Sentences with phrase «only in the studio set»

Not exact matches

~ We are the only studio in Manhattan to offer Yoga Therapeutic Essentials in a group class setting.

Because let's face it... everybody and their kitty cat wants to teach yoga these days and it's only a matter of time before your next door neighbour comes back all shiny and new from their YTT and decides to set up a studio in their oversized living room.

It's a pretty safe bet to assume that only Quentin Tarantino could convince a studio to release a film set in the slave - owning South that follows a freed slave who, under the guidance of a German bounty hunter, becomes a deadly assassin hellbent on rescuing his wife from an evil plantation owner.

Not only is Netflix's reimagined «One Day at a Time» a joy to watch, it's also the first time in many years that a multicamera sitcom (the kind filmed on a set with studio - audience laughter) has seemed so instinctively comfortable in its own skin.

Set to star life - long comics obsessive Nic Cage (whose own son is named Kal - El), Burton's film would have followed in the footsteps of his Batman (1989) and Batman Returns (1992), only for the director to walk away when he became exasperated by studio interference and marketing commitments.

The arrival of the film noir coincided with a new penchant, inspired by Italian neorealism, for moving out of the studio on occasion and onto the great rich set of the American city and its suburbs, a readily available set which became, sometimes with only minimal adjustment of light and shadow, fully as «Germanic» as anything constructed at Ufa in the Twenties.

The only reaction I'm finding for Bennett Miller's «Moneyball» (which screened here in LA a few times despite the usual studio falsehood — «we don't have any screenings set right now» — typical) is Jeff Wells's take at Hollywood Elsewhere.

Landscape architects Will (Jude Law) and Sandy (Martin Freeman) set up their new state - of - the - art studio office in King's Cross, only for thieves to break in and steal all of their equipment.

Yet «The Cloverfield Paradox» has far more in common with two other contemporary space - set sci - fi studio outings, if only because they all share the same retrograde vision of otherwise compelling female characters.

NO ACTIVITY Ordered straight to series STUDIO: CBS Television Studios / Gary Sanchez / Funny or Die TEAM: Will Ferrell (ep), Adam McKay (ep), Patrick Brammall (ep), Trent O'Donnell (ep), Jason Burrows (ep), Joe Farrell (ep) LOGLINE: Set against the world of a major drug cartel bust and celebrating the mundane, it follows follows two low - level cops who have spent far too much time in a car together, two criminals who largely are kept in the dark, two dispatch workers who haven't really clicked and two Mexican tunnelers who are in way too small a space considering they've only just met.

Warner Bros., the studio behind films set in the «Potter» universe, isn't the only studio to bring back recent hit films.

Only in today's world could a story set in Afghanistan come to fruition through the collaboration of studios in Ireland, Canada, and Luxembourg... and the participation of an American named Angelina Jolie.

I can't comment on the set's packaging because Marvel continues to be the only studio I know of that sends review discs in paper envelope instead of the actual retail product.

Our studios are in sets of two and designed for couples only, with queen bed in the kitchen / living area.They are fully self - contained with microwave, four burner hotplate, underbench oven and fridge, and separate bathroom with shower.There is a comfortable sofa, table and chairs for two, television and video, reverse cycle air - conditioning and private paved verandah with table and chairs.

Set amidst 11 acres of landscaped gardens and in close proximity to the airport, Bollywood studios, entertainment hubs & business districts, your stay in Mumbai's only resort style business hotel comes with a host of privileges including a lavish breakfast spread in Citrus.

A union comprised of freelance game programmers, each paying a certain amount of dues, could set salary rates for hiring in game companies and negotiate on behalf of workers — even in studios with only one or two hired team members.

To match the colossal expectations set by fans and to consistently deliver such titles is no mean feat and only a handful of gaming studios in the world can do that.

In this assemblage, with its stage - like settings of toy furniture, wood, fabric, paint and paper, the only male included is a stuffed fabric nude model for the artist's studio.

He only recently rediscovered his love for charcoal — a medium he had set aside since the days of compulsory life drawing — and was seduced by the sound it made, as he rubbed it on plywood in his studio.

This is set within an attempt to reconstruct the organised chaos of Francis Bacon's studio in the Ferens Art Gallery, with the master's works only a short walk away in the main gallery space.

Recorded either privately in her studio or on - site, never rehearsed and only attempted once, Gilmore assumes the roles of many different female stereotypes and creates makeshift sets that act as the catalyst for a mélange of wacky riffs on daily life.

What has not been mentioned is that the «Saul - into - Paul conversion theory», published by Elaine de Kooning in Art News in 1958, was not set in Willem de Kooning's studio and did not mention a «Bell - Opticon», unlike her account of 1962.13 Additionally, while the 1958 account's introduction dramatised Kline's breakthrough to abstraction as a «transformation of consciousness», or a «revelation» of Biblical proportions, invoking the example of «Saul of Tarsus outside the walls of Damascus when he saw a «great light»», the description of Kline's technical and conceptual breakthrough in this account nevertheless resembled previous accounts of Kline's development in its gradualness, uneventfulness and thoughtfulness.14 The breakthrough that Elaine de Kooning first recounted was a product of sustained technical experimentation and logical thought on Kline's part, rather than accident or epiphany: «Still involved, in 1950, with elements of representation, he began to whip out small brushes of figures, trains, horses, landscapes, buildings, using only black paint.

In 2006, she opened Three Seasons Gallery with co-director Colin Lyons, a gallery space within a shared artist's studio set to operate for only six months (spanning three seasons).

Now I'm doing still lifes, so I only shoot sets I build in the studio and things I sometimes direct or stage outside.