Prompted to complete the statement «The truth is...» while looking into a camera, the public's responses are being recorded and compiled as part of
an ongoing global exhibition.
Not exact matches
In keeping with our mission to investigate critical moments in the interconnected histories of
global black life, Goodman Gallery is pleased to present To Be Young, Gifted, and Black the next edition of the
ongoing series Working Title, an
exhibition curated by one of our most thoughtful and provocative artists, Hank Willis Thomas.
The
exhibition will feature new portraits of Diane von Furstenberg by four leading figures in Chinese contemporary artists — conceptual artist Zhang Huan, photographer Hai Bo, painter Li Songsong, and multimedia artist Yi Zhou — resulting in a dialogue that brings the narrative of Diane's
ongoing collaborations with visual artists into the
global age of the twenty - first century.
Seikkula's current ACT OF THE WORD
exhibition celebrates world's oldest Freedom of the Press Act at the Kulturhuset in Stockholm by contributing to the
ongoing,
global discussion of the free word and the Swedish media context.
That Cai has never become conversant in English — his studio assistants interpret for him — reinforces his
ongoing status as a migrant within the
global art system Since establishing New York as his base of operations, Cai has continued to produce explosion events, gunpowder drawings, installations, and social projects and participate in biennials, group
exhibitions, and solo
exhibitions in cities around the world.
As part of the Lab's
ongoing global dialogue about urban life, this
exhibition considers the major themes and ideas that emerged in each city as a foundation for exploring perspectives on urbanism today.
Her research and curatorial projects are determined by the specific socio - political conditions: OtherIS (2011 -
ongoing) is a curatorial platform of video art relating to the US - sanctioned countries; Avant - Guide to NYC (apexart, 2009) redressed historical referents of art in the city within the present; Custom Car Commandos (Art in General, 2009) cross-sectioned the auto industry in crisis with the image industry; Soap Box Event by Pia Lindman (Federal Hall National Memorial, 2008) practiced performance of free speech; among numerous other projects since 1995, when she curated the Third Annual
Exhibition of Soros Center for Contemporary Art in Vilnius, Lithuania (1995) in the post — Soviet conditions at the emergence of
global networks.
With the recent events such as the
global Women's marches, the provocative protest at The Whitney Biennial over Dana Schutz's use of the picture of Emmet Till and
ongoing fervent feminist protests (2010, 2014, 2015) at Carl Andre
exhibitions, we surely seem to find ourselves in turbulent times reminiscent of the chaotic nineteen - sixties.