Sentences with phrase «only culture war»

Anyway, the only culture war that exists is on TV which considering overall TV viewership as a % is at an all - time low I find quite funny.

Not exact matches

For instance, while Star Wars has very evident religious Buddhist and Taoist overtones, Star Trek shows religion from a cold perspective (e.g., science is supreme and only cultures and worlds without an in - depth knowledge of science need religion).

The culture war and cutting - edge theoretical certainty are the only reasons that this obvious purposeful stupidity exists.

InterVarsity's announcement is not a calculated move in the culture war; it's a defensive posture, taken only after the ministry conducted a four - year evaluation of its doctrine and its future.

* worship God, who has never been, at any time for any reason, a capricious God of death, war, murder, destruction, violence, abuse, vengeance, hate, fear, lies, slavery, systemic injustice, oppression, conditional acceptance, exclusion, segregation, discrimination, shunning, ostracism, eternal condemnation, eternal punishment, retribution, sacrifices, patriarchy, matriarchy, empire, nationalism, only one culture, only one race or portion of the population, parochialism, sectarianism, dogma, creeds, pledges, oaths or censorship — and who has never behaved as a Greco - Roman or narcissistic deity.

Some how it's felt that values, morals, virtues are not there in a secular world only faceless solid lifeless laws of men rather than what has been relayed by Holy books that calls for good deeds and reject bad deeds and to build a faithful societies, communities, nations since communications among nations or even among the nations of mixed cultures and beliefs... Laws or God and universe are to be prepared by some thing that is equivalent to UN but built on nations beliefs to achieve the code of understanding among nations but as can see now it is build on groundless bases if not of words of God to faiths... in addition to those non spiritual secular beliefs to make decisions of faith but at the moment the secular world make and take the decisions while the beliefs and faiths has to pay for it when it becomes a war between all faiths or religions outside your world, it would become back into your inside among the mixed culture and beliefs of the nation or nations under one country flag...!

While the culture - wars idea does reflect the demands of certain activists, it is not the only game in town.

It is our Christian culture to invite those to tell only the story of victory and spare the gruesome details of the scarring war.

The culture war mentality that has made certain segments of the population «enemies» of Christianity (labeled with words like «liberal,» «secular,» or «worldly»), not only lacks nuance to understand why others believe what they believe, but it also makes neighbors into combatants.

Not only that: crime is running amok, abortion and out - of - wedlock births skyrocket, parasitic urban males are permanently at war with the culture by age fifteen, and city school systems seem incapable of delivering anything but multicultural trashings of societal values, and condoms.

Ferguson describes meeting the protest's leader, a rhapsodist of the Old Confederacy, who believes Lincoln «invented the concept of Total War» in order to advance the interests of Big Business and Big Government and smash «a Southern culture of farms and small towns that only asked to be left alone.»

From Culture Wars to Common Ground is not only about the future of marriage and the family, but about the future shape — if any — of theology and theological practice.

David G. Roskie's compelling study Against the Apocalypse: Responses to Catastrophe in Modem Jewish Culture discusses the cross symbol's use not only in Chagall's painting, but in the literary work of Der Nister, Lamed Shapiro, Sholem Asch, S. Y. Agnon and the poet Uri Zvi Greenberg (Harvard University Press, 1984 [pp. 258 - 310]-RRB- In literature written before World War II (and under the influence of biblical criticism that had emancipated Jesus» image from its doctrinal Christian vesture), these authors used the cross symbol variously; for Asch, the crucified figure in all his Jewishness symbolized universal suffering; for Shapiro and Agnon, on the other hand, the cross remained an emblem of violence and a reminder of Christian enmity against Jews.

But as we survey the world situation today, the general feeling is that along with many benefits, many of the promises of technology stand betrayed and there is evidence of a lot of technology having become instruments of exploitation of peoples, destruction of cultures and dehumanization of persons and pose threat of destruction not only to the whole humanity through nuclear war but also to the whole community of life on the earth through the destruction of its ecological basis.

Given the way the culture wars divide religious folk among themselves on the question of how to respond to modernity, it was only a matter of time before the conservative Christian effort was matched by one from an ecumenical group of Christians and Jews.

This, in turn, has led to another flare up of the rumbling culture war between the analytics insurgents, who believe all human endeavour can and must be reduced to a single equation, and the traditionalist old guard, who believe the only way to understand a footballer is by following him around for weeks at a time and watching everything he does, meticulously observing his breakfast habits, which way «round he arranges his toilet paper, and whether he throws chewing gum into a bin or just drops it in the street.

In a world of war, of rapid communications, of instant hearing and misunderstanding where the response is only hatred and separation, the Holy Spirit whose creative and sustaining gifting of the church is done in diversity, demands that diversity of history, culture, gift, vision be expressed in a unity of love.

Utterly gratuitous photo of the Extra Grumpy Cat When Barack Obama crossed the nerd - culture streams in his Jedi Mind Meld moment last week, he created great joy on the internets: by combining the Star Wars Jedi Mind Trick and the Star Trek Vulcan Mind Meld into a single entity, he not only caused...

Once you get past Barack Obama's «United States of America» speech in 2004, Pat Buchanan's thundering culture - wars declaration in 1992, Mario Cuomo's 1984 «Tale of Two Cities» masterpiece or Ted Kennedy's breathtaking «Dream Never Dies» manifesto in 1980, the only political players that have mattered at contrived conventions over the past 30 years have been the nominees themselves.

And when I say «war» in this post, I mean also militarism, the culture of war, the armies, arms, industries, policies, plans, propaganda, prejudices, rationalizations that make lethal group conflict not only possible but also likely

Only recently have we begun to look deeper, in popular culture (books and movies, etc.) at the experience of slavery for those enslaved, and the experience of survival for those in the South who weren't soldiers — obviously much worse than for families up North, since these states were not in the «war zone.»

There are many easter eggs in this game which are not only a reference to the previous Gears Of Wars game but they also refer to pop culture and Hollywood productions.

Only in the culture wars do people judge the present, as if it could go away any faster than it already does.

Chapter 1: Things Must be Pulverized: Abstract Expressionism Charts the move from figurative to abstract painting as the dominant style of painting (1940s & 50s) Key artists discussed: Willem de Kooning, Barnett Newman Jackson Pollock, Mark Rothko Chapter 2: Wounded Painting: Informel in Europe and Beyond Meanwhile in Europe: abstract painters immediate responses to the horrors of World War II (1940s & 50s) Key artists discussed: Jean Dubuffet, Lucio Fontana, Viennese Aktionism, Wols Chapter 3: Post-War Figurative Painting Surveys those artists who defiantly continued to make figurative work as Abstraction was rising to dominance - including Social Realists (1940s & 50s) Key artists discussed: Francis Bacon, Lucien Freud, Alice Neel, Pablo Picasso Chapter 4: Against Gesture - Geometric Abstraction The development of a rational, universal language of art - the opposite of the highly emotional Informel or Abstract Expressionism (1950s and early 1960s) Key artists discussed: Lygia Clark, Ellsworth Kelly, Bridget Riley, Yves Klein Chapter 5: Post-Painting Part 1: After Pollock In the aftermath of Pollock's death: the early days of Pop, Minimalism and Conceptual painting in the USA (1950s and early 1960s) Key artists discussed: Jasper Johns, Robert Rauschenberg, Frank Stella, Cy Twombly Chapter 5: Anti Tradition - Pop Painitng How painting survives against growth of mass visual culture: photography and television - if you can't beat them, join them (1960s and 70s) Key artists discussed: Alex Katz, Roy Lichtenstein, Gerhard Richter, Andy Warhol Chapter 6: A transcendental high art: Neo Expressionism and its Discontents The continuation of figuration and expressionism in the 1970s and 80s, including many artists who have only been appreciated in later years (1970s & 80s) Key artists discussed: Georg Baselitz, Jean - Michel Basquiat, Anselm Kiefer, Julian Schnabel, Chapter 7: Post-Painting Part II: After Pop A new era in which figurative and abstract exist side by side rather than polar opposites plus painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc TuymWar II (1940s & 50s) Key artists discussed: Jean Dubuffet, Lucio Fontana, Viennese Aktionism, Wols Chapter 3: Post-War Figurative Painting Surveys those artists who defiantly continued to make figurative work as Abstraction was rising to dominance - including Social Realists (1940s & 50s) Key artists discussed: Francis Bacon, Lucien Freud, Alice Neel, Pablo Picasso Chapter 4: Against Gesture - Geometric Abstraction The development of a rational, universal language of art - the opposite of the highly emotional Informel or Abstract Expressionism (1950s and early 1960s) Key artists discussed: Lygia Clark, Ellsworth Kelly, Bridget Riley, Yves Klein Chapter 5: Post-Painting Part 1: After Pollock In the aftermath of Pollock's death: the early days of Pop, Minimalism and Conceptual painting in the USA (1950s and early 1960s) Key artists discussed: Jasper Johns, Robert Rauschenberg, Frank Stella, Cy Twombly Chapter 5: Anti Tradition - Pop Painitng How painting survives against growth of mass visual culture: photography and television - if you can't beat them, join them (1960s and 70s) Key artists discussed: Alex Katz, Roy Lichtenstein, Gerhard Richter, Andy Warhol Chapter 6: A transcendental high art: Neo Expressionism and its Discontents The continuation of figuration and expressionism in the 1970s and 80s, including many artists who have only been appreciated in later years (1970s & 80s) Key artists discussed: Georg Baselitz, Jean - Michel Basquiat, Anselm Kiefer, Julian Schnabel, Chapter 7: Post-Painting Part II: After Pop A new era in which figurative and abstract exist side by side rather than polar opposites plus painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc TuymWar Figurative Painting Surveys those artists who defiantly continued to make figurative work as Abstraction was rising to dominance - including Social Realists (1940s & 50s) Key artists discussed: Francis Bacon, Lucien Freud, Alice Neel, Pablo Picasso Chapter 4: Against Gesture - Geometric Abstraction The development of a rational, universal language of art - the opposite of the highly emotional Informel or Abstract Expressionism (1950s and early 1960s) Key artists discussed: Lygia Clark, Ellsworth Kelly, Bridget Riley, Yves Klein Chapter 5: Post-Painting Part 1: After Pollock In the aftermath of Pollock's death: the early days of Pop, Minimalism and Conceptual painting in the USA (1950s and early 1960s) Key artists discussed: Jasper Johns, Robert Rauschenberg, Frank Stella, Cy Twombly Chapter 5: Anti Tradition - Pop Painitng How painting survives against growth of mass visual culture: photography and television - if you can't beat them, join them (1960s and 70s) Key artists discussed: Alex Katz, Roy Lichtenstein, Gerhard Richter, Andy Warhol Chapter 6: A transcendental high art: Neo Expressionism and its Discontents The continuation of figuration and expressionism in the 1970s and 80s, including many artists who have only been appreciated in later years (1970s & 80s) Key artists discussed: Georg Baselitz, Jean - Michel Basquiat, Anselm Kiefer, Julian Schnabel, Chapter 7: Post-Painting Part II: After Pop A new era in which figurative and abstract exist side by side rather than polar opposites plus painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc Tuymwar, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc Tuymans

These works, along with more historical representations of war and strife, such as «El Mahdi» (1968 - 70) and «Pancho Villa» (1971), illustrate Colescott's attraction not only to his own American story, but also to the stories and histories of other cultures.

That this incident did not ignite another extended culture war, as did the homoerotic photographs of Robert Mapplethorpe in the early»90s, may only mean that institutions have learned to avoid potential trouble with warning labels and cordoned - off areas, or by keeping out anything that might be regarded as incendiary.

At the intersection of AIDS and the Bush - era culture wars, there emerged not only a crisis in public health but in representation.

Their position is driven by Culture War animosity towards greens, scientists, do - gooders and so on, or by ideological commitment to a conservative / libertarian position that would be undermined by the recognition of a global problem that can only be fixed by changes to existing structures of property rights.

People like the AD are primarily about the culture wars, and only became interested in climate change as an issue when it could be seen to be a vehicle for promoting their broader social agenda.