One of the most captivating opening ten minutes that I have seen in years and it does not lose your attention
once during the film.
It is one of the most captivating opening ten minutes that I have seen in years and it does not lose your attention
once during the film.
He says more than
once during the film that he's finally doing just what Orson Welles did — and while the first instinct is to laugh, the lingering aftertaste is a sort of tacit acknowledgement that he did exactly what Orson Welles did: he made a few movies he believed in for studios that generally didn't agree with him and mostly with the usual suspects.
Not exact matches
When rolls are being changed, say,
once every 20 minutes, as may be the case with pre-applied zipper
film, that time adds up — over an hour and a half of production time lost in a single 8 - hour shift on a single line,» says Chris Graff, vice-president of sales and marketing at the Massachusetts - based Butler Automatic Inc. «That's an hour and a half's worth of packages not being made, shipped and sold from that line
during each shift.»
Mel Harder of Indians
once discovered that Sal was failing to point toe toward the plate
during delivery, checked old
films, found that the guilty party was Sal's left heel.
And most Coen
films revolve around a simple story line like this, but
once those opening credits start to roll, it's kind of like having sex
during a blizzard.
Miyagawa and Takemitsu contribute
once again, and although the first half of the
film setting up the pair's flight is a bit rote and conventional (featuring far too many plot devices advanced by one character clandestinely overhearing the conversation of another), the movie gets its blood boiling
during the second half, which depicts the injustice of their plight and the rage of Iwashita's family, who want to kill her for her shameful misdeed.
Producer Mike Kaplan has gone the extra distance to find interviews and behind - the - scenes footage shot
during filming on location in Maine, conducted new interviews and shared his own vivid memories of making this lovely picture with director Lindsay Anderson and a
once - in - a-lifetime cast: Bette Davis, Lillian Gish, Ann Sothern, Vincent Price, and Harry Carey, Jr..
Speaking of blazes: Escape from New York is a fun
film to revisit if you grew up
during that era, like I did, and enjoy taking a stroll down Nostalgia Lane every
once in a while.
Once again starring Pilou Asbæk, the
film portrays a Danish Army major whose life begins to unravel after he causes the death of a dozen women and children
during a high - risk mission in Afghanistan and now faces a war - crimes tribunal... Gaspar Noé is back!
Often the butt of many jokes as the
film we all saw at least
once a year, when it played on TV
during the holidays right after It's a Wonderful Life!
Walt Disney Pictures feel very confident on the
film itself, and are going to be a force
once again
during the season.
The
film will see Watts as «a woman who was
once a celebrated counter-culture figure who now lives alone in her Bronx apartment, having all but cut herself off from the outside world
during the notorious «Summer of Sam» in 1977.
He
once again made extensive use of the tracking - shot technique and
filmed during the «magic hour» whenever possible.
At one point
during filming, Franco musters a squinty - eyed, narcotized grin — warm and wry at
once — that's familiar to anyone who's ever seen him act.
While the action wastes no time in starting up, the story - beats do get a little repetitive and I glanced at my watch more than
once during the final third — surprising as the
film only runs for 90 minutes.
It's an eloquent moment, and it comes just before the second act of the
film,
during which a cascade of ridicule and recrimination descends into revelations of adultery, betrayal, and racial invective, laying bare the core of unrest in the hearts of minds of hard - court heroes,
once upon a time.
When: October 17th Why: Alejandro Gonzalez Iñarritu was part of the Mexican Invasion that occurred
during the early naughts along with Guillermo del Toro and Alfonso Cuarón, but after his 2006
film «Babel,» the
once - promising director practically disappeared.
The plot here is entirely predictable but as with Ozu's family dramas the real meat is in the
film's visual aesthetic and cultural context, at
once captured most intensely
during a scene where Teresa witnesses a financial crisis - related suicide with all the suddenness of an Alfonso Cuaron action sequence and Chen captures her jaded shock by shooting her from low angles through light - heavy filters.
An important secondary role is badly acted; the
film might have gained from a less closety approach to the characters» sexual impulsions; and
during its course it is often more tedious than interestingly harrowing — but,
once done, it does stick in the mind as the work of a director of real potential, and not in the craw where most of the festival entries eventually lodged.
During filming, Sestero was at
once costar, fixer, and Wiseau whisperer.
Although the
film is short at 86 minutes, even that seems too long — there is fully half - an - hour of scene - setting
during which the story makes no progress before the two main characters find themselves on the island, and
once they arrive there significant chunks of the time is filled with their rolling in the sand or with musical numbers designed to let Madonna strut her stuff.
Nimoy was even less eager than before to come back —
during this time, he had directed a
film version of his one - man play «Vincent» (1981), in which he played Theo van Gogh, and gave an Emmy - nominated performance opposite Ingrid Bergman (in her last role) in the mini-series «A Woman Called Golda» — but agreed to come back with the promise that Spock would be killed off
once and for all.
Conceived by David S. Goyer and Christopher Nolan
during the writing stages of The Dark Knight Rises, the story of Man of Steel attempts to make Superman relevant to the modern age again, eschewing the traditional adventure narrative of the Richard Donner
film, or the morose navel - gazing of Bryan Singer's 2006 reboot, and instead aiming to at
once examine Kal - El's place in the world.
This six - hour
film will screen
once during the Festival.
Once again, Zhao's craft with these actors makes one often wonder
during the
film if this is a documentary.
During a recent roundtable interview for his forthcoming
film «Star Trek Beyond», Urban
once again went to bat for fan - favorite flick.
Adapted from sports journalist David Walsh's book Seven Deadly Sins: My Pursuit Of Lance Armstrong, the
film will follow the cyclist's meteoric rise, battles with cancer and equally fast fall
once it was proved that he had been using performance - enhancing drugs
during his successful years.
During the interview, Baccarin was
once requested which superhero she'd love to play in a
film.
Those lines from early in the
film take on new meaning
during its final scenes as we watch Ronsel leave his home
once more.
I should also say that genre veterans The Newton Brothers (Ouija: Origin of Evil, Proxy)
once again provide a sensational score, their music
during the otherwise ponderous and forgettable climax gifting the
film with a sense of energy and tension it otherwise wouldn't have.
Director: Leslye Headland Starring: Alison Brie, Jason Sudeikis, Adam Scott, Jason Mantzoukas, Natasha Lyonne, Amanda Peet Every
once a while
during the
film festival circuit you...
Dinklage, for some reason, spends the entire
film doing a voice which I think was meant to indicate that he was from the hood, and although he did admittedly make me laugh
once, the one and only time I laughed
during the run - time of this supposed comedy, Josh Gad messed up completely.
Once the premise is established
during the first 30 minutes of the
film, Tommy Boy then becomes a road - movie.
The
film for the most part goes where one might expect, with the two becoming fast friends
during some winter hibernation only to be pulled apart
once the thaw begins as each culture wants to punish the other for their tresspasses.
During the
filming and videoing for this review I managed to drop it a couple times —
once from chest height onto a hardwood floor - and the 9900 emerged unscathed.
While closeby to Puerto Vallarta's famed nightlife, art galleries and gourmet restaurants... which have sprung up over the years thanks to the fame brought to this
once sleepy town by Richard Burton and Elizabeth Taylor
during the 1963
filming of John Houston's Night of the Iguana... Velas Vallarta offers a wide assortment of gourmet Mexican and Italian food along with fresh local seafood.
With an exhibition title like «Dwan Gallery: Los Angeles to New York, 1959 — 1971,» you'd expect to find a show featuring classic paintings, sculptures, drawings, photographs, and
films that
once might have graced the pages of Artforum, the influential art journal which, like the gallery in question, migrated from Los Angeles to New York
during the late 1960s.
The stop - motion
film technique is employed to animate the G.I. Joe action figures the artists
once used to create similar narratives
during childhood.
It will likely be re-edited
once again
during filming.