Sentences with phrase «only film experience»

If your only film experience was as a movie extra, list it.

Not exact matches

According to the film, it's apparently all about Seattle and you had to be there, but simultaneously we the audience are supposed to care about this experience which is only Seattle idiosyncrasy.

Football University is the only camp that has a staff of NFL - level coaching experience and a proven NFL - style curriculum — position - specific on - field training with position - specific film room education.

Only after each system had produced a sophisticated representation of the world did the brain combine their perceptions into one experience of reality, like a film editor adding a soundtrack to a movie.

The key features of James Martini cinematogrpahy that most cetainly would appeal to a client whether an artist or production company is that not only will their film / video shine with the aid of a very creative artistic direction, story boarding and editing, but there is a highly professional full film making experience & service.

A film in search of profound truths that it can only hint at having caught glimmerings of, and it's a truly remarkable experience.

Getting short - shrift in all of this is Kevin (Thomas Ian Nicholas, The Rules of Attraction), who is pushed mostly to the side here — although that may be intended irony, since his character was the most sexually experienced in the original film, making him the guy most likely to have had his glory day in high school, only to go downhill from there.

As someone who saw The Room, I can only truly speak from one perspective, and there's certainly an aware layer of recognition and expectation that is experienced from seeing a film you know so much about come together before you.

It's telling that the film only truly comes alive in a hallucinatory near - death experience, rendering Ellen's surreal existence visually for one brief sequence.

De Palma remains their only interview subject as he chronologically spins fascinating tales of his experiences intercut with photos and key scenes from his films.

In this lively, illuminating and unexpectedly moving documentary, directors Noah Baumbach and Jake Paltrow engage in a personal and candid discussion with De Palma, exploring not only his life and work but also his singular approach to the craft of filmmaking and his remarkable experiences navigating the film business, from his early days as the bad boy of New Hollywood to his more recent years as a respected veteran of the field.

Attempting to recreate the experience of watching a stage play, but with the camera roaming amongst its players, Hitchcock shot the movie in a series of ten - minute takes, a time period limited only by the length of a reel of film.

We experience the delay of the fantasy of the happy old couple in their country home in cinematic time as, for most of the film, the only body these lovers have is the spellbinding combination of visual fragments serving as apparitions to their voices.

While Glazer's latest is indeed a totally trippy experience, you only need to relax and let the film glide over and pull you in to finally realize it's a pretty straight forward science - fiction story told in a completely unique way.

A bit more suspense would have gone a long way here, and while director David Gelb, whose prior experience had been in the crowd - pleasing documentary Jiro Dreams of Sushi, has turned in a slick - looking feature for one with such a small budget (reportedly, only $ 5 mil), it really can't compete with better films out there in terms of quality, while it's too straight - faced in execution to at least give us some choice b - movie thrills.

(remix) music video by Danger Mouse and Jemini; deleted scenes and alternative takes, five in total, including an alternative ending (9 min) with a less subtle conversation between Richard and Mark, but a haunting final image of Richard with Anthony; images from Anjan Sarkars graphic novel animation matched to actual dialogue from the films soundtrack (the scene where Herbie first sees the elephant); In Shanes Shoes (24 min) documentary featuring the premiere at the 2004 Edinburgh Film Festival, interviews with Shane Meadows about run - ins with violent gangs in his youth, and on - location clowning; Northern Soul (26 min) also made by Meadows in 2004, and starring Toby Kebbell as an aspiring wrestler with no actual wrestling experience or talent - this comic short is as amateurish as its protagonist, and serves only to show how much better Dead Mans Shoes is.

Lucas» only previous experience was TH 1138, a science fiction thriller, which he had developed from a student film he had made while at USC.

And that is the only reason why all of those exterior shots in the film look so tactile and beautiful and hand - crafted, and that is one of a thousand suggestions that people who have that depth of talent and experience can just bring.

After all, we're only talking about a film here, but from a character motivation stance, no one is affected that deeply by the experience, and therefore, a lot of drama that could have been there wasn't.

With Mr. Salinas and Greenberg's consent, I offer to kickoff our visit with an immediate impression during the start of the film that distinguishes it's score from Cartel Land's... it deftly emerges with warm, melodic cello and higher - notes vibraphone progessions from a dreamlike silence, and only registers as a lilting, tender counterpoint to the viscerally intense imagery of ISIS - occupied contemporary Raqqa, Syria in the picture's opening sequence well after we're already emotionally all - in invested via what will certainly be a harrowing, yet inspiring cinematic experience.

That's because to really enjoy Randall Miller's film, viewers not only probably need to have experienced the club in its formative years; they'll also need not to be too terribly invested in their own versions of what happened there.

Tyler, can you talk about your experience as a male and address the belief that this a film for women only.

His film is almost perfectly timed, with only a somewhat flabby mid-section to detract from the experience, although the «twists» could fail to surprise seasoned cinemagoers.

Black Panther marks this as being one of the greatest superhero films I've seen since it not only does the movie offer some tour - de-force performances by Chadwick Boseman, Michael B. Jordan, and Lupita Nyong» o, but this is also one of the most mesmerizing, entertaining, and exhilarating experiences I've had at the movies this year so far, and it also proves that Ryan Coogler is one of the best filmmakers working today.

4:16 — The experience of making the film in only 19 days and getting it ready for Sundance.

It'd be nice if The Interview held up its part of the deal and offered a really funny experience, but it is only sporadically amusing, which still puts it among the middle of the pack as far as new comedy films go.

The SXSW film I watched this year was a screener of David B. Marshall's Beginning with the End that I watched on my computer, a viewing experience that only amplified how minimalistic the film felt given its subject matter.

The boisterousness of the film's finale, with its sieges and rescues, its lightning bolts and flash floods, relieves what would otherwise be an almost unbearably sad evocation of what is least preservable about youthful experience: not so much the loss of that «innocence» that is such a hackneyed motif of modern American culture (and for which summer camps have always been a favored location) but the awakening of the first radiance of mature intelligence in a world liable to be indifferent or hostile to it, an intelligence that can conceive everything and realize only the tiniest fragment of it.

Imagine an arcade game that has parallels to the 1928 cartoon, Steamboat Willie or the 1933 film Popeye the Sailor and this Xbox One title not only pays homage to this area but creates a very artistic and enjoyable side - scrolling shooter experience.

Shot with a reverence for the kind of beauty only Michael Mann has ever captured from Los Angeles, the film is a breath of fresh air, a visionary take on a long - storied genre that is one of the most wholly satisfying viewing experiences in a long time.

During the introduction to Only God Forgives Refn compared both films to drug experiences; that Drive is like doing really good cocaine all night and Only God Forgives is like doing acid in college.

- Greenland - With sub-zero shoots on glaciers and frozen rivers, travel with the filmmakers to Greenland to meet the locals and experience the magnificent landscapes captured for the powerful opening of the film (Blu - ray only)

Starring Robert Ryan as a platoon leader dedicated to saving his men, who are trapped behind enemy lines, and Aldo Ray as a gruff, ferociously competent veteran who only cares about rescuing his shellshocked commanding officer, it's a stark, intimate film set during the Korean War and stands with Sam Fuller's The Steel Helmet as one of the greatest films about the soldier's experience.

With its ambiguous ending, Tattoo seems to evoke François Truffaut's Les quatre cents coups (The 400 Blows, 1959), the legendary French New Wave film about another «troubled» teenager who experiences freedom only when he is in motion — whether while spinning in a rotor's drum or when running away from the reformatory in the film's famous concluding tracking shot that culminates in a zoom - in - on - freeze - frame image of his gaze addressing the camera.

Hole drummer Patty Schemel's feisty personality infuses this fast - paced film, which not only documents her rollercoaster experiences with drug addition but also provides a lucid exploration of the Seattle grunge scene.

Not usually a fan of such things, I adore the isolated score option for this film: Watching it with only Paul McCullough's music on the soundtrack proves a powerful, surreal experience.

Sundance Film Festival Park City Utah - Day 7 Only at a film festival can you have one of your best experiences watching 12 year - old children, and younger, in prison.

Understand I'm not advocating the events depicted in this film, I can only relate to what I've experienced in my lifetime and from that perspective, they were awful then and now the government is using their behavior as a jumping off point rather than where it escalated to during the 60's and 70's.

Although Whale's and Goulding's war experiences doubtless helped them land these assignments, the fact that two of Hollywood's gay male directors could really only venture into such «male» territory in these films seems to belie a tacit understanding of the homosocial romances so necessary for men to survive in combat, and how these are often cruelly broken amid postwar chaos.

The Room improbably went on to become the equivalent of a cult classic (if for all the wrong reasons), a film made in direct contradiction of every rule of «good» filmmaking, but also one of the most purely enjoyable (if only ironically) cinematic experiences made in the last two decades (best seen and heard in a group of like - minded, possibly inebriated friends, acquaintances, and strangers).

Visually impressive, the film relates the grim tales of the women who live and work there servicing their debauched punters by night and bonding with each other sharing their secrets and painful experiences by day — ultimately the only thing these women have is each other.

Now, they are drawing on their combined years of experience in helping complete strangers pick out movies based on only the most vague of criteria — as well as the fact that they make their living writing about film for The A.V. Club — to put together a guide to some of the best and most interesting movies released so far this year.

The revelations in the film about modern cultural anthropology are indescribably delicious, speaking to pleasure in a way that Jonathan Rosenbaum once identified as including the sensations of fear and unbalance — as an experience, the picture is as exhilaratingly unnerving as only an illicit document can be.

Described as a «darkly humorous, weird, and soulful fantasy that examines the inner demons in all of us», the film is about a heartbroken man who attends a spiritual retreat, only to discover that the course releases more than toxins and traumatic experiences.

«Preparing for Battle» (11:09) is the set's only mention of the board game, with cast and crew sharing their experiences and the film being discussed in relation to its source material.

«I am really looking forward to a dynamic collaboration with my studio colleagues who not only have a collective passion for film and the theatrical experience, but the evolution of our business at large.»

The time of year die - hard film fans liken to Christmas is once again upon us, and we're only moments away from this year's batch of cinematic craziness and insane experiences being unleashed.

Now, 30 years later, the film holds up not only as an insightful look into teenage life in the»80s, but also as one of the most honest and perceptive depictions of the teenage experience to be captured on celluloid.

Empire of Passion was Oshima's only true kaidan (Japanese ghost story), and the film, a savage, unrelenting experience, earned him the best director award at the Cannes Film Festival.

And it may be because she usually only has control of the camerawork of a film that she felt so inclined to rev up the other sensory experiences of the film to maximum intensity.