artistic activities, practice hands - on skills such as knitting, gardening and woodworking.

Our mission is to raise the artistic, storytelling and educational value of on - location drawing, promoting its practice and connecting people around the world who draw on location where they live and travel.

DressfortheDate.com operates on the idea that daters don't need to shoulder the massive responsibility themselves, and can defer the artistic aspect of getting gussied up to a practiced professional.

From the gut - wrenching, step - by - step chronology of the raid on Osama bin Laden's compound in Abbottabad to seafaring cultists practicing Scientology - like rituals in the wake of World War II to the 16th president twisting arms over the passing of the 13th Amendment, the best films of 2012 brought history to life with an extraordinary scrupulousness that still left room for vivid artistic expression.

Students can also apply their knowledge of numbers in a very practical way, practice their SPANISH spelling, and put their artistic talents to good use at the same time, by creating their own set of question cards on the quiz card template.

Dallas, TX About Blog Studio Outside is a landscape architectural practice that thrives on the challenge of projects which demand a comprehensive intellectual, artistic and collaborative design process.

Our mission is to raise the artistic, storytelling and educational value of on - location drawing, promoting its practice and connecting people around the world who draw on location where they live and travel.

Using only this humble material, which is ubiquitous to the point of invisibility in everyday life, the artists in The Paper Sculpture Show offer a visually stunning, conceptually rich, and playfully hands - on exploration of artistic practice today.

Fusco's nuanced and considered writing on the topic, as well as her continued artistic practice, will undoubtedly prove a benchmark for moving the needle on discussions of postcolonial identity politics for years to come.

The conversation will focus on their individual artistic practices, the personal and cultural context that led them to their art, how they each express themselves through paint, and how they identify their place within the lineage of Latino painters.

It opens up new perspectives on an artistic practice that is anchored in stories often excluded from history in and out of Thailand: voices of the poor and ill, marginalized beings, and those silenced and censored for personal and political reasons.

Curated by Renaud Proch, Executive Director of Independent Curators International (ICI), the 2014 edition of the program is a reflection on artistic practice in Chicago, and on the intense exchange of ideas that the city generates.

The Breathe Artist in Residence programme offers artists of Chinese descent an ideal environment to reflect on their artistic practice, research and make new work within an international setting.

NOW explores how the diversity of current female artistic practice transcends notions of gender difference to offer hybrid perspectives on their socio - political environment.

On the occasion of the presentation of his new wall piece 1661 — 1910 from Nagasaki, Meiji, Setti at Fondation Beyeler, Tobias Rehberger talks to Theodora Vischer (Senior Curator, Fondation Beyeler) about his artistic practice and current projects.

The exhibition comprises a broad range of works across a variety of mediums — including painting, performance, photography, sculpture, video, and web - based projects — that all investigate the extensive effects of the internet on artistic practice and contemporary culture.

The program offers youth artists, of all skill levels, a professional space and forum to work on their portfolio, to gain the skills to get into art school, or take their artistic practice to the next level.

Magdalen Chua (MC) had a conversation with Punton and Spark, as a second part of a feature on exhibitions presented during the Glasgow International Festival of Visual Art that place emphasis on the process of collaboration and the subjective experience within artistic practice.

Language is an important part of Verbicky's artistic practice as well, with the positioning of the letters, symbols, and phrases taking on new life as well, transforming the disparate elements into a continuous story.

In addition to her prolific artistic practice, she holds the position of Professor of Contemporary Art at the University of Central Lancashire, where she leads the interdisciplinary visual art research project Making Histories Visible, reflecting critically on the success and failures of the Black Arts Movement and participating in numerous conferences on art of the diasporas.

He positions his artistic practice as a tool for reflection on local realities in crisis, as the contemporary place for critical reflection and creation, and between the edges of progress and dystopia.

Åsmund Thorkildsen, curator of that exhibition, gives an introduction to Sherman's artistic practice based on his in - depth knowledge of the Postmodern period in American art history.

A former graphic designer, his recent artistic practice has been focused on reinterpreting and playing with the language of traditional tile design, and that of the Portuguese tin - glazed ceramic azulejo in particular.

foregrounds artistic processes and personal perceptions of the impact and significance of drawing on artistic practice through time.

As international artists flock to the city, there's an uncomfortable sense that the «lotus» of acceptable artforms might be being imposed on a swampy grassroots artistic practice.

One wonders if Weber and Stritzler - Levine realised just how far off the map they would go when independent institutional curator José Roca, a native of Colombia who now lives in Bogotá, agreed to take on the project.1 Inspired by a show of Andean chuspas — bags made from coca leaves — that would run simultaneously in the BGC Focus Gallery, Roca envisioned immersive environments in which the paradoxes, polarities and points of contact between diverse artistic practices are explored through the tropes of the river and weaving.2 The works themselves provide their own context as they interact with each other and viewers, who are given a minimalist illustrated pamphlet as their only guide to what they will encounter in the gallery spaces.

At the time, members of The Archive Project felt that for artists living with HIV two deaths were on the horizon; the second was the physical death; the first was someone's artistic practice and career.

Based on the practice of articulation and reinterpretation that has characterised his artistic activity, Add Fuel presents in «Something old, something new, something borrowed» a staging of an intimist nature arranged in a type of idealised and stylised domestic setting — part genuinely cosy, part openly satirical — , that suggests a narrative of decorative contours that aggregates a multiplicity of references, iconographies, and signs which, in one way or another, have contributed towards shaping his personal and artistic identity.

This essay will therefore focus on the codices — a form that Hickson identifies as «the culmination of Chagoya's artistic practice,» and Robert Storr describes as «a conceptual breakthrough.»

These workshops will contribute to promoting the discussion on environmental, cultural and social transformations through the artistic practice of photography, image - based media and texts.

Artist Dorit Cypis» FabLab (looking for patterns), is a living laboratory centered around Cypis» research and reflection on her past 30 year artistic practice of exploring the psycho, physical, social and political implications of identity and social relations.

Artist Dorit Cypis» project titled, FabLab (looking for patterns), is a three - month art laboratory centered around Cypis» research and reflection on her past 30 - year artistic practice to actively explore models of personal and social engagement.

Conceived as an extended meditation on labor and artistic practice, Mónica de la Torre's newest work of poetry opens like a flyer pinned to a board or an email alert beaming at you from your inbox.

December 7, 2016 — The Bowdoin College Museum of Art (BCMA) will present the first - ever survey of the museum's extensive collection of drawings, the oldest public collection of works on paper on the continent, illuminating the evolving and foundational role of drawing within artistic practice.

Nearly four decades after Lonidier exhibited his 1977 installation «The Health and Safety Game» at the Whitney, the artist continues to base his artistic practice in community organizing, and to reflect on the relevance of activism and the labor movement to the creation of art.

Object - based art, which grew into a major twentieth - century trend and continues today, took its cue from the ready - made, and Re-Object explores the continuation and transformation of both lines in contemporary artistic practice, via large - format photographs and analytical essays on the artists.

In this lecture, Steffen Krüger will use the works and artistic practice of Alex Israel as springboards into a discussion on digital media culture, social networking, self - valorisation and identity.

The six artists shown represent a variety of artistic practices, including ceramic, works on paper, and acrylic, and demonstrate the full spectrum from abstraction to realism.

Focused specifically on the processes of making art, and those ideas which feed into contemporary artistic practice, the gallery seeks to take risks and push the boundaries of how work is traditionally represented within formal institutions.

Thirty years after graduating from the School of Art + Design, Julie presents a new series of works that reflect on how the modernist architecture of the campus and its utopian ideals influenced her artistic practice.

The exhibition, Forrest Bess: Seeing Things Invisible, currently on view at the Hammer, addresses the ways Bess's personal life and critical exploration of gender affected his artistic practice.

Particularly important to the new generations of artists in Russia, V - A-C's focus is on practically supporting and expanding the platform for home - grown talent, challenging artists to experience, engage with and interrogate international cultural practices whilst developing an authentic and autonomous artistic language.

His was one of the most critical and persistent voices during the AIDS crisis and arguably the one whose theoretical insights most shaped the development of activist artistic practices, even beyond the confines of queer and AIDS politics (e.g. AIDS Demo Graphics, 1990; Melancholia and Moralism: Essays on AIDS and Queer Politics, 2004).

A-I-R Laboratory hosts up to 30 international artists a year and focuses on production and research based practices within the context of the residency treated as an artistic medium.

Crimps Memoirs serve as the departure point for an exhibition that Christopher Müller organized — in close collaboration with Crimp himself — and that unfolds Crimp's perspective on a half century of mutual exchange and tension between artistic and subcultural practices.