Behind these eyes one finds
only blackness, the absence of light.
Not exact matches
It was a small, southern community, with a long history, deep roots and consistent Christian morality The
only visible difference was our whiteness or our
blackness.
Where for eternity past there had been warm fellowship and a loving relationship, there was now
only broken fellowship, a sense of deep and agonizing loss, a hopeless despair, and the
blackness of depravity.
On Saturday night of a holiday weekend,
only the occasional yellow streak of a speeding taxi obscures the slick
blackness of the asphalt.
The son questions why anyone bothers with cave diving, and, with these shadowy recesses leading to
blackness and constricted tunnels that seem to go on forever, we can
only ask how anyone can have the gastrointestinal fortitude to do it.
Two stand - out sequences include Lisa swimming out over a massive open trench with nothing but
blackness below and a headlong rush for the surface lit
only by a red flare as Great White Sharks attack the two women.
The bright red paint job, not
only factory - correct, but literally the same hue it was brought to life with, shines convincingly from all angles and is complemented by the broad
blackness of its scooped hood - a feature unique to T / As - as well as the stripes occupying the upper region of its sides.
There was a cramped side - street to his left, unlit, thick
blackness only yards from the main street.
The front is all screen surrounded by a thin bezel, with
only a small camera breaking up the
blackness.
Focusing is Senua's way of imposing her will on her world, and it's used extensively, not
only in combat but in sequences where she has to listen for the precise direction of the chanting of an evasive boss, or feel her way through the pitch
blackness of a lair where frightful blobbing enemies lurk.
In response to Piper's request, Cassel Oliver added: «It is clear however, that some experiences are hard to transcend and that stigmas about
blackness remain not
only in the public's consciousness, but also in the consciousness of artists themselves.
Blackness, for her, is not
only her subject; it is also her question.
Reinhardt's
blackness is in that the un-color of a picture plane that can not be a plane but can
only be a depth.
He employs the mythological trickster trope ---- existent in nearly every culture's folklore ---- to not
only examine how artists disrupt the status quo and change the way in which we think, but as a signifier of how people of color navigate both real and symbolic social boundaries inherent to their
blackness.
In the past, I have looked up close to see
only black — and then all but jumped out of my skin as a Greek cross appeared out of the
blackness.
These are the
only two African Americans in the original image; their similarity, reduced to their
blackness, completely invisible in normal light and revealed simultaneously (but anonymously) in a flash of light, evokes a profound sympathy between the bystander and the central figure — the spectacle.
The painting is not
only done with blue pigment, but the overall affect is one of a romantic dusk in which the light begins to fall and the blue gradually turns to
blackness.
He may end up with
only the banality of a magazine spread, and yet he, too, is looking at received imagery and speaking of
blackness.
Edwards's power seems
only to grow, not just with the exposure, but with an unexpected connection to
blackness and LA.
Art historian Richard Schiff has written of these works, «Marden's black reveals its qualities
only to those who look and can see its changes... Each area of
blackness has its history, its experiential specificity.»
used for the Biennial speaks to how pervasive the generic view of
blackness remains even in the new global art world, such that «Africa» is broadly and shallowly referenced as a historical and cultural framework, and
only when compatible with a white - led agenda.
It would be a misconception to believe that his attention to urban regeneration, social practice and
blackness engages
only the communities that his projects affect immediately.
«Many marginalized artists were briefly included in the mainstream art world
only to have their art dismissed as examples of «identity politics,»» says Bridget R. Cooks, author of Exhibiting
Blackness.
In certain sets, such as Score for Sustained
Blackness Set 2, the artist moves between bold black sweeps and lighter tones, guiding her nonexistent band through attempts to make a stand, fade into the background, crescendo whenever possible, and remain mindful of the past,
only to fade out.
It extends, too, to the Biennial's
only real concern for
blackness.
In this way, the culture of
blackness no longer remains a category, acknowledged
only during Black History Month or in special exhibitions, but becomes instead the ground from which perception itself unfolds - thereby setting on its ear the view which privileges a white point of view.
An opening gapes in the foreground, a potential escape route from this suffocating expanse, but proves to be a pond reflecting
only the same
blackness.
I think I've
only seen
blackness in abstraction as being an imperative for me, both curatorially and in terms of my academic life.
The faint grey of Dawn, the pale lilac of Daylight and the impenetrable
blackness of Dark each represent a specific time of day, signifying an interest on the part of the artist to not
only cast space, but to capture time.
While this provides much needed and deserved attention for overlooked artistic genius, it does not challenge the status quo, the societal habit of
only acknowledging
blackness en masse.