Sentences with phrase «only kind of artist»

That said, it's not the only kind of artist I work with.

Not exact matches

We can see only hints of divine beauty, and if some poets or artists seem to have a talent for seeing a particular kind of natural beauty it does not follow that they will also see or appreciate supernatural beauty (for example, in people, liturgy, or scripture).

This kind of salutory shock is provided by the modern arts, and not only by Christian but by agnostic artists and writers.

It's kind of like Burning Man for theater geeks, but with slightly less nudity (only slightly, due to a proliferation of performance artists).

In New York, a number of seemingly anonymous locations — the lawyer's office, the doctor's, the dentist's — have become places to see the kind of art that you might only hope to view in a gallery or a museum, thanks to medical professionals» practice of trading treatment with artists.

Once contour became the «it» technique of makeup artists, finishing powders kind of faded out, but Paltrow and Juice Beauty are bringing it back — only better.

The collection veered away from Slimane territory as it progressed through decades of rocker style, ending in a series of bondage - inspired and sheer - fronted dresses that covered, at times, only the nipples — the kind of clothes one could expect to see on today's more daring female musical artists: Rihanna, Nicki Minaj, Miley Cyrus.

A colorful flick of eyeliner (purple, to be exact), softly defined eyes, a nude lip, and the kind of radiant, flawless skin that can only come from being 21, having a professional makeup artist at your disposal, and nailing the genetic lottery.

This association of the feminine with weakness or vulnerability may be objectionable in a cultural climate where criticasters monotonously beat the drum for the Strong Female Character, but Denis is an artist, not a sloganeer, and as such she has always been gifted with the only kind of strength that matters — the guts to speak hard home truths and not give a fuck about how they might be received.

Jada Yuan: I got to see The Disaster Artist when it was still a «work in progress» at its first unveiling at SXSW in March, and not only did I have no idea what I was getting into, I was kind of dreading it.

A similar form of ambiguity could be found in Ed Wood, Tim Burton's previous feature, which oddly wound up making a failed artist of the 50s into a 90s hero — a kind of postmodernist transubstantiation that could only be carried out by altering both Wood and the 50s.

But the garish pastels of the Lost Village, while they introduce us to such delights as wondrous dragonflies, aggressively self - pollinating flowers and glow - in - the - dark bunnies, come off like some kind of family - friendly psychedelic trip (one that could only have been envisioned by the kitschy artist Thomas Kinkade, the «Painter of Light»).

Not only do artists undermine themselves with this kind of thinking and behavior, they often undermine others in their fields, too.

With Studio One Artist, you can not only create rhythms and melodies, but also add all kinds of effects on Miku's voice!

It seems that every other art site is only interested in talking to / talking about the same kind of artist: young and male.

In time I discovered that within these Soviet style warehouses there were artists making the kind of art you won't often see at the Whitney Biennial, and only rarely glimpse in the glitzy galleries with the outsized frosted glass doors.

And in Delhi, where public arts funding is all but nonexistent and museums are not only scarce but underfinanced, Nature Morte has achieved a kind of cult following thanks to its innovate cross-disciplinary programming with nonprofits, other galleries and individual artists.

Thus, FCA remains the only institution of its kind: created and sustained by artists to benefit artists.

Emergency Grants is the only active, multi-disciplinary program that offers immediate assistance of this kind to artists living and working anywhere in the United States, for projects occurring in the U.S. and abroad.

Atlanta artist Mario Petrirena used found and treasured family objects to create a kind of self - portrait of his life as an evacuee from Cuba when he was only eight years old in his show

Atlanta artist Mario Petrirena used found and treasured family objects to create a kind of self - portrait of his life as an evacuee from Cuba when he was only eight years old in his show The Distance Between at the Museum of Contemporary Art of Georgia (February 25 — April 29, 2017).

This access, which has broadly democratized the field, has created not only a larger and more engaged audience for this kind of art, but has also created more opportunities for this work to be contextualized within the larger narratives of contemporary art, as can be seen in the various approaches of curators such as Lynne Cooke, Massimiliano Gioni and Daniel Baumann, for example, all of whom have, in different ways, framed the work of self - taught artists within their curatorial projects.

Emergency Grants is the only active, multi-disciplinary program that offers immediate assistance of this kind to artists living and working anywhere in the United States or U.S. territories, for projects occurring in the U.S. and abroad.

More than 600 shows this year include not only open houses in artists» studios and curated group shows but also performances of all kinds, food and drink, discussion panels, music, and kid - friendly events.

Each framed, matted drawing is numbered «0,» to show that it's the only one of its kind — a drawing from the artist's own hand.

Conceived as a kind of «love letter,» this billet - doux between two covers was addressed not only to the eight dead and one living artist (Balthus) who Perl had written about, but also to the many living artists and others who the author felt would share his view that many of the seminal achievements — and lesser known periods — of French modernism's «Old Masters» had been ignored, pushed aside or wrongly dismissed.

Saint Phalle was not the only advanced artist of the postwar era to invoke a kind of violence or aggression into artworks and performances.

But it can also be a spark, or a kind of code - breaker, as we see often in the «Artist's Project» and in the Met Breuer's intimate pairings: Willem de Kooning and Maria Lassnig, El Greco and Thomas Hart Benton (an association made only in writing, on the label for El Greco's monumental, roiling The Vision of St. John, but nonetheless a relevatory one).

The Prize produced in collaboration with Whitechapel gallery supports UK - based female artists who have not previously had a solo survey exhibition, making it the only visual art prize of its kind the UK.

He and the construction worker are doing something superficially similar, but the difference in scale is significant: The bulldozer, a machine that can destroy a lot of material quickly and indiscriminately, represents the authority of central planners, and political and business interests; the artist, who works with only the tools and friends available to him, represents a kind of everyman.

With the mission of the New Media Gallery in mind, the Museum has decided to establish the juried exhibition as an annual event, providing regional artists a chance to exhibit in one of the only galleries of its kind in Western North Carolina.

As the only one of its kind on the North Fork, we exhibit and sell contemporary fine art photographic works by established and emerging artists.

Frank O'Hara, the critic and poet who collaborated with Bluhm, wrote in 1962, «Bluhm is the only artist working in the idiom of abstract - expressionism who has a spirit similar to that of Pollock, which is to say that he is out — beyond beauty, beyond composition, beyond the old - fashioned kind of pictorial ambition.»

Chapter 1: Things Must be Pulverized: Abstract Expressionism Charts the move from figurative to abstract painting as the dominant style of painting (1940s & 50s) Key artists discussed: Willem de Kooning, Barnett Newman Jackson Pollock, Mark Rothko Chapter 2: Wounded Painting: Informel in Europe and Beyond Meanwhile in Europe: abstract painters immediate responses to the horrors of World War II (1940s & 50s) Key artists discussed: Jean Dubuffet, Lucio Fontana, Viennese Aktionism, Wols Chapter 3: Post-War Figurative Painting Surveys those artists who defiantly continued to make figurative work as Abstraction was rising to dominance - including Social Realists (1940s & 50s) Key artists discussed: Francis Bacon, Lucien Freud, Alice Neel, Pablo Picasso Chapter 4: Against Gesture - Geometric Abstraction The development of a rational, universal language of art - the opposite of the highly emotional Informel or Abstract Expressionism (1950s and early 1960s) Key artists discussed: Lygia Clark, Ellsworth Kelly, Bridget Riley, Yves Klein Chapter 5: Post-Painting Part 1: After Pollock In the aftermath of Pollock's death: the early days of Pop, Minimalism and Conceptual painting in the USA (1950s and early 1960s) Key artists discussed: Jasper Johns, Robert Rauschenberg, Frank Stella, Cy Twombly Chapter 5: Anti Tradition - Pop Painitng How painting survives against growth of mass visual culture: photography and television - if you can't beat them, join them (1960s and 70s) Key artists discussed: Alex Katz, Roy Lichtenstein, Gerhard Richter, Andy Warhol Chapter 6: A transcendental high art: Neo Expressionism and its Discontents The continuation of figuration and expressionism in the 1970s and 80s, including many artists who have only been appreciated in later years (1970s & 80s) Key artists discussed: Georg Baselitz, Jean - Michel Basquiat, Anselm Kiefer, Julian Schnabel, Chapter 7: Post-Painting Part II: After Pop A new era in which figurative and abstract exist side by side rather than polar opposites plus painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc Tuymans

Museum curator Gary Garrels says Wall Grid (3 x 3) is a rare type of work, explaining that minimalist artists created pieces with this kind of ultra-simplicity only from 1964 to 1966 or 1967.

The above observations only spotlight that the digital age has not been kind to those generations of post-war American male artists that include the abstract expressionists and minimalists.

The collectors love it, expressing their adulation in a way that only they can — by creating the kind of demand that has allowed the artist to keep adding zeros to his prices over the past couple of years.

KSYou'd only just come to New York — were you aware of things like «This person's a third - generation Ab - Ex, this person's Color Field, this is another kind of artist»?

The Mexican artist is known for many kinds of work: from drawings on skulls and whale skeletons, to moulded clay hearts and chessboards filled only with knights.

From «Unmade Beds» nominated for the Turner Prize to the artist's latest revelation announcing she has married an ancient rock in France, Tracey Emin is still able to raise an eyebrow, even if only in that sort of Michael Jackson kind of way.

Only by this kind of contribution is there any hope for the possible development of a truly American art, whereas the attempts of our nationalist politics and artists, in both South and North America, have failed and must continue to do so.»

They were obviously being tongue - in - cheek, yet their words also offered a shrewd insight: Not only had the media image of the artist's lifestyle become part and parcel of artistic practice but, after Warhol, art now offered a path to a kind of mainstream success typically reserved for other quarters of culture.

Philophobia (fear of attachment or to fall in love) is a collaborative exhibition featuring the work of selected artists in the reflection of the vulnerability of loving someone, not only in a relationship but in all kinds of love.

Johns was not the only artist of his time to explore this relationship between art and the real in new ways, but he has done so, again in a kind of dance, with exceptional originality and with an intellectual rigour of conception combined with often luscious sensuousness in the deployment of paint and colour.

She continues to work today, and her career is remarkable not only for its longevity but also because Bourgeois is a rare kind of artist — one who consistently surprises and delights with startling new work.

In the course of less than a decade, Kehinde Wiley has come to enjoy the kind of art - world acclaim most young artists can only dream of.

«There are only two kinds of artists: the plagiarists and the revolutionaries.»

«Teaming up allows artists to have access to the same kind of global reach that large galleries do, only you don't only have the option of being in a larger gallery and be among, like, 50 artists.»

Kind of like an AA meeting for those who can't recover because one can't recover from being an artist - you can only hold the tension...

Bradford is only the third African American artist to be housed in the US Pavilion, and I found his blend of great painting with both social issues and context for his work to have the kind of reverberation and passion that deserves a response.