Sentences with phrase «only kind of movie»

But it's never been the only kind of movie I love.

Not exact matches

We were the only ones in the theater so it was kind of surreal, but, yes, such a good movie.

Coconut flour egg, bacon & cheese muffins Popcorn (popped in coconut oil and topped with melted butter)-- we make popcorn for the movie theater, too Coconut flour blueberry muffins Grass - fed cheese Homemade corn tortilla chips Soaked and dried nuts Homemade sprouted flour crackers Whole, raw milk (in a sippy cup; sometimes I even bring two)-- it's impossible to get ANY kind of milk on most airplanes these days; many airlines only have non-dairy creamer available Scrambled eggs — I put them in a Thermos container Bananas, oranges, apples, grapes — organic if possible Homemade shortbread cookies — it's a great idea to pack a few cookies for those extra-tough times while traveling Raisins — organic if possible Grass - fed whole milk yogurt mixed with a little fruit - sweetened jam or honey — I put it in a Thermos Homemade soaked granola -LSB-...]

Salt & Straw may be the only ice cream chainlet in the country to claim the kind of cult following reserved for»80s movies or indie bands.

6 months after we were in the relationship he got a job in a supermarket as security guard, but here in my country that does nt really makes a lot, its like almost $ 300 dollars per month, i make 600 up to 800 per month, by taking calls in a call center, he never went to college he only graduated highschool, im in law school right now... from the very beginning since i knew he did nt have a job or was making money he could spend, if i had money i would invite him out to dinner, or to the movies or whatever and it was me paying for it which i did nt mind, he is not the kind of men who buys flower, or invite u to the movies, or out, he rather visit me at home and watch a movie in netflix and thats it, we have made plans to go out, but none of them works out, something always happen, and the day it may happen, i say no, just because i think i will have to pay for the date..

It was only later on that summer that we learned that Rampant Films was really a front for Premise Media, a Canadian filmmaking company and that, in fact, the film was not called Crossroads at all, it was to be called Expelled, and it was an antiscience and a pro-intelligent design movie rather than being, kind of, a generic creationism and evolution movie, so I mean, was just flabbergasted.

«The kinds of things that once existed only in the realm of science fiction movies like Inception and Eternal Sunshine of the Spotless Mind are now experimentally possible,» says Steve Ramirez, a graduate student in the lab of HHMI investigator Susumu Tonegawa and first author of the new work.

Cindy thanks so much for introducing me to a new friend, Eugenia looks like such a fun person, anyone that finds fashion inspiration from old black and white movies from the 40s and 50s is my kind of gal... Love her bold, classy style and I only wish I could see more pictures of her modeling her outfits.

If you're blue about being single at Christmas, movies like this can be a tonic, reinforcing the fact that romantic love isn't the only kind of love that counts.

That's the worst because when February comes around you will be forced to hear all kinds of romantic stories or watch lovey dovey movies on Netflix only to realize you have no one to enjoy it with.

The only online dating sites, in flt dating review or any kind of the persian words flt in addition, flt dating review, m. extreme dating movie review uk.

It's kind of like going to the movies, only much more interactional, the adrenaline filled action in the arena can only add to whatever interpersonal chemistry you have already.

Hi, only to the woman that is ready to be in a relationship as of on the new year, i, m kind, fun, polite, i like to play pool, watch movie, s take walks, hold hands, have some r...

It's in the nature of this kind of entertainment that when we see violence in movies we feel the kick of adrenalin, but at the same time we are also relieved because we know it's only a movie.

And to make up for that lack of actual tension, co-writers Liz Hannah and Josh Singer sprinkle in heavy doses of the kind of things people only say in movies («Jefferson just rolled over in his grave,» for example).

They knock each other over, hit each other with hammers and do all sorts of crazy stints that only the Stooges could pull off and for that the movie kind of works.

So, while the movie references many of the innovators of the decade, it only waits until the very end to make any kind of original, ambiguous statement of its own.

But it's also key to the movie's knotty, complicated politics, in which Wakanda is the US, but also isn't the US, but kind of is, but only in certain ways, while Killmonger stands in for both black revolutionary movements and American imperialism.

Although there is a political element to this movie, however, it works on a primal level — that of a person struggling to find not only a path forward but some kind of meaning in an act that lacks reason, compassion, or sense.

DaCosta directs in a modest, slice - of - life style, which only heightens the tension of events on screen - this is the kind of movie you lean forward to hear, and before you know it, you're overwhelmed.

This movie has a modern kind of badness to it, the kind that's only possible in an era of mind - boggling technological advancements and de-emphasized storytelling.

Everyone is different, everyone has their own way of thinking, and their tastes, this movie just wasn't my kind of movie, it was too slow paced, and kind of boring to me, sorry for whoever liked it, the only part that got my interested is

Gershon is the only woman in the movie who plays any kind of active role in the story, and hers is both tiny and evil.

Everyone is different, everyone has their own way of thinking, and their tastes, this movie just wasn't my kind of movie, it was too slow paced, and kind of boring to me, sorry for whoever liked it, the only part that got my interested is when Shane (the walking dead) showed up.

And Robert Wise's 1963 adaptation of the book, The Haunting, in Bergmanesque black and white, teases out the Freudian implications of every gargoyle with the kind of intense regard only an entire movie industry engrossed in psychoanalysis could produce.

sound of a switchblade, are the primary weapon of choice, which keeps things moment - to - moment as the movie snakes its way towards its outrageous, excruciatingly shocking final act with the kind of economy and pace found only in the best action movies.

«Baden Baden» does make a pertinent statement, one rare in movies today: that being ostensibly aimless in your mid-20s not only isn't the worst thing in the world, but it can also be kind of fun.

However, it is the kind of movie in which the villain gets to say, «The only reason you're still alive is because I find your stupidity mildly amusing.»

In the kind of hard continuity reboot usually only seen in comic books, Todd Solondz appears to be rewriting the story of Dawn Weiner for a new movie, Weiner - Dog.

It sounds like a broken record but this is the kind of mid-budget movie they don't make much anymore (and it only made $ 18 million, domestically) but that adults claim they want to see.

i only wish those thousands went to work on movies of more substance than fighting robots... and you don't have to apologize to me, i can in fact compare «Real Steel» to «The Fast and the Frivolous» films because in essence they are one - in - the - same, simply just the flavor of the week kind of flicks that have no real pull behind them other than big name actors, CGI and a promise of action.

And while you can admire, in theory, a movie about that kind of stasis — about a real - life situation in which things are bad and can only, maybe, get ever - so - slightly better — in actual practice, this is a film as depressed as its characters.

The kind of thing they'd screen at Comic - Con, this de facto making - of nevertheless doesn't do a very good job of selling the movie (the animators most vividly remember interdepartmental conflicts)-- and the many testaments to working without deadlines serve only to shed light on Steamboy's suffocatingly overindulgent design.

In The Player, Robert Altman's early nineties comeback film, the director brilliantly skewers Hollywood — getting all the details right, as only he could — while constructing his own kind of Hollywood Movie.

There are some extreme moments in these kinds of films where you know certain events and casualties only happen in the movies.

There's not a lot to say about the film's 5.1 DTS - HD MA soundtrack (English only), except that it's everything you expect from this kind of movie.

«David could get a kick out of making a Hollywood movie or some kind of quiet movie that maybe only a few people are going to watch.

ANTITRUST is the kind of movie that could only be viewed on the big screen because it's the only way you'd be able to see the movie while continuously shaking your head in disbelief.

The movie's abrupt appearance generated a flash of intense excitement, but not the kind of prolonged anticipation that most often leads to disappointment: The only thing you expected of The Cloverfield Paradox was that it would be on your computer when the last whistle blew, and there it was.

In those moments, the movie is kind of insulting, not only to men who stay at home with their kids, but to any dad who has ever changed a diaper or cooked breakfast for their children.

STEALING BEAUTY (R)-- Contains sexual situations, nudity and the kind of weirdos you only encounter in European movies.

I wasn't a huge fan of the book — not only did it not live up to the hype but I found it kind of offensive — but the movie was a more enjoyable experience to me.

Just sticking to relatively recent television (as opposed to something like the movie version of From Hell), The Alienist arrives after The Knick and Boardwalk Empire featured a New York only slightly further in the future, Peaky Blinders and Penny Dreadful have done the same across the pond (the latter featuring an alienist character of its own), and Netflix's Mindhunter tackled the»70s codification of the kinds of criminal profiling that Kreizler fumbles about with here.

They murder her husband, they shoot her two girls, and they fire a bullet directly into her infant son; Rosalee carries the lifeless bundle in her arms for days, because it's that kind of movie — the only kind that Cooper knows how to make.

Honestly, we'd kind of love to see an entire movie with Clarke playing Chewbacca, if only to see if her painful impression progressively improves, or just continues to devolve into awfulness.

Itís the kind of movie that could only be made in 1942, and it won awards all over the place.

They're never able to dramatize the very 19th century question of how a man can go from calm to suicidal in just six weeks, and the movie only feels more disjointed as it digs its way toward some kind of truth.

I'll give the director points for trying, though, and it was the only part of the movie where the 3D technology made any sense, since it is kind of cool to have the words dance in the air.

Later, Dev Patel takes over the role of Saroo, and it's a jarring transition, not only because the little boy is now a man, but because the lyrical nature of the film transforms into a standard «issue movie with stars» kind of thing.

Music really isn't this movie's top priority, and as further evidence, before the band even performs three - quarters of a song in front of a crowd, the screenplay by Ryan Landels has already given us the subplot about the robot, which leads the sisters on a hunt to find some kind of message from Jerrica and Kimber's father to the former (Sorry, Kimber, but only Jerrica gets a posthumous pep talk from dad).