Sentences with phrase «on younger contemporary artists»

In this area, his effect on younger contemporary artists like Christopher Wool (b. 1955) is clear.

The Frida Kahlo exhibition of 2008 shattered attendance records, he said, and allowed the museum to do major surveys on young contemporary artists including Matthew Barney and Olafur Eliasson.

Not exact matches

Gallery Rene Mele is a contemporary art gallery located on the Upper East Side of Manhattan which prides itself on showcasing work from young and emerging artists.

11 Minutes (11 Minut)-- Jerzy Skolimowski, Poland / Ireland North American Premiere A jealous husband out of control, his sexy actress wife, a sleazy Hollywood director, a reckless drug messenger, a disoriented young woman, an ex-con hot dog vendor, a troubled student on a mysterious mission, a high - rise window cleaner on an illicit break, an elderly sketch artist, a hectic paramedics team and a group of hungry nuns: a cross-section of contemporary urbanites whose lives and loves intertwine.

Win a $ 25 Gift Card Enter HERE Deacon Starkis Family — BOOK 1 Cheryl Douglas Genre: Contemporary Romance Date of Publication: June 15th, 2015 Number of pages: 158 Word Count: 74k Cover Artist: Fantasia Frog Designs Book Description: When Deacon Sarkis sets his sights on the gorgeous young model gracing the pages of his -LSB-...]

The contemporary collectors who cut their teeth on younger artists are going back to wonderful figurative painters like Neel.

Cappellazzo's alma mater also has a surprise first - timer at an evening sale among the first few lots: the first lot in Christie's contemporary sale on May 17 in Rockefeller Center in Midtown Manhattan is not a closely watched young talent, but instead the highly political New York artist David Wojnarowicz, who passed away in 1992, at 37.

Collection, Museum of Art, Fort Lauderdaie, FL; travelled to Oklahoma Museum of Art, Oklahoma City, OK; Santa Barbara Museum of Art, Santa Barbara, CA; Grand Rapids Art Museum, Grand Rapids, MI; Madison Art Center, Madison, WI; Montgomery Museum of Fine Arts, Montgomery, AL 1981 Drawing Invitational, Harm Bouckaert Gallery, New York, NY 1981 New Work, Roy Boyd Gallery, Chicago, IL 1981 Artists Books, Metrònom, Barcelona, Spain 1980 Little Books, Franklin Furnace, New York, NY 1980 New York 1980, Banco - Massimo Minini, Brescia, ltaly 1980 Pool Project Documentation, Artists Space, New York, NY 1980 New York Painters, University of Rochester, Rochester, NY 1980 Works of Art, Patricia Sneed Gallery, Rockford, IL 1980 Group Show, Roy Boyd Gallery, Chicago, IL 1980 Collection of Dr. Milton Brutten and Dr. Helen Herrick, Ben Shahn Gallery, William Patterson College, Wayne, NJ 1980 Group Exhibition, Susan Caldwell, Inc., New York, NY 1980 Pool Projects, Wake Forest University, Winston - Salem, NC 1980 Faculty Exhibition, Hillwood Commons Gallery, C.W. Post College, Greenvale, NY 1979 Prospectus, Aldrich Museum, Ridgefield, CT 1979 New Wave Painting, The Clocktower, MoMA P.S. 1, New York, NY 1979 Artist's Postcards, Ananas Gallery, Abrau, Switzerland 1979 Poets and Painters, The Denver Art Museum, Denver, CO; traveled to Atkins Museum of Fine Art, Kansas City, MO; La Jolla Art Museum, La Jolla, CA 1979 14 Painters, Lehman Gallery, CUNY, Bronx, NY 1979 Drawings, Hal Bromm, New York, NY 1979 Summer Show, Hal Bromm, New York, NY 1979 Drawings, Pyramid Gallery, Providence, MA 1978 Detective Show, Gorman Park, Jackson Heights, NY 1978 Works on Paper, Studio La Citta, Verona, Italy 1978 Group Exhibition, Arte Fiera, Bologna, Italy 1978 Group Exhibition, Art - 9, Basel, Switzerland 1978 Black and White on Paper, Nobe Gallery, New York, NY 1978 Paperworks, Galerie Wirz, Milan, Italy 1978 Selections from the Collection, Aldrich Museum, Ridgefield, CT 1978 Artists Books: USA, New Gallery, Cleveland, OH 1977 Fine / Fleishman / Stamm, Franklin Furnace, New York, NY 1977 Painting 75,76,77, Sarah Lawrence College, Bronxville, NY; traveled to American Foundation for the Arts, Miami, FL; Contemporary Arts Center, Cincinnati, OH 1977 Book Objects, Albright - Knox Art Gallery, Buffalo, NY 1977 A Painting Show, MoMA P.S. 1, Long Island City, NY 1977 New York Group Show, Galerie Denise Rene, New York, NY 1977 Group Exhibition, Art Fiera, Bologna, ltaly 1977 Group Exhibition, Documenta - 6, Kassel, Germany 1977 Collection in Progress, Moore College of Art, Philadelphia, PA 1977 Ideas — Images, Eugenia Cucalon Gallery, New York, NY 1977 Postcards and Other Mail, Jock Truman, New York, NY 1977 Wrapping Paper Invitational, Nobe Gallery, New York, NY 1977 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1976 Group Exhibition, Art Fiera, Bologna, Italy 1976 Summer Group, Max Protetch Gallery, Washington D.C. 1976 SoHo and Downtown Manhattan, Akademie Der Kunste, Berlin, Germany 1976 Selections SoHo - Berlin, Louisiana Museum, Humlebaek, Denmark 1976 Works on Paper, Hal Bromm, New York, NY 1976 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1975 Contemporary Reflections 1971 — 1974, AFA; travelling exhibition Spare, Central Hall Gallery, Port Washington, NY 1975 Group Indiscriminate, 112 Greene Street, New York, NY 1975 A Collection in Progress (Herrick - Brutten Collection), The Clocktower, MoMA P.S. 1, New York, NY 1975 Group Exhibition, International Art Fair, Cologne, Germany 1975 Five from SoHo, Rose Art Museum, Waltham, MA 1975 Spare, Central Hall Gallery, Port Washington, NY 1975 Abstraction Alive and Well, SUNY, Potsdam, NY 1975 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1974 Tight and Loose, State University, Albany, NY; travelled to State University, Potsdam, NY 1974 Black as Color, Reed College, Portland, OR 1974 Drawings, Albright - Knox Art Gallery, Buffalo, NY 1974 Paperworks, Rosa Esman Gallery, New York, NY 1974 10th Anniversary Exhibition 1964 — 1974, Aldrich Museum, Ridgefield, CT 1974 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1973 Painting in America, Decorative Arts Center, New York, NY 1973 Black Paintings, Nancy Hoffman Gallery, New York, NY 1973 DiDonna / Stamm, O.K. Harris Gallery, New York, NY 1973 Nine New York Artists, Hartwick College, Oneonta, NY 1973 Recent Acquisitions, Phoenix Museum, Phoenix, AZ 1972 Contemporary Reflections 1971 — 1972, Aldrich Museum, Ridgefield, CT 1971 What's Happening in SoHo, University of Maryland, College Park, MD 1971 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1971 Alumni Show, Hofstra University, Hempstead, NY 1970 Young Artists: New York 1970, Greenwich, CT

«L'Europe des Artistes» is a cultural project on an unprecedented scale: this is a multi-faceted research project unfolding into conferences, events, exhibitions, and publications, dedicated to young contemporary European artists.

2010 Schwager, Michael, Personal Identities / Contemporary Portraits, University Art Gallery Sonoma State University, November / December Schuster, Dana, A-List Artist, New York Post, 29 December Siverio, Ida, Kehinde's R - evolution, October, pp. 24 - 27 Watson, Simon, Kehinde Wiley, Whitewall Fall 2010, pp. 119 - 123 Halperin, Julia, Kehinde Wiley Now Represented in New York by Sean Kelly Gallery, New York Observer, 17 September Jackson, Brian Keith, A World Stage, Juxtaposed: Kehinde Wiley Between Africa and China, Leap No. 03, pp. 86 - 93 PAFA's Summer Surprises and More, SanArt, 1 August Feldman, Melissa, World Cup Chic Kehinde Wiley's Fancy Footwork, New York Times Magazine, 2 June Loszach, Fabien, Bling - Bling, Everytime I Come Around, Esse Arts + Opinions, No. 69, Spring / Summer Badinella, Chiara and Fabrizio Affronti, Grandi Maestri, Fonte Perenne, La Casana No. 1, January - March, pp. 26 - 29 100 Artisti da Scommetterci / 100 Artists to Bet On, Arte Magazine, Milan, Italy, August, pp. 120 - 140 Hunt, Kena and Watson, Simon, Kehinde Wiley, Vogue Italia, October Dreyfuss, Joel, Meet the Root 100, 2010 Edition, The Root unveils its latest list of young African - American pace setters and game changers, The Root, 10 October Garfield, Joey, Kehinde Wiley, Juxtapoz January, pp. 46 - 61 Karcher, Eva, The Colours of Africa: Art Beyond the Primitive, The Mini International Vol.34, Issue 2, pp. 36 - 41 Krentcil, Faran, First Look: Puma Africa, Nylon Magazine, 16 March

11a — 3p: Art - making, Peking Opera Face, relating to Wŏmen (我们): Contemporary Chinese Art (Saligman Family Atrium) 11a — 3p: Button - making (Saligman Family Atrium) 11a — 3p: Scavenger hunt (Permanent Collection Gallery) 11a — 3p: Scavenger hunt: Georges Braque and the Cubist Still Life, 1928 - 1945 (Ebsworth Gallery) 11a — 3p: Calligraphy (Saligman Family Atrium) 11a — 3p: Art - making with still - life artist Bill Neukomm (Saligman Family Atrium) 11:30 a — 12p: Live music by Washington University's Asian acapella group Sensasians (Saligman Family Atrium) 12 — 12:30 p: Storytelling: Lon Po Po: A Red - Riding Hood Story from China by Ed Young (Teaching Gallery) 1 — 2p: Gallery talk with Karen K. Butler, assistant curator, on Georges Braque and the Cubist Still Life, 1928 — 1945 and John Klein, associate professor of art history, on Face and Figure in European Art, 1928 — 1945.

While she was a member of the original wave of Young British Artists and featured on the first all - female Turner Prize shortlist in 1997, Angela Bulloch has maintained a low profile in comparison to many of her contemporaries.

Few mentioned quality, on the grounds that Frieze is committed to presenting edgy work and young artists, and that the mandate of contemporary art fairs is to present work that grabs attention, not timeless expressions that will hang on tomorrow's museum walls.

With its collection of 45,000 works spanning the period from the nineteenth century to the present day and comprising paintings, sculptures, works on paper, installations, videos and photographs, GAM provides its audience with a wealth of events ranging from major exhibitions of Italian and international artists to contemporary research dedicated to young visitors.

Nevertheless Robert Motherwell; Early Collages, which runs through January 5, is well worth seeing and these works, placed today in a small gallery on the Lower East Side, in the guise of having just come out of the studio of some young artist, would appear completely viable and credible as contemporary works because there are so many artists today, here in New York showing on the LES and Bushwick as well as elsewhere in the United States and Canada and perhaps globally, still working in the orbit of the aesthetic consensus of post-War formalism.

Her innovative oeuvre had a strong influence on her contemporaries and continues to inspire younger generations of artists worldwide.

In related exhibition materials, Bauermeister was frequently referred to as an American artist, and she was included in surveys of young American artists, epitomizing the innovative influence she had on the contemporary American art scene.

Benglis's work has had a profound influence on younger artists and more generally expanded the parameters for contemporary sculpture.

«The exhibition will include works by the major players on the contemporary scene in Moscow and St. Petersburg as well as works by younger artists and artists whose works may have remained relatively unknown in the new rush to the art market.»

DATE JOINED CHRISTIE»S: 2017 BASED IN: New York NUMBER OF YEAR IN INDUSTRY: 17 AREAS OF SPECIALTY: Post-War & Contemporary Art with a special focus on American Pop Art & 1980's NOTABLE SUCCESSES: Established multiple artist records for Twombly, Warhol, Rothko, Koons, and several younger artists LANGUAGES SPOKEN: English & German

Characteristic of the collection is its focus on undiscovered young artists, and guests will not only gain a rare glimpse into an otherwise closed world, but also an opportunity to see young, internationally - acclaimed contemporary artists whose works have not yet found their way into Danish museums.

Alternative Figures in American Art, 1960 to the Present, Curated by Dan Nadel, Matthew Marks, New York, NY 1995 Pacific Dreams: Currents of Surrealism and Fantasy in Early California Art 1934 - 1957, Oakland Museum, UCLA Hammer Museum of Art and Nora Eccles Harrison Museum of Art, UT 1993 Selections from the Permanent Collection - California: Art from the 1930s to the Present, San Francisco Museum of Modern Art 1989 Forty Years of California Assemblage San Jose Museum of Art, Fresno Art Museum and Joslyn Art Museum 1986 California Sculpture: 1959 - 1980, San Francisco Museum of Modern Art 1985 Art in the San Francisco Bay Area 1945 - 1980, Oakland Museum 1984 Contemporary American Wood Sculpture, Crocker Art Museum, University of Arizona Museum of Art, Huntsville Museum of Art and Chrysler Museum The Dilexi Years 1958 - 1970, Oakland Museum 1982 100 Years of California Sculpture, Oakland Museum Northern California Art of the Sixties, De Saisset Museum, University of Santa Clara 1976 California Painting and Sculpture: The Modern Era, San Francisco Museum of Modern Art and National Collection of fine Arts, Smithsonian Institution 1975 Masterworks in Wood: The Twentieth Century, Portland Art Museum First Artists» Soap Box Derby, San Francisco Museum of Modern Art 1971 Continuing Surrealism, La Jolla Museum of Art 1969 An American Report on the Sixties, Denver Art Museum American Sculpture of the Sixties, Grand Rapids Art Museum 1968 On Looking Back: Bay Area 1945 - 62, San Francisco Museum of Art The West Coast Now: Current Work from the Western Seaboard, Portland Art Museum, Seattle Art Museum and De Young Museum 1967 FUNK, University Art Museum, Berkeley, and Institute of Contemporary Art, Boston American Sculpture of the Sixties, Los Angeles County Museum of Art and Philadelphia Museum of Art 1966 Twenty Drawings: New Acquisitions, Museum of Modern Art, New York Two - Dimensional Sculpture, Three - Dimensional Painting, Richmond Art Center, CA 1964 Annual Exhibition of Contemporary American Sculpture, Whitney Museum of American Art 1962 Fifty California Artists, Whitney Museum of American Art, Walker Art Center, Albright Knox Art Gallery and Des Moines Art Center Public Collectioon the Sixties, Denver Art Museum American Sculpture of the Sixties, Grand Rapids Art Museum 1968 On Looking Back: Bay Area 1945 - 62, San Francisco Museum of Art The West Coast Now: Current Work from the Western Seaboard, Portland Art Museum, Seattle Art Museum and De Young Museum 1967 FUNK, University Art Museum, Berkeley, and Institute of Contemporary Art, Boston American Sculpture of the Sixties, Los Angeles County Museum of Art and Philadelphia Museum of Art 1966 Twenty Drawings: New Acquisitions, Museum of Modern Art, New York Two - Dimensional Sculpture, Three - Dimensional Painting, Richmond Art Center, CA 1964 Annual Exhibition of Contemporary American Sculpture, Whitney Museum of American Art 1962 Fifty California Artists, Whitney Museum of American Art, Walker Art Center, Albright Knox Art Gallery and Des Moines Art Center Public CollectioOn Looking Back: Bay Area 1945 - 62, San Francisco Museum of Art The West Coast Now: Current Work from the Western Seaboard, Portland Art Museum, Seattle Art Museum and De Young Museum 1967 FUNK, University Art Museum, Berkeley, and Institute of Contemporary Art, Boston American Sculpture of the Sixties, Los Angeles County Museum of Art and Philadelphia Museum of Art 1966 Twenty Drawings: New Acquisitions, Museum of Modern Art, New York Two - Dimensional Sculpture, Three - Dimensional Painting, Richmond Art Center, CA 1964 Annual Exhibition of Contemporary American Sculpture, Whitney Museum of American Art 1962 Fifty California Artists, Whitney Museum of American Art, Walker Art Center, Albright Knox Art Gallery and Des Moines Art Center Public Collections

Within the Azimuth group emerged a reflection on the relationships that tie information, consumerism and communication, which I find particularly relevant in understanding how many younger contemporary artists are dealing with the overload of information in the digital age.

This space with an all - caps name is the New York branch of a gallery in Brussels, Belgium, and like the home office, the Brooklyn shop focuses on contemporary art by an international roster of young emerging artists with up - to - the - minute sensibilities.

Female but maybe not Feminist, Biscayne Times, Victor Barrenechea, October 2008 Susan Lee - Chun Artist Profile, Theme Magazine, May / June 2008 Miami Contemporary Artists, Clear Magazine, April / May 2008 Voices, NY Arts, February / March 2008 Asian Artists on Display in BMOCA Exhibits, Boulder Daily Camera, Jenny Bergen, February 22, 2008 Urban Art Access: Art Basel Miami Beach, December 2007 Art Basel Miami Beach Notebook: A Party for the Arty, Economist, Jessica Gallucci, December 2007 Miami Contemporary Artists Book, Julie Davidow & Paul Clemence, November 2007 Susan Lee - Chun, H Magazine (Spain), Pedro Paricio, November 2007 Hurricane Project I, El Nuevo Herald, Adriana Herrera, Sept. 30, 2007 Los grabados de Goya inician una interesante temporada, El Nuevo Herald, Adriana Herrera, Sept. 16, 2007 Eight make the cut, Miami Herald, Daniel Chang, September 15, 2007 To the Brink and Back, Miami New Times, Carlos Suarez de Jesus, September 13, 2007 Body Double: Through a lens starkly, LA Times, Holly Myers, September 12, 2007 Ever more galleries in Wynwood, Miami Herald, Brett Sokol, September 7, 2007 Optic Nerve IX: MOCA Review, Miami Art Guide, Michelle Weinberg, September / October issue No. 10 Visual Power, Miami Herald, Tom Austin, August 5, 2007 Snitzer show brings 59 Homegrown Artists together, Miami Herald, Elisa Turner, July 22, 2007 Wynwood Gallery Installations show the District «Artistic Heart, Miami Herald, Brett Sokol, July 13, 2007 Stop at X, Broward & Palm Beach New Times, Michael MIlls, April 26, 2007 Asian Style and Taste, LA Times, Scarlet Cheng, January 11, 2007 Banquet Art Exhibition at Pacific Asia Museum, The Epoch Times, Dan Sanchez, Dec. 10, 2006 Critic's Pick, Miami Herald, Elisa Turner, December 8, 2006 Almost Famous, Ocean Drive Magazine, October 2006 Young at Art, Miami Herald, Elisa Turner, September 10, 2006 Galleries & Museums, Chicago Reader, September 8, 2006 Home Groan, Miami New Times, Carlos Suarez De Jesus, August 16, 2006 Cuatro Artistas en Casa, El Nuevo Herald, Jose Antonio Evora, August 8, 2006 Urban Sprawl, Sun - Sentinel, Emma Trelles, July 30, 2006 Exploring Urban Life With Art «WLRN ArtStreet with Meredith Porte, July 2006 Around Town, Coral Gables Living Magazine, June / July 2006 Five Years and Going Strong, Design Miami Magazine (vol.1, No. 2), Tiffany Chestler, May 2006 Metro - Pictures, Miami Herald, Elisa Turner, May 14, 2006.

By choosing Wrestlers, a tour - de-force depiction of young athletes whose limbs are intertwined in combat, Paolini not only provides a contemporary link with the Classical period but also recalls the profound effect Classical, particularly Hellenistic, art had on artists during the Renaissance (Wrestlers was excavated in the late 16th century).

Propositions on the Permanent Collection, Studio Museum in Harlem, New York, NY, 2009 Cinema Remixed and Reloaded: Black Women Artists and the Moving Image Since 1970, Spelman College of Art, Atlanta, GA, 2007 and Contemporary Arts Museum Houston, Houston, TX 2008 - 2009 Horizon, EFA Gallery, Curated by David Humphrey, New York, NY, 2007 Black Alphabet, conTEXTS of Contemporary African American Art, Zacheta National Gallery of Art, Warsaw, Poland, 2006 - 2007 Turn the Beat Around, Sikkema Jenkins & Co., New York, NY, 2006 The Manhattan Project, Fred Snitzer Gallery, Miami, FL, 2006 Frequency, Studio Museum in Harlem, New York, NY, 2005 - 2006 MFA Thesis Exhibition, Columbia University, Curated by Jeffery Uslip, New York, NY, 2005 Recess: Images & Objects in Formation, Rush Gallery, Curated by Derek Adams, New York, NY, 2005 Past Perfect, Kantor / Feuer Gallery, New York, NY, 2004 - 2005 After Goya, Leroy Neiman Gallery, Columbia University, Curated by Tomas Vu Daniel, New York, NY, 2004 Hungry Eyes, Columbia University, Ira D Wallach Gallery, New York, NY, 2004 Signs, Public Art Installation, Chicago, IL, 2002 Brat (Wurst), A show of Chicago Artists, Vox Populi, Philadelphia, PA, 2001 Young Love, Mapreed Gallery, Los Angeles, CA, 2000 Art in St. Louis, Honorable Mention, Curated By Jerry Saltz, Art St. Louis Gallery, St. Louis, MO, 1997

Moderated by Artistic Director, Elizabeth Ferrill, Esteban del Valle takes us on a journey through his experiences as a young art student, to gallery representation, to supporting himself as an artist, and answers your most burning questions about becoming a vital participant in the contemporary art world.

It is a private collection of contemporary art with an important historical collection (1950 - 2000); it keeps on with new projects and commissions to international mid career and young artists.

The artist has also participated in several group exhibitions, including Engender at Kohn Gallery, Los Angeles, 30th Anniversary Exhibition, Part Deaux, at Jack Hanley Gallery, The Edge of Doom at H I L D E, Los Angeles, Human Condition at John Wolf, Los Angeles, American Optimism at Able Baker Contemporary, Portland, Fathoms at Radical Abacus, Sante Fe, On Painting at Kent Fine Art, New York, Friend of the Devil at Jack Hanley Gallery, Immediate Female at Judith Charles Gallery, A Thing of Beauty at Geoffrey Young Gallery in Great Barrington and New Paintings By at Jack Hanley Gallery.

The collection is made up of pieces by self - taught and contemporary artists including James Castle, Red Grooms, Alison Hall, Stanley Lewis, Catherine Maize, Sangram Majumdar, Nellie Mae Rowe, E.M. Saniga, Beatrice Scaccia, Judith Scott, Leopold Strobl, Sam Szafran, Bill Traylor and Purvis Young, as well as works on loan from the Louis - Dreyfus Family Collection.

The Miller Gallery at Carnegie Mellon University and the STUDIO for Creative Inquiry have co-published «New Art / Science Affinities,» a 190 - page book on contemporary artists that was written and designed in one week by four authors (Andrea Grover, Régine Debatty, Claire Evans and Pablo Garcia) and two designers (Luke Bulman and Jessica Young of Thumb).

Over the last decade, the museum has focused intensely on American contemporary artists - Jeff Koons, Richard Prince, Cindy Sherman, Matthew Barney and younger artists such as Paul Chan, Frank Benson, Nate Lowman and Dan Colen, to name a few.

The Daros Collection includes outstanding works by European and North - American artists of the second half of the twentieth century, for instance Sigmar Polke, Andy Warhol, Cy Twombly, or Robert Ryman, while the Daros - Latinamerica Collection concentrates on positions of Latin - American art, from pioneers like Hélio Oiticica or Lygia Clark to young contemporary artists.

During the last decade however, the collection has concentrated on younger American contemporary artists like Paul Chan, Nate Lowman, Dan Colen, Frank Benson and Trisha Donnelly.

Often attending Chelsea gallery openings on the arm of her friend Rainer Judd (the daughter of Minimalist Donald Judd), Coppola began collecting photography at a young age before delving into contemporary painters and mixed - media artists.

The museum wants this extensive exhibition, «In the Name of the Artists - American Contemporary Art from the Astrup Fearnley Collection», to show a selection of works that focus on key established, contemporary artists who still are active and a wide range of young American aArtists - American Contemporary Art from the Astrup Fearnley Collection», to show a selection of works that focus on key established, contemporary artists who still are active and a wide range of young AmeriContemporary Art from the Astrup Fearnley Collection», to show a selection of works that focus on key established, contemporary artists who still are active and a wide range of young Americontemporary artists who still are active and a wide range of young American aartists who still are active and a wide range of young American artistsartists.

In this new version in spring 2015, the museum presents many exciting, newly acquired works by young contemporary artists who have already received recognition on the international art scene.

He conceived one of the most significant exhibitions of the last decade in China,: ON OFF: China's Young Artists in Concept and Practice, at UCCA Ullens Center for Contemporary Art (2013).

In addition, we present works by important Norwegian artists like Mari Slaattelid, Bjarne Melgaard, Ida Ekblad, Matias Faldbakken and Gardar Eide Einarsson This illustrates the collection's focus on the younger generation on the international contemporary art scene.

The works we now present illustrates important lines and tendencies in the Astrup Fearnley Collection's history — from the 1960s British and European pop painting and German Neo-expressionism via the British YBA - artists and the American appropriation artists in the 1980s and 1990s and to the past decades focus on the younger generation of international contemporary artists.

Many prominent contemporary masters on the international art scene, along with emerging young artists, have transformed the everyday coffee cup — in this case the white porcelain illy cup introduced by the architect and designer Matteo Thun — into a cult object.

During the 1950s Hamilton began to formulate an idea of Pop Art, describing it as, «expendable, low - cost, mass - produced, young,» based on a discussion group he formed with other young artists and critics at London's Institute of Contemporary Arts.

On May 31st, the Geoffrey Young Gallery reopens for its 17th year of presenting contemporary art in Great Barrington with a group show of paintings and drawings by twelve wildly different and daring artists.

1976 Philadelphia College of Art, Philadelphia, Private Notations: Artists» Sketchbooks II The Fine Arts Museums of San Francisco, M.H. De Young Memorial Museum, San Francisco, The Great American Foot Show Transworld Art, New York, An American Portrait 1776 - 1976 The New Gallery of Contemporary Art, Cleveland, 60s: American Pop Art and Culture of the Sixties The Art Galleries, California State University, Long Beach, CA The Lyon Collection Modern and Contemporary Works on Paper Australia Council, Sydney, Illusions of Reality, exhibition traveled to Australian National Gallery, Canberra; Western Australian Art Gallery, Brisbane; Art Gallery of New South Wales, Sydney; Art Gallery of South Australia, Adelaide; National Gallery of Victoria, Melbourne; Tasmanian Museum & Art Gallery, Hobart (catalogue) Newcomb College, Tulane University, New Orleans, Drawing Today in New York

Seen vs. Shown: Perspectives on Human Identity is a new exhibition of contemporary media art, photography, and installation works by three young Korean artists: Jaeuk Kim, Ho Sung Kim, and Daphne Ji Yeon Jang.

My interest within collecting is the history and the influence that German artists after 1945 have had on contemporary young painters.

In the early 1980s three exhibitions in London curated by Lubaina Himid — Five Black Women at the Africa Centre (1983), Black Women Time Now at Battersea Arts Centre (1983 - 4) and The Thin Black Line at the Institute for Contemporary Arts (1985)-- marked the arrival on the British art scene of a radical generation of young Black and Asian women artists.

While dealers sometimes complain about escalating auction prices for young artists disrupting their markets, Christie's contemporary specialist Saara Pritchard points out that auctions provide the only access to many talents whose galleries maintain a tight grip on waiting lists.

Another essay by Mario Codognato (writer and curator at Blain Southern) explores Hirst's role as artist / collector and the influence he continues to have on his contemporaries and younger emerging artists.