Sentences with phrase «only influence on my work»

That is Pop Art's only influence on my work: «Clean up your act a little bit.»

Not exact matches

For starters, the variations between earnings and cash flow not only arise in working capital changes over time (their influence on a firm's cash flow from operations), but also in the timing of the cost of replacing those assets that generate earnings (capital expenditures versus depreciation).
A third film, The Law and the Prophets (McGraw - Hill Text Films, 1970; 51 min., 2 reels, color), not only offers a good summary of the Old Testament but also demonstrates the influence of the Bible on Western art, for, it shows great works of painting and sculpture inspired by the Bible.
David G. Roskie's compelling study Against the Apocalypse: Responses to Catastrophe in Modem Jewish Culture discusses the cross symbol's use not only in Chagall's painting, but in the literary work of Der Nister, Lamed Shapiro, Sholem Asch, S. Y. Agnon and the poet Uri Zvi Greenberg (Harvard University Press, 1984 [pp. 258 - 310]-RRB- In literature written before World War II (and under the influence of biblical criticism that had emancipated Jesus» image from its doctrinal Christian vesture), these authors used the cross symbol variously; for Asch, the crucified figure in all his Jewishness symbolized universal suffering; for Shapiro and Agnon, on the other hand, the cross remained an emblem of violence and a reminder of Christian enmity against Jews.
Paediatricians and prestigious institutions that work on child health such as the RCPCH must recognise how accepting funding from such companies is a clear conflict of interest that not only violates World Health Assembly Resolutions [3] and creates opportunities for undue influence, but is an essential part of the corporate plan.
I think Progress is a disgusting organisation and a blight on the Labour movement, but the only way we can decrease its influence and make sure working people have a voice is by supporting the left within the Labour party.
The proof was not only noteworthy for its influence on group theory; at 255 pages, it was «possibly the longest proof that had ever been published,» says Marcus du Sautoy of the University of Oxford in the U.K., who explained the winners» work at a press conference.
It's an unconscionable and completely inappropriate suggestion — the kind that only someone with Amanda's blunt, cold - bloodedly pragmatic attitude could make, although it's just the sort of hypothetical that attracts us to the works of «Strangers on a Train» novelist Patricia Highsmith, or more outrageously, films like «Jawbreaker» and «Heathers,» whose influence can also be found lurking beneath this movie's elegant surface.
Yet Sturges is clearly due for a reappraisal, if only to consider what it is that makes him appealing to so many contemporary filmmakers — John Carpenter, P.T. Anderson and Lawrence Kasdan, to name three, have all professed admiration of his work and acknowledged its influence on their own styles.
This strand is designed not only for students who want to work with individual children and families, but also those who want to influence systemic change on the institutional and policy levels.
Although academics can be named on this list, they are considered only in so far as their work influences those in the corporate world.
While much of the ensuing discussion rightly only focuses on certain areas of Title I funding (required by the law on assessment issues) and language on whether to supplement or supplant funding, NAESP is working in tandem with these efforts to influence the USED's actions on Title II funding related to comprehensive state and local support for principals.
Only one academic work can influence on your success in college and future profession.
The fashion influence in the work of Argentinian photographer Lucia Fainzilber is immediately apparent, not only due to her striking use of color and theater - like set production, but also in the artist's conceptual focus on the identifying factors of clothing and fabric.
The exhibition, which takes its name from the iconic publication, presents works that not only reflect on the fugitive figure in American popular culture, but also interrogate how narratives constructed by the media influence our understandings of lawlessness and otherness and directly inform our views on innocence, safety, and normalcy.
Remarking on the «Women Painting Women: Our Collective Conscience,» Demato pointed out that the show not only reveals a snapshot of the current state of painters working in contemporary figurative realism today but provides insights into the different muses influencing female painters today.
His only extended piece of writing on his work, Early Influences, Late Consequences or: How did the Monkeys Get into my Work and Other Icono - Biographical Questions, published in 1976 and printed in the catalogue of his first museum survey, was a parody and, as it turned out, ghostwritten anywork, Early Influences, Late Consequences or: How did the Monkeys Get into my Work and Other Icono - Biographical Questions, published in 1976 and printed in the catalogue of his first museum survey, was a parody and, as it turned out, ghostwritten anyWork and Other Icono - Biographical Questions, published in 1976 and printed in the catalogue of his first museum survey, was a parody and, as it turned out, ghostwritten anyway.
In 1951, Pepi became one of the lucky group of painters who worked under Hofmann, whose sophisticated influence is vividly on display not only in the oil paintings but in the delightful watercolors, which have Hofmann's wind - blown spontaneity (such as the dramatic nightscape 1206).
The show, Parkinson writes, features «works by Andrew Bick, Stuart Elliot, Robert Holyhead, Clare Kenny, Maria Lalic, Karim Noureldin, David Rhodes, Cullinan Richards, Brandon Taylor, exhibited alongside a «museum» of printed matter related to British Construction and Systems Art... I have the sense of a past that is locked, only partially accessible via faded documents, memory and influence, as if the works on the wall are familiarly connected to the archive material or they can be interpreted as having evolved from a «constructive context,» some more consciously connected to the base than others, like the system formula that eludes my attempt to discern it, or like Noureldin's drawings wending their way through various permutations, continually repeating and changing, awareness of the past leading to an informed openness to an unknown future.»
«American Art Today: Faces and Figures,» The Patricia & Phillip Frost Art Museum (formerly The Art Museum at FIU), Florida International University, Miami, FL, January 17 — March 9, 2003 «The Harlem Renaissance and Its Legacy,» Worcester Art Museum, Worcester, MA, January 18 — April 13, 2003 «A Century of Collecting: African American Art in the Art Institute of Chicago,» Art Institute of Chicago, Chicago, IL, February 15 — May 18, 2003; catalogue «Structures of Difference,» Wadsworth Atheneum Museum of Art, Hartford, CT, February — April 13, 2003 «The Space Between: Artists Engaging Race and Syncretism,» Davis Museum and Cultural Center, Wellesley College, Wellesley, MA, March 18 — June 8, 2003 «Visual Poetics: Art and the Word,» Miami Art Museum, Miami, FL, April 25 — November 16, 2003; brochure «Visualizing Identity,» The Jack S Blanton Museum of Art, University of Texas at Austin, Austin, TX, August 27, 2003 — January 4, 2004 «Drawing Modern: Works from the Agnes Gund Collection,» Cleveland Museum of Art, Cleveland, OH, October 26, 2003 — January 1, 2004; catalogue «Skin Deep,» Numark Gallery, Washington, D.C., March 15 — April 26; brochure «Only Skin Deep: Changing Visions of the American Self,» curated by Coco Fusco and Brian Wallis, International Center of Photography, New York, NY, December 12, 2003 — February 29, 2004; traveled to Seattle Art Museum, Seattle, WA, 2004; Museum of Photographic Arts, San Diego, CA, 2005; catalogue «Supernova,» San Francisco Museum of Modern Art, San Francisco, CA, 2003 «Fast Forward: Twenty Years of White Rooms,» White Columns, New York, NY, 2003; catalogue «Today's Man,» curated by John Connelly, Hiromi Yoshii Gallery, Tokyo, Japan, 2003 «The Disembodied Spirit,» curated by Alison Ferris, Bowdoin College Museum of Art, Brunswick, ME, 2003; catalogue «The Alumni Show,» curated by Nina Felshin, Ezra and Cecile Zilkha Gallery, Wesleyan University, Middletown, CT, 2003; catalogue «Crimes and Misdemeanors,» Contemporary Arts Center, Cincinnati, OH, 2003 «DL: The Down Low in Contemporary Art,» Longwood Art Gallery at Hostos, Bronx, NY, 2003 «The Paper Sculpture Show,» organized by ICI, Sculpture Center, Long Island City, NY, 2003; traveled to Contemporary Art Center of Virginia, Virginia Beach, VA; Hunter Museum of American Art, Chattanooga, TN; Southeastern Center for Contemporary Art, Winston - Salem, NC; Orange County Museum of Art, Newport Beach, CA «An American Legacy: Art from the Studio Museum,» The Parrish Art Museum, Southampton, NY, 2003 «Stranger in the Village,» Guild Hall, East Hampton, NY, organized by the Museum of Modern Art, NY, 2003 «On the Wall: Wallpaper and Tableau,» The Fabric Workshop and Museum, Philadelphia, PA, 2003 «Family Ties,» curated by Trevor Fairbrother, Peabody Essex Museum, Salem, MA, 2003 «Influence, Anxiety, and Gratitude (Toward and understanding of trans - generational dialogue as a gift economy),» curated by Bill Arning, MIT List Visual Arts Center, Cambridge, MA, 2003 «American Art Today: Faces & Figures,» The Art Museum at Florida International University, Miami, FL, 2003
At the time, while I recognized in the installations in which Tonoshiki threw together and brought into dynamic coexistence waste lumber from demolished houses, driftage from the ocean, abandoned televisions and other domestic waste, and scrapped vehicles on the one hand and natural outdoor settings or orderly exhibition rooms in art museums on the other, a common spirit with the cyber-punk-like junk aesthetic that was then reaching its peak (see the work of Seiko Mikami, for example), the only thing I sensed Tonoshiki was stressing — particularly given that he had been influenced by the social sculpture of Joseph Beuys — was probably that the concept of «reversal» could be found in the act of almost violently recycling useless objects that had served their function and were merely waiting to be disposed.
As Borduas was such a strong influence on his students, Françoise felt it was only proper that she would organise works of former students to showcase Borduas» legacy.
Now, on his return to London, working in his West London studio at 19 Maclise House — a tiny space only 12 x 14 feet, located just behind the Tate Gallery — Bowling's painting was exposed to a new range of influences.
Grayson is not only a highly accomplished printmaker and ceramicist, but he is also a master of storytelling and self - analysis: psychotherapy, he says, is the biggest influence on his work.
Mondrian's work had an enormous influence on 20th century art, influencing not only the course of abstract painting and numerous major styles and art movements (such as Color Field painting, Abstract Expressionism and Minimalism), but also fields outside the domain of painting, such as design, architecture and fashion.
From his first green and black CRT drawings on an Apple II to his present - day interaction with a variety of computerized machines, the computer's influence on his work is only matched by the color field paintings of Albers, Itten, Kelly, and Rothko.
Greenberg thus not only placed Frankenthaler in a position to make her artistic innovation, but he helped make her work an influence on other artists, and he helped in turn to make their work well known.
The title references the name of the Dublin based «90s underground nightclub venue System, which although only in existence for a few years was an important element in the history of dance music in Dublin, a music genre that has been a key influences on the artist's work.
Mr. Gilliam, who represented the United States at the Venice Biennale in 1972 and whose draped canvases have had a strong influence on younger painters trying to rethink the medium, has only recently broken $ 300,000 at auction, though works by Mr. Gilliam on view recently at the Frieze Masters art fair in London were priced at up to $ 500,000.
I read texts on or by Jeffrey Steele, Gillian Wise, Charles Biederman, Anthony Hill, Kenneth Martin etc. and, wanting to turn the pages, I have the sense of a past that is locked, only partially accessible via faded documents, memory and influence, as if the works on the wall are familiarly connected to the archive material or they can be interpreted as having evolved from a «constructive context», some more consciously connected to the base than others, like the system formula that eludes my attempt to discern it, or like Noureldin's drawings wending their way through various permutations, continually repeating and changing, awareness of the past leading to an informed openness to an unknown future.
The point here is not that Gelbspan appears to have put out misinformation about his collective work back in 2004, it is that his words have huge influence right up to the present time, such as the only months - old «fossil fuel industry misinformation» research paper written by an impressionable young college student, or the days - old suggestion by one of his Facebook Friends that he should get a guest appearance on CNBC's Rachel Maddow show.
Granted, I only worked up the land based measures, but we live on land; — RRB - http://justdata.wordpress.com Despite the inherent UHI influence on the readings, there was only minor warming in the Arctic.
«This gives us an entirely new and important platform for serving clients on many levels, not only with excellent legal work but also with the very best government relations, advocacy and strategic communications professionals,» Adams said, referring to McGuireWoods Consulting, the firm's public affairs arm, which is ranked in the Top 15 of the National Law Journal's «The Influence 50,» an annual report of the top public affairs firms in Washington.
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