A rear vision camera comes standard that shows the area immediately behind the vehicle
on the audio screen, very helpful for hooking up a trailer.
Bluetooth ® HandsFreeLink ® and audio system controls are located on the left side of the steering wheel, and include a touchpad control that makes is easy to scroll and select items that appear
on the audio screen.
If an audio compatible device is paired it will be added as another source
on the audio screen.
There must be some way to keep
it on the audio screen, but I didn't find it.
Cell phone devices that support the Advanced Audio Distribution Profile (A2DP) and Audio Video Remote Control Profile (AVRCP) 1.3 allow the display of metadata for artist, album and track name
on the audio screen.
Not exact matches
For instance, CarPlay can run
on a system that's based
on QNX, simply handing control of the car's
screen and
audio over to the iPhone when it's connected.
Install a simple HTML5
audio player
on your blog that doesn't open a new window, but does, in fact, give a similar (in -
screen) experience to what listeners see
on the desktop.
The partners are California - based Vidtel, whose cloud - based, high - definition MeetMe video conferencing system accommodates up to 12 users
on a conferencing «bridge»; and Oregon - based InFocus, whose 55 - inch giant tablet has a touch
screen, digital white boarding and high - quality
audio and is powered by an integrated Windows 7 Pro PC.
It provides features found
on sophisticated financial software for your phone or tablet, including charts with 50 + indicators, stock
screening, industry group and sector analysis, and
audio expert technical analysis of chart patterns for easy listening, or text if you prefer to read.
In the power saver mode, the
screen turns off and only the
audio mode remains
on.
Please follow this setup guide to add up to 4 monitors
on screen with alerts, background
audio and more.
One of the reasons WiFi Baby is considered the best baby monitor app is because it supports multitasking background
audio and up to 4 cameras
on screen with simultaneous
audio.
Screen Turns Off Audio Stays: The screen turns off after five minutes to conserve battery but the audio stays on so you can hear your child if they wa
Screen Turns Off
Audio Stays: The
screen turns off after five minutes to conserve battery but the audio stays on so you can hear your child if they wa
screen turns off after five minutes to conserve battery but the
audio stays
on so you can hear your child if they wake up.
A declaration that the conduct of the 1st Defendant acting through its Chief Executive Officer and Acting Editor of the Crusading Guide newspaper, Anas Aremeyaw Anas, in releasing the contents of the petition, through publications in the Crusading Guide newspaper, his personal facebook page, public
screening of the
audio — visual recordings in support of the petition at the Accra International Conference Centre
on the 22nd September, 2015, containing the evidence in support of the petition, is in violation of Article 146 (8) of the 1992 Constitution and therefore unconstitutional...»
Outside LED
screens will be able to show video and
audio of games as part of the new renovations at the Times Union Center
on Thursday, Jan. 11, 2018 in Albany, N.Y. (Lori Van Buren / Times Union)
They then compared those EEG measurements to those in two other conditions: one, in which 20 audience members were watching a recording of the first concert
on a large movie
screen with
audio identical to the live concert; and another in which 20 participants in small groups of 2 were seated apart while they observed the recorded musical performance.
Those instructions were conveyed visually (written
on a computer
screen) with no
audio, and again vocally with no video.
Called Audetel, (
audio described television), it was originally designed to give visually disabled people the chance to enjoy TV by providing an audible des - cription of what is happening
on the
screen and transmitting it with ordinary TV signals.
Another 50 patients viewed a standard, two - dimensional nature video, depicting relaxing scenes with a calming music
audio track,
on a close - proximity
screen.
Second, EEG was measured simultaneously from 20 audience members (in a larger crowd of approximately 80 people) while they watched the recording of the first concert
on a large movie
screen and with
audio identical to the live concert.
This is a booming
audio track that helps complete the visual illusion as it unfolds
on your 4K HDTV
screen.
There's also an English «
audio description track» for the visually impaired (in which a woman delivers pithy descriptions of the
on -
screen action in a hurried voiceover layered atop a Dolby Digital 5.1 mix), plus a French Dolby Digital 5.1 track.
Each title gets a full - length
audio commentary from Travis Crawford, a dogged film critic and programmer with the instincts of a historian, who goes into detail
on the background of just about every lead and significant supporting player who appears
on screen, in addition to the producers and financiers behind the scenes who allowed (or more likely didn't allow) Romero to realize his vision
on screen.
Both the visuals and
audio are much easier to appreciate
on a bigger
screen, and the updated visuals are welcomed addition.
One scene in particular — more hinted at via
audio of events occurring off -
screen — borders
on offensive, and the fine balance that must be maintained for characters of this type is lost.
The
audio is top of the range, with entertaining commentary tracks that don't suffer from the repetition that plagued previous entries and accurately convey what's occurring
on screen.
While French - speaking Canadians are out of luck for both
audio and
on -
screen text, an English subtitles track that has
audio prompts for the hearing impaired and is joined by a Spanish translation.
The
audio mix plays well with what's happening
on screen.
Additionally complementing a flawless, 2.35:1 anamorphic transfer and thudding Dolby and DTS 5.1 mixes (note that the DTS
audio draws gratifying attention to the surrounds)
on this Ultimate Mummy are a pair of wisely - deleted scenes; brief lessons in Egyptology and pharaoh lineage; full - motion split -
screen storyboard - to - final film comparisons; an extraneous montage of production stills; what appears to be the Electronic Press Kit for this summer's The Mummy Returns; trailers for The Mummy and its upcoming sequel (in Dolby 5.1); cast and crew bios (plus notes); and the following DVD - ROM links to: a soon - to - be live webcast from the premiere of The Mummy Returns; Sommers's script;
screen savers; The Mummy's PC game demo; and The Mummy Returns» official website.
Made of Honor walks down the isle
on DVD (in either wide or full
screen presentations) with an
audio commentary by director Paul Weiland.
Helpfully, the video and
audio options are combined
on one page; selecting «Play» also brings up a
screen asking you to decide between «Full Screen» and Widescreen - the former unfortunately is the default, but the latter is illustrated as being the wise dec
screen asking you to decide between «Full
Screen» and Widescreen - the former unfortunately is the default, but the latter is illustrated as being the wise dec
Screen» and Widescreen - the former unfortunately is the default, but the latter is illustrated as being the wise decision.
Noah has so much to offer in terms of the
audio experience in nearly every act
on screen: the downpour of rain, the enormity of the flood, and the sweeping beauty of the film's score.
The full - length
audio commentary with Ruzowitzky is interesting enough, boasting a generous supply of anecdotes about the production and some of the director's thoughts
on translating real events into
screen material (and inventing a few), but it feels like the 90 - year - old Burger is the real star of the fairly generous slate of extras, almost all of them only in SD.
On Disc Two, which contains the unrated version of the film, there's an
audio commentary with zombie performers Matt Blazi, Glena Chao, Michael Felsher, and Rob Mayr; another
audio commentary with George A. Romero, producer Peter Grunwald, and editor Michael Doherty; the When Shaun Met George with Simon Pegg and Edgar Wright featurette; the Bringing the Dead to Life featurette; a Scenes of Carnage montage; Zombie Effects: From Green
Screen to Finished Scene; the oddball Scream Tests: Zombie Casting Call CGI test; Bringing the Storyboards to Life split - screen comparison; the Undead Again: The Making of Land of the Dead featurette; and A Day with the Living Dead featu
Screen to Finished Scene; the oddball Scream Tests: Zombie Casting Call CGI test; Bringing the Storyboards to Life split -
screen comparison; the Undead Again: The Making of Land of the Dead featurette; and A Day with the Living Dead featu
screen comparison; the Undead Again: The Making of Land of the Dead featurette; and A Day with the Living Dead featurette.
Extras include an
audio commentary with Christopher Lee, moderated by Jay Slater (which is an odd track at times as Lee simply states what's going
on on -
screen, often interrupting his moderator attempting to ask questions to do so); the film's theatrical trailer re-creation in HD; and a 45 - minute interview with Christopher Lee by Brad Stevens.
(The most incisive observation about that comes from L.A. Clipper Baron Davis, who aptly compares their mope - faced
screen presence to «adult Cabbage Patch Kids» when he shows up, inexplicably,
on the Blu - ray's
audio commentary.)
Housed in a regular plastic Amaray case, Sexy Pirates comes to DVD presented in 1.33:1 full
screen, with an Italian language mono Dolby digital 2.0
audio track,
on a region - free disc.
Extras include
audio commentary by film critic Richard Schickel
on East of Eden, author Douglas L. Rathgeb (The Making of Rebel Without a Cause)
on Rebel Without a Cause, and filmmaker George Stevens Jr., Giant scripter Ivan Moffat and film critic Stephen Farber
on Giant; four documentaries
on Dean, two
on Stevens and two
on Giant, all generally running 60 - 90 minutes apiece; making - of featurettes, deleted scenes and
screen tests for East of Eden and Rebel Without a Cause; and theatrical trailers.
Like WB's Maximum Movie Mode, Blu - ray exclusive The Devil's in the Details: Inside the Action with Joe Carnahan is a souped - up commentary with the film's director that includes behind - the - scenes footage, storyboards, animatics, model - building and visual - effects presentations, and an interactive dashboard with info
on vehicles and weaponry, as well as a running counter of steps in each plan (at times, Carnahan's
audio commentary gives way to video segments with the director as
on -
screen host for the supplementary video footage.
The Blu - Ray's 5.1 master
audio track sounds superb, with dialogue coming through as clearly as you would hope for, punctuated by occasionally beefy sound effects and James Newton Howard's interesting score which tends to downplay, if not outright contradict, the horrors of what's happening
on -
screen.
The range of and subtle grading in the color palette is preserved; the computer - generated images retain their meticulous detail; and the
audio master gives the film's impressive action sequences an added kick
on the home
screen.
From the commentaries, one learns that two short items — a black
screen audio montage meant to convey the passage of time and a speakerphone conversation
on the quest for a search warrant — are the biggest changes here.
On laserdisc, it fared much better, receiving the trailer, plus an audio commentary, a deleted scene, a featurette on visual effects, and several Lindsay Lohan screen test
On laserdisc, it fared much better, receiving the trailer, plus an
audio commentary, a deleted scene, a featurette
on visual effects, and several Lindsay Lohan screen test
on visual effects, and several Lindsay Lohan
screen tests.
Because there's scant
audio or video of Bulger, the actor confessed he was «really just shooting from the hip» in trying to play the mobster
on screen.
The 5.1 Dolby TrueHD
audio lacks lustre as well — even the jump - scares are curiously sedate, though I suspect the mix was dull to start with as opposed to compromised
on its journey to the small
screen.
This is essentially an exclusive
audio commentary, with the added bonus of a silhouetted couch
on which the participants sit occasionally appearing
on the
screen.
The print that
screened was absolutely luminous in colour and
audio — so much so that my memory was physically overloading as it re-connected with the elements of the film
on the
screen.
The film and
audio has been digitally remastered to the THX specifications, and a DTS track is included along with 5.1 Dolby Digital, making the disc a terrific alternative to seeing the film
on the big
screen.
The God of Thunder's big
screen debut arrives
on Blu - ray with hours of bonus material highlighted by an incredibly in - depth
audio commentary by director Kenneth Branagh where he discusses his various artistic decisions in making the film.
Both of these apps sync
audio recording with what is typed or drawn
on screen.