Sentences with phrase «on younger generations of artists»

Julian Schnabel: CVJ, Study Edition is an accessibly priced, reader - format facsimile edition of the 1987 book, offering a new opportunity to assess Schnabel's influence on younger generations of artists and on the current debates on painting.

Barlow has had an important influence on younger generations of artists through her work and at the Slade School of Fine Art, her students have included Turner Prize - winning and nominated artists Rachel Whiteread and Angela de la Cruz.

In 2009, Tim Noble and Sue Webster were awarded Honorary Degrees of Doctor of Art at Nottingham Trent University in recognition of their contribution to contemporary British Art and their radical influence on younger generations of artists.

In 2009, Noble & Webster were awarded Honorary Degrees of Doctor of Art at Nottingham Trent University in recognition of their contribution to contemporary British Art and their radical influence on younger generations of artists.

From the 1980's onward, she continued to make a powerful influence on the younger generations of artists, constantly working with the strong sense of hope, despite problems with health during the last years of her life.

His oeuvre has had a not inconsiderable influence on younger generations of artists.

«Audiences have not had the opportunity to take in the full scope of Tseng's powerful imagery, with its striking social, political, and philosophical implications, nor to appreciate his impact on younger generations of artists.»

Julian Schnabel: CVJ is a facsimile of the out - of - print Random House edition from 1987, offering a new opportunity to assess Schnabel's influence on younger generations of artists and on the current debates on painting.

The exhibition traces the impact of the work of 20th Century pioneers of textiles, fashion and handcrafted practice, such as Anni Albers, Louise Bourgeois, Sonia Delaunay, Eva Hesse and Hannah Ryggen, on younger generations of artists who incorporate similar materials and processes into their work, as well as bringing together 8 new works, created especially for the show.

Citing the work's unique blend of urgency and timelessness, as well as its growing impact on younger generations of artists, Obrist dubs Sturtevant «one of the most important artists of the 21st century.»

Mckee Gallery is presenting a centennial exhibition to honor Philip Guston — his influence on a younger generation of artists can not be overstated.

In this video interview with Stuart Krimko, Director of David Kordansky Gallery, Los Angeles, we learn about Gilliam's unique brush-less technique, his innovations in treating the canvas as the principal material and his influence on a young generation of artists (abstract and not).

McKee Gallery is presenting a centennial exhibition to honor Philip Guston — his influence on a younger generation of artists can not be overstated.

A forward - looking acquisition policy was developed that focuses mainly on the youngest generation of artists (those born circa 1980).

Their influence on the younger generation of artists is still strong, but the uniqueness of their work continues to stand alone.

Christian Marclay's experimental work with sound, video, and film has been extremely influential on a younger generation of artists for whom the idea of digital sampling and mixing recordings is now a given.

She's gone from California surfer - girl ceramicist in the 1970s to New York abstract painter — with nods to both Pop and Punk — a decade later, to eminence gris, School of Visual Arts professor and a potent influence on a younger generation of artists today.

Since the 1960s, his pioneering exploration of different media has challenged conventions and had a profound impact on a younger generation of artists internationally.

Their continued influence on a younger generation of artists is demonstrated by the powerful hold figurative art has today.

Not exact matches

N. Bird Runningwater (Cheyenne / Mescalero Apache), Director of Sundance Institute's Native American and Indigenous Program said, «Through the Full Circle Fellowship we build on our longstanding mentorship and support for three generations of Native filmmakers by focusing on the emerging fourth generation and ensuring these young artists have the tools and resources to share their stories.

With recent protests by professional football players in mind, the young Chicago - based artist Samuel Levi Jones has curated this group show, which brings together several artists from different generations whose work meditates on the relationship between power structures and persons of color in America.

Started in 2010 on the border of Ridgewood, Queens and Bushwick, Brooklyn, the gallery moved to its current location where they exhibit shows by both young and established artists, fostering a dialogue between generations and artist communities.

In particular, works from some 90 French and overseas artists, mainly from the young generation are on show, forming a rich and diversified panorama of art today.

The exhibition brings together a broad spectrum of leading artists, prompting thematic conversations across generations, between those who rose to prominence during the closing decades of the last century and younger artists who have found their voice in today's world, a place of incalculably more images, where distinct movements have given way to heterogeneity and the availability of and reliance on technology is taken as given.

As a tutor at Goldsmiths College from 1974 - 88 and 1994 - 2000, he had a significant influence on two generations of young British artists.

Parkview Green Art 798 is focusing on discovering, exploring and presenting younger generation of excellent Chinese artists

Her innovative oeuvre had a strong influence on her contemporaries and continues to inspire younger generations of artists worldwide.

Their extravagantly installed exhibitions, the artists» free - wheeling individual approaches, and their varied and compelling work have all had a wide - ranging and profound influence on several generations of their students and on many younger artists since then, including such well - known figures as Chris Ware (SAIC 1991 — 93), Sue Williams, Gary Panter, and Amy Sillman — as has been documented in the recent film Hairy Who & the Chicago Imagists.

He has been at the forefront of experimentation and political debate within the visual arts — performance artist, painter, writer, Professor at the Slade School of Art — with an enduring influence on many of the present generation of younger British artists.

Tracey Emin RA's «My Bed» (1998), one of the seminal works of the Young British Artist generation, goes up for sale at Christie's on Tuesday 1 July.

It's an affirmation that hints at Himid's own influence on a younger generation of black artists.

His students and successors — such as Jo Ann Callis, Judy Fiskin, and James Welling — have gone on to teach and influence a younger generation of artists, including Amy Adler, Anne Collier, and Florian Maier - Aichen among many others.

The recent explosion of the new Urban art movement, the fresh focus on Graffiti and Street art and graffiti has brought in a new generation of young artists like Jean - Michel Basquiat and Keith Haring, who unfortunately did not live long enough to see the success they became.

On the occasion of Frank Stella: A Retrospective, this roundtable discussion with artists Walead Beshty, Keltie Ferris, Jordan Kantor, and Sarah Morris explores key aspects of Stella's heterogeneous approach to painting and its significance for younger generations of artists working today.

In 1977, he was one of the young artists selected by the critic Douglas Crimp for the exhibition «Pictures», at the Artists» Space in New York, which launched the so - called «Pictures Generation», a group of artists whose work focused on mass media artists selected by the critic Douglas Crimp for the exhibition «Pictures», at the Artists» Space in New York, which launched the so - called «Pictures Generation», a group of artists whose work focused on mass media Artists» Space in New York, which launched the so - called «Pictures Generation», a group of artists whose work focused on mass media artists whose work focused on mass media images.

Even as recent years have seen a return to a focus on craft and the object and, sometimes, beauty, it seems that the ultimate triumph of Conceptualism has come in the form of younger generations who embrace the artist's role as that of universal creator.

Influential on other artists after Morris Louis and Kenneth Noland first saw her work in the early 1950s, since 2000 her art has inspired a new generation of younger painters such as Carrie Moyer, Jackie Saccaccio, and Mary Weatherford.

The immense influence on generations of young artists is additionally straitened by the fact that Eric Fischl is still innovative, progressive and one of the most influential figurative painters of the late 20th and early 21st centuries.

«Hong Kong Invisible» thus bolsters this new direction for the gallery, on the eve of its 20th anniversary this November — from pioneer specialist of Mainland avant - garde art to also being a springboard for a younger generation of Mainland, Hong Kong and international artists.

Morgan Falconer tells the story beginning with Jackson Pollock and the Abstract Expressionists on both sides of the Atlantic, proceeds through postwar abstraction in France, social realism in East Germany, the end of geometric abstraction in Europe, American post-painterly abstraction, the handmade ready - mades of Rauschenberg and Johns, Pop's rise in Britain and the US, painting's confrontations with photography in the 1960s and beyond, the return of expressionism in the 1980s, new approaches to Pop in the 1990s and 2000s, and the continued variety of some of the most recent paintings to be made by a younger, «post-medium» generation of artists.

Alongside these artists, the exhibition also showcases works by a younger generation, including Anne Collier, Roe Ethridge, Collier Schorr and Steven Shearer, whose interests reflect those of their predecessors, whilst also presenting their own unique take on appropriation.

It had a profound impact on artists around the world, from Cy Twombly and Anish Kapoor, to Damien Hirst and Tracey Emin, as well as on a younger generation of Italian artists like Maurizio Cattelan, who decided to make art after seeing a mirror self - portrait by the Arte Povera artist Michelangelo Pistoletto.

We contacted Brazilian artists and curators whom we already knew and asked them to introduce us to the Brazilian art world, and then we met critics, independent curators, museum curators, journalists, editors of magazines, residency programme managers, academics, art lovers, gallerists and collectors, always asking the same questions on our quest to find the best of the new generation of young artists who are emerging in the Brazilian art world.

The works we now present illustrates important lines and tendencies in the Astrup Fearnley Collection's history — from the 1960s British and European pop painting and German Neo-expressionism via the British YBA - artists and the American appropriation artists in the 1980s and 1990s and to the past decades focus on the younger generation of international contemporary artists.

This young generation of artists investigates the «fourth wave of feminism» by producing works that focus on the representation of the female body and identity within the virtual and the everyday; taking charge of their own portrayal and challenging the discourse around ownership the male gaze is averted.

Pieter Vermeersch, (1973 ---RRB-, one of the younger generation of artists here, responds to ideas explored by artists like Piet Mondrian and Ad Reinhardt, both acknowledged influences on Tuymans himself, by testing the very nature of painting itself.

Known primarily for her photo - and video - based work, Shirreff is part of a generation of young artists whose reflections on photography have revitalized the medium, but who eschew thinking of themselves as photographers in the classical sense.

In the early 1980s three exhibitions in London curated by Lubaina Himid — Five Black Women at the Africa Centre (1983), Black Women Time Now at Battersea Arts Centre (1983 - 4) and The Thin Black Line at the Institute for Contemporary Arts (1985)-- marked the arrival on the British art scene of a radical generation of young Black and Asian women artists.

On the opening night artist group AAS will present performance, Farming The Young / On The Mirrors Of Yukon, described as «a fractal palimpsest of data for future generations»Of Yukon, described as «a fractal palimpsest of data for future generations»of data for future generations».

Recent group exhibitions include Focus Beijing, De Heus - Zomer Collection, Museum Boijmans Van Beuningen, Rotterdam (2014); the groundbreaking show ON OFF: China's Young Artists in Concept and Practice, Ullens Center for Contemporary Art, Beijing (2013), a comprehensive survey of the generation of Chinese artists born at the end of the Cultural Revolution and at the dawn of the country's era of reform; as well as the 2013 California - Pacific Triennial, Orange County Museum of Art, Newport Beach, CA, showcasing the most innovative art produced throughout the PacifArtists in Concept and Practice, Ullens Center for Contemporary Art, Beijing (2013), a comprehensive survey of the generation of Chinese artists born at the end of the Cultural Revolution and at the dawn of the country's era of reform; as well as the 2013 California - Pacific Triennial, Orange County Museum of Art, Newport Beach, CA, showcasing the most innovative art produced throughout the Pacifartists born at the end of the Cultural Revolution and at the dawn of the country's era of reform; as well as the 2013 California - Pacific Triennial, Orange County Museum of Art, Newport Beach, CA, showcasing the most innovative art produced throughout the Pacific rim.