Sentences with phrase «only cultural identity»

Not exact matches

Only as a community that does not find its source of identity and vocation within its cultural milieu can the church acquire any intimations of «good news» for its cultural milieu.

Not only did it not possess the shared language, culture, and national identity that have defined many nations; it had more social and cultural variety than even the continent of Europe.

In that church a «fundamentalist» was one who believed not just in the «fundamentals» of the faith, but also in a cultural context that meant flat - top haircuts for men, koolots for women (if you don't know what those are, just rest in the ignorance), exclusive southern gospel quartet psalmnody, and a dispensationalist, separatist, KJV - only identity.

This outlook is counterposed, if only implicitly, to the American public doctrine tracing our cultural identity to New England and other Protestant forerunners.

For Espinosa, food is a catalyst for regeneration and reconciliation in every sense; culinary, political and social — as well as a way to build a whole new cultural identity which both cultivates dignity and peace — a movement which she believes can benefit not only her country, but Latin America as a whole.

Delinking politics and identity is not only relevant for rethinking a new progressive discourse on Europe, but also in the debate on the integration of cultural and religious minorities.

It goes without saying that Tarantino isn't the slightest bit interested in dramatizing Jewishness in any vivid or particularly meaningful way: religious and cultural identity in this film exist only in terms of those movie conventions it evokes and cultivates.

Now basically only 4 American - owned entertainment companies have control over America's cultural identity.

65 minutes rich with poetry, outstanding visuals, spoken word, and of course songs, reflecting on history and not only feminism and «is he or isn't he being unfaithful», but cultural identity, skeletons in the closet, race, sex and self doubt, family ties and so much more.

A pedagogical best practice, CRP «not only addresses student achievement but also helps students accept and affirm their cultural identities.»

So what role is there for religiously trained people — chaplains — to be endorsed by the federal government as the only personnel that they will fund to provide advice and care to children from diverse cultural, religious and ethnic backgrounds in need — to young people struggling with issues of sexual orientation and identity, with bullying or family violence, death and trauma?

It is only then that I can employ strategies, which are effective and aligned with students» cultural identity.

At the Frankfurter Buchmesse 2016, it wasn't only the presentation of the Guest of Honour, Flanders and the Netherlands, that demonstrated what determines our cultural identity, or how a sense of belonging can develop across borders.

«Given these natural assets and their importance to the cultural identity of the UAE, there is a world of opportunity for a new kind of tourism in Abu Dhabi that not only raises awareness on the unique biodiversity of the Emirate, but can also play a role in celebrating and safeguarding the cultural heritage of its people.

Tseng Kwong Chi (1950 - 1990) was not only a photographer but a performance artist, provocateur and documentarian who traversed the globe subversively exploring notions of cultural identity, perception and the role of the individual amidst iconic and sublime locations of the world.

Named after the artist's only appearance at the Biennale, in the French Pavilion's 1956 show Femme de Venise, it explores concepts of national identity and cultural policy.

«American Art Today: Faces and Figures,» The Patricia & Phillip Frost Art Museum (formerly The Art Museum at FIU), Florida International University, Miami, FL, January 17 — March 9, 2003 «The Harlem Renaissance and Its Legacy,» Worcester Art Museum, Worcester, MA, January 18 — April 13, 2003 «A Century of Collecting: African American Art in the Art Institute of Chicago,» Art Institute of Chicago, Chicago, IL, February 15 — May 18, 2003; catalogue «Structures of Difference,» Wadsworth Atheneum Museum of Art, Hartford, CT, February — April 13, 2003 «The Space Between: Artists Engaging Race and Syncretism,» Davis Museum and Cultural Center, Wellesley College, Wellesley, MA, March 18 — June 8, 2003 «Visual Poetics: Art and the Word,» Miami Art Museum, Miami, FL, April 25 — November 16, 2003; brochure «Visualizing Identity,» The Jack S Blanton Museum of Art, University of Texas at Austin, Austin, TX, August 27, 2003 — January 4, 2004 «Drawing Modern: Works from the Agnes Gund Collection,» Cleveland Museum of Art, Cleveland, OH, October 26, 2003 — January 1, 2004; catalogue «Skin Deep,» Numark Gallery, Washington, D.C., March 15 — April 26; brochure «Only Skin Deep: Changing Visions of the American Self,» curated by Coco Fusco and Brian Wallis, International Center of Photography, New York, NY, December 12, 2003 — February 29, 2004; traveled to Seattle Art Museum, Seattle, WA, 2004; Museum of Photographic Arts, San Diego, CA, 2005; catalogue «Supernova,» San Francisco Museum of Modern Art, San Francisco, CA, 2003 «Fast Forward: Twenty Years of White Rooms,» White Columns, New York, NY, 2003; catalogue «Today's Man,» curated by John Connelly, Hiromi Yoshii Gallery, Tokyo, Japan, 2003 «The Disembodied Spirit,» curated by Alison Ferris, Bowdoin College Museum of Art, Brunswick, ME, 2003; catalogue «The Alumni Show,» curated by Nina Felshin, Ezra and Cecile Zilkha Gallery, Wesleyan University, Middletown, CT, 2003; catalogue «Crimes and Misdemeanors,» Contemporary Arts Center, Cincinnati, OH, 2003 «DL: The Down Low in Contemporary Art,» Longwood Art Gallery at Hostos, Bronx, NY, 2003 «The Paper Sculpture Show,» organized by ICI, Sculpture Center, Long Island City, NY, 2003; traveled to Contemporary Art Center of Virginia, Virginia Beach, VA; Hunter Museum of American Art, Chattanooga, TN; Southeastern Center for Contemporary Art, Winston - Salem, NC; Orange County Museum of Art, Newport Beach, CA «An American Legacy: Art from the Studio Museum,» The Parrish Art Museum, Southampton, NY, 2003 «Stranger in the Village,» Guild Hall, East Hampton, NY, organized by the Museum of Modern Art, NY, 2003 «On the Wall: Wallpaper and Tableau,» The Fabric Workshop and Museum, Philadelphia, PA, 2003 «Family Ties,» curated by Trevor Fairbrother, Peabody Essex Museum, Salem, MA, 2003 «Influence, Anxiety, and Gratitude (Toward and understanding of trans - generational dialogue as a gift economy),» curated by Bill Arning, MIT List Visual Arts Center, Cambridge, MA, 2003 «American Art Today: Faces & Figures,» The Art Museum at Florida International University, Miami, FL, 2003

These thought - provoking works of art will not only challenge the viewers» preconceptions about written language and cultural identity, they will also invite them to interact with the art.

Having shelved its elite religious, socioeconomic, and cultural identity, the large law firm now possesses only its elite professional identity.

However, this understanding should not only include an appreciation of the diversity of culture within Australia but should also translate into the adequate recognition of rights and policies designed to support and uphold cultural identity.

The absence of appropriate internal and external decision - making processes in native title not only delays the determination of outcomes, it provides opportunities for latent conflict (such as intra / inter-family disputes, economic disparity, and historical and contemporary cultural issues that centre on identity) to surface and further complicate and delay reaching the best possible outcome.