Sentences with phrase «only artists on view»

And while the Bazaar Teens boast on - site money shredding, they certainly aren't the only artists on view who claim to use real currency in their work.

Not exact matches

(It is worth noting that only eight Hauser & Wirth artists can be found among the artists on view, and that amid the nearly one hundred works in the show, less than 20 percent are available for sale.)

Last year this stalwart Zurich - based dealer opened a New York outpost, where a hot - colored delectation from the Austrian installation artist Gerwald Rockenschaub is on view only through Friday night.

The only requirement to be on view in the exhibition was that artists needed to use the gallery - supplied 10» x 10» panel.

It ranges from the NMWA's women only collection and exhibition - programme to an entire wing of the Brooklyn Museum being dedicated to feminist art; there's also The Metropolitan Museum of Art's decision to show work by lesser - known artists like Helen Torr and Elizabeth Catlett that has never been on view in «Reimagining Modernism: 1900 — 1950» (the rehang of their modern art collection); and there's the recent acquisition by the Tate of a painting by Mary Beale, who is regarded as Britain's first professional female artist.

From Claudia Hart's critique of digital technology and the misogyny of gaming and special effects media to Carla Gannis's performance video where the artist competes with her virtual self; from Cynthia Lin's monumental drawings detailing minuscule portions of skin to Laura Splan's mixture of scientific and domestic in molecular garments and Joyce Yu - Jean Lee's challenge of conventional viewing perspectives; from Christopher Baker's examination on participative media to Victoria Vesna's collaborative project on social networking, identity ownership and the idea of a «virtual body» — the show guides the viewer through an array of captivating approaches that challenge not only current media ideologies but also conceptual paradigms underlying today's digital art, the question of disembodiment and post-humanism in particular.

On view at the San Francisco Museum of Modern Art (SFMOMA) from October 15, 2011, through January 16, 2012, in its only West Coast presentation, Richard Serra Drawing: A Retrospective is the first - ever critical overview of Serra's drawings, offering new insight into both the artist's practice and the possibilities of the medium.

On view September 18, 2013 — January 19, 2014, Matisse's Marguerite: Model Daughter brings together more than 40 prints, drawings, paintings, and sculptures from the BMA and other public and private collections to show Marguerite over the course of 45 years and provide a fascinating glimpse of the artist's relationship with his only daughter.

Albrecht Dürer (1471 — 1528) is widely considered the greatest German artist, the Albertina Museum in Vienna, Austria, will lend to the National Gallery of Art 118 works on paper by Dürer for a magnificent exhibition that will be on view only in Washington.

The only two - dimensional work in the exhibition is Close's Self - Portrait / Five Part (illustrated top), a tapestry based on daguerreotypes of the artist's head at various angles joined together to form a panoramic view.

With only two rooms dedicated to exhibiting an output spanning the decades between 1974 and 2000, the collection of drawings, collages, videos and several sculptural installations that are on view provide an electrifying, if woefully abridged, introduction to an artist still largely working in obscurity.

For the gallery's debut Jan. 31, the only other artist to share the space with LeWitt is Tara Donovan, whose 2009 «Untitled (Toothpicks)» will be on view among two LeWitt floor sculptures, one LeWitt hanging sculpture and a LeWitt mural.

Even if Bourgeois, like many women artists, did not necessarily like to be pinned down to being (only) a woman artist, her critical view of patriarchal power and its warping effect on relations among women, is one of the foundations of her work.

On view through January 24, Reeder's «Chicago Works» exhibition represents a seismic change not only for the MCA, but for every young artist in the city.

Along with others active at this time, these three artists questioned, for example, whether a painting had to be a flat, rectangular object mounted on a stretcher, affixed to a wall, and viewed from one vantage point; that paper was only a surface to be painted, printed, or drawn on, rather than a medium for creative manipulation in its own right; or that there was only one way for a work of art to be installed.

The only curved canvas the artist has made in the last few years, which shows Kelly's more lyrical side, is a dark blue and white painting, and is also on view here.

Stuart's work has only started to gain more traction, especially with Dia: Beacon placing her Sayreville Strata Quartet scroll works from 1976 on long - term view just last year, and Jacques added that her presentation of some of the artist's works on paper — which dialogue with photographs by Ana Mendieta, who already has a strong institutional presence — had garnered a lot of interest.

Launched on January 17 and featuring the work of 11 artists, each image comes from the one luxury car interior but its object is viewed only in isolation at any given time.

Prints from the artist's renowned Notion of Family series will be on view alongside portraits Frazier has made in collaboration with her mother, and works that address the recent closure and demolition of Braddock's only hospital.

Tilda Swinton Is Currently Art at MoMA — The actress and artist has brought a performance piece titled The Maybe to the museum in which she lies in a glass box for the whole day (but only on random days, with an unannounced schedule) for the viewing pleasure of agog visitors, and it turns out she did this at London's Serpentine too all the way back in 1995 (predating James Franco!).

«Honoring Willie White» stands as an important exhibition not only due to the breadth of works on view, but also because it reminds us of the power of so many of the South's marginalized self - taught artists.

For more in this series, see my thoughts on Private views, Art itself, Appointment only exhibitions, Artificial Intelligence replacing artists, Everyone's a Critic, Photo London, The Turner Prize, Art for art's sake, Conceptual art is complicated, Condo, How performance art is presented in museums, Frieze week floozies, too much respect for an artist's legacy, opinions not being welcome, an exhibition across three countries, tackling race and gender in art, artist - curators, art fair hype, top 5s and top 10s, our political art is terrible, gap left by Brian Sewell, how art never learned from the Simpsons, why artspeak won't die, so - called reviews, bad reviews are bad for business, the $ 179m dollar headline, art fairs appealing to the masses, false opening hours, size matters and what's wrong with video art.

Currently on view at YBCA, San Francisco is «It Only Happens All of the Time,» a solo exhibition of Los Angeles - based artist Jacqueline Kiyomi Gordon featuring works in sound, installation, and sculpture.

Over the past year and a half, the artists and individual works on view in American Legends have rotated for various reasons, among them conservation requirements (works on paper and photographs can typically be on view for only six months) and loan commitments (for example, Marsden Hartley paintings are on view in Berlin and the White House is borrowing work by Edward Hopper), but the inclusion of postwar artists was a substantive change, inspired in part by our simultaneous work on the Whitney's Robert Indiana retrospective.

American artist Keith Sonnier's Fluorescent Room, originally exhibited in 1970 and on view only four times prior to its installation at NOMA.

A complex piece in Zaatari's overall oeuvre, Time Capsule not only serves as a sort of sequel to the artist's earlier video In This House (2005), for which he unearthed a letter buried by leftist militants in 1991 (right after the Lebanese Civil War ended), it also links the experience of the Arab Image Foundation, which Zaatari co-founded in 1997 (he recently resigned from the organization's board, which inspired the time capsule project), to that of Beirut's National Museum, where dOCUMENTA (13)'s team found the wrecked objects that are now on view with Adnan's painting tool in the rotunda of the Fridericianum.

This decision would prove indispensable as his philosophical training would go on to inform not only his art but also his views on abstraction in general throughout his life as an artist.

At Kristin Smallwood's debut solo exhibition IUD, now on view at American Medium in Bed - Stuy, the only way to access the art is by walking over scores of women (including photos of the artist herself), adhered endlessly and stickily to the gallery floor.

There are 58 artists spread out across 18 official Prospect venues in the city, which is only a fraction of what's on view when you consider the 50 or so satellite events.

Though only a small selection of Still's 1,500 drawings are on view, they reflect a practice of lifelong visual inquiry and show drawing to be an important, perhaps crucial, tool in Still's dramatic evolution from regional artist to icon of the New York School.

The artworks on view demonstrate that Poe's texts have not only influenced writers, but visual artists as well.

Interestingly, while turning the viewer's attention to what one would normally dismiss — and certainly not warrant close inspection — the work takes various forms and affects, not only in relation to the space it is exhibited in and in terms of scale, but also in accordance to its designated context, be it a solo or a group exhibition (in the latter case shaping the viewing experience of other artists» works on display).

Most of the objects selected for display have not been on view in decades, and through them visitors can compare Japanese artists from the seventeenth century with later artists, and see the changing tastes not only in Japanese art, but also among American collectors.»

When working with biographical material, the artist found the overall subjects pressing and realised that some things are simply too important to only have a single mind's view on it — hence resulting in a group exhibition.

Parallel to this digital - only vision, the artists» are participating in the exhibition Ungestalt, concurrently on view at Kunsthalle Basel.

On view across 525 and 533 West 19th Street, this is the artist's first show in the city since 2007, and the only New York presentation since Bridget Riley: Reconnaissance at the Dia Center for the Arts in 2000 to feature new and older works.

Atlas's other works on view, Painting by Numbers and Plato's Alley, also deal in a retro - futuristic aesthetic familiar not only from the Wachowski Brothers» blockbusters but also from the work of artists like Ryoji Ikeda, whose video installation The Transfinite took over the Park Avenue Armory in similar style last spring.

IN AN ERA WHEN COUNTLESS ARTISTS are creating untitled abstract and conceptual work, there is a certain satisfaction in viewing paintings by artists who not only remain fixated on figures, but also relish the art of naming their caARTISTS are creating untitled abstract and conceptual work, there is a certain satisfaction in viewing paintings by artists who not only remain fixated on figures, but also relish the art of naming their caartists who not only remain fixated on figures, but also relish the art of naming their canvases.

The only requirement to be on view in the exhibition is that artists needed to use the gallery - supplied 10» x 10» panel.

A 2015 Artnews article by National Academy Museum chief curator Maura Reilly revealed that women artists made up only 20 - 30 percent of solo exhibitions at U.S. museums since 2007, and a recent count of the permanent exhibition displays at MoMA counted 7 percent of works on view were by women.

An installation of MARASELA's drawings will be on View on this day ONLY at The About Artist Studio, Santa Croce 1165, 11am - 5 pm.

Light Wishes Only to Be Land In the language of painting, flatness and depth are usually opposites... Light Wishes Only to Be Land, a group show curated by AAC Residents Artist Becca Kallem features her work along with Tom Bunnell, Mike Dowley, Liz Guzman, and will be on view in the Wyatt Resident Artists Gallery on the Upper Level Aug 13 — Oct 2, 2016.

The only way to do that is to erase the barriers between communities, artists, the art on the walls, and the resources to make and view it.»

For the first time in our gallery, Julie Mehretu's most recent tour - de-force large - scale etching, «Myriads, Only By Dark» will be on view, accompanied by previous editions Mehretu created with Gemini G.E.L., the Los Angeles - based artists» workshop.

Tucked away in an apartment on Canal street moonlighting as a gallery, Club Rhubarb is the brainchild of artist Tony Cox who organized the group exhibition «Digging for Diamonds in the Disco» on view until February 25th, by appointment only.

On view October 29, 2016 to January 29, 2017), essays explore Ensor's life and legacy, while leading contemporary artist Luc Tuymans comments on his selection of Ensor's works, offering a distinctive view of Ensor, one only another artist can providOn view October 29, 2016 to January 29, 2017), essays explore Ensor's life and legacy, while leading contemporary artist Luc Tuymans comments on his selection of Ensor's works, offering a distinctive view of Ensor, one only another artist can providon his selection of Ensor's works, offering a distinctive view of Ensor, one only another artist can provide.

Only twenty - five years old, the French artist has already produced a small but compelling body of work that includes sculpture, video, installation, and conceptual photography, all of which were on view in «Tectonic Plates or the Jurisdiction of Shapes.»

We recognized that artists view the world in a fundamentally different way, and that the works they produce offer the viewer not only beautiful visions of that world but also provocative reflections on the issues of our time.

And when you realize that most of the works on view are the only works by the particular artist in the collection, sometimes the only work to represent an entire movement or national school, the depression only sets in more deeply.

Over the last few weeks I have encountered a rather odd collection of sculptural things: the postwar ceramic sculpture of Lucio Fontana and Fausto Melotti bursting with dynamically glazed and roughly handled surfaces, currently on view at the Nasher Sculpture Center; The Age of Innocence, a victorian bust in three different materials by the English sculptor Alfred Drury at the Henry Moore Institute; a visit to Henry Moore's house, studios, and now foundation at Perry Green, and most recently what I can only describe as a wonderfully insane lecture by the contemporary sculptor Thomas Houseago, which involved an increasingly drunk, cursing artist saying some surprisingly sincere, profound things about sculpture.