Sentences with phrase «only exhibition organized»

In 1959, Gottlieb was invited to exhibit at Documenta II (Kassel) and was honored with a retrospective exhibition in 1968 that was the first and only exhibition organized jointly by — and simultaneously exhibited at — the Whitney Museum of American Art (New York) and the Solomon R. Guggenheim Museum (New York).

In 1959, Gottlieb was invited to exhibit at Documenta II (Kassel) and was honored in New York City with a 1968 retrospective that was the first and only exhibition organized jointly by — and simultaneously exhibited at — The Whitney Museum of American Art and the Solomon R. Guggenheim Museum.

Not exact matches

The rich bastard that buys this car will only be allowed to drive it at private testing sessions or exhibitions — any and all of which will be organized by Maserati.

This independent center not only offers exhibitions of world - class photographers, artists, and photojournalists, but it also organizes regular workshops, classes, and lectures promoting the visual medium.

On the occasion of the only full - scale retrospective Porter's work has been given - the exhibition called Fairfield Porter (1907 - 1975): Realist Painter in an Age of Abstraction, which Kenworth Moffett organized at the Museum of Fine Arts in Bostonin1983 - I wrote that «For myself, though as a critic I had praised Porter's work on a number of occasions during thelast20yearsand though I knew it well, I found I was not really prepared for what I found in this exhibition....

It is a small show, consisting of only 29 works of widely varying scale, drawn from a larger exhibition organized by the Pérez Art Museum Miami.

To mark the centennial of Auguste Rodin's death on November 17, the Barnes Foundation will host the only US presentation of Kiefer Rodin, a major exhibition organized in collaboration with the Musée Rodin in Paris.

Online exhibition presented as part of Time - Lapse Time - Lapse 18 February to 20 May 2012 In 1969, Seth Siegelaub, pioneering supporter of conceptual art, organized March 1969 a.k.a One Month, an exhibition that existed only in catalogue form.

Metabolism and Communication, Zentrum fur Kunst und Medientechnologie, Center for Art and Media, Karlsruhe, Germany 2003 Love, Magazin4 Vorarlberger Kunstverein, Bregenz, Germany Patty Chang, Tracy Emin, Naomi Fisher, Paul McCarthy, The Moore Space, Miami, FL (performance, April 26) Water, Water, curated by Lilly Wei, The Rotunda Gallery, Brooklyn, NY Awakenings, Center for Curatorial Studies at Bard College, Annandale - on - Hudson, NY Feminine Persuasion, The Kinsey Institute and the School of Fine Arts Gallery, Indiana Univeristy, Bloomington, Indiana 2002 Videos in Progress, The RISD Museum, Providence, Rhode Island Le Plateau Frac Ile - de-France (performance only, November 7), Paris, France Mirror, Mirror on the Wall, MASS MoCA, North Adams, MA The Body Electric: Video Art and the Human Body, Cheekwood Museum of Art, Nashville, TN Americas Remixed, La Fabbrica del Vapore, Milan, Italy (performance / exhibition) Extreme Existence, curated by Klaus Ottmann, Pratt Manhattan Gallery, NY (performance / exhibition)(catalogue) Moving Pictures, Guggenheim Museum, New York Fusion Cuisine, Deste Foundation Centre for Contemporary Art, Athens, Greece (performance / exhibition), (Catalog available) Time Share, Sara Meltzer Gallery, NY Le Studio, Yvon Lambert, Paris, France Oral Fixations, curated by Sandra Firmin, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Panorama, curated by Carmen Zita, Room Interior Products, NY Superlounge, curated by Andrea Salerno & Mari Spirito, Gale Gates, Brooklyn, NY About the Mind (Not Everything You Always Wanted to Know), Video Cafe, organized by Hitomi Iwasaki, Queens Museum, NY Mirror Image, curated by Russell Ferguson, UCLA Hammer Museum, Los Angeles, CA Traveled to: Bard College, Center for Curatorial Studies Museum, Annadale - on - Hudson, NY Perspectives: Artists of Chinese Descent in New York, Queens College Art Center, NY Traveled to: Firehouse Art Gallery, Nassau Community College, Garden City, NY, March - April 2003 2001 Bodily Acts, curated by Jennifer L. Gray, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Circus Maximus, BeganeGrond, Center for the Contemporary Arts, Utrecht, Holland Group Show, Hamburg Kunstverein, Germany (performance) Mimic, Gale Gates et al., Brooklyn, NY Casino 2001, 1st Quadrennial of Contemporary Art, Stedelijk Museum Voor Actuele Kunst and the Bijloke Museum, Gent, Belgium (performance / exhibition) Looking for Mr. Fluxus: In the Footsteps of George Maciunas, Art in General, NY La Hijas de la Tierra (The Daughters of the Earth), IODAC Museum of Contemporary, Spain Panic, Julie Saul Gallery, New York Video Jam, Palm Beach Institute of Contemporary Art, Lake Worth, Florida (brochure) 2001 Art + Performance + Technology, in conjunction with the 19th International Sculpture Conference, Wood Street Galleries, Pittsburgh, PA (performance) WET, Luise Ross Gallery, New York Trans Sexual Express Barcelona, Centre d'Art Santa Monica, Barcelona, Spain Smirk: Women, Art, and Humor, curated by Debra Wacks, Firehouse Art Gallery, Nassau Community College, New York 2000 Uncomfortable Beauty, Jack Tilton / Anna Kustera Gallery, New York Cross Female, Kunstlerhaus Bethanien, Berlin, Germany (performance / exhibition): Traveled to: Kunst - und Kunstgewerbeverein Pforzheim, Germany (April / May 2001) The Art of the Screen Saver, Stanford Art Museum / Cantor Art Center, Stanford, CA Traveled to: ICA, London, England (Feb - March 2002) Steamroller, performance festival organized by Galerie MXM, Prague, Czech Republic (Catalog available) Soma, Soma, Soma, The Sculpture Center, New York Performance Festival, Kunstpanorama, Lucern and USINE, Geneva The Standard Projection: 24/7, Standard Hotel, Los Angeles Deja vu, Art Miami 2000, Miami Beach Convention Center, Miami Beach Galerie Fons Welters (two person exhibition with Atelier van Lieshout), Amsterdam ID / y2k, Identity At The Millennium, Castle Gallery, College of New Rochelle, NY 1999 - 2000 Illusion Delusion Denial, 450 Broadway Gallery, New York Mug Shots, Center for Visual Art and Culture, University of Connecticut, Storrs, CT. 1999 IDENDITAT, hat man doch zu viel, Ort halle fur kunst, Feldstr.

Call me only if you are in the gutter, Grice Bench, Los Angeles, CA Exalted Position, curated by Vlad Smolkin, Peter Blum Gallery, New York, NY Pipe Dream, presented by Night Gallery and Rachel Uffner Gallery, 170 Suffolk Street New York, NY Gallery Artist Group Show, Rachel Uffner Gallery, New York, NY TDW: Three Way Weekend, Blum & Poe, Art Los Angeles Contemporary, and ROGERS, Los Angeles, CA 2015 The John Riepenhoff Experience, Misako & Rosen, Tokyo, Japan Intimacy in Discourse: Unreasonable Sized Paintings, School of Visual Arts Chelsea Gallery, New York, NY Let's Be Real, Projekt 722, New York, NY 2014 The Crystal Palace, Rachel Uffner Gallery, New York, NY QUALIA, FJORD Gallery, Philadelphia, PA 2013 The Room and its Inhabitants, organized by Patrick Howlett, Susan Hobbs Gallery, Toronto, Canada The 2013 deCordova Biennial (with Dushko Petrovich), deCordova Sculpture Park and Museum, Lincoln, MA 2012 Love, curated by Stephen Truax, One River Gallery, Engelwood, NJ Art on Paper 2012, curated by Xandra Eden, Weatherspoon Art Museum, Greensboro, NC Take Shelter in the World, curated by Dushko Petrovich, Boston University Art Gallery, Boston, MA In Plain Sight, organized by Nicole Russo and Lumi Tan, Mitchell - Innes & Nash, New York, NY 2011 The Idea of the Thing That it Isn't, curated by Rachel Uffner, Halsey McKay, East Hampton, NY Channel to the New Image, Friedrich Petzel Gallery, New York, NY Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards, American Academy of Arts and Letters, New York, NY Paper A-Z, Sue Scott Gallery, New York, NY Invitational Exhibition of Visual Arts, American Academy of Arts and Letters, New York, NY Battle of the Brush, organized by Corporate Art Solutions at Bryant Park, New York, NY 2010 The Pencil Show, Foxy Production, New York, NY ITEM, Mitchell - Innes & Nash, New York, NY S (l) umm (er) ing on Madison Avenue, curated by Jo - ey Tang, The Notary Public, New York, NY Kristin Calabrese, Andy Parker, Mary Weatherford, Roger White, Kathryn Brennan Gallery, Los Angeles, CA 2009 What's Bin Did and What's Bin Hid», curated by Ryan Steadman, 106 Green Gallery, Brooklyn, NY Cave Painting: Installment # 2, organized by Bob Nickas, Gresham's Ghost, New York, NY The Audio Show, organized by Seth Kelly, Friedrich Petzel Gallery, New York, NY 2008 The Merits of Silence, Gallery Min Min, Tokyo 2007 Heralds of Creative Anachronism, D'Amelio Terras, New York, NY The Price of Nothing, EFA Gallery, NY 2006 Mystic River, Southfirst, Brooklyn, NY / Arcadia University, Glenside, PA 2005 Kevin Bruk Gallery, Miami, FL You Are Here, Ballroom Marfa, Marfa, TX The Most Splendid Apocalypse, PPOW Gallery, New York, NY Crits» Pix, Black and White Gallery, Brooklyn, NY 2004 Halloween Horror Films,, Southfirst Gallery, Brooklyn NY Summery Summary, 58 N3, Brooklyn, NY 2003 Dreamy, ZieherSmith Gallery, New York, NY Escape from New York, New Jersey Center for Visual Arts, Summit, NJ Late to Work Everyday, Dupreau Gallery, Chicago, IL 2001 Learnedamerica, P.P.O.W. Gallery, New York, NY Tirana Bienalle 1, National Gallery, Tirana, Albania 2000 Columbia University M.F.A. Thesis Show, Brooklyn, NY 1999 All Terrain, Friedrich Petzel Gallery, New York, NY Wight Biennial, UCLA Wight Gallery, Los Angeles, CA 1998 Episode 1, Gair Building, Brooklyn, NY

The only project not organized by Al Qasimi was Tarek Abou El Fetouh's «The Time is Out of Joint,» a group exhibition that took two historical exhibitions and one future exhibition as its conceptual framework.

With the push for recognizing heretofore undervalued black artists animating museums these days, this exhibition — organized by Ruth Fine, a former curator at the National Gallery of Art, in Washington — offers an excellent occasion not only to assess the significance of Mr. Lewis and his art.

This exhibition is the first comprehensive survey in America of Sturtevant's 50 - year career, and the only institutional presentation of her work organized in the United States since her solo show at the Everson Museum of Art in 1973.

In fact, An Introduction is only the first part of a two - part exhibition Gunhouse is organizing that examines photographers working today.

It took two years of discussion for those artists to organize their only exhibition in 1965.

The gallery organizes extensive solo and group exhibitions, often accompanied by comprehensive publications, not only in its own premises, but also in collaboration with major international museums and other non-commercial art institutions.

Dallas Contemporary, founded in 1978, is modeled after European art centers and organizes only emerging and seminal one - person exhibitions and thematic group exhibitions.

The exhibition «Mario Merz: Numbers Are Prehistoric» at the Museum of Cycladic Art Athens, organized by NEON Foundation, is not only interesting,...

An exhibition jointly organized by SNGMA, the Museum Boijmans Van Beuningen, Rotterdam, and the Hamburger Kunsthalle, where it will be shown after the only United Kingdom showing in Edinburgh.

Only last year, A Painting Show, an exhibition of 35 artists organized by Laura Raicovich and Jessie Washburne - Harris, included both your teacher Elizabeth Murray and stand - out examples of your continuing relevance — visible in Wendy White's grooved wooden additions to her tough, ambiguous, sprayed layering and in Jacqueline Humphries's streaked fluid surfaces.

The Linda Pace Foundation not only organizes exhibitions in its own spaces but since 2007 has loaned more than 200 works to institutions such as the Tate Museum in London, the Brooklyn Museum in New York and the Museo de Arte Contemporáneo de Monterrey - MARCO in Mexico.

The solo exhibition of William Kentridge at the Marian Goodman Gallery organized to run concurrently with the U.S. premiere of «Paper Music» a ciné concert by William Kentridge and Philip Miller shown for one night only on October 27th, 2014 at Carnegie Hall.

Although I'm excited to see a retrospective of Downey's work, my only worry is that the exhibition, organized by MIT's List Visual Arts Center, known for its heady and thorough solo exhibitions of artists engaged with technology, will get rid of the strangeness and humor found in some of Downey's works.

It should be mentioned that Gober (who also organized the much - admired Heat Waves in a Swamp: The Paintings of Charles Burchfield, a traveling exhibition that made a stop at the Whitney in 2010) isn't the only artist presenting other people's work (Nick Mauss does as well).

As the first museum to organize an exhibition dedicated to Jeff Koons's art and the only US museum to host David Bowie Is, we've had our fair share of sightings...

Following the successes of «Imagine there's no country, Above us only our cities» curated by Jims Lam Chi Hang in 2015 and of «That Has Been, and May Be Again» curated by Leo Li Chen and Wu Mo in 2016, we are now organizing an open call for proposals by curators in the early stages of their professional careers for an exhibition to be shown at Para Site in the summer of 2017.

As the first museum to organize an exhibition dedicated to Jeff Koons's art and the only US museum to host David Bowie Is, we've had our fair share of sightings of art stars and celebrities.

UMOCA has served the Utah arts community in many ways, including opening a new locals - only gallery, organizing its first exhibition of an out - of - state venue for Utah artists and better integrating Utah and national artists in group exhibitions.

It used to be that museums were the only place to see blockbuster exhibitions, but recently dealers have been organizing them too.

And Theaster Gates has a tightly curated show that just opened at the National Gallery of Art in Washington, D.C. «In the Tower: Theaster Gates, The Minor Arts» is only the forth exhibition by a living artist the museum has organized in its history.

He's organized exhibitions just about everywhere under the moon, and now he's curating a tiny exhibition at the virtual gallery Water McBeer, a 300 square inch space run by artist Henry Gunderson that's accessible only through the gallery's website.

MCASD is the only West Coast venue to present this traveling exhibition, organized by the Institute of Contemporary Art / Boston.

Considered among the most prestigious contemporary art events in the world, the International Art Exhibition organized by La Biennale di Venezia is the only visual art exhibition to which Canada sends official repreExhibition organized by La Biennale di Venezia is the only visual art exhibition to which Canada sends official repreexhibition to which Canada sends official representation.

According to Alicia Longwell, Ph.D., The Lewis B. and Dorothy Cullman Chief Curator at the Parrish Art Museum, who organized the exhibition, «At a time when abstract painting was thought to be the only valid, and valued, way to make art, these two artists began to look at the world around them in terms of how a painting could present a heightened reality and still deal in representational images — each conveying her own authentic response to the natural world.»

«It's fun to think about an exhibition of art on the moon», is how Sam Korman «s «Art on the Moon», used as the only introduction to the Amy Granat - and Annina Herzer - organized exhibition Smoothie Conference (photos, top right), which was on at Frankfurt's Jenifer Nails from April 11 to May 23, begins.

After 2step, minimalpop, Painted Objects, Double Exposure, A Bit O» White, My Eyes Keep Me In Trouble, Yo, Mo» Modernism, With Your Eyes Only, COMPOSITE VISIONS is the ninth touring group exhibition organized by CCNOA, Brussels, Belgium.

The first point of entry is, of course, the building's front door, and with «Unfinished,» the museum has done well to organize an exhibition that not only reflects its old - meets - new directive but will also draw formidable crowds.

In 1959, Gottlieb was invited to exhibit in Documenta II, Kassel, West Germany.In 1968, Gottlieb was honored with a retrospective exhibition, Adolph Gottlieb, the first and only exhibition jointly organized by and exhibited simultaneously at the Whitney Museum of American Art and the Solomon R. Guggenheim Museum, New York City.

The same year, the museum is the only institution outside New York to show two major exhibitions organized by that city's Museum of Modern Art: «Cubism and Abstract Art» and «Fantastic Art, Dada and Surrealism.»

Of the ancillary openings and pop - ups around town, one that smacks of the continental zest for only - in - L.A. site specificity is Hollywood Hills House, an in - home exhibition organized by the French curators Pierre - Alexandre Mateos and Charles Teyssou.

Tucked away in an apartment on Canal street moonlighting as a gallery, Club Rhubarb is the brainchild of artist Tony Cox who organized the group exhibition «Digging for Diamonds in the Disco» on view until February 25th, by appointment only.

«Art Since 1950,» an exhibition organized by Sam Hunter for the Seattle World's Fair (April 21 - October 21), is considered by Close to be a crucial event:» [It was] one of the first opportunities we had in Seattle to see not only Hofmann, but de Kooning and Pollock and all those people, but also all the Europeans, because it was a very inclusive show.»

Rosenthal, who will keep his residence in New York, will only be responsible for exhibitions he organizes.

This year's show is a non-member affair (alternate years are members - only), which means that it is about as lively as a juried exhibition organized by committee can be....

It is only recently that the movement's women are being recognized, in exhibitions such the 2016 — 17, Women of Abstract Expressionism, organized by the Denver Art Museum; Thomas's work was featured in the show's catalogue.

The exhibition, which collects more than 250 works from Kelley's multifaceted art practice — his body of work includes drawings on paper, sculpture, performances, music, video, photography and painting — is the largest installation that MoMA PS1 has ever organized, and only the second to utilize the entire museum.

Only one work shone out of the blur — Florine Stettheimer's masterpiece, Asbury Park South from 1920 (a painting scandalously deaccessioned by Fisk University in 2012) in a group exhibition organized by Jeffrey Deitch that orbited and created a lot of visual noise around it in a manner both consistent with Stettheimer's aesthetic of excess and disruptive of the ability to properly view her painting.

The exhibition, which is traveling to multiple venues in Europe before coming to the Morgan (the only U.S. venue), is organized by the Staatliche Graphische Sammlung in Munich and the Josef Albers Museum in Bottrop.

Daniel Göttin, Transformer 2, 2008 After 2step, minimalpop, Painted Objects, Double Exposure, A Bit O» White, My Eyes Keep Me In Trouble, Yo, Mo» Modernism, With Your Eyes Only, COMPOSITE VISIONS is the ninth touring group exhibition organized by CCNOA, Brussels, Belgium.

Brooklyn, NY EDUCATION 2012 New York Studio School, MFA 2009 Amherst College, BA 2008 Worcester College, Oxford SOLO EXHIBITIONS 2017 Works from the Louis - Dreyfus Family Collection, University of Tulsa, Tulsa, OK 2015 Eleanor Ray: Paintings, Steven Harvey Fine Art Projects, New York, NY 2014 Eleanor Ray: Paintings, Steven Harvey Fine Art Projects, New York, NY TWO PERSON EXHIBITIONS 2016 Fred Reichman and Eleanor Ray, The Landing, Los Angeles, CA 2013 Julian Bell and Eleanor Ray, Steven Harvey Fine Art Projects, New York, NY SELECTED GROUP EXHIBITIONS 2018 The Case Against Reality, Marinaro Gallery, New York, NY A Half Note Familiar, C for Courtside, Knoxville, TN Line and Verse (curated by Ridley Howard), Andréhn - Schiptjenko, Stockholm 2017 Contemporary On - Site, Douglas Degges, Mariah Dekkenga, Ann Pibal, Eleanor Ray and Nancy Shaver, Curated by the Fuel and Lumber Company, Atlanta Contemporary, Atlanta, GA Talk to Me in Your Language, Lamart Offspace, Antwerp, Belgium Frame Work (curated by Lauren Whearty), Ortega y Gasset Projects, Brooklyn, NY 106 Green Presents: Somewhere, Atlanta Contemporary, Atlanta, GA For WLD: works from the William Louis - Dreyfus Foundation, Steven Harvey Fine Art Projects, New York, NY 2016 Outside In, Steven Harvey Fine Art Projects, New York, NY Landscapes Into Art, C. Grimaldis Gallery, Baltimore, MD Cold Summer (curated by Peter Shear), The Provincial, Kaleva, MI 106 Green Presents, Brennan & Griffin, New York, NY If Only Bella Abzug Were Here, Marc Straus, New York, NY 2015 Feast of Planes (curated by John Lee), Andrews Gallery, College of William and Mary, Williamsburg, VA Not in One Day, Rothschild Fine Art, Tel Aviv, Israel Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards, American Academy of Arts and Letters, New York, NY Invitational Exhibition of Visual Arts, American Academy of Arts and Letters, New York, NY 2014 Beyond the Pale (curated by Sam McKinniss), Interstate Projects, Brooklyn BRIC Biennial: Volume I, Downtown Edition, BRIC House, Brooklyn, NY Cool and Dark (organized by Gwendolyn Zabicki), Comfort Station, Chicago, IL Between Matter and Experience, University of the Arts, Philadelphia, PA 2013 On the Horizon (curated by Kellyann Monaghan), Adelphi University, Garden City, NY Door / room / window, Steven Harvey Fine Art Projects, New York, NY I - Hsuen Chen, Ryan Sarah Murphy, Eleanor Ray (curated by Leslie Kerby), 308 at 156 Project Artspace, New York, NY 2012 A.I.R. Gallery's 10th Biennial (curated by Ingrid Schaffner), A.I.R. Gallery, Brooklyn, NY MFA Thesis Exhibition, New York Studio School, New York, NY AWARDS / FELLOWSHIPS 2017 Ucross Foundation, Wyoming Jentel Foundation, Wyoming 2016 The Edward F. Albee Foundation, Montauk, NY 2015 NYFA Fellowship in Painting Royal Drawing School Fellowship, Dumfries House, Ayrshire, Scotland Residency Fellowship, The BAU Institute at the Camargo Foundation, Cassis, France Purchase Award, American Academy of Arts and Letters 2012 Woodstock Byrdcliffe Guild, Woodstock, NY 2010 Vermont Studio Center, Johnson, VT