Sentences with phrase «only kind of war»

It is possible that in a fallen world (and yes, this is the theological premise without which one can not really make sense of this stuff) where struggle for land involves war, and the only kind of war at the time was the kind described in the Old Testament texts, that this was the way it had to be if the land - gift promise was to be fulfilled in due course.

Not exact matches

There is only ONE MESSAGE on earth now that can definitely end the war and all kind of bloody feuds and conflicts within and / or between all Religions and Sects; and here it is for all Peace Loving and Truth Seeking intelligent Humans all over the world now:

Life frequently presents grim situations where to enjoy war in peace is the only kind of happiness that we can expect.

Essentially, this is a set of sexual Geneva conventions: You never knew it, but not only do you have the right to minimal standards of treatment if you ever become a prisoner of war, but when you were five, you had the right to learn at school all kinds of things about what some people like to do in bed, and if your parents thought that really they'd rather you didn't hear about that stuff at school, or at least not yet, they were... well, they were violating your rights.

It is not a very good history, but it is probably as good a history as we can expect, not only because it is the best of its kind, and practically the only survival of its kind (Several other authors, according to Josephus, had undertaken to write accounts of the revolt — see the opening paragraphs of his preface to The Jewish War.

Because of their belief in this gospel of reconciliation and their experience of its power, Christians can never accept, as the only kind of existence open to nations, a state of perpetual tension leading to «inevitable» war.

The only kind of consolation from this is that the last time a Labour Government tried this mad class war it helped produce the situation whereby we had 18 years of Tory Government.

Deeply devoted to helping teens become citizens of the world; only another teacher can truly understand the joys and challenges of this work; ready to share, grow, travel, swap war stories, and enjoy the company of a smart, independent, kind - hearted man

Angelina Jolie's second feature as a director, following her under - the - radar 2011 Bosnian drama In the Land of Blood and Honey, is a beautifully shot, well - acted, and worthy - to - a-fault Second World War survivor story that only intermittently achieves the kind of emotional impact for which it aims.

In Down with Love, one character states that the war of the sexes could be resolved if only the two leads find a way into each other's arms, and that's just the kind of jab to the ribs the genre's been needing for a while now.

Avengers: Infinity War has broken all kinds of records at the box office, but it's not the only superhero movie coming out this month.

We've known for awhile that Teen Groot is looking for some kind of new mentor in Infinity War, so it only stands to reason that he'll find just that when Thor smacks into the Guardians» windshield early in the movie.

Director Rian Johnson has handled the increasingly toxic backlash with the kind of self - aware openness that only a Star Wars fanatic could possess.

Although even here Howard and his screenwriters (only the father - son teams of Lawrence and Jake Kasdan are credited) can't resist making a call back all the way to a line in the original Star Wars, one which in a short sentence («We don't serve their kind here.»)

The Post is directed by the one - and - only Steven Spielberg, of Jaws, Close Encounters of the Third Kind, the Indiana Jones movies, E.T., Empire of the Sun, Hook, the Jurassic Park movies, Schindler's List, Saving Private Ryan, A.I., Minority Report, War of the Worlds, Munich, War Horse, Lincoln, Bridge of Spies, and The BFG previously, plus Ready Player One next.

Lynch is pretty good at this kind of drollery, and he's not the only actor here who registers strongly in a smaller role: Others include Ron Livingston as a lawyer; Ed Begley Jr. as the doctor who examines Lucky after a mysterious fall; and Tom Skerritt as a veteran who swaps World War II stories with Lucky.

When she does experience it, however, she not only wakes up to a different kind of life than the one she had led before; she wakes up to a war.

- David Abrams, author of Fobbit «Fives and Twenty - Fives is one of the great novels of war, the kind of book that comes along only once or twice each generation.»

Zain, an Orbital Wars veteran, has the kind of sculpted body usually found only on manufactured robots — sculpted and inhumanly strong.

After the war, Dr. Menzel dedicated her time to helping the blind and in 1949 founded The Institute for Orientation and Mobility of the Blind, the only one of its kind in the Middle East.

The only thing that kind of sets it apart from the slew of shooters is that it takes place in World War 2.....

because fucking journalism, im sorry i never see this stuff on xbox, only think i see is sea of thiefs next pubg.but hey one of the best games like god of war gets this kind of shit?

Middle - earth: Shadow of War is kind of like a difficult second album, only the band has hired a 90 piece orchestra and asked Matt Bellamy from Muse to do the lyrics.

I didn't particularly care for this game because it was kind of stale and boring, but it was also one of the only available space combat games based on Star Wars during that era save for the Star Wars: Rogue Squadron games for the Nintendo GameCube.

This kind of context goes a long way toward not only educating players who likely know little about World War I, but somehow also makes the stakes of the multiplayer battle even higher.

Chapter 1: Things Must be Pulverized: Abstract Expressionism Charts the move from figurative to abstract painting as the dominant style of painting (1940s & 50s) Key artists discussed: Willem de Kooning, Barnett Newman Jackson Pollock, Mark Rothko Chapter 2: Wounded Painting: Informel in Europe and Beyond Meanwhile in Europe: abstract painters immediate responses to the horrors of World War II (1940s & 50s) Key artists discussed: Jean Dubuffet, Lucio Fontana, Viennese Aktionism, Wols Chapter 3: Post-War Figurative Painting Surveys those artists who defiantly continued to make figurative work as Abstraction was rising to dominance - including Social Realists (1940s & 50s) Key artists discussed: Francis Bacon, Lucien Freud, Alice Neel, Pablo Picasso Chapter 4: Against Gesture - Geometric Abstraction The development of a rational, universal language of art - the opposite of the highly emotional Informel or Abstract Expressionism (1950s and early 1960s) Key artists discussed: Lygia Clark, Ellsworth Kelly, Bridget Riley, Yves Klein Chapter 5: Post-Painting Part 1: After Pollock In the aftermath of Pollock's death: the early days of Pop, Minimalism and Conceptual painting in the USA (1950s and early 1960s) Key artists discussed: Jasper Johns, Robert Rauschenberg, Frank Stella, Cy Twombly Chapter 5: Anti Tradition - Pop Painitng How painting survives against growth of mass visual culture: photography and television - if you can't beat them, join them (1960s and 70s) Key artists discussed: Alex Katz, Roy Lichtenstein, Gerhard Richter, Andy Warhol Chapter 6: A transcendental high art: Neo Expressionism and its Discontents The continuation of figuration and expressionism in the 1970s and 80s, including many artists who have only been appreciated in later years (1970s & 80s) Key artists discussed: Georg Baselitz, Jean - Michel Basquiat, Anselm Kiefer, Julian Schnabel, Chapter 7: Post-Painting Part II: After Pop A new era in which figurative and abstract exist side by side rather than polar opposites plus painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc TuymWar II (1940s & 50s) Key artists discussed: Jean Dubuffet, Lucio Fontana, Viennese Aktionism, Wols Chapter 3: Post-War Figurative Painting Surveys those artists who defiantly continued to make figurative work as Abstraction was rising to dominance - including Social Realists (1940s & 50s) Key artists discussed: Francis Bacon, Lucien Freud, Alice Neel, Pablo Picasso Chapter 4: Against Gesture - Geometric Abstraction The development of a rational, universal language of art - the opposite of the highly emotional Informel or Abstract Expressionism (1950s and early 1960s) Key artists discussed: Lygia Clark, Ellsworth Kelly, Bridget Riley, Yves Klein Chapter 5: Post-Painting Part 1: After Pollock In the aftermath of Pollock's death: the early days of Pop, Minimalism and Conceptual painting in the USA (1950s and early 1960s) Key artists discussed: Jasper Johns, Robert Rauschenberg, Frank Stella, Cy Twombly Chapter 5: Anti Tradition - Pop Painitng How painting survives against growth of mass visual culture: photography and television - if you can't beat them, join them (1960s and 70s) Key artists discussed: Alex Katz, Roy Lichtenstein, Gerhard Richter, Andy Warhol Chapter 6: A transcendental high art: Neo Expressionism and its Discontents The continuation of figuration and expressionism in the 1970s and 80s, including many artists who have only been appreciated in later years (1970s & 80s) Key artists discussed: Georg Baselitz, Jean - Michel Basquiat, Anselm Kiefer, Julian Schnabel, Chapter 7: Post-Painting Part II: After Pop A new era in which figurative and abstract exist side by side rather than polar opposites plus painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc TuymWar Figurative Painting Surveys those artists who defiantly continued to make figurative work as Abstraction was rising to dominance - including Social Realists (1940s & 50s) Key artists discussed: Francis Bacon, Lucien Freud, Alice Neel, Pablo Picasso Chapter 4: Against Gesture - Geometric Abstraction The development of a rational, universal language of art - the opposite of the highly emotional Informel or Abstract Expressionism (1950s and early 1960s) Key artists discussed: Lygia Clark, Ellsworth Kelly, Bridget Riley, Yves Klein Chapter 5: Post-Painting Part 1: After Pollock In the aftermath of Pollock's death: the early days of Pop, Minimalism and Conceptual painting in the USA (1950s and early 1960s) Key artists discussed: Jasper Johns, Robert Rauschenberg, Frank Stella, Cy Twombly Chapter 5: Anti Tradition - Pop Painitng How painting survives against growth of mass visual culture: photography and television - if you can't beat them, join them (1960s and 70s) Key artists discussed: Alex Katz, Roy Lichtenstein, Gerhard Richter, Andy Warhol Chapter 6: A transcendental high art: Neo Expressionism and its Discontents The continuation of figuration and expressionism in the 1970s and 80s, including many artists who have only been appreciated in later years (1970s & 80s) Key artists discussed: Georg Baselitz, Jean - Michel Basquiat, Anselm Kiefer, Julian Schnabel, Chapter 7: Post-Painting Part II: After Pop A new era in which figurative and abstract exist side by side rather than polar opposites plus painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc Tuymwar, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc Tuymans

The Futurists are famous for considering war «the world's only hygiene,» wanting to «scorn» all women and calling for the destruction of «museums, libraries, academies of every kind.»

Properly qualified, there is only one successful precedent for the kind of technological mobilization we are contemplating: the mobilization of American industry during World War II.

The notion, then that 9 - 11 was some kind of «inside job» may well have been the vulgar form of the observation that terror had become, not only a pretext for war, but also a pretext for aggressive domestic policies and a new role for the state.