Sentences with phrase «only in a few scenes»

The picture shows vital signs only in a few scenes where Cedric takes on the additional role of his own lecherous uncle, but it's too little too late.

Jeff Daniels is only in a few scenes but he steals everyone one of them.

Not exact matches

A California town was selling parcels using a «lottery» process in an attempt to skirt the Constltution, and some atheists ganged up and got a majority of parcels and didn't use them in order to keep them out of the hands of the Nativity scene people who only got a few.

I was attending the Disney Social Media Moms Celebration and even though I was only able to see a few scenes it had my childhood heart singing and my eyes in tears.

The company Conch Fritter King has been around for only a few short years but has made a big splash in the Atlanta food scene.

Only movie stars and select consumers have been able to get their hands on hydrogen fuel cell vehicles in the United States over the past few years, but now these zero - emissions cars are poised to bust onto the scene in a big way around 2015 to 2017.

Jack hands off one of his stories early in the film for his brothers to read and while hints to its plot are dropped, only later does it manifest itself into one of the few scenes in the film that felt not merely fresh to me but touching; briefly, we glimpse an event from the day of the funeral, awkward and uncomfortable, with the kind of details that only siblings might later recall.

The film rushes through these scenes in only a few minutes, missing a great opportunity to bring substance and care to this cherished Marvel property.

The truth is — while Lawrence is naked in a few scenes, not only is this misguided and often vile film NOT sexy, but it doesn't contain a single thrill.

But in the end, the only real impact is limited to a few scenes.

My only quibble is that the dialogue could have been better in a few scenes.

«We only did a few scenes together for this film (Godzilla), but we spent time together in Vancouver and I got to know his family,» she said, with the actor having two children to director Sam Taylor - Wood who is 23 - years his senior.

The scene in which he calls his wife to plead with her to come home early from her book tour — moments after he's stormed out of his lover's house, sex wedge under his arm; and moments before he discovers that said wife is filing for divorce — is hilarious, but only a few clicks of the tonal dial from being heartbreaking.

Special effects contribute to scenes that depict people being killed in highly creative ways, like being semi-integrated into cement walls and floors with only a few body parts and faces sticking out.

The only caveat relates to softness in a few isolated scenes.

Luna's Cassian remains a mystery by the end, dashing yet half - sketched, while Mendelsohn only earns a few scenes in which to show his teeth.

The only time «bloodsuckers» are ever mentioned is in the picture's opening scene, at that referring to a mosquito; if not for a few genuinely effective scenes of bloodletting, Near Dark would serve perfectly as a cautionary drug tale of a small - town boy pulled into a nocturnal cycle of angry fixes and naked lunches.

There are actually quite a few familiar faces (many with ties to «Life in Pieces») that appear in only one or two scenes: Chris D'Elia, Ravi Patel, the aforementioned Retta, Majandra Delfino, Jesse Williams, Colin Hanks, Brooklyn Decker, Erinn Hayes, Jamie Chung, Hannah Simone, and Angelique Cabral.

The «Select Scenes Commentary with Sally Potter» is not an audio commentary track but a ten - minute featurette of Potter discussing a few elements of the film in detail, such as the scenes of Orlando's asides to the camera (her cinematic version of the direct address sequences from the novel, but pared back through the shooting until there are only a few, very brief addresses, «a sort of complicity» she calls it) and the casting of Quentin Crisp («He is the true queen of England, he's my idea of royalty,» she confesses, as she describes his presence as way to turn the idea of sex and gender on its head right from the beginScenes Commentary with Sally Potter» is not an audio commentary track but a ten - minute featurette of Potter discussing a few elements of the film in detail, such as the scenes of Orlando's asides to the camera (her cinematic version of the direct address sequences from the novel, but pared back through the shooting until there are only a few, very brief addresses, «a sort of complicity» she calls it) and the casting of Quentin Crisp («He is the true queen of England, he's my idea of royalty,» she confesses, as she describes his presence as way to turn the idea of sex and gender on its head right from the beginscenes of Orlando's asides to the camera (her cinematic version of the direct address sequences from the novel, but pared back through the shooting until there are only a few, very brief addresses, «a sort of complicity» she calls it) and the casting of Quentin Crisp («He is the true queen of England, he's my idea of royalty,» she confesses, as she describes his presence as way to turn the idea of sex and gender on its head right from the beginning).

Playing the younger version of Michael B. Jordan's nuanced villain for only a few minutes, the young lad was only on screen briefly at the start of the movie, in a flashback scene and for a longer - speaking part in a poignant dialogue in the ancestral plain (trust us, it makes sense in the movie).

A scene with four men, each in tuxedos, tossing a football around while standing only a few feet apart.

In the only stylistic flourish to suggest the director's hand, Tim Burton gives us a few scenes of her art infiltrating real life, as she sees and is haunted by random people with exaggerated eyes staring at her and through the lie.

We see Tommy go through endless re-takes involving only a few lines of dialogue, an awkwardly staged sex scene, a scene that has no significance to the rest of the film, and a suicide in which the actor writhes on the floor in pain after shooting himself in the head.

The farm scenes in particular (the poor city is reduced to only a few locations (that look like sets actually) and seems much smaller than the town in Sunrise are really stunning: much of the film feels like Days Of Heaven was the film Murnau actually wanted to make (same location: wheat field in the upper midwest, attacked by a natural disaster, though Murnau doesn't appear to have the budget for his hailstorm whereas Malick could afford locusts).

It's a dark echo in there, side - by - side with Jimmy's grim dedication to buying up lakefront property and turning this prelapsarian wonderland into an exclusive, members - only club, but the film explores neither beyond their mention and contents itself to wrap up with a few scenes of mayhem, three insipid montages set to horrible music, and the same finale involving the birth of a child it seems like Martin has done now in a good half of his films.

Only a few scenes were flat - out cut - notably the death of Hollis Mason (Stephen McHattie) and a scene in which Silk Spectre (Malin Ackerman) is interrogated following Dr. Manhattan's disappearance.

Schaffner came from TV, and while he has few of the obnoxious visual affectations of the TV - trained director, he tends to restrict the most significant actions and relationships in his films to spatial arenas that could be served very adequately by the tube rather than the Panavision screen: the real convention hustle in The Best Man takes place in hotel rooms, hallways, and basements; the tensest moments in his strange and (to me) very sympathetic medieval mini-epic The War Lord are confined to a small soundstage clearing or that besieged tower; the battle scenes in Patton are hardly clumsy, but the real show is George C. Scott; and Nicholas and Alexandra comes alive only after the royal family has been penned up under the watchful eyes of Ian Holm and then Alan Webb, far from the splendor of St. Petersburg or the shambles of the Great War.

Laura Linney is the only actor who feels like she doesn't belong, stuck in a thankless role as Sully's wife Lorraine, whose few scenes with Hanks over the phone lack the emotional oomph that was intended.

There are a few scenes where she discovers her true affection for Peeta but the duo only appear in one scene together, proving that distance can, in fact, make the heart grow fonder (both for Katniss and for the audience itself).

She and Jane strike believable sparks in Christina and Paul's big meeting scene, and they do a deft job of delivering Pimental's few witty passages of repartée, but they only share two scenes, total, in the entire film.

Mickey Sumner — who only appears in a few scenes at the beginning and end — makes the conflicted, angry Sophie into a vibrant character, a drop - dead bitchy wit who we, like Frances, wish we could spend more time with.

Incidents that take up one sequence are left to dangle, unresolved; people abruptly arrive and leave, like Moonee's friend Dicky (Aiden Malik), who is only in a few early scenes before he and his father have to leave, their car too stuffed to keep Dicky's toys, the children all dry - eyed as Dickey's father promises helplessly to buy him even better new toys.

There are only a few action scenes in this drama but the first two films were often too graphic in their depiction of children being killed (something that often grew tiresome) so this film feels like a nice departure.

The plot forced Burgundy away from the news desk, and he is separated from his crew for quite a long time (much longer than the similar move in Anchorman, which amounted to only a few scenes), and Ferrell by himself without Paul Rudd, David Koechner, and Steve Carell to play off doesn't work nearly as well as the ensemble moments.

Though they were only on screen together for a few precious minutes, theirs are perhaps the most remembered scenes in the film (aside from Segel's exposed penis), and they perfectly exposed the thrilling chemistry these two evil comedic masterminds held between themselves.

Soderbergh shot the major dance sequences in long takes, using only a few camera setups, just as he did the fight scenes of his recent action movie Haywire.

Letts is just a powerhouse, even with only a few scenes to do it in.

The green - band trailer highlights how Kick - Ass and Hit - Girl are getting back in the superhero scene with only a few tastes of what high school life is like for them.

Restoring a few of these cut - scenes would put much - needed flesh back on this skeletal film, though it's worth noting that many of them still suffer from Haythe's insecure shoehorning of subtext into the dialogue, as in a moment where Frank tells a story to guests Shep and Millie they've obviously heard before, only to have April come right out and confirm it.

Only Fanning (and Common in a few scenes) seem well - cast and engaged by the script.

They only get a few scenes together, but the connection they establish in flashback's feel so strong, it can be sensed throughout the entire movie.

Though she only appears briefly, Negasonic Teenage Warhead returns for a few key scenes in the film and during one in particular, she comes out as queer by introducing Deadpool to her girlfriend, Yukio.

One such film is 1995's excellent Carl Franklin drama «Devil in a Blue Dress,» which not only contains one of Denzel Washington's best performances but was really the breakthrough for Don Cheadle, who steals the film in only a few scenes.

Only a few simulated scenes from «Deep Throat,» none of them explicit, are seen in «Lovelace,» which hasn't stopped the copyright holders of the original film from filing a $ 10 million lawsuit.

Emily Blunt brings some energy to the film, but she's only in a few short scenes with a total screen time of less than ten minutes.

Presumably on the basis that it isn't very long ago that he had a film of his own, Chadwick Boseman's Black Panther appears fleetingly (but the best battle scene takes place in his kingdom of Wakanda,) Tom Hiddleston's Loki registers as strongly as ever - but is only given a few minutes in which to do so.Scarlett Johansson's Black Widow isn't on screen for long either.

Annie, meanwhile, can't quite get over a guy (an uncredited Jon Hamm, making the most of his few scenes with a goofy aura of entitlement) who only spends time with her for sex, is still traumatized by the commercial letdown of a bakery she opened (She makes a single cupcake in secret and closes off whenever anyone asks why she doesn't bake anymore), and works a dead - end job at a jewelry store where she can not help but inject a skeptical perception into the happiness of her potential customers.

O'Shea Jackson Jr.'s character is a huge Batman fan, so not only are there plenty of jokes making fun of Batman, but it becomes a quirky plot point in a few key scenes.

While Pixar showcased a few scenes from the highly - aniticipated film at the D23 Expo in August (you can read about the scenes here), attendees were the only ones who got a glimpse at them.

In any event, though only a few shots and scenes involving the character are changed from the feature presentation, this is a great inclusion.