Sentences with phrase «on the audio production»

We're really looking forward to quoting on the audio production for your next eLearning extravaganza.

In our monthly look behind the scenes on the audio production of a recently released or upcoming game, John Broomhall speaks to Ninja Theory's Tom Colvin and SCEE's Garry Taylor about the making of music and sound FX in Heavenly Swordâ?

Not exact matches

Due to a lack of production time, it went on a hiatus, but was reinvigorated as an audio podcast in mid-2012.

As part of dissemination, some of the winning audio - visual productions of the European Science TV & New Media Festival in 2015 were presented at the European Researchers» Night on 30 September 2016 at CERN (the European Organization for Nuclear Research).

There's an audio commentary by Charlie Chaplin experts Dan Kamin and Hooman Mehran; the documentary The Tramp and the Dictator, which parallels the lives between Chaplin and Hitler; two visual essays; color production footage; the barbershop sequence from Sydney Chaplin's 1921 film King, Queen, Joker; the deleted barbershop sequence from Chaplin's 1919 film Sunnyside; the re-release trailer; and finally, a 30 page - booklet featuring an essay by film critic Michael Wood, Chaplin's 1940 New York Times defense of the film, a reprint from critic Jean Narboni on the film's final speech, and Al Hirschfeld's original press book illustrations.

Unlike 12 Rounds, CutThroat Island's audio commentary with Renny Harlin is very interesting to listen to as you get a lot of background on the trials involved with filming a production of this magnitude.

Extras include an audio commentary by writer / director Mike Mills and a pair of featurettes on production and casting.

Blu - ray extras include audio commentary by Talalay and Petty; interviews with Petty and production designer Catherine Hardwicke (who would go on to direct Thirteen and the first Twilight picture); a vintage behind - the - scenes featurette; and the theatrical trailer.

Thankfully, no such malfunctions mar Thomas» delightful audio - commentary track, in which he discusses the inspiration for the movie, the difficulties inherent in mounting a homegrown Canadian production and the film's Edmonton, Alberta shoot, chiefly on location in an abandoned hospital.

The supplements (duplicating those on the 2 - disc DVD) begin with a thorough audio commentary by director Sidney Lumet who speaks continuously throughout the film and delivers a vast array of information on all aspects of the production.

EXTRAS: There's an audio commentary by director / co-writer Mike Flanagan, seven deleted scenes and a trio of featurettes on making the film, production design and actress Lulu Wilson.

Additionally complementing a flawless, 2.35:1 anamorphic transfer and thudding Dolby and DTS 5.1 mixes (note that the DTS audio draws gratifying attention to the surrounds) on this Ultimate Mummy are a pair of wisely - deleted scenes; brief lessons in Egyptology and pharaoh lineage; full - motion split - screen storyboard - to - final film comparisons; an extraneous montage of production stills; what appears to be the Electronic Press Kit for this summer's The Mummy Returns; trailers for The Mummy and its upcoming sequel (in Dolby 5.1); cast and crew bios (plus notes); and the following DVD - ROM links to: a soon - to - be live webcast from the premiere of The Mummy Returns; Sommers's script; screen savers; The Mummy's PC game demo; and The Mummy Returns» official website.

Other places that may shed some light on the production's creative choices are the audio commentary with director Mennan Yapo and actress Sandra Bullock, and the optional director's commentary on some deleted scenes.

For such an epic production, the underperforming film gets a disappointing DVD that's well under capacity yet needlessly deprived of the audio commentary, three deleted scenes, and Advent calendar found on the Blu - ray.

EXTRAS: In addition to an audio commentary by director Michaël R. Roskam and author Dennis Lehane, there's a collection of deleted scenes with option commentary and five production featurettes, including a profile on the late James Gandolfini.

Extras: Two optional English narrations, including one by actor Roy Scheider; audio commentary from 2008 featuring Schrader and producer Alan Poul; interviews from 2007 and 2008 with Bailey, producers Tom Luddy and Mata Yamamoto, composer Philip Glass, and production designer Eiko Ishioka; interviews from 2008 with Mishima biographer John Nathan and friend Donald Richie; audio interview from 2008 with co-screenwriter Chieko Schrader; interview excerpt from 1966 featuring Mishima talking about writing; «The Strange Case of Yukio Mishima,» a 55 - minute documentary from 1985 about the author; trailer; a booklet featuring an essay by critic Kevin Jackson, a piece on the film's censorship in Japan, and photographs of Ishioka's sets.

Extras: New audio commentary featuring critic Tony Rayns; new video essay on the film's symbols and references, featuring scholar James Steffen; new interview with Steffen detailing the production of the film; «Sergei Parajanov: The Rebel,» a 2003 documentary about the filmmaker, featuring him and actor Sofiko Chiaureli; «The Life of Sayat - Nova,» a 1977 documentary about the Armenian poet who inspired «The Color of Pomegranates»; an essay by film scholar Ian Christie.

Overseen by Keith Clark, a trio of making - of featurettes kicks off with the longest of them, «None of Them Are You: Crafting Anomalisa» (30 mins., HD), a comprehensive overview of the production that includes stills and audio from a performance of the original «sound play» (which also featured Tom Noonan, David Thewlis, and Jennifer Jason Leigh, with the film's composer Carter Burwell conducting an orchestra off to the side), shedding light on its unique staging.

EXTRAS: There's an audio commentary by director Jon Favreau and a trio of featurettes on production, newcomer Neel Sethi and creating the King Louie sequence.

The full - length audio commentary with Ruzowitzky is interesting enough, boasting a generous supply of anecdotes about the production and some of the director's thoughts on translating real events into screen material (and inventing a few), but it feels like the 90 - year - old Burger is the real star of the fairly generous slate of extras, almost all of them only in SD.

DVD Features: Just in time to ring in the New Year, the single - disc release of «Snakes on a Plane» features hours of special features including an audio commentary track with Samuel L. Jackson and director David Ellis, ten deleted scenes, four production featurettes, a gag reel, and a Cobra Starship music video.

On the audio commentary, McKay estimates that the production shot 1.5 million feet of film and then everyone has a laugh about the fact that Apocalypse Now only shot about 1.25 million.

EXTRAS: In addition to an audio commentary by director Cedric Nicolas - Troyan, there's a trio of featurettes on production, costume design and visual effects, some character profiles, deleted scenes and a gag reel.

The video transfer is beautiful, and the extras are excellent, including insightful audio commentary by Zemeckis, Gale and Kurt Russell, a series of radio commercials that perfectly reflect the times, as well as some local car commercials Kurt Russell appears in for the lot that the production actually shot on.

Newly restored digital transfer, supervised and approved by director Ken Loach and director of photography Chris Menges, with the filmmaker's original production soundtrack, with uncompressed monaural audio on the Blu - ray edition

Extras include audio commentary by film critic Stephen Farber; a retrospective piece surrounding the making of the movie; a vintage behind - the - scenes short; and a vintage (and entertaining) half - hour TV production on Camelot's world premiere.

Of course, we learn a lot about the effects, but we also find info about cast and performances, shooting on location and dealing with weather, real tornadoes and research, story and characters, music and audio design, and a mix of other production topics.

Now on to the supplements, in a section I'll call «Bait and Switch, Part Two:» prior to the November 1999 release of the original Haunting DVD, listings indicated it would include an audio commentary from director Jan DeBont and production designer Eugenio Zanetti, plus some deleted scenes and other features.

The show looks at how De Bont came onto the project and convinced the studio its effects would be viable, cast, characters and performances, story choices, practical and visual effects, weather on location, stunts, production design, and audio.

Leading the pack is an audio commentary by director Ron Howard that is both informative and insightful, while the in - depth making - of featurette covers all of the usual details (casting, production design and costumes) as well as a few behind - the - scenes stories about the cast regarding their work on the film.

EXTRAS: In addition to an audio commentary by director / co-writer Guillermo del Toro, there's a making - of featurette, interviews with the cast, additional featurettes on costumes, make - up effects and production design, a tour of Allerdale Hall and some deleted scenes.

Starting things off, there's an audio commentary from director Mark Hartley, joined by «Ozploitation Auteurs» Brian Trenchard - Smith, Antony I. Ginnane, John D. Lamond, David Hannay, Richard Brennan, Alan Finney, Vincent Monton, Grant Page, and Roger Ward; a set of 26 deleted and extended scenes, now with optional audio commentary from Hartley and editors Sara Edwards and Jamie Blanks; The Lost NQH Interview: Chris Lofven, the director of the film Oz; A Word with Bob Ellis (which was formerly an Easter Egg on DVD); a Quentin Tarantino and Brian Trenchard - Smith interview outtake; a Melbourne International Film Festival Ozploitation Panel discussion; Melbourne International Film Festival Red Carpet footage; 34 minutes of low tech behind the scenes moments which were shot mostly by Hartley; a UK interview with Hartley; The Bazura Project interview with Hartley; The Monthly Conversation interview with Hartley; The Business audio interview with Hartley; an extended Ozploitation trailer reel (3 hours worth), with an opening title card telling us that Brian Trenchard - Smith cut together most of the trailers (Outback, Walkabout, The Naked Bunyip, Stork, The Adventures of Barry McKenzie, three for Barry McKenzie Holds His Own, Libido, Alvin Purple, Alvin Rides Again, Petersen, The Box, The True Story of Eskimo Nell, Plugg, The Love Epidemic, The Great MacArthy, Don's Party, Oz, Eliza Fraser, Fantasm, Fantasm Comes Again, The FJ Holden, High Rolling, The ABC of Love and Sex: Australia Style, Felicity, Dimboola, The Last of the Knucklemen, Pacific Banana, Centrespread, Breakfast in Paris, Melvin, Son of Alvin, Night of Fear, The Cars That Ate Paris, Inn of the Damned, End Play, The Last Wave, Summerfield, Long Weekend, Patrick, The Night, The Prowler, Snapshot, Thirst, Harlequin, Nightmares (aka Stage Fright), The Survivor, Road Games, Dead Kids (aka Strange Behavior), Strange Behavior, A Dangerous Summer, Next of Kin, Heatwave, Razorback, Frog Dreaming, Dark Age, Howling III: The Marsupials, Bloodmoon, Stone, The Man from Hong Kong, Mad Dog Morgan, Raw Deal, Journey Among Women, Money Movers, Stunt Rock, Mad Max, The Chain Reaction, Race for the Yankee Zephyr, Attack Force Z, Freedom, Turkey Shoot, Midnite Spares, The Return of Captain Invincible, Fair Game, Sky Pirates, Dead End Drive - In, The Time Guardian, Danger Freaks); Confession of an R - Rated Movie Maker, an interview with director John D. Lamond; an interview with director Richard Franklin on the set of Patrick; Terry Bourke's Noon Sunday Reel; the Barry McKenzie: Ogre or Ocker vintage documentary; the Inside Alvin Purple vintage documentary; the To Shoot a Mad Dog vintage documentary; an Ozploitation stills and poster gallery; a production gallery; funding pitches; and the documentary's original theatrical trailer.

There are two audio commentaries by director Duncan Jones and various members of his production, editing and effects crew, and there is an entertaining featurette on the making of the movie, where they break down how Sam Rockwell acted opposite himself.

EXTRAS: There's an audio commentary by director Jorge R. Gutierrez, a trio of featurettes on production, art direction and the soundtrack, a new short film and more.

EXTRAS: There's an audio commentary by director / co-writer Nicolas Winding Refn and star Elle Fanning, as well as a pair of featurettes on production and the soundtrack.

The secondary audio track, featuring Hoblit, producer Hawk Koch, and production designer Paul Eads (the platter pays unusual — and welcome — tribute to production design), is pretty standard stuff, but the picture - in - picture «bonus view» puts a more interesting spin on the idea of commentary.

EXTRAS: In addition to a pair of audio commentaries — one with writer / director Joss Whedon, and another with Whedon and his cast — the Blu - ray release also includes a pair of production featurettes on the making of the film and a music video.

Ridley Scott's audio commentary avoids «Legend's» obvious controversies, and provides a fairly consistent retrospective on pre-and production aspects, focusing on details briefly highlighted or omitted entirely from the DVD's doc.

(Week 4) Opportunities to: - explore the importance of audio editing - audacity software - create an audio product - example given is a radio broadcast - the task requires students to bring together everything they've learned in weeks 1 - 3 including microphones, acoustics, purposes etc. - conduct risk assessments before recoding on location as per industry - evaluate own production work

His past audio experience includes production and voice acting on commercials and radio dramas and as an actor in stage performances.

Qualifications: • Bachelor's degree, and five to seven years of experience in a related position • Standout samples of video and editing work • Demonstrated experience with a range of digital storytelling and tools, and strong engagement with digital trends • Strong people - management skills, and a knack for developing talent, both in - house and freelance • Experience with a variety of social media platforms for audience development • Experience developing partner relationships for distribution or content creation • Experience in audio / video production / editing a plus • Background in teaching or education policy a plus • Passionate visual journalist with an innovative spirit and a drive to understand and service our audience • Appreciation for EPE's mission in the education community is essential, but a background in education content is not • Experienced leader who can coach a team to excellence and articulate a vision for our visual operations to stakeholders • Strong news judgment, video storytelling, and editing expertise • Experience in social distribution channels and partnerships • Strategic content planning • Flexibility to work on multiple projects at once • Adaptability to change

Apart from the audio tracks, the CD also includes the following: - A licence to perform the work; - Notes for a teacher on how to put on the musical; - Story of Orpheus; - Complete Lyrics Sheets; - Narrative script; - Full production script; - A songbook adaptation for piano and voice; - Instrumental scores for violin, viola, cello, trumpet, clarinet, piano and conductor's full score; - Photos of cast members and musicians; - Backing tracks with synchronised lyrics for children to practise to, or perform with, if you don't have access to musicians.

We are an experienced team of audio production and voiceover specialists with a focus on creating high quality audio for the eLearning industry.

My Specialties: * I am an expert eLearning strategist, project manager, and business developer * Getting large complex eLearning modules and projects done on time and budget * Learning Management System (LMS) evaluation, selection, and implementation * Advanced audio / visual, graphic art design, and multimedia production (2D, 3D, etc.) * eLearning authoring tools & Curriculum Development * Instructional Technology & Learning Technology * Software Training & Sales Training * Instructor - led & Computer - Based Training

The system could use speakers mounted on the seat shoulders to improve the audio production, something Bose did for the Infiniti G37 Convertible.

For the industry as a whole, authors and publishers need to pay more attention to audio production and focus on releasing new titles.

He is very bullish about audiobooks and said they are doubling down on production and ensuring that all of their new titles are converted to digital audio, to meet demand for the product.

We've actually just started production on an audio version for Unlocked.

Our goal has been to focus on great writers and artists and provide what we call «deluxe digital graphic novels» that include audio commentaries by the artists, interviews, production sketches and loads more.

We also talk about cover design, audio book production, and a first on the Rocky Mountain Writer — none other than Siri barges her way into the conversation.