Sentences with phrase «on wood structure»

5 Year on wood structure.

Not exact matches

Unlike the 18 - storey student residence rising at the University of B.C., or the 25 - storey office tower planned for Vienna, the proposed Terrace House is not entirely wood - framed; developer PortLiving is calling it a «hybrid timber structure» — wood framed on its upper floors, but using more conventional steel and concrete construction methods lower down.

About 90 % of the 821 buildings are thought to be wood - frame structures, such as apartments with carports on the ground floor.

We headed for an old playground tucked behind a few dodgy houses, the neglected kind with a wooden play structure that is too tall for insurance purposes, and bits of wood, too - full trash cans, loitering teenagers who slink away when adults show up, and those old swings on long, long chains that make sure a kid touches the sky.

These models provide new information on the impacts of stump wood energy on the carbon sink capacity of forests, the biodiversity of forest nature and the soil structure of recovery areas.

The environmental impacts of stump wood recovery depend on the structure of the stumps and root systems harvested.

That's because they underwent a process in which silica — likely emitted by a nearby volcano — saturated the tree and took on the shape of the wood's internal structure as it decayed, preserving its 3D cellular structure.

The 2 Person Hemlock Deluxe has a 5 year warranty on structure, wood, heating elements and electrical.

Simply elaborating on the complexity of wicked fast food franchises offering naturalized Mexicans the chance to own a business and, perhaps, advance within the corporate structure while raping (again literally, with a plant super (Bobby Cannavale) putting the wood to his helpless charges) their own kind in the production - side would have instantly transformed Fast Food Nation into a thoughtful examination of the impossibility of our industrialized situation instead of an inchoate screed delivered by idiots to like - minded idiots.

Objectives covered: Identify and name a variety of common wild and garden plants, including deciduous and evergreen trees Identify and describe the basic structure of a variety of common flowering plants, including trees Identify and name a variety of common animals including fish, amphibians, reptiles, birds and mammals Identify and name a variety of common animals that are carnivores, herbivores and omnivores Describe and compare the structure of a variety of common animals (fish, amphibians, reptiles, birds and mammals including pets) Identify, name, draw and label the basic parts of the human body and say which part of the body is associated with each sense Distinguish between an object and the material from which it is made Identify and name a variety of everyday materials, including wood, plastic, glass, metal, water, and rock Describe the simple physical properties of a variety of everyday materials Compare and group together a variety of everyday materials on the basis of their simple physical properties Observe changes across the 4 seasons Observe and describe weather associated with the seasons and how day length varies ALSO ADDED: Individual assessments for ALL science objectives for ALL year groups are available for purchase as are individual year group, KS1, KS2 or complete Primary packs.

The optional wood surface in three - dimensional structure, meanwhile, lays on a whole new feast for the fingertips.

The design of the pavilions is inspired by traditional architecture throughout South East Asia: thatched roof and wooden roof structure in order to allow the breeze to pass through on balmy nights, wood flooring throughout, dark tropical woods, and naturally tinted lime plasters providing a range of smooth ocres and yellows...

Outside, you can walk the many paths throughout the wooded hilly area and explore the other structures there, including the Noh Theater, where traditional kabuki is still performed, the Sankōzō museum, where the most prized uncovered artifacts are on display, and the Hondō Main Hall, the complex's primary temple, where ceremonies and rituals are still conducted on a daily basis.

On the chalet's top floor, the open - plan Great Room with vaulted wood ceilings combines classic alpine structure with lovely elements of contemporary Swiss design.

The main structure, on 33 acres, is built using indi - genous materials: bathroom tiles are made from local ceramic, and Jarrah wood posts are used throughout.

The panels have to be angled towards the sun so a wood structure is needed on an unsloped roof to attach the panels so they are not laying flat.

While hiking through the woods on lookout duty (yes, the game is primarily a «walking simulator»), Henry's supervisor Delilah becomes the best video game friend you'll ever make (or not, depending on how you decide to play) exclusively through walkie - talkie conversations structured around timed dialogue choices.

Players fortunate enough to make it through the wooded path are engaged in combat on a cliff side leading to a castle like structure only to be met with enemy spear - like projectiles from a distance, as if hurled by a distant foe simultaneously.

ARTnews: Some of your previous works have been very physical, like Unnamed Structure, the large raw wood creaky house on stilts you built into the lobby of the Walker in 2011.

Sean Mahan is a social realist figurative painter who works with graphite and acrylic washes on wood to depict a sense of wonder about the innate warmth of the human character and its conflict with structures of power and control.

Under the new leadership of Rodman Primack, who made his mark in London as chairman of Phillips de Pury & Company, the tented design fair translated the branding sponsorship of Perrier - Jouët, Audi, Fendi, Louis Vuitton and Swarovski into the dazzle of such over-the-top showpieces as a glittered sculpture of King Kong climbing Dubai's Burj Khalifa hotel, a monumental wood - hewn structure commissioned from Seattle architect Olson Kundig to house the cafeteria, furniture commissioned by Herman Miller from French modernist Pierre Paulin circa 1972, but realised only now, and a stream of technology - driven works involving a table whose motor sensors raised handcrafted metal flora at the viewer's approach, a clock spinning out countless time zones beforesettling on local time, and an installation by architect Jeanne Gang and photographer James Balog involving a resin iceberg, pierced with brilliants and set against an Arctic panorama.

This idea gave me room to apply wood on three - dimensional structures, analogous to paint on canvas.»

Debris and recycled remains become the structure of his sculptures, where beams and planks of wood found in the street or on building sites, assembled with concrete, iron or steel, become the protagonists of his projects, infused with energy and tension that suggest deep meanings.

In the «frame paintings, James might paint on the surface or add a house - like structure made of pieces of wood behind the semitransparent gauzy material.

Celebrated for her exquisite structures of fused metal and glass, the exhibition will also include works in a range of media, from early ceramic and wood sculptures to seminal explorations in metal to dynamic paintings and works on paper.

The exhibition «In Different Ways» at Almine Rech Gallery focuses on how artists have developed unique techniques — at times diverse within their own oeuvres — using a brush, airbrush, spray paint, silkscreen and even pouring paint, collaging a range of materials, questioning canvas and wood support structures, or a combination of these processes.

Being a part of the American Abstract Artists Group, Louise finally stopped using wood and began relying on marble, plaster and bronze to consist her structure.

Focusing on line, color, form and structure, J.T. Kirkland combines wood and paint into uniquely warm and abstract paintings in the minimalist vein.

MAP OFFICE, Moving Sideways — Crab House, 2014, wooden installation with drawing, wood structure and video on a hard drive, dimensions variable.

In an early pencil and ink, the lines add up to a wood - frame structure viewed corner on.

Monochromatic and painted on canvas, Jennifer Boysen's most recent works are distinguished primarily by the originality of the structures that serve as their stretchers, objects that she has either found or made, and that present a certain variety in terms of shapes, dimensions, and materials — wood, copper, steel, aluminium.

The area devoted to structures will have several works, including WHAT IS SET UPON THE TABLE SITS UPON THE TABLE, a sculpture of a wood table supporting a piece of trimmed limestone by Lawrence Weiner, combined with a partially carved foundation stone from the Jerusalem wall, on loan from the Jewish Museum..

Sol LeWitt, Cubic - Modular Wall Structure, Black, 1966 Painted wood, 43 1/2 x 43 1/2 x 9 3/8 inches Collection of Museum of Modern Art, NY Sol Lewitt, Paragraphs on Conceptual Art (1967) «I will refer to the kind of art in which I am involved as conceptual art.

Presenting them among structures of iron, wood, glass and fabric, the pieces took on new meanings, wrapped in personal memories and the affectionate and artistic relation between father and son.

Sol LeWitt, Wall Structure Black, 1962, oil on canvas and painted wood.39» x 39» x 23-1/2» (99.1 cm x 99.1 cm x 59.7 cm).

Installation shot Foreground right: Stanley Kubrick, Korova Milkbar, 1971/2007 Replica, designed by Liz Moore Mixed material, 210 x 80 x 80 cm Foreground left: John Miller, A Mutually Beneficial Encounter, 2003 Advertising pillar, poster, text on floor, 230 x 300 x 300 cm Courtesy of Hans Wiedauer Centre: Elmgreen & Dragset, Queer Bar, Powerless Structures, 1998 Taps, stools, footrest, wood, 300 x 300 x 120 cm Courtesy of Collection Haubrock, Berlin Background left: Marcel Duchamp, Bicycle Wheel, 1913/2007 Replica, metal and wood, 129.5 x 63.5 x 41.9 cm Background right: Rinse Dream, Café Flesh, 1982 DVD, 80 minutes Background center: Nancy & Edward Kienholz, The Bronze Pinball Machine With Woman Affixed Also, 1980 Pinball machine, bronze, 190 x 100 x 200 cm, courtesy of Berlinische Galerie, Berlin © Bob Goedewaagen and Witte de With

4/5 + 2 AP Frank Stella Untitled, 1959 Enamel on canvas board 17 3/4 x 11 3/4 inches Collection of Bill and Sheila Lambert Dan Flavin «monument» for V. Tatlin, 1967 cool white fluorescent light 96 x 28 x 5 inches Robert Morris Untitled, 1976 - 1980 Felt with metal grommets 96 x 85 x 20 inches Back Gallery Richard Serra Untitled, 1975 Paintstick on paper 37 3/8 x 49 5/8 inches Private collection, Switzerland Ad Reinhardt Black Painting, 1960 - 1966 Oil on canvas 60 x 60 inches Tony Smith New Piece, 1966 Welded bronze, chemically treated black 20 3/4 x 43 1/2 x 42 inches Jo Baer Untitled, 1972 Oil on canvas 72 x 72 inches Second Floor (left to right) Rotunda Agnes Martin Untitled, 1965 Black ink on paper 11 x 11 inches David Hammons Untitled (Basketball Drawing), 2006/7 Dirt on paper, wood frame, asphalt Overall: 120 1/2 x 100 x 27 inches Robert Indiana Love, 1966 - 1999 Stainless steel 36 x 36 x 18 inches Front Gallery Andy Warhol Ambulance Disaster, c. 1963 Silkscreen ink on paper 40 x 30 inches Anselm Reyle Untitled, 2006 Mixed media on canvas, acrylic box 92 x 78 1/2 inches Mark Grotjahn Untitled (White Butterfly), 2002 Acrylic on canvas 30 x 30 inches Sol LeWitt Progressive Structure, 1997 Painted wood 49 1/4 x 49 1/4 x 49 1/4 inches Agnes Martin Untitled, 1960 Oil and ink on linen 12 x 12 inches Liza Lou Comfort Blanket, 2005 Cotton and glass beads 29 1/2 x 53 1/8 inches Private collection, New York Günter Uecker Gegenstroemung II, 1965 Nails on canvas, painted with white color 32 1/4 x 32 1/4 x 2 3/4 inches

Belén Uriel, Good Companion Rooms (old and new side by side), 2011, inkjet photographs printed on cotton paper, 45 x 40 cm each; Belén Uriel, Manual, 2012, nickel - plated tubular modular steel structure and okume drilled wood panels, 200 x 350 x 100 cm; Lubaina Himid, Venetian Palace, 1997 - 1998, acrylic on canvas, 110 x 146 cm; Karl Holmqvist, Give Posters a Try, 2013, A1 size wallpaper.

And while there's an Iphone in hand, numbers on the wall and a flatscreen playing, african masks as well as materials like plaster, jute and wood take these figures to a look or point which stands beyond a specific spatial or temporal structure, but at their best emanates a sort of idiosyncratic contemporaneity.

In this sculpture, the use of white emphasises the inner structure of the work, presenting a marked contrast to the rhythm of the wood grain on the outer surface.

SOL LEWITT, «Wall Structure Black,» 1962 (oil on canvas and painted wood).

Anna Fasshauer, Serotonin, 2013 various found objects, cement, laquer, 135 x 90 x 38 cm; Belén Uriel, Manual, 2012, nickel - plated tubular modular steel structure and okume drilled wood panels, 200 x 350 x 100 cm; Belén Uriel, Good Companion Rooms (old and new side by side), 2011 inkjet photographs printed on cotton paper, 45 x 40 cm each.

Black paintings, red paintings, paintings composed of gold and of earth; a long, inky «Automobile Tire Print» on 20 sheets of paper; «Elemental Structures» of found stone, wood and metal: The early»50s were a fertile time intellectually for the young artist.

Two structures with found wood and rust lie across from one another on opposite sides of the display, and a third piece roughly equidistant from the two, also contains rust.

In the 1980s, Dunham started painting on wood and using the grain of his material as a structure for the nascent painting.

Celebrated for her exquisite structures of fused metal and glass, the exhibition also includes works in a range of media, from early ceramic and wood sculptures to seminal explorations in metal to dynamic paintings and works on paper.

The monolithic unity of this image leads gradually on to groupings of similar structures — precious photos mostly in the same silvery scale of greys capturing small models in clay and wood hand made by Conrad.

Likewise, in Tension (2005), strips of hanji paper have been scorched along their edges and applied on two diagonals, meeting off - centre to create a broken, vertical line which appears like the structure of a traditional wood or straw roof.

Jessica Stockholder trails him across the bounds between media with a painting on red carpet draped over a standing wood structure pointlessly roped to the wall.

Because of the emphasis on physical aspects of painting, and the sometimes elaborate wood structures that develop, people have asked me if they are becoming sculpture.