Sentences with phrase «only emotional beats»

- and yet the only emotional beats returning screenwriter Chris Morgan permits come courtesy of Toretto's wife Letty (Michelle Rodriguez), whose blossoming friendship with seventh film addition Ramsey (Nathalie Emmanuel) is fortunately given room to grow.

Not exact matches

Spurred on by the bitter memory of the 1995 loss, and inspired by the emotional halftime dedication of the Sun Devil Stadium field to former coach Frank Kush, Arizona State (3 - 0) not only beat the Huskers but also shut them out 19 - 0.

TUNA BOWL II For the Patriots, who were sky - high when they met their old boss, Bill Parcells, on Sept. 14 — the Pats beat Parcells's Jets 27 - 24 in overtime — the emotional level will be down a notch, but only a notch.

The resulting temporal choppiness from not being clear from the start not only continuously takes us out of the story to try to catch up with it when we're finally given enough information for it to make sense, but it also reveals just how manipulative the device is in order to try to load up all of the emotional beats for whatever version of a climax the story can muster up.

With magnificent turns by Miles Teller and J.K. Simmons (the latter especially, who should be considered for Best Supporting Actor once we fast - forward seven months from now), and a well maintained adrenaline rush by focused directing and excellent editing, the only reason Whiplash isn't in the Top 10 is because of it's noticeably poor depiction of women and predictable emotional beats.

And giving Murphy and Stiller one last emotional beat together — whether it was a warm buddy - buddy moment or an uneasy truce — would also have allowed Ratner to explore some of the race and class issues his movie only begins to touch on.

Not only did the Brazilian filmmaker have the advantage of being able to bring an outsider's perspective to the rusty Beat canon, but his handling of Central Station and The Motorcycle Diaries had revealed his knack for harnessing topographic images to the emotional experiences of traveling companions.

While the usual masala touches are in force — energetic musical numbers; broad comedy beats, mostly courtesy of Amitabh Bachchan as Rishi's womanizing father — for most of KANK Johar strives for and largely achieves some sense of emotional truth only to give into the filmi formula, which comes off as all the more phony in this context.

«By relying so heavily on rote memorization, and by testing me only on the things that were easy to test, my teachers came up with a wholly erroneous picture of my capacityâ $» and gave me a fairly serious emotional beating in the process.»

«By relying so heavily on rote memorization, and by testing me only on the things that were easy to test, my teachers came up with a wholly erroneous picture of my capacity — and gave me a fairly serious emotional beating in the process.»

Chapter 1: Things Must be Pulverized: Abstract Expressionism Charts the move from figurative to abstract painting as the dominant style of painting (1940s & 50s) Key artists discussed: Willem de Kooning, Barnett Newman Jackson Pollock, Mark Rothko Chapter 2: Wounded Painting: Informel in Europe and Beyond Meanwhile in Europe: abstract painters immediate responses to the horrors of World War II (1940s & 50s) Key artists discussed: Jean Dubuffet, Lucio Fontana, Viennese Aktionism, Wols Chapter 3: Post-War Figurative Painting Surveys those artists who defiantly continued to make figurative work as Abstraction was rising to dominance - including Social Realists (1940s & 50s) Key artists discussed: Francis Bacon, Lucien Freud, Alice Neel, Pablo Picasso Chapter 4: Against Gesture - Geometric Abstraction The development of a rational, universal language of art - the opposite of the highly emotional Informel or Abstract Expressionism (1950s and early 1960s) Key artists discussed: Lygia Clark, Ellsworth Kelly, Bridget Riley, Yves Klein Chapter 5: Post-Painting Part 1: After Pollock In the aftermath of Pollock's death: the early days of Pop, Minimalism and Conceptual painting in the USA (1950s and early 1960s) Key artists discussed: Jasper Johns, Robert Rauschenberg, Frank Stella, Cy Twombly Chapter 5: Anti Tradition - Pop Painitng How painting survives against growth of mass visual culture: photography and television - if you can't beat them, join them (1960s and 70s) Key artists discussed: Alex Katz, Roy Lichtenstein, Gerhard Richter, Andy Warhol Chapter 6: A transcendental high art: Neo Expressionism and its Discontents The continuation of figuration and expressionism in the 1970s and 80s, including many artists who have only been appreciated in later years (1970s & 80s) Key artists discussed: Georg Baselitz, Jean - Michel Basquiat, Anselm Kiefer, Julian Schnabel, Chapter 7: Post-Painting Part II: After Pop A new era in which figurative and abstract exist side by side rather than polar opposites plus painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc Tuymans