Sentences with phrase «on the audio screen»

A rear vision camera comes standard that shows the area immediately behind the vehicle on the audio screen, very helpful for hooking up a trailer.
Bluetooth ® HandsFreeLink ® and audio system controls are located on the left side of the steering wheel, and include a touchpad control that makes is easy to scroll and select items that appear on the audio screen.
If an audio compatible device is paired it will be added as another source on the audio screen.
There must be some way to keep it on the audio screen, but I didn't find it.
Cell phone devices that support the Advanced Audio Distribution Profile (A2DP) and Audio Video Remote Control Profile (AVRCP) 1.3 allow the display of metadata for artist, album and track name on the audio screen.

Not exact matches

For instance, CarPlay can run on a system that's based on QNX, simply handing control of the car's screen and audio over to the iPhone when it's connected.
Install a simple HTML5 audio player on your blog that doesn't open a new window, but does, in fact, give a similar (in - screen) experience to what listeners see on the desktop.
The partners are California - based Vidtel, whose cloud - based, high - definition MeetMe video conferencing system accommodates up to 12 users on a conferencing «bridge»; and Oregon - based InFocus, whose 55 - inch giant tablet has a touch screen, digital white boarding and high - quality audio and is powered by an integrated Windows 7 Pro PC.
It provides features found on sophisticated financial software for your phone or tablet, including charts with 50 + indicators, stock screening, industry group and sector analysis, and audio expert technical analysis of chart patterns for easy listening, or text if you prefer to read.
In the power saver mode, the screen turns off and only the audio mode remains on.
Please follow this setup guide to add up to 4 monitors on screen with alerts, background audio and more.
One of the reasons WiFi Baby is considered the best baby monitor app is because it supports multitasking background audio and up to 4 cameras on screen with simultaneous audio.
Screen Turns Off Audio Stays: The screen turns off after five minutes to conserve battery but the audio stays on so you can hear your child if they waScreen Turns Off Audio Stays: The screen turns off after five minutes to conserve battery but the audio stays on so you can hear your child if they wascreen turns off after five minutes to conserve battery but the audio stays on so you can hear your child if they wake up.
A declaration that the conduct of the 1st Defendant acting through its Chief Executive Officer and Acting Editor of the Crusading Guide newspaper, Anas Aremeyaw Anas, in releasing the contents of the petition, through publications in the Crusading Guide newspaper, his personal facebook page, public screening of the audio — visual recordings in support of the petition at the Accra International Conference Centre on the 22nd September, 2015, containing the evidence in support of the petition, is in violation of Article 146 (8) of the 1992 Constitution and therefore unconstitutional...»
Outside LED screens will be able to show video and audio of games as part of the new renovations at the Times Union Center on Thursday, Jan. 11, 2018 in Albany, N.Y. (Lori Van Buren / Times Union)
They then compared those EEG measurements to those in two other conditions: one, in which 20 audience members were watching a recording of the first concert on a large movie screen with audio identical to the live concert; and another in which 20 participants in small groups of 2 were seated apart while they observed the recorded musical performance.
Those instructions were conveyed visually (written on a computer screen) with no audio, and again vocally with no video.
Called Audetel, (audio described television), it was originally designed to give visually disabled people the chance to enjoy TV by providing an audible des - cription of what is happening on the screen and transmitting it with ordinary TV signals.
Another 50 patients viewed a standard, two - dimensional nature video, depicting relaxing scenes with a calming music audio track, on a close - proximity screen.
Second, EEG was measured simultaneously from 20 audience members (in a larger crowd of approximately 80 people) while they watched the recording of the first concert on a large movie screen and with audio identical to the live concert.
This is a booming audio track that helps complete the visual illusion as it unfolds on your 4K HDTV screen.
There's also an English «audio description track» for the visually impaired (in which a woman delivers pithy descriptions of the on - screen action in a hurried voiceover layered atop a Dolby Digital 5.1 mix), plus a French Dolby Digital 5.1 track.
Each title gets a full - length audio commentary from Travis Crawford, a dogged film critic and programmer with the instincts of a historian, who goes into detail on the background of just about every lead and significant supporting player who appears on screen, in addition to the producers and financiers behind the scenes who allowed (or more likely didn't allow) Romero to realize his vision on screen.
Both the visuals and audio are much easier to appreciate on a bigger screen, and the updated visuals are welcomed addition.
One scene in particular — more hinted at via audio of events occurring off - screen — borders on offensive, and the fine balance that must be maintained for characters of this type is lost.
The audio is top of the range, with entertaining commentary tracks that don't suffer from the repetition that plagued previous entries and accurately convey what's occurring on screen.
While French - speaking Canadians are out of luck for both audio and on - screen text, an English subtitles track that has audio prompts for the hearing impaired and is joined by a Spanish translation.
The audio mix plays well with what's happening on screen.
Additionally complementing a flawless, 2.35:1 anamorphic transfer and thudding Dolby and DTS 5.1 mixes (note that the DTS audio draws gratifying attention to the surrounds) on this Ultimate Mummy are a pair of wisely - deleted scenes; brief lessons in Egyptology and pharaoh lineage; full - motion split - screen storyboard - to - final film comparisons; an extraneous montage of production stills; what appears to be the Electronic Press Kit for this summer's The Mummy Returns; trailers for The Mummy and its upcoming sequel (in Dolby 5.1); cast and crew bios (plus notes); and the following DVD - ROM links to: a soon - to - be live webcast from the premiere of The Mummy Returns; Sommers's script; screen savers; The Mummy's PC game demo; and The Mummy Returns» official website.
Made of Honor walks down the isle on DVD (in either wide or full screen presentations) with an audio commentary by director Paul Weiland.
Helpfully, the video and audio options are combined on one page; selecting «Play» also brings up a screen asking you to decide between «Full Screen» and Widescreen - the former unfortunately is the default, but the latter is illustrated as being the wise decscreen asking you to decide between «Full Screen» and Widescreen - the former unfortunately is the default, but the latter is illustrated as being the wise decScreen» and Widescreen - the former unfortunately is the default, but the latter is illustrated as being the wise decision.
Noah has so much to offer in terms of the audio experience in nearly every act on screen: the downpour of rain, the enormity of the flood, and the sweeping beauty of the film's score.
The full - length audio commentary with Ruzowitzky is interesting enough, boasting a generous supply of anecdotes about the production and some of the director's thoughts on translating real events into screen material (and inventing a few), but it feels like the 90 - year - old Burger is the real star of the fairly generous slate of extras, almost all of them only in SD.
On Disc Two, which contains the unrated version of the film, there's an audio commentary with zombie performers Matt Blazi, Glena Chao, Michael Felsher, and Rob Mayr; another audio commentary with George A. Romero, producer Peter Grunwald, and editor Michael Doherty; the When Shaun Met George with Simon Pegg and Edgar Wright featurette; the Bringing the Dead to Life featurette; a Scenes of Carnage montage; Zombie Effects: From Green Screen to Finished Scene; the oddball Scream Tests: Zombie Casting Call CGI test; Bringing the Storyboards to Life split - screen comparison; the Undead Again: The Making of Land of the Dead featurette; and A Day with the Living Dead featuScreen to Finished Scene; the oddball Scream Tests: Zombie Casting Call CGI test; Bringing the Storyboards to Life split - screen comparison; the Undead Again: The Making of Land of the Dead featurette; and A Day with the Living Dead featuscreen comparison; the Undead Again: The Making of Land of the Dead featurette; and A Day with the Living Dead featurette.
Extras include an audio commentary with Christopher Lee, moderated by Jay Slater (which is an odd track at times as Lee simply states what's going on on - screen, often interrupting his moderator attempting to ask questions to do so); the film's theatrical trailer re-creation in HD; and a 45 - minute interview with Christopher Lee by Brad Stevens.
(The most incisive observation about that comes from L.A. Clipper Baron Davis, who aptly compares their mope - faced screen presence to «adult Cabbage Patch Kids» when he shows up, inexplicably, on the Blu - ray's audio commentary.)
Housed in a regular plastic Amaray case, Sexy Pirates comes to DVD presented in 1.33:1 full screen, with an Italian language mono Dolby digital 2.0 audio track, on a region - free disc.
Extras include audio commentary by film critic Richard Schickel on East of Eden, author Douglas L. Rathgeb (The Making of Rebel Without a Cause) on Rebel Without a Cause, and filmmaker George Stevens Jr., Giant scripter Ivan Moffat and film critic Stephen Farber on Giant; four documentaries on Dean, two on Stevens and two on Giant, all generally running 60 - 90 minutes apiece; making - of featurettes, deleted scenes and screen tests for East of Eden and Rebel Without a Cause; and theatrical trailers.
Like WB's Maximum Movie Mode, Blu - ray exclusive The Devil's in the Details: Inside the Action with Joe Carnahan is a souped - up commentary with the film's director that includes behind - the - scenes footage, storyboards, animatics, model - building and visual - effects presentations, and an interactive dashboard with info on vehicles and weaponry, as well as a running counter of steps in each plan (at times, Carnahan's audio commentary gives way to video segments with the director as on - screen host for the supplementary video footage.
The Blu - Ray's 5.1 master audio track sounds superb, with dialogue coming through as clearly as you would hope for, punctuated by occasionally beefy sound effects and James Newton Howard's interesting score which tends to downplay, if not outright contradict, the horrors of what's happening on - screen.
The range of and subtle grading in the color palette is preserved; the computer - generated images retain their meticulous detail; and the audio master gives the film's impressive action sequences an added kick on the home screen.
From the commentaries, one learns that two short items — a black screen audio montage meant to convey the passage of time and a speakerphone conversation on the quest for a search warrant — are the biggest changes here.
On laserdisc, it fared much better, receiving the trailer, plus an audio commentary, a deleted scene, a featurette on visual effects, and several Lindsay Lohan screen testOn laserdisc, it fared much better, receiving the trailer, plus an audio commentary, a deleted scene, a featurette on visual effects, and several Lindsay Lohan screen teston visual effects, and several Lindsay Lohan screen tests.
Because there's scant audio or video of Bulger, the actor confessed he was «really just shooting from the hip» in trying to play the mobster on screen.
The 5.1 Dolby TrueHD audio lacks lustre as well — even the jump - scares are curiously sedate, though I suspect the mix was dull to start with as opposed to compromised on its journey to the small screen.
This is essentially an exclusive audio commentary, with the added bonus of a silhouetted couch on which the participants sit occasionally appearing on the screen.
The print that screened was absolutely luminous in colour and audio — so much so that my memory was physically overloading as it re-connected with the elements of the film on the screen.
The film and audio has been digitally remastered to the THX specifications, and a DTS track is included along with 5.1 Dolby Digital, making the disc a terrific alternative to seeing the film on the big screen.
The God of Thunder's big screen debut arrives on Blu - ray with hours of bonus material highlighted by an incredibly in - depth audio commentary by director Kenneth Branagh where he discusses his various artistic decisions in making the film.
Both of these apps sync audio recording with what is typed or drawn on screen.
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