Sentences with phrase «on the cinema world»

If you have a pulse on the cinema world, then you've heard the outstanding buzz and praise for this film.

Melbourne is ludicrously well - served by the Cinémathèque as it has been for years and years — their programme regularly opens up windows on cinema worlds I was blithely unware of.

Not exact matches

A stunning force in cinema, actress María Félix was celebrated Sunday with her portrait on Google home pages around the world.

What critics said: «Even those of us who regard the Marvel aesthetic as a plague on world cinema can find much in Spider - Man: Homecoming to be charmed by.»

The George Eastman House film and photography museum will screen the silent film on Oct. 16 in Rochester, NY., following the restoration's world premiere on Oct. 9 at Le Giornate del Cinema Muto, an Italian film festival devoted entirely to silent cinema.

I am very interested in and very keen on the idea of writing an original musical expressly for the cinema, taking into account the differences between the world of the cinema and that of the theater — which is rarely done when a theater piece is transformed to the cinema.

Aldous Huxley's Brave New World — published in 1932, just after the transition from silent film to «talkies» — depicts futuristic cinema experiences called «feelies,» in which metal knobs on moviegoers» armrests transmit realistic sensations of whatever the on - screen actors are feeling.

Located on the most influential spot of La Croisette, on the rooftop of the Palais des Festivals, the new space welcomes the world of cinema in a casual yet stylish atmosphere where «the French Art of Living» will be savored with a glass of the new limited edition of Mouton Cadet wine.

A whole host of familiar faces took to the red carpet on Wednesday night as FACT cinema in Liverpool city centre hosted the world premiere of «Kenny».

Already a familiar face in world cinema thanks to fine performances in such films as Open Your Eyes and Talk to Her, Spanish actor Fele Martínez teetered on the brink of international success in the wake of work for such internationally recognized directors as Alejandro Amenábar and Pedro Almodóvar.

A trim, informative 99 - minute primer on celluloid film, which to many viewers has a warmth and feel as soothing as buttered popcorn, and the brave new world of digital cinema.

Aside from allowing the Angulos to retell, in words and home videos, the story of their long captivity and gradual, blinking emergence into the world, Moselle tags along with them on various field trips to explore the city and points outside, including a visit to Coney Island, an apple orchard upstate, and their first movie in an honest - to - God theater: David O. Russell's The Fighter at the Village East Cinemas.

The kaiju - inspired arcade game helped write the book on open - world action games and modern action cinema.

Drawn from the lives of real people who portray themselves, Chloé Zhao's «The Rider» achieves what cinema is capable of at its best: It reproduces a world with such acuteness, fidelity, and empathy that it transcends the mundane and touches on the universal.

Having left an imprint on the world from the stage (touring Australia in 2003 with his one - man show «Scaramouche Jones») to the environment (campaigning against climate change, and championing the cause in The Age Of Stupid), he certainly won't be forgotten, living on through the glory of cinema.

With Colossal set to arrives in cinemas next month, a new poster has debuted for Nacho Vigalondo's monster comedy featuring Anne Hathaway as Gloria, an ordinary woman who finds herself sharing a strange connection with a monster on the opposite side of the world; check it out here... SEE ALSO: Watch the trailer for Colossal here After Gloria -LSB-...]

THE WORLD»S END is directed by Edgar Wright and hits UK cinemas 19th July and the USA on 23rd August.

Wolverine's mutant gift of healing has allowed the character's appeal to survive over a decade in the harsh world of cinema, withstanding withering conditions, including the ineptitude of directors Brett Ratner and Gavin Hood and an impatient and greedy studio keen to cash in on a popular character, with scant regard for quality control.

With echoes of Don McKellar's Last Night (a brilliant little film if you've never seen it) blending with a Steve Carell comedy and American indie sensibilities, Seeking A Friend For The End Of The World promises two things: a road trip with Keira Knightley and a title that most cinemas will have trouble fitting on their marquees.

Recently John was kind enough to grant Movie Review World the opportunity to interview him about his glorious début feature: SLOW WEST (hitting UK cinemas on 26th June 2015).

His primary research areas are the legacy of Andrei Tarkovsky and Robert Bresson in modes of realism in contemporary world cinema as well as post war British Cinema and London on film.

Since then, the zombie movie has been a staple at the cinema and at home, with offerings ranging from the totally»80s classic Night of the Comet to the biggest box office zombie flick yet, World War Z. Because there are only so many ways to serve up brains, and with TV's The Walking Dead doing an excellent job of that on a regular basis, filmmakers are taking unique approaches to zombies and treating them as characters, not just mindless threats.

It bets the house on them, gambling on the possibility that an old - fashioned morality play asking Big Questions about faith, activism, and the futility of trying to save the world will pay off in a moment when even serious American cinema — i.e. films unconcerned with Skywalkers or Infinity Stones — comes at least partially steeped in irony.

Both as cinema and as storytelling, «District 9» capitalizes on the uncertain boundaries between fiction and reality that characterize contemporary media, and for that matter the whole contemporary world.

Scarface Rated R Available on Blu - ray It's easy to appreciate the influence this Cuban American gangster film has had on world cinema, but after watching it again, I just don't see what all the fuss is about.

Both «Scott Pilgrim Vs. The World» and «Tron: Legacy» offered more grandeur and heart in their take on video game cinema.

It was only during production in 2014 however that the filmmakers started including references to Cloverfield, and it was only on 15 January 2016 when the surprise trailer hit cinemas that the rest of the world discovered we were getting a pseudo-sequel.

2017's festival also reinforced its status as the home of politically charged cinema with a line - up that addressed the refugee crisis (and a bold new step into the world of virtual reality cinema), dystopian social experiments, mental health, and AIDS activists: there were more than enough fine caliber films to chew on for this year's audiences.

Amir here, to welcome you to the third edition of Team Experience Awards, one of the most prestigious critics» prizes around the world, bestowed on the best in cinema by members of this website sans Nathaniel.

FRUITVALE STATION (2013)-- I'm not hating on the world guys... RIDDICK (2013)-- I'm not hating on the world that allows this movie to keep going... THE EAST (2013)-- I'm hating on the world, and cinema for this movie... MUSEUM HOURS (2013)-- Let me think about art some more... FROZEN (2013)-- Let me wish for more great musical songs per film... THE HOBBIT: THE DESOLATION OF SMAUG (2013)-- Let me wish for shorter films... CALL ME KUCHU (2013)-- Let me wish for equality... THE TWELVE CHAIRS (1970)-- Young Frank Langela makes me feel weird... TOUCH OF EVIL (1958)-- Charlton Heston is badass guys...

From 3D cane toads on opening night (Cane Toads: The Conquest) to John Woo kung fu to close the program (Reign Of Assassins), possibly the world's first «womantic» feature (the Brisbane - based comedy Jucy) to the utterly indescribable (Tommy Wiseau cult phenomenon The Room), the new look festival — in a new timeslot and new venues (Palace Centro and Barracks cinemas, and Tribal Theatre)-- has assembled an amazing line - up, with films for young (well, 18 and over for the most part, given the severing of links between BIFF and Cine Sparks) and old.

As she points out in the video below, the main reason she took on the titular role in «Miss Julie» is because she relished the opportunity to work with world cinema icon Liv Ullmann.

What's unquestionable is the richness of Kieslowski's achievement, or the impact the three films have had on world cinema.

Not only have I presented screenings of GRINDHOUSE, SHAUN OF THE DEAD and HOT FUZZ there, but way back in November 1995, the Prince Charles was the only cinema in the world to screen A FISTFUL OF FINGERS regularly on its initial release.

The world première of La Tête haute will be shown in the Grand Théâtre Lumière in the Palais des Festivals, and will be released in French cinemas the same day, on Wednesday 13 May.

Every ten years since 1952, the world - renowned film magazine Sight & Sound has polled a wide international selection of film critics and directors on what they consider to be the ten greatest works of cinema ever made, and then compiled the re...

Every ten years since 1952, the world - renowned film magazine Sight & Sound has polled a wide international selection of film critics and directors on what they consider to be the ten greatest works of cinema ever made, and then compiled...

His passionate interest in the cinema developed early on, and shortly after the second world war he accompanied Jean Renoir when he travelled to India to scout locations for The River.

The volume's twenty essays present different perspectives on Japanese cinema, the field of Japanese film studies, as well as concepts of national cinema and world cinema.

Unbroken, the story of Olympic sprinter and World War II POW Louis Zamperini, heads to UK cinemas on December 26.

The next thing you know you are discussing, debating, and critiquing film with someone from an entirely different corner of the world with a totally different outlook on cinema.

February 10 — 20, 2005 (1) One of the remarkable aspects of the state of contemporary film discourse on world cinema is that one of its traditional pillars — that of German cinema — has almost...

On the other hand, Venice, which used to be just a glamorous showcase for classy world cinema, too early to factor in the Oscar race anyway, has now proved to be a viable place to kick off six - month Oscar campaigns.

Paul Franklin has made his mark in cinema in the dizzying world of visual effects, having done work on the likes of a few Harry Potter films, a Bond movie, and most recently, Captain America: Civil War.

Never mind that a purchase of the Legacy collection whole (essaying Dracula, The Wolf Man, and Frankenstein) proves to be far better for the soul than shelling out a few bones to catch Stephen Sommers's latest assault on sense and cinema, even if doing so feels a little like letting Universal have its cake and eat it, too: There are worse things in the world than a mainstream shipwreck inspiring a vital resurrection.

Another World War II flick, Christopher Nolan's Dunkirk left many cinema - goers with their nerves shaken and jaws on the floor.

I appreciate that, actually, even though there's a lot of justification going on in here for something that he appears to consider one of the masterpieces of world cinema.

The UK will get to see Solo: A Star Wars Story earlier than many parts of the world, hitting UK cinemas on May 24.

Though Ozu was discovered relatively late in the Western world, his trademark rigorous style — static shots, often from the vantage point of someone sitting low on a tatami mat; patient pacing; moments of transcendence as represented by the isolated beauty of everyday objects — has been enormously influential among directors seeking a cinema of economy and poetry.

As the attention of the world is focused on the glamour and star - power of the 70th anniversary Cannes Film Festival, this largest and best - known celebration of cinema is also using its bully pulpit to bring attention to the global question of the immigrant.