Sentences with phrase «only human character»

The only problem with Alexander, Gunn has declared in the past that he wanted Peter Quill to be the only human character with a connection to Earth.

But its kind of odd that the original damsel in distress hasn't become playable along side the hero and the original antagonist so I think that Pauline should've become playable a LONG time ago and not to mention the fact that there is not enough human representation in the Mario series since there are only 8 main human characters that are playable the babies I don't think they count since they're just baby versions of their adult counterparts and also Pauline still appears in the Mario series just in the Mario vs Donkey Kong series though plus shes one of the only human characters left that haven't become playable yet since the other one is Professor E Gadd

But its kind of odd that the original damsel in distress hasn't become playable along side the hero and the original antagonist so I think that Pauline should've become playable a LONG time ago and not to mention the fact that there is not enough human representation in the Mario series since there are only 8 main human characters that are playable the babies I don't think they count since they're just baby versions of their adult counterparts and also Pauline still appears in the Mario series just in the Mario vs Donkey Kong series though plus shes one of the only human characters left that haven't become playable yet since the other one is Professor E Gadd

I predict that if this is true the two characters I would think of are Professor E Gadd and Pauline since those two surprisingly haven't become playable yet matter of fact they are the only human characters that haven't become playable at all in the series

Not exact matches

He joins Chris Evans (Human Torch / Captain America), Peter Dinklage (X-Men's Bolivar Trask and a character in «Infinity War»), and actor Josh Brolin who plays the villain in not only «Infinity War,» but this summer's «Deadpool 2» as well.

Most impressively, none of the characters mentioned above (Rev Lovejoy excepted) are simply stereotypical tropes; they are mature humans whose faith is an important part of who they are, but not the only part.

This not only helps to explain religion's primordial, irrepressible, widespread, and seemingly inextinguishable character in the human experience, it also suggests that the skeptical Enlightenment, secular humanist, and New Atheist visions for a totally secular human world are simply not realistic — they are cutting against a very strong grain in the nature of reality's structure and so will fail to achieve their purpose.

He argued that the phenomenon of globalization is bringing new pressures of such magnitude that they could easily result in disastrous human conflicts, and that a global war of civilizations can be avoided only if world leaders accept the multi-civilizational character of global politics, and learn to co-operate.

i once suggested to a friend that satan was a human construct... not that that makes satan any less real, just different, any how it was just a thought... he only gets named as a character in the NT except in job.

By observing of the world stage on God's timeline, with all the man's advancements in tech and science, yet such corruption of human character, it only points to the fact that the time for the «man of sin» is at hand and his army is being prepared, for time of his arrival.

A legitimate philosophical anthropology must know that there is not merely a human species but also peoples, not merely a human soul but also types and characters, not merely a human life but also stages in life; only from the... recognition of the dynamic that exerts power within every particular reality and between them, and from the constantly new proof of the one in the many, can it come to see the wholeness of man.

The Bible is full of fairy tales and should only be taken as a piece of literature of great importance just as the Odyssey is, but it shouldn't be used to govern one's life, much less to help build a relationship with the biggest fictional and ever - changing character in human history.

Because Kirk believ ed that such an understanding was best apprehended and transmitted through imaginative literature, it is only right that his short stories and fiction best enable one to appreciate the character of his insight into the human predicament.

And Paul's view of man's condition (and in its essentials his is the central biblical view) can not be declared false, for all its mythical character, so long as it is the only view of man which takes adequate account of this inescapable reality of human experience: On the one hand, I know that «it is not I who do these things but sin which has possession of me»; but, on the other hand, I know that I am responsible for these acts of sin and that I deserve to die because of them.

There is a limit which stands not only at the end of human life as death, but which is built into the structure of human life by virtue of its creaturely character.

The character of mystery is mediated to human beings only by way of concrete aspects of the world.

«Exemplification» of divine aims here means not only conformity to them, but further reflective response which reproduces divine aims with some of the richness they have in God's own life and character.3 The Christ of Christian faith, in particular, is that society of human occasions whose life is the paradigm of worldly exemplification of divine aim.

Yet if all this meant that Luther had only a low view of human worth and character, one must also listen for his simul: at the same time, he cried — now in happy dread before the Holy — when God looks at the trusting one God sees not the «bad» or «useful» life but the new person.

I am just amazed at the corruption of human character that I have witnessed only in my own short lifetime....

Human affliction, especially the monstrous inhumanity of man to man, was to them a practical, rather than a theoretical, problem; it represented not only a conflict of ideas but a conflict of individual and class interests, a struggle for justice in personal character or social organization against selfishness, ill will, and inequity.

And conversely, of all the criminal human beings, the false, cowardly, sensual, or cruel persons who actually live, there is perhaps not one whose criminal impulse may not be at some moment overpowered by the presence of some other emotion to which his character is also potentially liable, provided that other emotion be only made intense enough.

Grace is only cheapened when we try to add human effort such as requiring people to have a changed heart, life, lifestyle, mind and character in order to assure them that God loves and forgives them and freely gives them eternal life.

Hey man, not sure if that question's rhetorical, but sometimes seems this whole human experiment is a failure... that the only way anyone is like God in character is by being delivered and saved.

Our unknown historian not only shows a penetrating knowledge of human nature in the way he sketches the characters of the piece, particularly David himself, but he soon makes the reader aware that his story is not a succession of meaningless events.

Just in case his readers construe this as being a human function, Upadhyaya qualifies the extra-mundane character of this teaching: «Jesus Christ claims to have given to mankind the completest possible revelation of the nature and character of God, of the most comprehensive ideal of humanity, of the infinite malice of sin, and of the only universal way to release from the bondage of evil» (Ibid.)

At one point, Spencer's character claims that the entire Trinity, not only Christ's human nature, suffered on the cross at Calvary — a rank heresy against the doctrine of divine impassibility.

Out of this human need for men who are near him, the Jesus of the Acts of John says to the disciples: «I need you, come to me» — a word which almost sounds blasphemous to a person who sees only the representative character of the disciples.

Only cartoons in which the main characters were either human or animal were included in the analysis, as it's not clear if the concept of death among «humanised» objects, such as cars and toys, exists.

She's the only character in view that inspires sympathy, warmth, and human understanding.

What did make this movie work was the sense of «being there,» of watching these characters go through what they think are grand plans for themselves (Wikus proud of getting promoted; Christopher thinking he's finally going to fix the mothership and escape) only for random chance, selfishness, and the raw immediacy of simple survival kick in and having them struggle from moment to moment against hostile forces (MNU, the human slumlords, there is no difference between those two groups exploiting the aliens).

And although their only black character, the Cairo - born Storm, was not American, the politics of race are vivid in the mutants» struggle for acceptance by humans.

The rest of Rampart (named for the L.A. community) is characters telling Brown at length what a horrible husband, father, cop, and human being he is and Brown telling them — in laughably hyperliterate language — why he's a hero who only hurt bad people.

As the story progresses, we get startling character arcs not only from the human characters but also from the toons.

2 is an anomaly, a cathartic sequel comprised almost entirely of backstory, in which the characters (and they can only be called characters: no middling everyman or woman composites reside in this filmic universe of bittersweet revenge) can engage in the most contradictory of human acts.

Premises like the one in Kings And Queen usually lead flawed characters to call on inner reserves of strength, but Devos and Amalric only reveal deeper shortcomings, which makes them more touching and human.

As the only human in St. PigeoNation's prestigious school for birds you'll encounter a feathered cast of characters and choose a suitable love interest all while managing elective school classes.

A rather insultingly negligent dismissal of the one character with any real human emotional pathos — a film - saving Jennifer Lawrence (Winter's Bone)-- only adds to the infuriating nature of the film.

Rare have thrown out the notion of character progression, you can only pick your avatar from a randomly generated lineup, there's no overarching story, no real end goal outside of becoming Legendary, and the few types of quest in the game are merely there to feed the delights and monstrosities of human interactions.

In Barbara, Petzold has fashioned not only a superb character study but a film that illuminates the effects of oppression on the human...

None of these monsters — and I've cited only a fraction of the full repertory — ever comes within hailing distance of a recognizable human; this caricaturing gives John Turturro an enjoyable turn as a vain Mexican bowler (who has practically nothing to do with the plot), but it shortchanges Steve Buscemi, who plays another bowling buddy of the Dude's, a relatively important character we're supposed to care about but mainly don't.

The characters involved are making a good faith effort — but good faith efforts by humans can only go so far.

Richard Armitage's Thorin is the only character that undergoes any kind of transformation, and Fran Walsh and Philippa Boyens» screenplay is apparently satisfied with showing base human emotions in a series of extremes.

From lush cinematics to detailed in - game graphics, Resident Evil Revelations looks great on the PS3, especially the character model of Jill who is not only oozing with sex appeal but moves with a human - like grace.

Doyle repeatedly throws his characters into dangerous situations, not only to survive the aggressiveness of the zombies, but also the dangers of human nature.

What if we were given an option of not only designing our human avatars, but also given the ability to pick one of the animal classes in Animal Crossing to serve as our main character?

The Adventures of Tintin also offers some of the more effective usage of the motion - capture technique, which transfers an actor's performance upon an animated avatar, by bypassing the uncanny valley altogether and creating characters that are a hybrid of humans and artist Hergé's cartoonish designs (Only the hero and central villain weigh heavily toward the former).

Clocking in at just a smidgeon over two hours, it doesn't feel long at all, with good use of character development, not only for the human characters, but also for the dogs, who all have varying personalities that make them easy to distinguish once you get to know them.

More worrying yet is how the twist is made evident right at the start: the film's hero, Miguel Ferrer's nihilistic reporter of the supernatural, is the only other human character driving a plane too.

If only the low - aiming script by Simon Kinberg (xXx: State of the Union, X-Men 3), rumored to have undergone several rewrites at the hands of others, saw their characters as living, breathing human beings instead of mere comedic devices in the singular big joke the film is built on, and perhaps we would have seen even more fireworks in the romance department.

People usually bemoan the lack of a strong human element in big blockbusters like this, but while «Godzilla» aims to remedy that by placing the focus more on them than the giant monsters doing battle, the characters are so bland and thinly written (with the exception of Bryan Cranston's scientist, who has a smaller role than is hinted at in the trailers) that it only makes things worse.