Sentences with phrase «on the audio track»

Her transitional period was only about an hour but she was extremely miserable during it and I was at a loss to comfort her since she had given up on the audio tracks and trying to «relax».

Buzzfeed's report said «what sounds like «sanctimonious cunt» is heard on the audio track».

No word on the audio track but obviously its 1080p.

There are no noticeable miscues to be found on the audio track, a mostly clean restoration without any balance issues.

Those who already own the Collector's Edition of Tarzan have no reason to upgrade, unless that extra 0.1 on the audio track or an Everlife music video is of great importance to them.

I'd have to say probably my only real complaint is I wish more time was spent on the audio tracks.

During periodic moments of silence on the audio track, the single microphone standing in the middle of the installation invites you to speak up and add your own dialogue to the work.

Not exact matches

We have a woman on our speaking team, and she gets the most listen's on the website audio tracks (did that even make sense?).

USB Enabled: If you want to be able to play not only records on your new music system, you need to be on the lookout for something that is USB enabled, so it can play music from your phone or rip you vinyl tracks to audio tracks.

It offers excellent 2.0 channel sound quality and incorporates several audio modes such as «dialogue» so you can adjust the sound to your preference on the fly to fit the track.

Another 50 patients viewed a standard, two - dimensional nature video, depicting relaxing scenes with a calming music audio track, on a close - proximity screen.

In this special audio bundle you'll learn more about your relationship to stress, gender differences when it comes to stress and most importantly, how to get your body back on track.

moments, accompanied by 2 workbooks and 8 - hour audio track — but you will also get a complimentary 3 - month Platinum Membership ($ 259 in value), which allows you to contact ANY lady on the site, and have UNLIMITED and unrestricted communication with her, with no extra charges.

The disc includes an excellent audio commentary by Jonathan Demme and screenwriter Ron Nyswaner, Howard Shore's score on an isolated audio track, a vintage «making - of» featurette, some deleted scenes and additional footage of the courthouse protest scene.

The DTS mix created a marginally more dynamic setting but I didn't think the new disc's audio was a marked improvement on the old disc's track.

More good news on the audio front: a rather enjoyable 5.1 DTS - HD Master Audio track is included, which gives action sequences and Basil Poledouris» score a much - needed boost.

You can choose to listen to any of the audio tracks as this subtitle track provides a virtually non-stop collection of anecdotes, trivia, and hilarious tidbits such as «Before CDs, music was played on records.»

Instead, piecing together archival sequences of the man regarded as one of the greatest drivers of all time with audio interviews of controversial star's family, friends, colleagues and competitors, it presents a compelling portrait of his life on and off the track.

The Blu - ray debut features all the supplements of that release: three commentary tracks (one by director Terry Gilliam, one by stars Johnny Depp and Benicio Del Toro, and one by producer Laila Nabulsi and author Hunter S. Thompson), deleted scenes with commentary by Gilliam, the 1978 BBC «Omnibus» documentary «Fear and Loathing on the Road to Hollywood» (with Hunter S. Thompson and artist Ralph Steadman), the ten - minute featurette «Hunter Goes to Hollywood,» an audio documentary on the controversy over the screenplay credit, a survey of the marketing campaign, selections from the correspondence between Johnny Depp and Hunter S. Thompson (read on camera by Depp), an excerpt from the 1996 audio CD «Fear and Loathing» starring Maury Chaykin, Jim Jarmusch, Harry Dean Stanton, and Glenne Headly, background notes on Oscar Zeta Acosta (the real life activist and attorney who inspired the character of Dr. Gonzo), and galleries of storyboards, stills, and Ralph Steadman art.

But on the other hand, the audio track is quite possibly their worst.

Recycled on another track is the audio commentary from the 2007 Platinum Edition DVD, featuring Roy Disney, Jeff Kurtti (half of DVD producers Kurtti - Pellerin), animators Davis, Ward Kimball, Ollie Johnston, and Frank Thomas, Leonard Maltin, animation historian John Canemaker, Kerry and her Wendy counterpart Kathryn Beaumont, and Walt Disney hissownself.

On another track, find an extremely convivial audio commentary with director Kenneth Branagh and screenwriter Michael Green, both of whom convey a healthy respect for and deep - cut knowledge of Agatha Christie's work (Branagh notes, for instance, that Christie describing not Poirot's moustache but his «moustaches» unlocked his unique take on the detective's facial hair) that makes their rationalizations for the many liberties they took with the source material all the more palatablOn another track, find an extremely convivial audio commentary with director Kenneth Branagh and screenwriter Michael Green, both of whom convey a healthy respect for and deep - cut knowledge of Agatha Christie's work (Branagh notes, for instance, that Christie describing not Poirot's moustache but his «moustaches» unlocked his unique take on the detective's facial hair) that makes their rationalizations for the many liberties they took with the source material all the more palatablon the detective's facial hair) that makes their rationalizations for the many liberties they took with the source material all the more palatable.

This is a booming audio track that helps complete the visual illusion as it unfolds on your 4K HDTV screen.

There's also an English «audio description track» for the visually impaired (in which a woman delivers pithy descriptions of the on - screen action in a hurried voiceover layered atop a Dolby Digital 5.1 mix), plus a French Dolby Digital 5.1 track.

This audio is included on the disc as a DTS - HD MA track, along with the standard 2.0 Stereo track.

As for the audio, while the DC's 5.1 DTS - HD MA track sounds deceptively tamer than the TC's lossy 5.1 DTS option, after some level - matching the DC comes out on top again; only with the DC does the voice of Darkness come close to reverberating with that basso profundo effect you'd expect.

Audio Quality: A packed release in the audio department in that we have the great Dolby Atmos track on the Ultra HD Blu - ray while the blu - ray comes with a 7.1 DTS HD Master Audio track.

X-men Origins: Wolverine on Blu - ray Disc is presented in widescreen, with audio tracks 5.1 DTS HD Master Audio (English) and 5.1 DTS (French and Spanish).

Both films are presented on DVD in standard definition with a 1.66:1 full frame (original Highways) and an anamorphically enhanced 1.78:1 widescreen aspect ratio (revisited) and with lossy Dolby Digital 2.0 Stereo audio tracks.

I only noticed audio coming from the center channel on this track, as there were no significant stereo, surround or subwoofer effects.

The 5.1 DTS - HD Master audio track focuses on delivering the strongly centre - rooted dialogue with strength and clarity.

Thankfully, no such malfunctions mar Thomas» delightful audio - commentary track, in which he discusses the inspiration for the movie, the difficulties inherent in mounting a homegrown Canadian production and the film's Edmonton, Alberta shoot, chiefly on location in an abandoned hospital.

For Spanish - speaking viewers, there are Spanish subtitles on both discs but no Spanish audio tracks at all.

English, French, and Spanish subtitles are also available for the movie and the Disc Two bonus features, though there are no alternate audio tracks on Disc Two.

The audio is top of the range, with entertaining commentary tracks that don't suffer from the repetition that plagued previous entries and accurately convey what's occurring on screen.

As for the audio, the primary audio track on the DVD is a Dolby Digital 5.1 mix.

For French - speaking viewers, there is a Dolby Digital 5.1 French track, though French subtitles are only available on the Disc 2 bonus features, where no French audio track is available.

While French - speaking Canadians are out of luck for both audio and on - screen text, an English subtitles track that has audio prompts for the hearing impaired and is joined by a Spanish translation.

Bonus features: Director Jeff Nichols and Michael Shannon are on the audio commentary track, there is a 10 - minute Behind The Scenes featurette, two deleted scenes, and a 20 - minute Q&A with Michael Shannon and co-star Shea Whigham.

The audio listed on the case specifies a 5.1 track but instead we get its original track in DTS - HD MA 2.0.

Features commentary by film historians David Del Valle and Tim Sullivan, an interview with Uta Levka, and a featurette on director Gordon Hessler, along with the trademark isolated score audio track, and booklet with an essay by Julie Kirgo.

It's surprising to find a movie as major as this with neither audio commentary nor deleted scenes, especially given Sonnenfeld's tracks on the first two movies and the undoubtedly well - supplied cutting room floor that must have resulted from the film's reshoots.

In the meantime, listen to an excerpt from Leigh's audio commentary track on our release, and watch Three Reasons: Life Is Sweet below.

The rest of the DVD includes a commentary with the film's co - writers / directors Friedberg and Seltzer (who continue to showcase their lack of humor), a separate audio track («Breaking Wind») with additional fart and burb sounds, several featurettes of the cast / crew riffing on - set («Everyone Loves the Beaver,» «Epic Porn,» «Hot or Not,» «What Makes Aslo So Irresistible?»)

Along with gorgeously restored prints of «Apocalypse Now» and «Apocalypse Now Redux» on Disc One, presented in 1080p in their original 2.35:1 aspect ratios and new 5.1 DTS - HD audio tracks (not to mention a commentary by director Francis Ford Coppola), the third disc contains the excellent 1991 documentary, «Heart of Darkness: A Filmmaker's Apocalypse,» this time with Coppola providing commentary alongside his wife Eleanor.

Don't be deceived by the seemingly strong list of bonus material featured on the Blu - ray release of «Margin Call,» because with the exception of the audio commentary track by director J.C. Chandor and producer Neal Dodson (which is actually quite informative), they're not worth your time.

Headlining the long list of bonus material are two audio commentaries — a Blu - ray exclusive picture - in - picture track with director Martin Campbell and producer Michael G. Wilson, and another track with producers Wilson and Barbara Broccoli serving as moderators to a cast of various crew members that worked on the film.

The audio is presented on an English 2.0 DTS - HD track with optional English subtitles.

Authored in BD - J with AVEC (MPEG 4) compression on two dual - layer 50 GB discs, the movie is presented in widescreen format with audio tracks recorded in 5.1 DTS HD Master Audio (English), 4.0 Dolby Surround (English), Stereo (English), and 5.1 Dolby Digital (French and Spanish).

The «Select Scenes Commentary with Sally Potter» is not an audio commentary track but a ten - minute featurette of Potter discussing a few elements of the film in detail, such as the scenes of Orlando's asides to the camera (her cinematic version of the direct address sequences from the novel, but pared back through the shooting until there are only a few, very brief addresses, «a sort of complicity» she calls it) and the casting of Quentin Crisp («He is the true queen of England, he's my idea of royalty,» she confesses, as she describes his presence as way to turn the idea of sex and gender on its head right from the beginning).