Sentences with phrase «on white bronze»

Not exact matches

On a warm summer evening in 1954, my high school classmate Gerry and I walked up to the steel fence topped by tall bronze spears that surrounded the Eisenhower White House.

The format has come under fire for its unimaginative, 72 - hole stroke - play scheme, though potential playoffs for the silver and bronze medals could inject some interest and confusion into the proceedings, not to mention the possibility of two Americans (say, Bubba and his would - be protégé, Patrick Reed) going all red, white and blue on each other for the gold.

Also some new brands add a brownish color to the lotion so that it doesn't leave such a pasty white appearance and rubs on more bronze instead.

Buy «Slim Trash Can» products like simplehuman ® Slim Step 10 - Liter Trash Can in White, simplehuman ® Slim Plastic 40 - Liter Step - On Trash Can in White, simplehuman ® 50 Liter Slim Open Trash Can in Dark Bronze, simplehuman ® 50 - Liter Slim Open Trash Can in Rose Gold, simplehuman ® Slim 45 - Liter Step - On Trash Can with Liner Rim

On the left (001 Highlight) contains a holographic white, gold, bronze and a metallic blush.

Think bronzed skin, denim shorts, a white tank and a pop of color on your nails.

And white just looks better and better as the summer wears on and I gradually bronze up and bleach out.

Apply the deeper shade of So - Bronze 3 along your hairline, below your cheek bones and along your jaw line and the shimmery peach shade on the apples of your cheeks and the bridge of your nose using the White Fan Brush.

It looks dreadful on me no matter the season, no matter whether my skin is sun - kissed, pasty white or deliciously bronzed a la Coted d'Azure Bain de Soleil Gelee # 4 (do you remember?!)

A bronzed skin looks sexy on white clothing.

Clad in black and white hexagon floor tiles, this modern black and white bathroom boasts a white washstand contrasted with oil rubbed bronze knobs an da charcoal gray quartz countertop fixed beneath a curved brass vanity mirror mounted on white square wall tiles beneath an oil rubbed bronze and glass sconce fixed beside a window dressed in a white shade.

Oil rubbed bronze sconces flank a black framed vanity mirror mounted on a gray wall above a black bath vanity finished with a white quartz countertop holding an oval sink and a polished nickel faucet and lined with a white quartz backsplash.

Shared boy's nautical bathroom is equipped with two large black vintage wall sconces mounted on gray walls over porthole mirrors fixed above a white dual vanity adorning oil rubbed bronze hardware and a gray stone countertop flanked by anchor towels and complementing a stunning paddle boat painting.

Well appointed bathroom features a gray and blue rug placed on gray quatrefoil floor tiles in front of a dark gray dual washstand complemented with oil rubbed bronze hardware matching oil rubbed bronze faucet fixed to a white quartz countertop beneath a black framed mirror.

Wonderfully styled black and gray bathroom is fitted with a black washstand placed on black and gray geometric tiles and finished with a slated shelf, oil rubbed bronze cup pulls, and a white quartz countertop fixed against a white quartz backsplash framed by a light gray wall.

This fun yet neutral shower curtain has metallic circles of bronze, white, silver and champagne on a frost background.

Charming log cabin powder room is lit by two clear glass and bronze uplight sconces mounted to a wall covered in white and blue wallpaper on either side of a black beveled mirror.

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Buy «Full Door Mirror» products like Amanti Craftsman On - The - Door / Wall 19.13 - Inch x 53.13 - Inch Mirror in White, Amanti Milano On - The - Door / Wall 20.5 - Inch x 54.5 - Inch Mirror in Bronze, Amanti Nero On - The - Door / Wall 17.63 - Inch x 51.63 - Inch Mirror in Black, Amanti Manhattan On - The - Door / Wall 19.75 - Inch x 53.75 - Inch Mirror in Bronze

A beige art piece sits on a wood mantel accenting a white wood trim framing a black surround lit by oil rubbed bronze sconces.

The NX Sport comes with black exterior, including on the spindle grille and mirrors, and new 18 ″ alloys with two - tone dark / bronze finish, as well as an interior with a choice of the black leather interior from the SE or, exclusively to the Sport, with contrasting white accents on the seats and dash, as well as silver trim inlays.

There is a «Live For More» insignia on the door, and apart from the Speedster, there is also an option to choose from the popular Sportz and Rallycross graphics and the car is available in five body colour options - Fiery Red, Ice Cool White, Moonlight Silver, Outback Bronze and Planet Grey.

Body colour choices include Alpine White (not on Urban), Black Sapphire (not on Sport and M Sport), Crimson Red (not on Urban and M Sport), Mineral Grey, Glacier Silver (not on Urban), Sparkling Bronze (Urban only), Midnight Blue (Urban only) and Estoril Blue (M Sport only).

We do, however, like the Dazzling White and the Titanium Bronze options, and the soft - touch finish on the back.

Indeed, the only thing we're not crazy about is the colour combination of gold and bronze on our review sample — it feels like a slightly awkward arrangement to our eyes, so we'd go for the white and gold version given the choice.

And two colour schemes - titanium bronze and dazzling white - are on offer.

The Protea Banks is rated as one of the best shark diving sites in the world, and it is often possible to see up to 5 species of sharks on a single dive including Zambezi [Bull] Sharks, Tiger Sharks, Hammerheads, Blacktip Sharks, Ragged - Tooth Sharks, Bronze Whalers, Giant Guitar Sharks and if you are lucky a passing Great White.

Dim lighting is enhanced by single candles on each table, all of which are also adorned with fresh orchids, white table cloths, polished bronze cutlery (true to the Thai way it's spoon and fork only), and bronze dishes with signature Blue Elephant place mats.

There was a tipped - over piano and a lot of dirt and mud on the walls where we hung, for example, a bronze sculpture by Louise Bourgeois and a pristine white Lutz Bacher «Playboy» painting, [chuckles] which really frightened me from a registrarial position.

Baselitz's first solo exhibition at White Cube Bermondsey will span the entire gallery space, and will include the large - scale paintings, but also a bronze sculpture and a wide number of works on paper.

Sandra Cinto presented «Piece of Silence» at the Tanya Bonakdar Gallery, an installation of a bronze flute and several white string instruments hanging on walls that were drawn with parallel lines reminiscent of musical scores.

The bronze statue of Confederate General Robert E. Lee, perched on a 60 - foot column in downtown New Orleans, was one of many monuments erected in the Antebellum South enshrining the white supremacist, pro-slavery rebellion.

A bronze bust of Romilly John, infant son of the bohemian painter Augustus John, stands in absolute stillness on a plinth in the centre of a room, beneath white globe lamps, catching the filtered daylight coming in from Whitechapel High Street.

4/5 + 2 AP Frank Stella Untitled, 1959 Enamel on canvas board 17 3/4 x 11 3/4 inches Collection of Bill and Sheila Lambert Dan Flavin «monument» for V. Tatlin, 1967 cool white fluorescent light 96 x 28 x 5 inches Robert Morris Untitled, 1976 - 1980 Felt with metal grommets 96 x 85 x 20 inches Back Gallery Richard Serra Untitled, 1975 Paintstick on paper 37 3/8 x 49 5/8 inches Private collection, Switzerland Ad Reinhardt Black Painting, 1960 - 1966 Oil on canvas 60 x 60 inches Tony Smith New Piece, 1966 Welded bronze, chemically treated black 20 3/4 x 43 1/2 x 42 inches Jo Baer Untitled, 1972 Oil on canvas 72 x 72 inches Second Floor (left to right) Rotunda Agnes Martin Untitled, 1965 Black ink on paper 11 x 11 inches David Hammons Untitled (Basketball Drawing), 2006/7 Dirt on paper, wood frame, asphalt Overall: 120 1/2 x 100 x 27 inches Robert Indiana Love, 1966 - 1999 Stainless steel 36 x 36 x 18 inches Front Gallery Andy Warhol Ambulance Disaster, c. 1963 Silkscreen ink on paper 40 x 30 inches Anselm Reyle Untitled, 2006 Mixed media on canvas, acrylic box 92 x 78 1/2 inches Mark Grotjahn Untitled (White Butterfly), 2002 Acrylic on canvas 30 x 30 inches Sol LeWitt Progressive Structure, 1997 Painted wood 49 1/4 x 49 1/4 x 49 1/4 inches Agnes Martin Untitled, 1960 Oil and ink on linen 12 x 12 inches Liza Lou Comfort Blanket, 2005 Cotton and glass beads 29 1/2 x 53 1/8 inches Private collection, New York Günter Uecker Gegenstroemung II, 1965 Nails on canvas, painted with white color 32 1/4 x 32 1/4 x 2 3/4 iwhite fluorescent light 96 x 28 x 5 inches Robert Morris Untitled, 1976 - 1980 Felt with metal grommets 96 x 85 x 20 inches Back Gallery Richard Serra Untitled, 1975 Paintstick on paper 37 3/8 x 49 5/8 inches Private collection, Switzerland Ad Reinhardt Black Painting, 1960 - 1966 Oil on canvas 60 x 60 inches Tony Smith New Piece, 1966 Welded bronze, chemically treated black 20 3/4 x 43 1/2 x 42 inches Jo Baer Untitled, 1972 Oil on canvas 72 x 72 inches Second Floor (left to right) Rotunda Agnes Martin Untitled, 1965 Black ink on paper 11 x 11 inches David Hammons Untitled (Basketball Drawing), 2006/7 Dirt on paper, wood frame, asphalt Overall: 120 1/2 x 100 x 27 inches Robert Indiana Love, 1966 - 1999 Stainless steel 36 x 36 x 18 inches Front Gallery Andy Warhol Ambulance Disaster, c. 1963 Silkscreen ink on paper 40 x 30 inches Anselm Reyle Untitled, 2006 Mixed media on canvas, acrylic box 92 x 78 1/2 inches Mark Grotjahn Untitled (White Butterfly), 2002 Acrylic on canvas 30 x 30 inches Sol LeWitt Progressive Structure, 1997 Painted wood 49 1/4 x 49 1/4 x 49 1/4 inches Agnes Martin Untitled, 1960 Oil and ink on linen 12 x 12 inches Liza Lou Comfort Blanket, 2005 Cotton and glass beads 29 1/2 x 53 1/8 inches Private collection, New York Günter Uecker Gegenstroemung II, 1965 Nails on canvas, painted with white color 32 1/4 x 32 1/4 x 2 3/4 iWhite Butterfly), 2002 Acrylic on canvas 30 x 30 inches Sol LeWitt Progressive Structure, 1997 Painted wood 49 1/4 x 49 1/4 x 49 1/4 inches Agnes Martin Untitled, 1960 Oil and ink on linen 12 x 12 inches Liza Lou Comfort Blanket, 2005 Cotton and glass beads 29 1/2 x 53 1/8 inches Private collection, New York Günter Uecker Gegenstroemung II, 1965 Nails on canvas, painted with white color 32 1/4 x 32 1/4 x 2 3/4 iwhite color 32 1/4 x 32 1/4 x 2 3/4 inches

Study for a Monument (2013 — 15) presents a series of bronze plants laid out on white cotton bed sheets.

A 2011 solo exhibition included bronze sculptures based on childlike silhouettes of flowers as well as numerous faux - naïf black - and - white flower paintings.

The sculptural installation Study for a Monument (2013 — 15) presents a series of bronze plants laid out on white cotton bed sheets.

A selection of black - and - white drawings featuring expressionistically painted images of bulls and men, which were exhibited in Caro's retrospectives at the Museo Correr, Venice (2013) and the Yale Center for British Art, New Haven (2012), highlight the linear qualities of the steel, bronze and brass sculptures on view.

On the ground right: Martin Kippenberger Richter - Modell (interconti), 1987 a 1972 Gerhard Richter painting, wood frame, metal legs From right to left: Lucio Fontana — Hisachika Takahashi Concetto spaziale, Attese, 1966 oil on canvas; Louise Lawler Chandelier, 2007 cibachrome mounted on museum box Elad Lassry Man (Selfie), 2014 c - print photograph; Sturtevant Duchamp Man Ray Portrait, 1966 black and white photograph; Louise Lawler Marilyn, 1999 cibachrome, museum mount; Sturtevant Warhol Marilyn (study for Warhol diptych), 1973 silkscreen and acrylic on canvas; Maurizio Mochetti Mochetti di Mochetti (Jean Harlow), 1976 Conté de Paris on paper; Pierre Huyghe De Hory Modigliani, 2007 oil on canvas; Cy Twombly Copy of a Picasso, 1988 acrylic on canvas; Jean - Auguste - Dominique Ingres Autoportrait de Raphael, 1820 — 1824 oil on canvas; Francis Bacon four slashed canvas oil on canvas; Asger Jorn Brotherhood Above All, 1962 oil on canvas; Asger Jorn The Sweet Life II, 1962 oil on canvas Asger Jorn Rutting Stag in the Royal Forest, 1960 oil on canvas; Background wallpaper: Sara Cwynar 72 Pictures of Modern Paintings, 2016 wallpaper On the ground left: Vija Celmins To Fix the Image in Memory XIII, 1977 — 1982 tones and painted bronOn the ground right: Martin Kippenberger Richter - Modell (interconti), 1987 a 1972 Gerhard Richter painting, wood frame, metal legs From right to left: Lucio Fontana — Hisachika Takahashi Concetto spaziale, Attese, 1966 oil on canvas; Louise Lawler Chandelier, 2007 cibachrome mounted on museum box Elad Lassry Man (Selfie), 2014 c - print photograph; Sturtevant Duchamp Man Ray Portrait, 1966 black and white photograph; Louise Lawler Marilyn, 1999 cibachrome, museum mount; Sturtevant Warhol Marilyn (study for Warhol diptych), 1973 silkscreen and acrylic on canvas; Maurizio Mochetti Mochetti di Mochetti (Jean Harlow), 1976 Conté de Paris on paper; Pierre Huyghe De Hory Modigliani, 2007 oil on canvas; Cy Twombly Copy of a Picasso, 1988 acrylic on canvas; Jean - Auguste - Dominique Ingres Autoportrait de Raphael, 1820 — 1824 oil on canvas; Francis Bacon four slashed canvas oil on canvas; Asger Jorn Brotherhood Above All, 1962 oil on canvas; Asger Jorn The Sweet Life II, 1962 oil on canvas Asger Jorn Rutting Stag in the Royal Forest, 1960 oil on canvas; Background wallpaper: Sara Cwynar 72 Pictures of Modern Paintings, 2016 wallpaper On the ground left: Vija Celmins To Fix the Image in Memory XIII, 1977 — 1982 tones and painted bronon canvas; Louise Lawler Chandelier, 2007 cibachrome mounted on museum box Elad Lassry Man (Selfie), 2014 c - print photograph; Sturtevant Duchamp Man Ray Portrait, 1966 black and white photograph; Louise Lawler Marilyn, 1999 cibachrome, museum mount; Sturtevant Warhol Marilyn (study for Warhol diptych), 1973 silkscreen and acrylic on canvas; Maurizio Mochetti Mochetti di Mochetti (Jean Harlow), 1976 Conté de Paris on paper; Pierre Huyghe De Hory Modigliani, 2007 oil on canvas; Cy Twombly Copy of a Picasso, 1988 acrylic on canvas; Jean - Auguste - Dominique Ingres Autoportrait de Raphael, 1820 — 1824 oil on canvas; Francis Bacon four slashed canvas oil on canvas; Asger Jorn Brotherhood Above All, 1962 oil on canvas; Asger Jorn The Sweet Life II, 1962 oil on canvas Asger Jorn Rutting Stag in the Royal Forest, 1960 oil on canvas; Background wallpaper: Sara Cwynar 72 Pictures of Modern Paintings, 2016 wallpaper On the ground left: Vija Celmins To Fix the Image in Memory XIII, 1977 — 1982 tones and painted bronon museum box Elad Lassry Man (Selfie), 2014 c - print photograph; Sturtevant Duchamp Man Ray Portrait, 1966 black and white photograph; Louise Lawler Marilyn, 1999 cibachrome, museum mount; Sturtevant Warhol Marilyn (study for Warhol diptych), 1973 silkscreen and acrylic on canvas; Maurizio Mochetti Mochetti di Mochetti (Jean Harlow), 1976 Conté de Paris on paper; Pierre Huyghe De Hory Modigliani, 2007 oil on canvas; Cy Twombly Copy of a Picasso, 1988 acrylic on canvas; Jean - Auguste - Dominique Ingres Autoportrait de Raphael, 1820 — 1824 oil on canvas; Francis Bacon four slashed canvas oil on canvas; Asger Jorn Brotherhood Above All, 1962 oil on canvas; Asger Jorn The Sweet Life II, 1962 oil on canvas Asger Jorn Rutting Stag in the Royal Forest, 1960 oil on canvas; Background wallpaper: Sara Cwynar 72 Pictures of Modern Paintings, 2016 wallpaper On the ground left: Vija Celmins To Fix the Image in Memory XIII, 1977 — 1982 tones and painted bronon canvas; Maurizio Mochetti Mochetti di Mochetti (Jean Harlow), 1976 Conté de Paris on paper; Pierre Huyghe De Hory Modigliani, 2007 oil on canvas; Cy Twombly Copy of a Picasso, 1988 acrylic on canvas; Jean - Auguste - Dominique Ingres Autoportrait de Raphael, 1820 — 1824 oil on canvas; Francis Bacon four slashed canvas oil on canvas; Asger Jorn Brotherhood Above All, 1962 oil on canvas; Asger Jorn The Sweet Life II, 1962 oil on canvas Asger Jorn Rutting Stag in the Royal Forest, 1960 oil on canvas; Background wallpaper: Sara Cwynar 72 Pictures of Modern Paintings, 2016 wallpaper On the ground left: Vija Celmins To Fix the Image in Memory XIII, 1977 — 1982 tones and painted bronon paper; Pierre Huyghe De Hory Modigliani, 2007 oil on canvas; Cy Twombly Copy of a Picasso, 1988 acrylic on canvas; Jean - Auguste - Dominique Ingres Autoportrait de Raphael, 1820 — 1824 oil on canvas; Francis Bacon four slashed canvas oil on canvas; Asger Jorn Brotherhood Above All, 1962 oil on canvas; Asger Jorn The Sweet Life II, 1962 oil on canvas Asger Jorn Rutting Stag in the Royal Forest, 1960 oil on canvas; Background wallpaper: Sara Cwynar 72 Pictures of Modern Paintings, 2016 wallpaper On the ground left: Vija Celmins To Fix the Image in Memory XIII, 1977 — 1982 tones and painted bronon canvas; Cy Twombly Copy of a Picasso, 1988 acrylic on canvas; Jean - Auguste - Dominique Ingres Autoportrait de Raphael, 1820 — 1824 oil on canvas; Francis Bacon four slashed canvas oil on canvas; Asger Jorn Brotherhood Above All, 1962 oil on canvas; Asger Jorn The Sweet Life II, 1962 oil on canvas Asger Jorn Rutting Stag in the Royal Forest, 1960 oil on canvas; Background wallpaper: Sara Cwynar 72 Pictures of Modern Paintings, 2016 wallpaper On the ground left: Vija Celmins To Fix the Image in Memory XIII, 1977 — 1982 tones and painted bronon canvas; Jean - Auguste - Dominique Ingres Autoportrait de Raphael, 1820 — 1824 oil on canvas; Francis Bacon four slashed canvas oil on canvas; Asger Jorn Brotherhood Above All, 1962 oil on canvas; Asger Jorn The Sweet Life II, 1962 oil on canvas Asger Jorn Rutting Stag in the Royal Forest, 1960 oil on canvas; Background wallpaper: Sara Cwynar 72 Pictures of Modern Paintings, 2016 wallpaper On the ground left: Vija Celmins To Fix the Image in Memory XIII, 1977 — 1982 tones and painted bronon canvas; Francis Bacon four slashed canvas oil on canvas; Asger Jorn Brotherhood Above All, 1962 oil on canvas; Asger Jorn The Sweet Life II, 1962 oil on canvas Asger Jorn Rutting Stag in the Royal Forest, 1960 oil on canvas; Background wallpaper: Sara Cwynar 72 Pictures of Modern Paintings, 2016 wallpaper On the ground left: Vija Celmins To Fix the Image in Memory XIII, 1977 — 1982 tones and painted bronon canvas; Asger Jorn Brotherhood Above All, 1962 oil on canvas; Asger Jorn The Sweet Life II, 1962 oil on canvas Asger Jorn Rutting Stag in the Royal Forest, 1960 oil on canvas; Background wallpaper: Sara Cwynar 72 Pictures of Modern Paintings, 2016 wallpaper On the ground left: Vija Celmins To Fix the Image in Memory XIII, 1977 — 1982 tones and painted bronon canvas; Asger Jorn The Sweet Life II, 1962 oil on canvas Asger Jorn Rutting Stag in the Royal Forest, 1960 oil on canvas; Background wallpaper: Sara Cwynar 72 Pictures of Modern Paintings, 2016 wallpaper On the ground left: Vija Celmins To Fix the Image in Memory XIII, 1977 — 1982 tones and painted bronon canvas Asger Jorn Rutting Stag in the Royal Forest, 1960 oil on canvas; Background wallpaper: Sara Cwynar 72 Pictures of Modern Paintings, 2016 wallpaper On the ground left: Vija Celmins To Fix the Image in Memory XIII, 1977 — 1982 tones and painted bronon canvas; Background wallpaper: Sara Cwynar 72 Pictures of Modern Paintings, 2016 wallpaper On the ground left: Vija Celmins To Fix the Image in Memory XIII, 1977 — 1982 tones and painted bronOn the ground left: Vija Celmins To Fix the Image in Memory XIII, 1977 — 1982 tones and painted bronze

In the hall on the first floor of the villa, White Newborn (1993 - 1994) was presented on a Steinway grand piano; four walls of the building were sparsely and elegantly furnished with several postcard collages; and in the smaller rooms of the house, wooden showcases contained reflective bronze and occasionally black or white glass sculptWhite Newborn (1993 - 1994) was presented on a Steinway grand piano; four walls of the building were sparsely and elegantly furnished with several postcard collages; and in the smaller rooms of the house, wooden showcases contained reflective bronze and occasionally black or white glass sculptwhite glass sculptures.

For the exhibition Arena created two further stools / sculptures from the same series, which will be available on commission, and four geometric sculptures in white bronze as well.

The sculptural installation Study for a Monument (2013 - 2015) presents a series of bronze plants laid out on white cotton bed sheets.

For 1:54, he recreated his large - scale installation «Sad Man's Tongue», which is reminiscent of Keith Haring and combines black cardboard bronzes with white chalk on black board paint.

Colour and black and white photographs Includes colour installation shots by Anthony Stokes of the Venice Biennale, Italy (1982), colour slides of installation shots of «Les Champs de la Sculpture 2000», Champs - Elysees, Paris, France (1999), colour transparencies of installation shots of the solo exhibition at the Galerie Hans Mayer, Dusseldorf, Germany (1994), colour installation shots of bronzes including Hare on Ball and Claw, 1989/90, and Drummer, 1996, installed in the gardens of Galerie Hans Mayer, black and white installation shots by John Webb of «Sculptures in Stone 1973 - 1979» at Waddington Galleries, London, UK, a black and white installation shot of «Barry Flanagan sculptures in bronze 1980 - 1981» at Waddington Galleries.

Etching and relief with hand - stenciled margins in 28 colors on white TGL handmade paper, encased in hand - painted patinated cast bronze screen, 81 x 99 x 4 1/2 in.

Let's not forget that although the Galaxy Tab S is pretty on the outside (available in dazzling white, or titanium bronze) with a 1600 x 2560 resolution, it's beautiful on the inside as well.

Trim Color — Simply White in Semi-gloss Finish Wallpaper — Graphic Trellis Wallpaper (can be found here) Beadboard Wallpaper — Allen and Roth from Lowe's Vanity Color — Shenandoah Taupe (think it was in a matte finish because that was what I had on hand, if I were purchasing it new would have gone with semi-gloss for this) Hardware for Vanity — Home Depot Vanity top and sink — Evercor in Aspen from Lowe's Faucet — American Standard from Lowe's Mirror — HomeGoods Bird Print — Savvy Home and Garden in Williamsburg Soap and Lotion — HomeGoods Sconces — they were the original ones here just spray painted with oil rubbed bronze Pitcher with Flowers — Pottery Barn Jar with Cotton Balls — Juliska

Fixer Upper - Country kitchen features white cabinets adorned with oil - rubbed bronze hardware paired with gray quartzite countertops and a white subway tiled backsplash alongside a vintage wood kitchen island on casters topped with butcher block fitted with towel rails.

The Cordless Deco Bar System is available in White, Satin Nickel, Ivory, Bronze and Black with color coordinating bracket covers for a finished appearance on all deco bar cordless roller shades.

In this minimal all - white bathroom the focus falls firmly on a luxury bathroom accessory — the sculptural hammered bronze basin.