Sentences with phrase «on theatrical work»

Not exact matches

I mean, the distributor of this film told me that all of the work we have done — the film festivals, all the press, the public appearances, the theatrical release — it all has one goal, which is to be No. 1 VOD on the first VOD weekend, because there is so much product out there on demand that if you're not in the top five it doesn't matter anymore because people can't get through it all.

Working with Alliance Atlantis on its theatrical release, the Labatt beer brand and Toronto - based ad agency Grip Ltd. are producing a feature - length «buddy comedy» called The Movie Out Here.

He had to prove that the miracle he had worked the week before in strapping a last - gasp, theatrical 20 - 17 defeat on the Miami Dolphins was not a pure accident.

Born in the South and schooled in the Midwest, she escaped to New York and worked on a number of projects as a theatrical collaborator with the likes of Eric Bogosian and Joey Arias.

Actor Peter Haskell has from time to time showed up in theatrical films (he was in two of the three Child's Play flicks), but the lion's share of his work has been on television.

Dissatisfied with a mere taste of the theatrical arts and eager to extend acting into a full - time passion, Eigenberg subsequently moved to New York and attended the American Academy of Dramatic Arts, working odd jobs on the side (construction et al.) to put himself through school.Scattered roles followed, including a guest appearance on The Cosby Show and a bit part in the awful 1989 generation - gap comedy Rude Awakening (co-starring Cheech Marin and Eric Roberts), but Sex and the City (which Eigenberg auditioned for out of innumerable hopefuls) represented the actor's first huge break.

Ingram also did uncredited pre-production work on Ben - Hur (Fred Niblo, 1925) and edited the original theatrical release version of Greed (Erich von Stroheim, 1923).

A 2019 theatrical release is in the works for The Image Book, which uses bold, visual imagery and film clips as Godard himself comments and reflects on... Read

Michael Mann's theatrical debut puts the slick, even gaudy aesthetic qualities he picked up on years worth of commercial work and TV direction on display even as it demonstrates the contemplative, abstract capacity of its maker.

A re-visiting of the somewhat seminal work — which scored a visual effects Oscar nomination, rang up over $ 50 million in its initial theatrical run, and expanded upon the notions of what was an acceptable Hollywood studio animated release — reveals a spirited but flawed rendering of a deliciously wonky premise, a movie long on cultish personality but lacking in the sort of storytelling vim and vigor that sticks to the imagination outside of a captive viewing.

And while there are admittedly a few nifty twists within the third act - all of which, naturally, were present within the original film - Shutter's place as an absolutely redundant piece of work is undeniable virtually from start to finish (which is a shame, really, given how infrequently Jackson is afforded the opportunity to take on leading man roles within theatrical releases).

For example, prior to digital distribution, horror films from filmmakers working in countries like Japan, Spain, and Italy were traded on VHS and DVDs by American fans of the genre, including movies that never saw an official theatrical release in the United States.

And if you're still on the fence, check out the epic amount of content on Way Too Indie: our plea for an honorable mention among the year's best, our praise of Leo DiCaprio's Oscar - winning performance, our full theatrical review, and a different opinion on the most annoying aspects of the very self - important work of art.

Today Anton Chekhov is arguably best known for his plays, and although I count myself as a huge fan of his masterful short stories, I am not terribly familiar with these classic theatrical works (aside from Louis Malle's brilliant Vanya on 42nd Street).

In fact, the amount of work necessary to achieve that effect — including the invention of a 12 - wire pulley system attached to Bullock and controlled by some of the puppeteers who worked on the theatrical version of «War Horse» — almost defies description.

Note: I gave the movie a «marginal thumbs up» on «Ebert & Roeper» because I felt people might want to see it based on what was good in it, but I am fine - tuning that to a ** 1/2 rating because, on the whole, I don't think the movie really works on its own, without reference to the theatrical version.

McLagen had a few minor theatrical credits under his belt and before that had worked as assistant director and unit production manager on some Wayne films.

With «Walter Mitty» plowing through its theatrical run and into awards season, Martinez took the time to sit down and tell us about working on that project as well as his experience on a number of other film sets.

Kane and Lynch gets a director Gary Coleman dies at age 42 50 Cent drops 54 pounds for his role in Things Fall Apart Live Action Dilbert movie in the works Hitman sequel in the works and will begin shooting soon; Timothy Olyphant not expected to rejoin Platinum Dunes will produce the Teenage Mutant Ninja Turtles live - action reboot Theatrical Releases on Cable On Demand 30 days after initial release in theatres Bangkok Dangerous screenwriter hired for MacGuyvon Cable On Demand 30 days after initial release in theatres Bangkok Dangerous screenwriter hired for MacGuyvOn Demand 30 days after initial release in theatres Bangkok Dangerous screenwriter hired for MacGuyver

When I started working on the project, I began with the assumption that we would be releasing both versions of the film — the original theatrical version (165 minutes, on the NTSC version) and the «director's cut» (218 minutes, NTSC).

Special Features: • Brand new 2K transfer from the original camera negative • High Definition Blu - ray (1080p) and Standard Definition DVD presentations • Optional English SDH subtitles for the deaf and hard of hearing • Audio commentary with co-writer and producer Mardi Rustam, make - up artist Craig Reardon and stars Roberta Collins, William Finley and Kyle Richards • New introduction to the film by director Tobe Hooper • Brand new interview with Hooper • My Name is Buck: Star Robert Englund discusses his acting career • The Butcher of Elmendorf: The Legend of Joe Ball — The story of the South Texas bar owner on whom Eaten Alive is loosely based • 5ive Minutes with Marilyn Burns — The star of The Texas Chain Saw Massacre talks about working on Eaten Alive • The Gator Creator: archival interview with Hooper • Original theatrical trailers for the film under its various titles Eaten Alive, Death Trap, Starlight Slaughter and Horror Hotel • US TV and Radio Spots • Alternate credits sequence • Reversible sleeve featuring original and newly commissioned artwork by Gary Pullin • Collector's booklet featuring new writing on the film, illustrated with original archive stills and posters

Michael Seresin, BSC, connects with American Cinematographer via Skype to revisit his work on Alan Parker's Angel Heart, a dark, atmospheric thriller that has gained iconic status in cinematography circles since its theatrical release in 1987.

We had a great time discovering Winfrey's very impressive fake sneeze abilities, but we also got to talking about topics that have some serious weight throughout the industry right now — original stories vs. films based on existing source material, and also the rise of the streaming service and if they'd rather work on a filming getting a theatrical release or one hitting a streaming platform.

In Chronicle, Josh Trank's (who's previously worked on TV's «The Kill Point») theatrical debut, we learn that, much like how it is with young love, when high school students are confronted with superpowers, things can quickly escalate from skipping stones and playing aeronautical football to committing crimes of passion and bouts of melodrama.

Formed in 2014 from a merger of innovative theatrical distributor Variance Films («Sound City,» «Red Hook Summer») and leading digital distributor GoDigital, Amplify uses cutting edge marketing and distribution techniques with a focus on working directly with filmmakers to craft hand - tailored release campaigns for each film.

We watched the show every year, whether we'd seen any of the movies or not (my mom would race home from work to catch the beginning (back when the show used to be on a Monday so that it wouldn't compete with weekend theatrical movie business, remember when that was a thing that mattered?)

The 13th is the first - ever nonfiction work to open the festival, and will debut on Netflix and open in a limited theatrical run on October 7.

During the interview, Phillips and screenwriter Craig Mazin talked about his first cut versus the theatrical release, deleted scenes, what can fans expect on the Blu - ray, what it's like working for Warner Bros. and the creative freedom he's allowed, the writing process, how the story changed, film versus digital, thoughts on doing a 3D comedy, and more.

But it's also a frustrating, infuriating picture; one whose world view rarely reaches beyond the theatrical classes of the Upper East Side, one where entire strands are botched or barely even started, and one where bold tonal lurches and odd editing choices glare out, like someone did a shit in the middle of that tapestry you'd been working on for a while.

After offering highly theatrical displays of grief for the other men in the room (all while awkwardly trying not to get their suits wet from the puddle that has formed on the carpet around the leader's crotch), the bureaucratic work of figuring out which doctor should be called («The good ones» are either in prison or dead, since Stalin assumed they were trying to poison him) and how to proceed with a succession plan begins.

A fifth theatrical film, under the working title American Pie 5 was announced on August 4, 2012, with Hurwitz and Schlossberg returning as directors and screenwriters.

The disc also includes a Photo Gallery, the film's «Theatrical Trailer» (1:58, HD), a «TV Spot» -LRB-: 32, SD), and the American Cinematographer article «Cold - Blooded Scheming» by Chris Probst, which further focuses on Deakins» work on Fargo in collaboration with the Coens.

After a brief, pointless «flight team training video,» a robust slate of picture galleries, including everything from pre-production storyboards, model work and conceptual monster sketches to on - set photographs, rounds out the material, along with the theatrical trailer and sneak peeks at five other forthcoming Anchor Bay DVD releases.

Give thanks to the late Jerry Harvey, who disinterred Cooper's work and showed it on his legendary Z Channel in the 1980s; to Xan Cassavetes, who drew attention to Overlord in her 2004 documentary Z Channel: A Magnificent Obsession; to the programmers of the Telluride Film Festival, who screened a new print that same year; and to Janus Films, which finally gave Overlord its long - overdue American theatrical release.

Running time: 97 minutes Distributor: Criterion Collection DVD Extras: A new digital transfer supervised and approved by director of photography; «Ask Todd,» an audio Q&A with director Todd Solondz; Making «Life During Wartime,» a new documentary featuring interviews with actors; a new video piece in which Lachman discusses his work on the film; the original theatrical trailer; and a booklet featuring an essay by film critic David Sterritt.

They reflect on how they first came to the studio (Walt took notice of the catchy tunes they wrote for Annette Funicello) and how they worked on The Parent Trap, their first theatrical film for Disney.

Spielberg is currently working on his adaptation of the best - selling sci - fi novel Ready Player One for a 2018 theatrical release date, with a fifth Indiana Jones movie scheduled for a 2019 release, waiting in the wings for the director.

The pair last worked together on The Interview, about a bid to assassinate Kim Jong - un which almost caused an international incident after an infuriated response from North Korea lead to the postponing of its theatrical release.

There isn't much of a theatrical market for B - movies today, so Corman's latest work has premiered on home video and television.

This is no knock on the extensive amount of technical work that went into this digital edition; as with the theatrical rerelease that played in a few cities this fall, this version of the film has been refurbished in sound and image, and it shows: the Technicolor leaps out; the music rings clear.

There is no theatrical trailer (even the Gold Collection disc supplied a 1988 re-release trailer) and no audio commentary (even though dozens of people who worked on this film have participated at length for the DVDs of their other films).

Leigh has worked as much in the theater as in film, and his films depend more than most on the theatrical disciplines of improvisation and rehearsal.

Gerwig said she plans to return to directing after Lady Bird's theatrical release is complete, and she has been working on a script.

He has produced many color versions of works like «Astro Boy» and «Black Jack», and TV series such as «Phoenix» and «Jungle Emperor Leo», as well as many theatrical films based on Osamu Tezuka's works.

This past year Walking On Water Films was involved with the promotion of Bethany Hamilton's feature film Soul Surfer, working in conjunction with the Sony Pictures Faith marketing team to promote the film's theatrical release.

Recently, he worked on the game design for an interactive theatrical adventure called Wilfred Bagshaw's Time Emporium.

Gynaecological instruments superimposed on the surface of the works disrupt traditional Romantic readings and imply a desire for human intervention in the timeless cycles of birth and death... [Kiefer] has been criticised for being theatrical... Yet in this increasingly frightening and unfettered world we need artists like Kiefer... who are prepared to face what is tragic rather than endlessly celebrating what is glib, slick and ephemeral.»

Her vivid and surreal theatrical works invite a deep and oftentimes dark exploration of the subconscious, giving voice to one's inner turmoil and creating a place in which a person can act on their basic human instincts.

On view from December 1, 2010 — February 13, 2011, the exhibition Jonathan Meese: Sculpture focuses on Meese's three - dimensional work, including his first ceramic talisman created when he was 15, small assemblages and dioramas from the beginning of his career that have never been shown before, massive bronze sculptures, recent large - scale ceramics, and models and set designs for theatrical and operatic productionOn view from December 1, 2010 — February 13, 2011, the exhibition Jonathan Meese: Sculpture focuses on Meese's three - dimensional work, including his first ceramic talisman created when he was 15, small assemblages and dioramas from the beginning of his career that have never been shown before, massive bronze sculptures, recent large - scale ceramics, and models and set designs for theatrical and operatic productionon Meese's three - dimensional work, including his first ceramic talisman created when he was 15, small assemblages and dioramas from the beginning of his career that have never been shown before, massive bronze sculptures, recent large - scale ceramics, and models and set designs for theatrical and operatic productions.

Wynne choreographs the works on the wall, giving them a «theatrical form.»