Sentences with phrase «on young people of color»

We will focus our efforts on young people of color and those from low - income backgrounds.

Not exact matches

He was groomed from an early age to play golf, and was often younger than his competition, and the only person of color on the field.

That was the Kaepernick movement's greatest strength, Cullars - Doty says: The ability to provoke a dialogue about police brutality that isn't centered on the death of yet another young person color, even if, as she says, «the conversation has been tainted with lies.»

Well i plan on going WWE just to take care of my friends and family that i promised and i got a lot of people counting on me to do it so yeah my favorite song is three doors down when you're young i write my own poetry / songs my favorite colors are blue and white im here looking for a long time...

As we watch young African - American characters — and a few young white women, too — mistreated and / or killed in scenes that go on and on and on, it's hard not to wonder whether Bigelow (and the material) would have been better served by not teaming up with her usual (white) screenwriter, Mark Boal (who also wrote The Hurt Locker and Zero Dark Thirty), just to bring in the perspective of actual people of color, rather than that of white liberal guilt.

... * Ed Lachman colors of Manhattan streets, 1977 — Wonderstruck... * On Molly Bloom not being Irish: preposterous dialog between Molly (Jessica Chastain) and Downey (Chris O'Dowd), Molly's Game... * Dunkirk: pale hand of a man drowning on boat... * «They're no longer persons, only body parts» — In the Fade... * Thelma: the baby under the divan... * The opening of Wind River: young Native American woman running barefoot against moon glaze on snow... * Mother and non-reincarnated deer, Three Billboards Outside Ebbing, Missouri... * In Film Stars Don't Die in Liverpool, father (Kenneth Cranham) remembering Gloria Grahame from In a Lonely Place: «Gorgeous moutOn Molly Bloom not being Irish: preposterous dialog between Molly (Jessica Chastain) and Downey (Chris O'Dowd), Molly's Game... * Dunkirk: pale hand of a man drowning on boat... * «They're no longer persons, only body parts» — In the Fade... * Thelma: the baby under the divan... * The opening of Wind River: young Native American woman running barefoot against moon glaze on snow... * Mother and non-reincarnated deer, Three Billboards Outside Ebbing, Missouri... * In Film Stars Don't Die in Liverpool, father (Kenneth Cranham) remembering Gloria Grahame from In a Lonely Place: «Gorgeous mouton boat... * «They're no longer persons, only body parts» — In the Fade... * Thelma: the baby under the divan... * The opening of Wind River: young Native American woman running barefoot against moon glaze on snow... * Mother and non-reincarnated deer, Three Billboards Outside Ebbing, Missouri... * In Film Stars Don't Die in Liverpool, father (Kenneth Cranham) remembering Gloria Grahame from In a Lonely Place: «Gorgeous mouton snow... * Mother and non-reincarnated deer, Three Billboards Outside Ebbing, Missouri... * In Film Stars Don't Die in Liverpool, father (Kenneth Cranham) remembering Gloria Grahame from In a Lonely Place: «Gorgeous mouth.

A. Barack Obama's presidential campaign could have a huge impact on how young people of color perceive their own possibilities, and also on how educators perceive the potential of young people of color.

An article recently posted on New York School Talk, «A Parent's Perspective on the Benefits of Teachers of Color,» posed the challenging question of how to make our schools more effective at educating our young people.

My Brother's Keeper is based on the president's challenge to cities, towns, counties and tribes across the country to implement a coherent cradle - to - college - and - career strategy for improving the life outcomes of all young people, particularly young men of color, to ensure that they can reach their full potential, regardless of who they are, where they come from, or the circumstances into which they are born.

By Micia Mosely, PhD and Matthew Florence An article recently posted on New York School Talk, «A Parent's Perspective on the Benefits of Teachers of Color,» posed the challenging question of how to make our schools more effective at educating our young people.

Now, young readers can learn all about the customs and cultures of people of color, including those who lived on North American soil long before Columbus, the Pilgrims or the Vikings arrived.

Joan assessed the crowd, lighting upon the most interesting: young men turning white T - shirts into art, pinching the material tight and rubber - banding each section until they looked like porcupines being dipped into huge steaming vats of colored dyes; the young woman with a bird's nest of purple hair sitting at a potter's wheel, slamming down hunks of clay, her hands moving nearly as fast as the wheel, cups, vases, plates, bowls, trays, appearing like magic; the elderly man in a worn blue linen suit, a jaunty straw boater on his head, a smeared palette tight in his hand, painting a mammoth canvas of people on a beach staring out at an ocean where a sailboat bobbed in the distance, though he himself was standing in a mowed field; the handsome young man at an old - fashioned school desk, a manual typewriter in front of him, a stack of paper to the side.

With recent protests by professional football players in mind, the young Chicago - based artist Samuel Levi Jones has curated this group show, which brings together several artists from different generations whose work meditates on the relationship between power structures and persons of color in America.

Paul Rucker will build on his body of work combining original cello compositions with data visualization to illustrate the disproportional representation of young people of color in juvenile detention, the economics of the prison - industrial complex, the growth of the US prison system, and the relationships among these trends.

Its antipode was in the madhouse of Team Gallery's receptions for Cory Arcangel (on Wooster Street) and Ryan McGinley on Grand Street, where the walls and ceilings were totally plastered with 750 appealing young, naked, and not necessarily nubile persons posing against color, Holbein - like seamless backdrops.

Young people, communities of color, and low - income communities are on the front - lines of the climate crisis and we need to stand together now.

These barriers are hardest on those who already face challenges to accessing care: young people, women of color, those who live in rural areas and people with low incomes.

Writing for Southern California Public Radio, Tara Haelle discusses new research on the struggles of transgender people, especially for young women of color.