Sentences with phrase «on traditional canvases»

Laurel Sparks works on traditional canvas, but in addition to painting she is using assemblage while letting the material fulfill its duties to communicate with the entire composition.

Not exact matches

In using white flour and refined sugar, traditional pastry chefs have a fairly neutral canvas on which to layer flavours such as chocolate, coffee, citrus and other fruits.

An ornate style for day or evening, this cropped pant features embroidery inspired by traditional Romanian needlework and hand - beading on soft cotton canvas.

An ornate style for day or evening, this jacket features embroidery inspired by traditional Romanian needlework and hand - beading on soft cotton canvas.

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One thing that can be said for the movie is that something exciting is constantly unfolding on the screen, amplified by beautifully animated scenery that fully realizes the potential of computer use in traditional animation (courtesy of the «deep canvas process» that was cultivated for this film).

Final Pieces may include: • Canvas studies • Sketchbook work • Prints • Photographs • Photoshop outcomes You will develop an understanding through exploration, of a variety of traditional studio media and materials, computer aided media, photographic materials focusing on both 2D AND 3D.

In the past, this form of painting was only done on the outer walls of houses but Mahlangu is one of the first artists to transfer these traditional designs to canvas, shoes, sculptures, ceramics and other modern mediums, making her a pioneering Ndebele artist and showing that adapting to change is an essential skill in the art world.

It offers five - star accommodation in the historic homestead and bush camps with luxury swags (traditional Australian canvas sleeping bags with internal mattresses) on raised timber decks with uninterrupted views of mountains and the night sky, hot showers and meals prepared by private chef.

Traditional oak chairs with canvas backing and foot rests are available on a limited basis.

He is renowned for being one of the first artists to make the radical gesture of taking the canvas off the stretcher and hanging it directly on the wall in works such as Purple Octagonal 1967, as well as making provocative sculptures such as Third Rope Piece 1974, the intimate scale of which directly responds to traditional ideas of monumental art.

This 1990 oil on canvas is also an acknowledgement of the importance and significance of traditional painting.

The grouping of objects will create an overall image by their dynamic arrangement within the space, an arrangement that mimics the way I would approach a more traditional painting on canvas.»

Rather than assembling a group of artists who are concentrating on the demise of traditional painting supports — torn, shredded or punctured canvasses, exposed stretcher bars, paintings hung backwards, oddly shaped canvases, painting as sculpture, etc... this exhibition will focus on works that address time as a subject, or are time - sensitive.

After all the years of videos, rumpled beds and elephant dung, a truly shocking contemporary artist emerged last night as the bookie's favourite to win the # 20,000 Turner Prize - Michael Raedecker, who creates delicately beautiful, eerie landscapes in the traditional materials of paint and embroidery on canvas.

A painting may begin in a traditional sense, with a few strokes on canvas, then become whitewashed, sanded, thrown on the ground to collect spills from another project, whitewashed again, and so on, up to at most 15 times before a surface is built, and the work is deemed finished.

Two of Hirst's more recent paintings in which the artist returned to the traditional medium of oil on canvas are included, as well as «Resurrection» (1998 - 2003)-- a unique sculpture featuring a skeleton bisected by two glass panels, in the position of the crucifixion.

Alfonso Ossorio, known primarily for his later compositions of found gewgaws and the ever - present evil eye, also has a traditional oil on canvas action painting from 1955.

The whole thing is built as a traditional picture where all the elements are on one canvas (i.e., screen).»

Through his investigational approach, Otero combines the traditional act of painting with his innovative creation of «oil skins,» produced by layering oil paint on glass and then peeling it off in «sheets» before transferring it to canvas.

There are no traditional canvases in Gomes's work: painting instead becomes sculpture, object, an act of mark making upon a surface, or an arrangement on a wall.

In general, De Keyser's emphasis on traditional materials — oil on canvas and watercolour — did not fit in with the conceptual emphasis of the 60s and 70s.

It's a common story of contemporary art for artists to describe abandoning the two - dimensional confines of traditional painting on canvas for the more immediate materiality of sculpture, installation, or performance.

As we've found throughout in our ongoing coverage of Phaidon's new contemporary painting compendium Vitamin P3, smearing pigment on canvas is hardly a lost art — in fact, by all appearances, this most traditional of art forms is still going strong.

Often rendered on unusually shaped canvases with paint layered so thick it seems three - dimensional, Murray's decision to stick with painting an a time when it had largely fallen out of favor with modern artists — along with her choice to ignore many of painting's traditional boundaries and labels — helped her to stand out.

Stingel is best known for his wall - to - wall installations, constructed of fabric or malleable Celotex sheets, as well as his seemingly more traditional oil - on - canvas paintings.

At the opening reception of his latest exhibit, The World of Line, Ink, and Nude by Chang - Woo Seok, now on display at the Korean Cultural Center Washington DC through June 8, the artist demonstrated his very personal technique, making use of his prosthetic limbs to grasp a brush and his torso movement to paint across a room - sized canvas of traditional Korean paper, spread across the gallery floor.

From traditional and non-traditional paintings on canvas, to sculpture, video and photogram collages, this body of work transcends historical perceptions of abstraction and challenges the boundaries of the genre.

The latter being a series of archival inkjet prints on transparencies and canvas that are layered and stretched onto traditional stretcher bars.

In his paintings Moffett extends the traditional two - dimensional frame in a number of ways, including converting the ordinariness of the flat plane into highly textured reliefs, making paintings that are opened up and turned inside out, or presenting intricate illuminations through the use of video projections on the canvas.

In his work, Moffett often amalgamates the traditional medium of oil on canvas with sculptural elements and, more recently, video projections, while his topics explore social observations and political landmarks.

2nd Place (Traditional) «Burnt Sienna Blues» by Barbara Kordas Acrylic on Canvas - 30» x 15» - $ 800 [email protected]

Honorable Mention awards in the Traditional Art category are given to Jeff Klena for his latex on wood, «When the Abyss Stares Back,» Kristie Moore for her acrylic on wood panel canvas, «Shaaaaark!!!»

In these works he had dispensed with the more formal traditional technique of drawing and under - painting in favor of working directly on the canvas with a loaded brush.

Traditional landscape art attempts to open windows onto the natural world, capturing and arranging its most forbidding and beautiful beautiful aspects on a square of canvas.

There are also his more traditional - seeming, good old oil - on - canvas compositions, that range from photorealistic to blurred, positioning his paintings as a repository of memory, unreliable in its nature, and indubitably mediated by the artist's subjectivity.

Honorable Mention awards in the Traditional Art category were given to Julia Jenkins for her acrylic painting, «Metamorphosis,» Shabana Kauser for her oil on canvas, «Identity», Seon Young Kim for her oil on panel, «Jared» and Elzbieta Karnas for her oil on canvas, «Sunshine.»

Contributed by Becky Huff Hunter / It's a common story of contemporary art for artists to describe abandoning the two - dimensional confines of traditional painting on canvas for the more immediate materiality of sculpture, installation, or performance.

Thinking beyond the traditional notion of painting as paint on canvas, many of the artists in this exhibition also expand the possibilities of support.

Raised and educated in Sichuan, China, there is a clear influence of traditional Asian painting in the build - up of her markings on the canvas.

Employing traditional techniques on very smooth wood and canvas surfaces, Gundersen uses oils to reveal a depth of color and movement, much like harmonic overtones in music.

From the»40s on, American Abstract Expressionism dominated the Western art landscape and returned many artists» attention to the evocative formal qualities of paint on canvas and traditional sculptural materials — although the biggest figure associated with «Action Painting», Jackson Pollock, also stuck detritus including cigarette butts, coins, buttons, and keys onto the surfaces of his paintings.

Erik Parker is known for his precisely painted and organized worlds of chaos that exist within his brightly coloured, intensely layered, highly saturated canvases, that riff on the traditional genres of portraiture and still - life.

Combining elements from traditional European painting with global socio - political consciousness, the Iranian - American artist leaves mesmerizing marks on the canvas, building narratives on displacement, tragedy, and chaos.

«One of the goals behind Vitality and Verve is to spotlight artists who are stepping out of their studios to paint on a grand scale using outdoor walls as their canvas as well as urban artists who are beginning to work in a traditional studio setting.»

In the early 1970s, Ringgold abandoned traditional painting and began making unstretched acrylic paintings on canvas with soft cloth frames after viewing an exhibition of Tibetan art at the Rijk Museum in Amsterdam.

After having painted in traditional oil on canvas, in the 1970s Holland began using materials that were light and strong but did not require a frame.

I paint on glass in a very traditional way, as if I were painting on a canvas with oil paint.

Deriving from a traditional practice, Wang produces his Coffin paintings by working with his canvas resting flat on the studio floor, systematically applying layers of acrylic paint in alternating colors — at times monochromatic, at times colorful — resulting in a densely stratified surface.

Many of the smaller and mid-scale collages are built on stretched canvases, allusions to the image - framing and containment of the traditional painting.