Not exact matches
Classical discussions of the symbolic and analogical character of religious language were dependent on the metaphysical assumptions of Platonism or scholasticism, which can no longer be presupposed; more recent interpretations often hold that religious
images are
only symbols of man's subjective life.
This trick, in which an
image is
only legible from a single perspective, can be seen in
classical paintings, such as William Scrots» 1546 portrait of King Edward VI.
In Gorky's mature work (from 1944) he was selecting his subject matter in a deliberate
classical fashion, using automatism
only to camouflage and enrich the
images.