Amongst other
works, the exhibition also includes a new commission The Ballad of Special Ops Cody (2017) as well as his well - known «The invisible enemy should not exist» (2007 —
ongoing) a series of sculptures that represent an attempt to reconstruct
archaeological artifacts from the National Museum of Iraq, following the 2003 US invasion.
The historical density of a hall of Mesoamerican
archaeological relics contrasted with the cool veneer of Iman Issa's po - faced play on museological etiquettes («Lexicon», 2012 —
ongoing): formalistic sculptures placed under plaques describing unspecified historical art
works to suggest the symbolically disassociated binary of form and its naming.