Not exact matches
Eager to draw the millions of viewers that some uploaders were getting, Boivin put some of his short
films up on the site,
only to be disappointed when the
big audiences didn't come.
Disney and Marvel obviously know what they're doing with superhero movies — they've brought some of the
biggest franchises to screen — however, at the same time, making every single
film need to fit inside the already established franchise starts to limit the amount of creative license any one director can have on future characters as Marvel's Cinematic Universe
only grows larger.
$ 147 million is not
only the
biggest opening weekend for the «Fast and Furious» franchise, but it's also now the highest - grossing debut for an April
film, topping 2014's «Captain America: The Winter Soldier» ($ 95 million).
Captain America: The Winter Soldier, this year's top - grossing
film so far, came out in early - April and the scattering of
big movies around the calendar is one reason why all 2014
films have
only grossed about 5.4 % less than all
films had last year at this point.
Meanwhile, Netflix (nflx) is second to
only Time Warner's HBO (twx) in terms of TV category nods (nine to HBO's 12), while the streaming giant also picked up three
big nominations in the
film categories, including two for its original feature
film Mudbound.
Filmmakers, media companies, and the music industry are
only taking on small - scale VR projects, like promotional and marketing - related short
films, and are not investing huge amounts of money on
bigger projects until VR becomes more mainstream.
Considering the subject of the
film is more or less an interpretation of Scripture on the
big screen, Paul earning $ 12 million is not
only surprising, but perhaps another future signpost for Hollywood to sit up and take note.
Come Sunday is no different from those
films that wrestle with
big, nuanced themes because it not
only looks at what Pearson went through but also his church that went through it as well.
That Avatar «s melodramatic attacks on corporate interests and its defense of simple, natural living come packaged as one of the most expensive, and probably the most technically advanced, corporate
films in history would seem to indicate that
only quality
bigger than the movie's stupidity is its head - in - the - clouds hypocrisy.
By uploading an Instagram video using #SwingTheVote and starting with, «I would vote if...» young would - be voters can not
only star in the
film, but also ensure the issues they care about — no matter how
big or small — are heard.
During an early screening of Roland Emmerich's latest disaster flick 2012, which opens today, laughter erupted in the audience near the end of the
film thanks to corny dialogue and maudlin scenes (among the
biggest guffaw getters: a father tries to reconnect with his estranged son on the telephone,
only to have the son's house destroyed just before he could say anything).
He thinks it could have a
big impact not
only on robotics, but also on games and
films — CGI characters would be able to interact with the world more naturally, for example.
I've yet to get the chance to go and see this
film, but I really do want to — if
only to see the dress up on the
big screen which is just GORGEOUS!
I want to thank Bear from Lolli & Pops for sponsoring the candy bar, Joann and Marilyn for showing up early and helping, Emily for taking these photos and helping set up and clean up, Laura for
filming the «get ready with me» video... (coming soon) Glam Squad for getting me ready - specifically Erik and Christopher who made me feel so beautiful and relieved a lot of stress, Roger for his undying support, all of my friends for coming and my beautiful mom for driving 6 hours to, not
only come to my premier party, but to scrub my kitchen and help me set up... I am so grateful and genuinely touched that you all care and put so much effort into a
big day for me.
But
only now is the
film's director Nick Cassavetes revealing one of the
biggest secrets from 18 January 2018... Ryan Gosling news, gossip, photos of Ryan Gosling, biography, Ryan Gosling girlfriend list 2016.
Hey, I like Turturro and all, but, as «Barton Fink» will tell you, he's not a
big box office draw, and you need
only look at this
film's critical reception to realize that, because I'm not saying that this
film was a commercial disaster, but it's become forgotten ever since it drove Refn's Jang Go Star company into bankruptcy and ostensibly drove Hubert Shelby, Jr. to death a year later.
Of all the great
films of the 1960s, The Good, the Bad and the Ugly is one of a fistful that can be truly appreciated
only on the
big screen.
The
film's
biggest (and, truthfully,
only) laugh comes from seeing ex-major leaguer Todd Zeile and current steroidal slugger Jason Giambi credited as executive producers.
Sahara's
biggest problem is twofold: the
film's subtle ideological bent is alarming, and, in the lead, McConaughey is
only just barely tolerable.
The
film aims for a dry authenticity that
only fractionally reflects the
big, wild volume on which it's based, cutting away nearly all of its poetry and most of its madness.
Very Bad Things features a pretty terrific cast; while it features no real «
big time» stars other than Cameron Diaz - who
only achieved that status upon the release of Mary, which happened after this
film was already done - it offers a very solid list of quality actors.
The
biggest shortcoming — and perhaps the most /
only significant one of the entire series — may be that viewers entering the
film without reading the books will not be able to comprehend nearly as much as those who have.
They were also better than those of any other major studio, leaving Disney the
only one of the seven majors to receive a grade higher than a C. Interestingly, Disney's three Marvel - related
films (including
Big Hero 6, which is not part of the Marvel Cinematic Universe) were not just the studio's highest - grossing releases, but were also the highest - scoring Disney
films with critics.
Second
only to The
Big Sleep as the best of the love birds» quartet of
films together (the others were Dark Passage and Key Largo), it's yet another gem from Howard Hawks, still the most underrated of all great American directors.
Casting isn't the
only reason the
film works as efficiently as it does, but it's probably the
biggest.
Formulaic
films are released every week, but it's rare that one has a $ 100 million budget,
big stars whose roles are embarrassing to watch and unusual special effects that
only serve to mask a predictable plot and cliche - ridden scenes.
The
bigger cameras have forced Bay to step back and steady his shots more and that was basically the
only complaints I ever had with the other two
films as far as the action went.
Milius has nothing to say: this 1982
film only hints at the romantic heroics of «The Wind and the Lion» and has none of the personal quality of «
Big Wednesday.»
This was also the first time Joseph not
only got top billing (his name was even
bigger than the director's name in the end credits) but his character completely carried the
film.
Even though Sony released
only one positively reviewed
film in 2010 and managed to boost that total to six
films in 2011 (led by best picture nominee Moneyball), its overall Metascore still dropped nearly two points last year, while the studio's average Metacritic user score was also the lowest among the
big six distributors.
Though American actress Theresa Randle has
only been in
films since 1990, she has already worked with some of the
biggest names in Hollywood.
Most of the
film's subplots are inconsequential in the
big picture and really
only involve stalling, the all - powerful villain is mishandled, and
big problems seem to have simple solutions that come off as cop - outs.
In honor of the upcoming re-release of Studio Ghibli's 1991
film Only Yesterday, directed by Isao Takahata, GKids is helping them show six of the best Ghibli
films on the
big screen.
, the so - sad - they - can -
only - be-Irish melodies of Carter Burwell's Miller's Crossing score, or even with The
Big Lebowski, where they concocted a soundtrack as strange as the characters in the
film, assist on that one to a young Kenny Rogers.
i
only wish those thousands went to work on movies of more substance than fighting robots... and you don't have to apologize to me, i can in fact compare «Real Steel» to «The Fast and the Frivolous»
films because in essence they are one - in - the - same, simply just the flavor of the week kind of flicks that have no real pull behind them other than
big name actors, CGI and a promise of action.
The
only film I quote more is The
Big Lebowski.
The power of women has been the theme this season and
only three
films have female writers — Lady Bird (Greta Gerwig), The Shape of Water (Vanessa Taylor is the co-writer with director Guillermo del Toro) and The
Big Sick «s Emily V. Gordon (co-writer with husband Kumail Nanjiani).
His last two March releases, Watchmen and 300, both had
big openings, however, his latest
film, the $ 80 million Legend of the Guardians: The Owls of Ga'Hoole
only took in $ 16 million to start.
Their
films have always been about the pitfalls of dreaming
big, but with enough silliness to make it not
only palatable, but oddly noble.
Warner's confidence in this ambitious
film is not unfounded, as Ron Howard has constructed a
film that is not
only hugely enjoyable, but
big on technical achievement, and while the
film may not be banging on voters doors over the coming weeks in the main categories, expect to see nods for the glorious effects, sound and the photography.
This is
only director Shira Piven's second feature
film, and «Welcome to Me» stars
big names like Kristen Wiig, Joan Cusack, Jennifer Jason Leigh and Tim Robbins.
That's harder said than done, resulting in a relationship that not
only feels more real than most of the
films this year, but plays a
big part in its success as a romantic dramedy and an enchanting piece of science fiction.
Grossing $ 90 million at the domestic box office (the equivalent of $ 228 M today), the
film was the fourth
biggest earner of 1983, trailing
only Return of the Jedi, Terms of Endearment, and Flashdance, the latter two also part of a banner year at Paramount under the guidance of rising, Disney - bound Hollywood power players Michael Eisner and Jeffrey Katzenberg.
The
film team review this week's
big cinema releases in the audio -
only version of the Guardian
film show
Some of these are
only implicit; during the
film's
big softball - game set - piece, I was staring dumbly at the screen, trying to figure out if the guys in tight, bulging shorts and / or cut - off, midriff - baring T - shirts were being subtly coded as gay, or if those outfits were simply part of the tough - guy fashion repertoire of the time.
With adaptations of superhero comics to
film, it seems that the
only thing of interest to the
film maker (s) is getting the shiniest and
biggest effects on screen along with «kick - ass» action sequences and one - upping each other on the adrenaline level.
Ryan Coogler's Marvel movie is drawing in audiences at a pace
only a few
films ever released can match, and within the next week it is likely to pass the domestic runs of some of last year's
big superhero hits like «Thor: Ragnarok,» «Guardians of the Galaxy Vol.
Only time will tell whether the series will achieve classic status, but right now the
biggest surprise is the twinge of sadness the final
film conjures at its conclusion; the knowledge that there is nothing more to come.
It's a dark, funny, lightning - quick pivot that not
only sets the tone for the
film to come, but encapsulates the gamut of Farrell's abilities in a couple of minutes and embodies the very epicenter of his appeal: he can be handsome, charming and softly appealing with those
big brown eyes beneath those expressive brows, but simultaneously he has a thread of volatility and nervous energy that could very well manifest in thuggish violence.
«Not
only was she able to challenge stereotypes in
film and find success by starring in one of the
biggest blockbusters this year, she also used that success to shine a light on her own industry and push the boundaries on gender equality in real life.»