To roll the pizza dough, sprinkle some flour
on your work surface where you will roll out the pizza.
Half the dough and sprinkle some flour
on your work surface where you will roll out the pizza.
Not exact matches
Professor Lanciotti's recent
work revealed that microorganisms died much quicker when placed
on corrugated
surfaces where they get trapped in the paper fibers and die due to a lack of water and nutrients.
Place cotton towel or paper towel
on work surface around
where you will be cutting the dough.
In 1999, she moved to Colgate Palmolive,
where she
worked on materials structure and property prediction for toothpaste, detergents, and hard -
surface care and personal - care products, as well as packaging and fragrance technologies.
For more than 100 years, researchers have
worked under the assumption that smaller crystals melt easily because they have a larger percentage of atoms
on the
surface,
where they're relatively weakly bound to the structure.
The technique, known as microcontact printing,
works like a miniature ink stamp to lay down a pattern of chemicals right
where they're needed
on a
surface.
Moriarty calls the
work elegant, but is surprised that triangulene remained stable
on a copper
surface,
where he might have expected it to react with the metal.In one set of experiments, says Pavliek, the molecule was still sitting
on the copper four days after the team made it.
Although there is new data coming from Dr. Michel Sadelain's lab and others
where they have made a molecule that may
work as a CAR T cell that would then bind to NY - ESO - 1 peptides displayed
on the
surface of a tumor cell.
Jorik is a postdoc in the Brongersma lab in the department of Materials Sciences,
where he is
working on nanostructured
surfaces for the control over light - matter interactions.
Stephen Moss, managing director of Max - Top, commented: «Our modular quartz
surfaces have been a real success in residential environments
where strength and durability is paramount, this is particularly relevant for student accommodation and we are currently
working on a number of projects in this sector.
The spiciest calibration
works best
on sealed
surfaces where there is a faint trace of power oversteer even through third - gear esses, despite total surveillance by various watchdogs.
Once development professionals settle
on a flavor of performance, it's off to various road conditions and
surfaces where the sporty chassis will be put to
work.
So little by little we
worked on teaching him
where his back feet are, how to get all four feet onto a little
surface, jumping onto small platforms, balancing
on shaky
surfaces, climbing and, importantly, safely getting off of things.
And they only
work on plaque
on the
surface of the teeth, not under the gumline
where dental disease begins.
In these smaller
works,
where she focuses
on a mark that one would see in her bigger paintings, she limits the
surface on which she has to
work on expanding her vocabulary by narrowing down
on each mark.
A third strand of
works by artists such as Jane Lee and Jeremy Sharma are responses to the language of abstraction, each artist focusing
on the transformation of the
surface of the painting and
where the evocation of mood takes precedence.
It is about reaching, maybe even groping in the dark for some ideas,
where the
surface is the place
on which the idea is
worked out rather that
where it is illustrated.
Of central focus to his oeuvre are his monochrome
works where — using layers of oil or acrylic gel
on hard reflective stainless steel, aluminum or Perspex — he combs the paint across the
surface in continuous rhythmic movements.
Despite the crude, thoroughly mundane picture
surfaces, Martin's
work has drawn for over 30 years
on various traditions of spiritual abstraction, for which New York,
where Martin has been living since 1975, was the melting pot.
The artist is known for her detailed and sensitive oil pastel
works on chalkboard, as used for her four large
works in The New Four Seasons, but her pictures are what she describes as apparitions, brief moments captured as with her new body of
work,
where the focus is not the trees or landscape but that moment of a leaf or insect disturbing the
surface of the water... full article: http://www.widewalls.ch/myong-hi-kim-the-new-four-seasons-solo-exhibition-art-projects-international-new-york-2015/
Given its scale, it is instructive to compare this large piece with the paintings featured in the show:
where form and an entirely flat painted
surface lend strength to the paintings, the subtle human touch inherent to the printers art yields a different sort of gravity, and perhaps timelessness, to the
works on paper.
Drawings by self - taught artists
surface elsewhere along the pier, including at the booth of Chicago's Carl Hammer Gallery,
where a panoramic composition by the idiosyncratic 20th - century illustrator Henry Darger, whose
work was discovered posthumously, is
on sale for $ 500,000.
Crucial to Hofmann's art and his teachings first in Germany and then in the U.S.,
where he settled in 1932, was his belief in relying
on the overall perimeter of the painting's
surface as a key compositional guide while
working improvisationally and intensifying differences between warm and cool colors — known as «push and pull,» based
on the colors» appearance of advancing or receding.
As Rosen progressed, she began creating
works «
where you start to get the accumulation of things
on the
surface,» Cassel Oliver said, citing
As Rosen progressed, she began creating
works «
where you start to get the accumulation of things
on the
surface,» Cassel Oliver said, citing Classical Order: Red, Yellow, Orange Enamel, in which something that could have could have started life as a preposterously thick plate seems to have sprouted a colorful mound of spherical, spiraling forms.
His exquisitely rendered drawings and paintings draw
on dream imagery,
where the
surface of his
work relates to both the mind and the body, and becomes a skin
on which to create layers of marks, volumes of text, leading the viewer into another world.
In contrast to his previous
work,
where contemporary elements act as incisions into conventional frameworks, here the planes of colour lie
on the
surface of the paintings as colder adaptations to the underlying image.
Exploring the possibilities of the grid since the late 1960's, Willis became a member of the Third Generation of Abstract Expressionists, with his «Wall» paintings
where he
worked in a unique wet -
on - wet method creating linear colored bands across the
surface plane.
As the artist explains in his statement, some of the
works have been rendered as 3D images, adding an element of the absurd
where deep textures
on the
surface of another planet become visible through cheap 3D glasses.
Where Halley's
works rely
on color relationships to create depth in an otherwise flat image, the drawings in Measure borrow the same simple geometric structures while relying
on the materiality of
surface to challenge the limits of human observation.
This new
work hangs
on the wall and dazzles the viewer with its high technological approach to creating a brightly colored
surface where primary and secondary colors are juxtaposed, including thin strips of opposing color at the edges.
These are followed by paintings from the late 1980s and early 1990s made in Chicago,
where Marshall lives and
works and developed a signature practice of painting in acrylic
on the collaged
surfaces of large unstretched canvases.
I had a hard time getting the full meal down the hatch, despite the greasy, slippery, super-tasty vehicle driving the
work's quick «wet -
on - wet»
surface and the career of this fast - paced femme - dandy, which has now reached the mid-point bivouac in her ascent of Mount MoMA,
where she's likely to join the ranks of such luminaries as Alex Katz and David Hockney.
These raw,
worked surfaces find their equal and opposite in the recent sculpture Behemoth (2012),
where the object (a huge cubic pile of cork
on the floor) is impregnated with black pigment, rendering it a mass of
surface.
A collection of richly textured
works, which blend gestural painting, figurative drawing and collage
on everything from small pieces of cardboard to boards measuring nearly 4 x 6 feet, the exhibition is an audacious debut in a city
where the shadows of Abstract Expressionism still loom large whenever an artist splatters, drips, scrapes, pours, or otherwise flings paint at or
on a
surface to make an image.
New Yorkers can see Corse's
work at the Guggenheim Museum,
where one of her early canvases appeared in «
Surface, Support, Process: The 1960s Monochrome» [closes today] or visit the Lehmann Maupin Gallery in Chelsea to bask in the quiet glow of her newest paintings [
on view through March 10].
The
works will be installed
on the gallery's roof terrace
where they will weather and decompose to varying degrees, their delicate
surfaces recording their exposure and deterioration.
«It has been incredible to see how different each
work looks depending
on where and how it is placed — the movement of light looks like water moving across the
surface.»
Free Union, one of the paintings in the exhibition, has been described as:... one of Winters's most striking
works from this period, irregular fan - shaped membranes floating like apparitions
on a silvery, vaporous ground,
where bits of rudimentary, cellular matter
surface and dissolve.
He's been
working for a while
on paintings
where the color,
surfaces and format are akin to film or TV screens, things that are lit from within or involve a type of technological light.
You're still not getting hydrostatic balance, it doesn't mean nothing is happening and you have to bring in another idea into the system to
work out what will happen..., the adiabatic lapse rate will happen, because gases will become more dense and sink when cold and so will find themselves under great pressure at the
surface where they will get compressed and heat up, and heated up they will become less dense and rise and in rising they will cool and in cooling they will become more dense and sink and so
on.
AI functionality,
working transparently behind the scenes, will
surface useful information — people, content and connections — when and
where it is needed based
on work that a lawyer is performing and her role
on the matter team.»
After the event
where Mini was to be introduced, Panos Panay, the current Corporate Vice President of Microsoft Devices, committed to continue to
work on a smaller
Surface.
Sitting in my office (formerly dining room) to the front of my very open floorplan home just off the open foyer, with a million stacks of papers piled
on every available
surface, desperately trying to figure out
where to store anything, how to organize multiple
work projects, how to create enough
work surface, how to keep 3 cats happy OFF the desk, and how to feel comfortable allowing anyone to enter my house without a 24 - hour notice.
The problem is that everything now lands
on all the
surfaces in my office,
where I spend most of my time,
working from home.