Sentences with phrase «on viewers of the work»

In similar fashion Whitehead's theory of symbolic reference implies that Picasso, as a master of visual experience, knows how to control the symbolic medium of the canvas to create desired visual effects on the viewers of his work.

In a similar way, Riley has used this very ability of the human eye to make an impression on the viewers of her works, hence her reputation of being an «optical» artist.

Not exact matches

But it worked: the first year, 638,000 viewers were watching as a puppy named Riley had the bowl's first «Unsportsmanlike Delay of Game penalty» (he peed on the field).

When working in broadcast news, whether as on - air talent or behind the camera as a producer, you have an incredible amount of power to determine the type of information shared with viewers.

Many allusions to German culture and history in his work are likely to go unrecognized by the first - time American viewer, especially anyone who has not read some of the growing critical literature on Kiefer or the excellent guide by Mark Rosenthal to the Kiefer exhibition now touring the United States.

Washington Redskins quarterback Robert Griffin III's documentary called a «Will to Win» aired on Tuesday night and throughout it, viewers saw RG3 working out, rehabbing and wearing lots of socks.

John gave the viewers some insight on what it's like to watch Jim work and how cool of an experience it is for him.

Viewers picked holes pretty quickly in Clegg's «Lib Dems for coalition» pitch to conference, pointing out that his condemnation of single - party rule therefore undermines any argument that Lib Dem majority (or minority) government rule would be preferable, thus making his much - applauded line «In an ideal world, I wouldn't have to work with either of them because I'd be Prime Minister on my own thank you very much — and I'd like to think I'd do a better job too» fall rather flat.

Although the amygdala's importance in face recognition and emotional assessment is well - known, little is understood about how these processes work, but research led by investigators at Cedars - Sinai and the California Institute of Technology has found that at least some of the brain cells that specialize in recognizing emotions may represent judgments based on the viewer's preconceptions rather than the true emotion being expressed.

Wang and Yang hope their work can raise awareness about social media use and the effect it has on viewers of people's social networks.

She was working on a great series of segments about dating services for Valentine's Day, and she approached me to see if I would be willing to take one of their viewers through our Profile Creation + Consultation Package.

The episodic bent of the film's first half - much of the narrative seems to follow the central characters as they fight one fire after another - does test the viewer's patience to a fairly demonstrable degree, and it's clear that Backdraft, by and large, works best when focused on the rivalry and relationship between the central figures (and how it ultimately affects their respective work).

Review I have seen this movie twice, probably the third romantic movie that compelled me to do that, and the reasons are quite simple: It's probably impossible that anyone can't relate to young Josh Hutcherson's character, an 11 year old with a normal middle class life and problems (parents initiating divorce); that its surprise by the rediscovery of a young classmate (Charley Ray) initially as an unexpected friend and later as something else... The well crafted work of director Mark Levin is based on the mutual discovery of all these feelings (mostly new and uncontrolled) that evolved in Josh's character and in another particular viewer: you.

Toy Story 3 is one of the most successful «works on two levels» films and, although Coco falls short of that achievement, it is strong enough to engage viewers young and old alike.

Although different viewers will have different rankings for the various segments, it seems impossible that «On Work,» the visually extraordinary segment by clay - painter Joan Gratz will not rank towards the top of them in the way that it combines Gibran's powerful words with equally stunning imagery.

The animation, which I'm told from former Pixar animator working on the project, Larry Cutler, will be a multi chapter animated narrative that engages the viewers through Virtual Reality and will be an imaginative retelling of the old folklore about the Rainbow Crow and how he became how we see crows today.

A few months ago, we reported that a movie Steven Soderbergh had been working on for HBO had somehow transformed into a miniseries called Mosaic that was actually more of an app, and it was all based around viewers / users choosing how and when they experience the events of the story (which concerns a murder but isn't...

Admittedly, this viewer knew nothing of Ms. Ferguson prior to the film, as her best known work as come on TV's «The White Queen».

Viewers would be forgiven for their hesitance to see another movie from the directors of the «Vacation» reboot, but John Francis Daley and Jonathan Goldstein, working from a pitch - perfect screenplay by Mark Perez («Accepted»), have crafted an ensemble comedy that lives up to its high - concept premise while giving a gang of talented actors — including the gifted Jason Bateman, so rarely employed to great effect on the big screen — fun characters and big, outrageous moments.

There is, as such, little doubt that one's interest in V.I. Warshawski is almost entirely dependent on one's tolerance for Turner's work, as the film is otherwise devoid of elements designed to capture and sustain the viewer's ongoing attention.

First - time director McMurray, who worked as an associate producer on Fruitvale Station, does a decent job of staging the action and maintaining viewer attention on the straight - line story.

It's certainly not difficult to see why All Good Things has been languishing on the shelf for a couple of years, as the movie primarily comes off as a tedious, thoroughly pointless piece of work that boasts few attributes designed to capture the viewer's interest.

«Full of charm and wit, with a little mystery thrown in for good measure, APPLESAUCE is a rare and very original take on the relationship drama and mystery genres, excelling quite well in both... It's a film that keeps its viewer wondering what will happen next, from the very opening of the film, to the moment the credits roll, and is by far Tukel's best work yet.»

While the bulk of the story focuses on Hal's journey, much of the final two episodes (the last half of ep 4 and the first half of 5) present viewers with a beautiful, and sometimes quite heartfelt, look at just how and why the works of Shakespeare speak to so many and have lasted so long.

Fans of the Richler work and of Paul Giamatti, who would go on to garner a Golden Globe for his fine performance, in general should find more to love than the common viewer, as the character of Barney himself is flawed and not particularly fun to watch as he goes through bouts of alcoholism, depression, philandering and narcissism that has you questioning just how such lovely women could ever fall for him.

Focusing on an earlier president, the HBO take on John Adams was a remarkable work that benefited greatly because of its scope as an episodic mini-series - this allowed for moments of contemplation, for legislative flourish, and for detailed negotiations to unfold over time, making their success all the more cathartic for the viewer.

Unsurprisingly, «Fantastic Beasts» amplifies both the strengths and weaknesses of Rowling's storytelling approach, which unfolds in the episodic style of vintage serials — a cliff - hanger - oriented tactic that works well in novels, where readers might otherwise be tempted to put the book down after each chapter, but feels less elegant on screen, since viewers invariably commit to taking in the entire story in one sitting.

Sadly, this will work on viewers who love football and trick them into thinking this is a good film about the love of the game (Costner film title pun intended).

This intimate portrait of a broken, yet lovable family gives viewers a quirky story, fascinating characters and compelling performances, but the hands - on camera work and the almost claustrophobic framing upends most of the film's emotional appeal.

The entire series, beginning with «Iron Man,» qualifies as a work of marketing and narrative genius from Marvel Studios President Kevin Feige, Before the home video market existed, Hollywood studios would never think of creating a movie that required viewers to see a decade's worth of other films to know what's going on.

Coloured by verdant green nature and the red stain of rusting metal, Abbasi steeps the viewer in the sorrow and beauty of this poverty stricken milieu, yet an over reliance on elaborate cinematography soon becomes distracting, and those familiar with the early work of David Gordon Green, won't be surprised to see the director's name appear as an executive producer.

Worst - case scenario: Viewers don't pick up on or appreciate the film's darker themes, and merely enjoy it as a magnificent exercise in sustained white - knuckle tension, featuring top - notch work from its three leads (especially Blunt, who's terrific in a tricky role that's intentionally diminished over the course of the film).

The result is a pared - down experience that will mostly likely split many viewers, with lovers of the book perhaps most upset that many aspects of Rowling's work had been left on the conceptual cutting room floor.

One shot he does linger on is Chow standing on top of a car holding a gun in each hand, which only serves to remind viewers of his earlier, more violent and more engaging work with Woo in Hong Kong.

Bird, who worked on lauded but viewer - deficient projects like The Critic and The Iron Giant, has since made good both creatively and commercially with the aptly - titled The Incredibles, and here celebrates all that is essential to artistic expression: freedom, enthusiasm and — of course — encouragement.

Cregger's bland yet personable turn as the central character is certainly in sharp contrast to Moore's aggressively zany performance, with the actor's incessantly over-the-top work hitting the viewer like nails on a chalkboard and ensuring that the film becomes more and more of a chore to sit through as it progresses.

While THE CONJURING is obviously working some kind of magic on a large percentage of viewers I personally found this utterly predictable throwback to «70s horror cinema so clichéd, schmaltzy, devoid of compelling characters, lacking in atmosphere and flat out boring that I almost walked out of the theater midway through the movie.

Jordan Peele's «Get Out» is, again, a work of savvy craft that pulls an unsuspecting (white) viewer into a Sunken Place that other moviegoers know all too well; the movie works as a horror film, as a goof on horror films, as a working street - map of African - American anxieties, and, for a white liberal audience, as an endlessly reflective hall of mirrors that urges a hard, necessary look at oneself.

The ability to shock on various levels, is an obviously powerful tool, and if a filmmaker could somehow consistently find his or her way to that magic point for a mass of viewers, the work would approach a particularly dangerous and effective space.

ABOUT NICK HARTEL A fan of the big screen from the age of four, Nick Hartel has always had a fascination with how film works and how film work on viewers.

Taken from a novel by Dennis Lehane (and adapted by Affleck and Aaron Stockard), author of Mystic River, Gone Baby Gone is a film which works on many levels and will stay with the viewer long after it ends.

While I wouldn't put it past the filmmaker to put one over on all of us like this, I also have no reason to assume the production notes or quotes from any of the actors who worked on the film are part of the plan to playfully deceive viewers like this is some strange marketing strategy I honestly can't make heads or tails of.

There is a psychological element in this film that works more as a gimmick than it does as an extra layer of drama or suspense, the savvy viewer should be able to spot this obvious secret pretty early on.

I remember watching Live and Let Die more often than any of the others, probably because — crushes on Jane Seymour notwithstanding — as a viewer without any working sense of social context, it was the easiest film of the series to just sit back and enjoy.

In an Instagram post praising the work of Oscar Isaac in Ex Machina, Rodriguez placed part of the blame for the lack of Latinos in Hollywood on Latino viewers themselves.

From a technical standpoint, the film was one for the ages (this was one of those increasingly rare movies that cried out to be seen on the biggest screen possible and was even one of the few to make intelligent use of 3D technology) but what was even more surprising was how effective it was from a dramatic standpoint as well, thanks in no small part to the career - best work from Bullock and the deft use of Clooney's glib star quality to help orient viewers for what might have otherwise been an off - putting experience).

Isle of Dogs Behind the Scenes (in Virtual Reality) / (Lead Artists: A collaboration between Felix Lajeunesse & Paul Raphael and the Isle of Dogs production team)-- This virtual reality experience places the viewer inside the miniature world of Wes Anderson's upcoming stop - motion animated film, face to face with the cast of dogs as they are interviewed on set, while the crew of the film works around you to create the animation you are seeing.

The 2000 movie — Crowe's most personal work, and one of his best — took viewers on the road in the days of vintage rock and roll in a way that was funny, emotional, and ultimately affecting.

This intense involvement on the part of the viewer — clearly the reason the film works so well as a suspenseful prison drama — can be attributed to Bresson's respect for the limitations of the narrative first person.

I love that the rear channels still twinkle with activity during the quietest scenes, not just because it spares neither the characters nor the viewer a lurking sense of danger, but also because it shows the sound designers going the extra mile, like everyone else who worked on Fury Road.