Sentences with phrase «only focus of the movie»

Thanks to the success of that first film, the sequel benefits from an increased budget and the visual effects are first - rate, without becoming the only focus of the movie.

Not exact matches

The focus of my comment however is that SATYRS only exist Mythology books (which your bible was derived from), and Hollywood movies.

The «mythology» of the movie's focus is on how Dug's tribe, in even deeper history, invented the game, and now only they've got the heart to win against professional players.

But this is a movie about Abraham Lincoln that focuses only on the last four months of his life and stays pretty much rooted in Washington and his Cabinet meetings.

«The Basketball Diaries» was a good movie but also very frustrating, first by the title, that is focusing the life of Jim Carroll and Leonardo DiCaprio did his job, besides the story speaks only of young drug addicts pranksters and not they became talented basketball players, but beyond that the tone was good.

«The Basketball Diaries» was a good movie but also very frustrating, first by the title, that is focusing the life of Jim Carroll and Leonardo DiCaprio did his job, besides the story speaks only of young drug addicts pranksters and not they became talented basketball players, but beyond

A terrific depiction of the long - forgotten youth, it will crawl inside you and you don't have to be a Chinese to apply to what these dreams truly mean and focus on.The inches of respect and fervent ambition are but scaffolds for the proletarian class, most of the time their only way out from this bulk of stability.Yuanyuan is excellent in her role as the meek daughter and Xiaoshuai presents another great movie..

But Last Days works only when it deviates from this pattern, as it does in a hilarious scene depicting the rock star's friendly yet indifferent agreement to buy space in the yellow pages from a clueless door - to - door salesman (Thadeus A. Thomas, the movie's only perfectly cast actor), or when it focuses on other members of Blake's entourage, or when the camera retreats at a snail's pace from the mansion for what feels like eternity.

The movie wisely chose to only focus on the early years of the first two albums instead of the mostly inferior production downslide of the third album onward.

Who knows, though, since Captain Marvel is the focus of a lot of MCU - related speculation at the moment; not only will it be the franchise's first female - led superhero movie, but it also got a massive Hail Mary pass from last month's blockbuster Avengers: Infinity War, which asked fans to sit through, roughly, 7,000,000 minutes of end credits in order to get the merest peek at her logo.

Regardless of the danger or crudity how in the hell can a movie (stop reading if you are eating) show a guy make his own yellow sno - cone (you know what I mean), consume said sno - cone and then regurgitate said sno - cone and only get an «R» — while Paul Schrader has to pixelize grainy video footage before he can get an «R» for «Auto Focus»?

If only they would make Tesla the focus of the movie, and not the businessmen who were mean to each other in the press.

The problem is that the movie becomes more focused on diagnosis than character, and so what eventually unfolds is a meandering picture that only too late in the game leans toward highlighting any kind of thematic undercurrent while introducing romantic interests for the leads that do little but pad out an already too long running time.

The previous entry Die Hard with a Vengeance 12 years ago focused on a mad - bomber destroying parts of New York City, and it's hard to imagine now that at one point that plot seemed only like fare for an action movie.

Surely this is an element of the overall feeling of detachment from the movie, and the lack of narrative focus drags the front - loaded first act (A subplot involving the identical, bumbling Inspectors Thompson (Simon Pegg and Nick Frost) and a pickpocket (Toby Jones) only provides some stilted comedy; something is off about the physics of this animated world).

The new movie, which opens Friday and kicks off the new summer movie season, assembles a whopping twelve costumed characters, although it focuses on the trials and tribulations of only three.

Now ranking with the original series, this movie has more dialogue and focuses on only a handful of characters, which allows for rounding out of personalities.

It makes me wonder whether Scorsese wouldn't have rather gotten rid of the kiddie stuff altogether and focused only on the more grown - up geeky side of it all... except that movie couldn't have been marketed as an escapist holiday treat for families.

Given that the score of Breakfast at Tiffany's — especially the signature «Moon River» tune — is as iconic as Hepburn's character of Holly Golightly, it's rather surprising that only in the new DVD release is there a documentary featurette focusing solely on composer Henry Mancini and his indelible and enduring contribution to this film and the movie music world in general.

But seen all together, it becomes clear that the movie industry isn't willing to take any risks, choosing over and over again to tell weepy historical dramas over original stories, and choosing over and over again to focus only on the stories of white people.

While the movie is filled with satellite characters (Suzie and Alex are only in a fraction of the film, sadly), the focus is always on Tom and Violet's increasingly strained relationship.

For years she's been an excellent lead in so - so movies — matching Will Smith's star - power in Focus; the only person to make a positive impact in Suicide Squad — or sterling, brief support in better ones — as Leonardo DiCaprio's wife in The Wolf of Wall Street; explaining finance in a bubble bath in The Big Short.

The movie simply has too much on its plate, not only focusing on the musicians themselves but also promoters, public television executives, a failed television personality, and a slew of other people.

, and all the films of David Cronenberg since Dead Ringers, including eXistenZ; the focused dramatic intensity associated with these later movies is found only sporadically in It Happened Here and Winstanley, which are relatively studied and distanced by comparison.

He suggested that straight - to - Netflix productions are appealing because «they're the only ones who are making interesting movies in [a] mid-budget range» and that the rest of the industry has focussed on making high - income blockbusters and franchises.

It's a funny scene — really the only funny scene in the movie — and a welcome moment of focused rage as well as Wall Street excess and absurdity from the female lead that we should have had more of.

The film looks to be a sequelboot of sorts, as it only has a couple of characters from the first movie while shifting its focus to a new, younger cast led by John Boyega.

I suppose it's possible this writers room could also come up with ideas for movies beyond Godzilla vs. Kong, or for a Kong: Skull Island sequel, but as of now THR's report only mentions that they're coming together to focus on Godzilla vs. Kong.

Daniel Craig as James Bond: If his previous movies as Bond hadn't already confirmed it, Craig has the perfect balance to embody this character, able to take on all of this character's distinct traits that previous actors had only been able to focus on individually.

His latest movie is yet another peek behind the veil of NYC hipsters, only instead of focusing on an entitled, twenty - something loser like in «Frances Ha,» it's about a whiny, middle - aged couple that wants to be friends with people like her.

Whereas books try to create pictures and emotions only through the use of the written word, movies and graphic novels provide these visual images for the reader / viewer, allowing them to focus on the dialogue.

In this episode of the podcast, Jay Greene talks with Marty West about why he studies field trips, why we shouldn't focus only on boosting reading and math scores, and why kids learn more from plays than from movies (and what this might mean for online learning).

I would like to see all of these things, plus a renewed focus on innovative set pieces, a la the helicopter rope getaway thing we were privvy to at the feb. reveal event... these games can get monotonous after awhile, and interesting environments can only carry your attention for so long... I don't necessarily want a fairly interactive movie, but true jaw dropping set pieces that let the player keep control throughout, and switch up gameplay styles... we've seen some of this in the current gen, after uncharted more and more games are utilizing these, but the next gen needs to take it a step further, I want to experience that edge of your seat thrill in games more often

This game makes you a detective, and unlike movies or books where the monotonous everyday transactions of life can be circumvented in favour of those interesting moments that we all crave and likely never witness in reality, L.A. Noire not only gives you it all, but seems to focus on the mundane.

Whether you are writing your resume on your own, or working with a professional resume writing company like Perfect Resume, remember to only focus on your best information, just like «A Few Good Men,» «Jerry McGuire» and «Risky Business» are 3 of Tom Cruise's best movies.